"Pulitzer Prize-winning journalist Daniel Golden exposes how academia has become a major target of foreign and domestic espionage--and why that is troubling news for our nation's security and democratic values. Grounded in extensive research and reporting, Spy Schools reveals that globalization--the influx of foreign students and professors and the outflow of Americans for study, teaching, and conferences abroad--has transformed U.S. higher education into a front line for international spying. In labs, classrooms, and auditoriums, intelligence services from countries like China, Russia, and Cuba seek insights into U.S. policy, recruits for clandestine operations, and access to sensitive military and civilian research. The FBI and CIA reciprocate, tapping international students and faculty as informants. Universities ignore or even condone this interference, despite the tension between their professed global values and the nationalistic culture of espionage. Taking advantage of patriotic fervor and fear in the wake of 9/11, the CIA and other security agencies have infiltrated almost every aspect of academic culture and enlist professors, graduate students, and even undergraduates to moonlight as spies. Golden uncovers shocking campus activity--from the CIA placing agents undercover in Harvard Kennedy School classes and staging academic conferences to persuade Iranian nuclear scientists to defect, to a Chinese graduate student at Duke University stealing research for an invisibility cloak, and a tiny liberal arts college in Marietta, Ohio, exchanging faculty with China's most notorious spy school--to show how relentlessly and ruthlessly both U.S. and foreign intelligence services are penetrating the ivory tower. Golden, the acclaimed author of The Price of Admission, unmasks this secret culture of espionage and its consequences at home and abroad." --

Two time Pulitzer Prize-winning historian Bernard Bailyn has distilled a lifetime of study into this brilliant illumination of the ideas and world of the Founding Fathers. In five succinct essays he reveals the origins, depth, and global impact of their extraordinary creativity. The opening essay illuminates the central importance of America’s provincialism to the formation of a truly original political system. In the chapters following, he explores the ambiguities and achievements of Jefferson’s career, Benjamin Franklin’s changing image and supple diplomacy, the circumstances and impact of the Federalist Papers , and the continuing influence of American constitutional thought throughout the Atlantic world. To Begin the World Anew enlivens our appreciation of how America came to be and deepens our understanding of the men who created it.

William Safire was a speechwriter for Richard Nixon from 1968 to 1973. During that time, as a Washington insider, Safire was able to observe the thirty-seventh president in his entirety: as noble and mean-spirited; as good and bad; as a man desirous of greatness. Rarely has there been a White House memoir more intimate or revealing in its exploration of the great events that took place "before the fall" of Watergate. In this anecdotal history, Nixon and his associates come alive, not as caricatures, but as men with high and low purpose: Henry Kissinger, William Rogers, H. R. (Bob) Haldeman, John Ehrlichman, Charles Colson, and Arthur Burns struggle not just for power, but for ideals. As William Safire says in his Prologue: "In this memoir, which is neither a biography of [Nixon] nor an autobiography of me nor a narrative history of our times, there is an attempt to figure out what was good and bad about him, what he was trying to do and how well he succeeded, how he used and affected some of the people around him, and an effort not to lose sight of all that went right in examining what went wrong." The book is divided into ten sections, in which run three main themes: the President, the Partisan, and the Person. As a president, Safire discusses Nixon and the Vietnam War, foreign policy, economics, and race relations. As a partisan, he discusses Nixon's attempt to form an alignment across party lines, successful in many respects before the president tolerated the excesses that eventually corrupted his administration. And as a person, Safire finds that Nixon was a mixture of Woodrow Wilson, Machiavelli, Theodore Roosevelt, and Shakespeare's Cassius--an idealistic conniver evoking the strenuous life while he thinks too much. This paperback edition of a classic primary source for historians includes a new introduction by its author. Studded with direct quotations that put the reader in the room where history was being made, Before the Fall is a realistic, shades-of-gray study of the Nixon years. William Safire joined the New York Times in 1973 as a political columnist, where he also writes a Sunday column, "On Language," about grammar, usage, and etymology. The author of several books including Freedom , Full Disclosure , and Scandalmonger , he is the winner of the 1978 Pulitzer Prize for distinguished commentary and served nine years as a member of the Pulitzer Board.

Trial by jury is the mainstay of the accusatorial system of criminal justice. Here one of our most distinguished constitutional scholars, the Pulitzer Prize-winning Leonard Levy, brings his formidable skills to bear in tracing the development of what many great legal minds have called the Palladium of Justice. Recounting this history with his characteristic clarity, vigor, and elegance of expression, Mr. Levy has given us a brilliant and useful summary of one of our most cherished freedoms. Incisively, thoroughly, and thoughtfully—as always-Leonard Levy offers historical meaning and understanding to one of our most basic rights. —Stanley I. Kutler

What did "freedom of the press" really mean to the framers of the First Amendment and their contemporaries? This masterful book by a Pulitzer Prize–winning constitutional historian answers that question. In Emergence of a Free Press (a greatly revised and enlarged edition of his landmark Legacy of Suppression), Leonard W. Levy argues that the First Amendment was not designed to be the bulwark of a free press that many thought, nor had the amendment's framers intended to overturn the common law of seditious libel that was the principal means of stifling political dissent. Yet he notes how robust and rambunctious the early press was, and he takes that paradox into account in tracing the succession of cases and reforms that figured in the genesis of a free press. Mr. Levy's brilliant account offers a new generation of readers a penetrating look into the origins of one of America's most cherished freