"One of the great political cartoonists of our time." —David Remnick A gorgeous, hilarious, and provocative compendium of the Pulitzer Prize-winning artist’s illustrations for The New Yorker , The New York Times , Vanity Fair, and more. Barry Blitt’s cartoons have been lampooning American politics and culture for decades. His iconic New Yorker covers are defining images for our times, earning him adoration from critics and fans and piles of hate mail from everyone else. This lavish full-color collection showcases more than a quarter century of Blitt’s work: his wry and provocative New Yorker covers, from the Obama fist bump heard round the world, to George W. Bush’s drowning cabinet, to the myriad (and counting) misadventures of Donald Trump; Blitt’s long-running collaboration with Frank Rich on The New York Times op-ed page; and his work for Vanity Fair , Time , Entertainment Weekly , and others. Blitt also shares his private sketchbooks, drafts, and uproarious rejected illustrations, offering readers an illuminating view into his creative process. Featuring the author's hand-scrawled annotations and self-deprecating witticisms, more than one hundred never-before-seen sketches and drafts, and essays from Blitt’s collaborators and peers, including Frank Rich, Françoise Mouly, and Steve Brodner, Blitt is a visual delight and a rollicking trip into the mind of an utterly original artist.

Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes -- Why the Holocaust? Why mice? Why comics? -- and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman's private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right. - Publisher.

The enthralling debut from bestselling novelist Michael Chabon is a penetrating narrative of complex friendships, father-son conflicts, and the awakening of a young man's sexual identity. Chabon masterfully renders the funny, tender, and captivating first-person narrative of Art Bechstein, whose confusion and heartache echo the tones of literary forebears like The Catcher in the Rye's Holden Caulfield and The Great Gatsby's Nick Carraway. The Mysteries of Pittsburgh incontrovertibly established Chabon as a powerful force in contemporary fiction, even before his PulitzerPrize-winning novel The Amazing Adventures of Kavalier & Clay set the literary world spinning. An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

The Pulitzer Prize-winning author of The Good War and Working writes a chronicle of the American Dream in trouble. Studs Terkel talks to 100 Americans, from housewives and bartenders to teachers and cops. What they have to say presents a candid portrait of a nation divided. A hardcover bestseller. Pantheon.

"The Pulitzer finalist delivers his best work yet--a brilliant, streamlined comic novel, reminiscent of early Philip Roth and of his own most masterful stories, about a son's failure to say Kaddish for his father. Larry is an atheist in a family of orthodox Memphis Jews. When his father dies, it is his responsibility as the surviving son to recite the Kaddish, the Jewish prayer for the dead, every day for eleven months. To the horror and dismay of his mother and sisters, Larry refuses--thus imperiling the fate of his father's soul. To appease them, and in penance for failing to mourn his father correctly, he hatches an ingenious if cynical plan, hiring a stranger through a website called Kaddish.com to recite the daily prayer and shepherd his father's soul safely to rest. This is Nathan Englander's freshest and funniest work to date--a satire that touches, lightly and with unforgettable humor, on the conflict between religious and secular worlds, and the hypocrisies that run through both. A novel about atonement; about spiritual redemption; and about the soul-sickening temptations of the internet, which, like God, is everywhere"--

Finalist for the Pulitzer Prize (Biography) A New York Times bestseller, this “epic and elegant” biography ( Wall Street Journal ) profoundly recasts our understanding of the Vietnam War. Praised as a “superb scholarly achievement” ( Foreign Policy ), The Road Not Taken confirms Max Boot’s role as a “master chronicler” ( Washington Times ) of American military affairs. Through dozens of interviews and never-before-seen documents, Boot rescues Edward Lansdale (1908–1987) from historical ignominy to “restore a sense of proportion” to this “political Svengali, or ‘Lawrence of Asia’ ”( The New Yorker ). Boot demonstrates how Lansdale, the man said to be the fictional model for Graham Greene’s The Quiet American , pioneered a “hearts and minds” diplomacy, first in the Philippines and then in Vietnam. Bringing a tragic complexity to Lansdale and a nuanced analysis to his visionary foreign policy, Boot suggests Vietnam could have been different had we only listened. With contemporary reverberations in Iraq, Afghanistan, and Syria, The Road Not Taken is a “judicious and absorbing” ( New York Times Book Review ) biography of lasting historical consequence.

* * * Previously published as Secrecy World * * * The Inspiration for the Major Motion Picture from Director Steven Soderbergh, Starring Meryl Streep, Gary Oldman, and Antonio Banderas Two-time Pulitzer Prize–winning investigative reporter takes us inside the world revealed by the Panama Papers, a landscape of illicit money, political corruption, and fraud on a global scale. A hidden circulatory system flows beneath the surface of global finance, carrying trillions of dollars from drug trafficking, tax evasion, bribery, and other illegal enterprises. This network masks the identities of the individuals who benefit from these activities, aided by bankers, lawyers, and auditors who get paid to look the other way. In The Laundromat , two-time Pulitzer Prize–winning investigative reporter Jake Bernstein explores this shadow economy and how it evolved, drawing on millions of leaked documents from the files of the Panamanian law firm Mossack Fonseca—a trove now known as the Panama Papers—as well as other journalistic and government investigations. Bernstein shows how shell companies operate, how they allow the superwealthy and celebrities to escape taxes, and how they provide cover for illicit activities on a massive scale by crime bosses and corrupt politicians across the globe. Bernstein traveled to the Caribbean, Latin America, Europe, and within the United States to uncover how these strands fit together—who is involved, how they operate, and the real-world impact. He recounts how Mossack Fonseca was exposed and what lies ahead for the corporations, banks, law firms, individuals, and governments that are implicated. The Laundromat offers a disturbing and sobering view of how the world really works and raises critical questions about financial and legal institutions we may once have trusted.

Herman Wouk Full Length, Drama Characters:19 male (6 non-speaking) Simple set The Pulitzer Prize-winning novel about a court martial has been adapted by the author into suspenseful evening of theatre. A young lieutenant is relieved his captain of command in the midst of a typhoon on the grounds that the captain, Queeg is a psychopath in crisis and commanded the ship and its crew to destruction. Naval tradition is against him, but testimony eventually reveals a devastating picture of Queeg's mental disintegration. "Enormously exciting. It is the modern stage at its best." -N.Y. Daily News

With a knack for trivia, Encyclopedia solves mysteries for the neighborhood kids through his own detective agency. But his dad is also the chief of police, and every night Encyclopedia helps him solve his most baffling crimes. Join Encyclopedia Brown as he solves ten new and even more confounding mysteries, including a case of a stolen watch, disappearing money, a headless ghost, and more. And with the clues given in each case, you can solve these mysteries too! Interactive and chock-full of interesting bits of information, it's classic Encyclopedia Brown! “I loved Encyclopedia Brown as a kid.”—Junot Diaz, Pulitzer Prize-winning author of The Brief Wondrous Life of Oscar Wao

Carl Bernstein' s stunning portrait of Hillary Rodham Clinton shows us, as nothing else has, the true trajectory of her life and career with its zigzag bursts of risks taken and safety sought. Marshaling all the skills and energy that propelled his history-making Pulitzer Prize reporting on Watergate, Bernstein gives us the most detailed, sophisticated, comprehensive, and revealing account we have had of the complex human being and political meteor who has already helped define one presidency and may well become, herself, the woman in charge of another. We see the shaping of Hillary as a self-described mind conservative and heart liberal -- her ostensibly idyllic Midwestern girlhood (her mother a nurturer, but her father a disciplinarian, harsher than she has acknowledged); her early development of deep religious feelings; her curiosity fueled by dedicated teachers, by exposure to Martin Luther King Jr., by the ferment of the sixties, and, above all, by a desire to change the world. At Wellesley, we watch Hillary, a Republican turned Democrat, thriving in the new sky' s-the-limit freedom for women, already perceived as a spokeswoman for her generation, her commencement speech celebrated in Life magazine. And the book takes us to Yale Law School as Hillary meets and falls in love with Bill Clinton and cancels her dream to go her own way, to New York or Washington, tying her fortune, instead, to his in Arkansas. Bernstein clarifies the often amazing dynamic of their marriage, shows us the extent to which Hillary has been instrumental in the triumphs and troubles of Bill Clinton' s governorship and presidency, and sheds light on her ownpolitical brilliance and her blind spots-- especially her suspicion and mishandling of the press and her overt hostility to the opposition that clouded her entry into the capital. He untangles her relationship to Whitewater, Troopergate, and Travelgate. He leads us to understand the failure of her health care initiative. In the emotional and political chaos of the Lewinsky affair we see Hillary, despite her immense hurt and anger, standing by her husband-- evoking a rising wave of sympathy from a public previously cool to her. It helps carry her into the Senate, where she applies the political lessons she has learned. It is now her time. As she decides to run for president, her husband now her valued aide, she has one more chance to fulfill her ambition for herself-- to change the world. In his preparation for A Woman in Charge, Bernstein reexamined everything pertinent written about and by Hillary Clinton. He interviewed some two hundred of her colleagues, friends, and enemies and was allowed unique access to the candid record of the 1992 presidential campaign kept by Hillary' s best friend, Diane Blair. He has given us a book that enables us, at last, to address the questions Americans are insistently-- even obsessively-- asking about Hillary Clinton: What is her character? What is her political philosophy? Who is she? What can we expect of her?

The American Heritage History of World War II was first published in 1966. At the time, author and Pulitzer Prize-winning journalist C.L. Sulzberger received widespread praise for his authoritative account of the six-year war that involved more than fifty-six nations, resulted in the death of some 22 million people, and shaped the course of history. His work became a standard reference on the war. Stephen E. Ambrose, one of the most highly regarded historians of our time, oversaw a major revision of this classic work. Seamlessly incorporating new material and insights, Ambrose produced a comprehensive and riveting account of the war's key characters and events. In planes and foxholes, in deserts and jungles, on ships and beaches, Ambrose shines a light on the people involved - the leaders, the fighters, the victims. He also added new chapters on the atrocities of the Holocaust and revelations about the secret war of espionage. Ambrose's analysis also offers insight into the events that precipitated the Cold War. This book captures the courage, commitment, military genius, and horror of the war that gave birth to a new era in world politics. For students, history buffs, and fascinated readers, The American Heritage History of World War II is the definitive single-volume work on the subject and will endure as a major narrative of world history.

The Crisis of the Old Order, 1919-1933, volume one of Pulitzer Prize-winning historian and biographer Arthur M. Schlesinger, Jr.'s Age of Roosevelt series, is the first of three books that interpret the political, economic, social, and intellectual history of the early twentieth century in terms of Franklin D. Roosevelt, the spokesman and symbol of the period. Portraying the United States from the Great War to the Great Depression, The Crisis of the Old Order covers the Jazz Age and the rise and fall of the cult of business. For a season, prosperity seemed permanent, but the illusion came to an end when Wall Street crashed in October 1929. Public trust in the wisdom of business leadership crashed too. With a dramatist's eye for vivid detail and a scholar's respect for accuracy, Schlesinger brings to life the era that gave rise to FDR and his New Deal and changed the public face of the United States forever.

Selected by the Modern Library as one of the 100 best nonfiction books of all time On the occasion of the 150th anniversary of the Civil War, the Modern Library publishes Shelby Foote's three-volume masterpiece in a new boxed set including three hardcovers and a new trade paperback, American Homer: Reflections on Shelby Foote and His Classic Civil War: A Narrative, edited by and with an introduction from Pulitzer Prize winner Jon Meacham and including essays by Michael Beschloss, Ken Burns, Annette Gordon-Reed, and others. Random House publisher Bennett Cerf commissioned southern novelist Shelby Foote to write a short, one-volume history of the American Civil War. Thirty years and a million and a half words later--every word having been written out longhand with nib pens dipped into ink--Foote published the third and final volume of what has become the classic narrative of that epic war. As he approached the end of the final volume, Foote recounted this scene in a letter to his friend, the novelist Walker Percy: "I killed Lincoln last week--Saturday, at noon. While I was doing it (he had his chest arched up, holding his last breath to let it out) some halfassed doctor came to the door with vols I and II under his arm, wanting me to autograph them for his son for Xmas. I was in such a state of shock, I not only let him in; I even signed the goddam books, a thing I seldom do. Then I turned back and killed him and had Stanton say, 'Now he belongs to the ages.' A strange feeling, though. I have another 70-odd pages to go, and I have a fear they'll be like Hamlet with Hamlet left out. Christ, what a man. It's been a great thing getting to know him as he was, rather than as he has come to be--a sort of TV image of himself, with a ghost alongside." When Percy read the final book, he wrote to Foote: "It's a noble work. I'm still staggered by the size of the achievement. . . . It is The Iliad ." A selection of these letters, along with essays by Jon Meacham, Michael Beschloss, Ken Burns, Annette Gordon-Reed, Michael Eric Dyson, Julia Reed, Robert Loomis, Donald Graham, John M. McCardell, Jr., and Jay Tolson, are included in American Homer, the bonus paperback book available only in the Modern Library boxed set of The Civil War. Shelby Foote's tremendous, sweeping narrative of the most fascinating conflict in our history--a war that lasted four long, bitter years, an experience more profound and meaningful than any other the American people have ever lived through--begins with Jefferson Davis's resignation from the United States Senate and Abraham Lincoln's departure from Springfield for the national capital. It is these two leaders, whose lives continually touch on the great chain of events throughout the story, who are only the first of scores of exciting personalities that in effect make The Civil War a multiple biography set against the crisis of an age. Four years later, Lincoln's second inaugural sets the seal, invoking "charity for all" on the Eve of Five Forks and the Grant-Lee race for Appomattox. Here is the dust and stench of war, a sort of Twilight of the Gods. The epilogue is Lincoln in his grave, and Davis in his postwar existence--"Lucifer in Starlight." So ends a unique achievement--already recognized as one of the finest histories ever fashioned by an American--a narrative that re-creates on a vast and brilliant canvas the events and personalities of an American epic: the Civil War.

From the Pulitzer Prize-winning author of Angels in America comes this powerful portrayal of individual dissolution and resolution in the face of political catastrophe. "Tony Kushner's A BRIGHT ROOM CALLED DAY ... is unabashedly political, thought-provoking, a little scary, and frequently a good deal of theatrical fun ... BRIGHT ROOM is ... an examination of Nazi Germany in an attempt to shed insight on our own time. It's brash, audacious, and, depending on your politics, anything from infuriatingly naïve to intoxicatingly visionary. In its 1932-33 span, it tells of a group of Berlin artists and friends, with varying degrees of communist leanings, and of the changes in their lives as democracy falls and Adolph Hitler takes over." -Sid Smith, Chicago Tribune "It's fun to see a show this engaged. This passionate and ready to talk. Wild, uneven, pugnacious, ragged, committed, smart, dumb, satirical, and utterly serious ... Always dramatically and intellectually forceful. And most important, always passionately committed. More than a diatribe against Reagan or a falling-into-the-Nazi-abyss history play, A BRIGHT ROOM CALLED DAY is an assertion of the need for commitment." -Anthony Adler, The Reader

A New York Times BestsellerThomas L. Friedman won his third Pulitzer Prize for his clarity of vision, based on extensive reporting, in commenting on the worldwide impact of the terrorist threat after the attacks of September 11, 2001. Longitudes & Attitudes is made up of the columns Friedman has published about September 11, as well as a diary of his private experiences and reflections as he travels from Afghanistan to Israel to Europe to Indonesia to Saudi Arabia reporting on the post-September 11 world.

Pulitzer Prize-winning oral historian Studs Terkel's "greatest hits." Terkel's oral histories have been enjoyed by millions of Americans, and have earned him a Pulitzer Prize, induction into The American Academy of Arts and Letters, The National Humanities Medal, and The National Book Foundation Medal for Distinguished Contribution to American Letters, among other honors. My American Century collects the best of his interviews and the introductions from each of his eight classic books, along with a major new introduction to Terkel's work by Robert Coles. It is a both stellar collection of portraits and a panoramic chronicle of America from the 1920s onward.

Product Description Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value. The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.” Book Description with The Norton Shakespeare Digital Edition registration card About the Author Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; an

A new era begins for Iron Man, written by Pulitzer Prize-winning journalist Spencer Ackerman! With his company restored, Tony Stark's first order of business is getting Stark Unlimited back out of the weapons game. But a multinational company doesn't just stop selling weapons overnight, and the board is more concerned with profit margins than super-hero ethics. Now they've made a deal with the devil: Stark Unlimited is for sale, and the highest bidder represents the combined might of Tony's two biggest competitors: Roxxon and A.I.M.! But they're ready for the old Tony Stark. This one? He's a lot angrier than he used to be. New armour, old enemies and unbelievable twists abound in this fresh take on a fury-powered Iron Man! Collecting: Iron Man (2024) 1-6

For the first time, the collected poems of America's preeminent postwar poet Edmund Wilson wrote of Robert Lowell that he was the "only recent American poet--if you don't count Eliot--who writes successfully in the language and cadence and rhyme of the resounding English tradition." Frank Bidart and David Gewanter have compiled a definitive edition of Lowell's poems, from the early triumph of Lord Weary's Castle , winner of the Pulitzer Prize, to the brilliant willfulness of his Imitations of Sappho, Baudelaire, Rilke, and other masters, to the late spontaneity of his History , winner of another Pulitzer, and of his last book of poems, Day by Day . The book will also include several poems never previously collected, as well as a selection of Lowell's intriguing drafts. As poet and critic Randall Jarrell said, "You feel before reading any new poem of his the uneasy expectation of perhaps encountering a masterpiece." Lowell's Collected Poems will offer the first opportunity to view the entire range of his astonishing verse.

Anti-intellectualism in American Life was awarded the 1964 Pulitzer Prize in Non-Fiction. It is a book which throws light on many features of the American character. Its concern is not merely to portray the scorners of intellect in American life, but to say something about what the intellectual is, and can be, as a force in a democratic society. Hofstadter set out to trace the social movements that altered the role of intellect in American society from a virtue to a vice. In so doing, he explored questions regarding the purpose of education and whether the democratization of education altered that purpose and reshaped its form. In considering the historic tension between access to education and excellence in education, Hofstadter argued that both anti-intellectualism and utilitarianism were consequences, in part, of the democratization of knowledge. Moreover, he saw these themes as historically embedded in America's national fabric, an outcome of her colonial European and evangelical Protestant heritage. Anti-intellectualism and utilitarianism were functions of American cultural heritage, not necessarily of democracy.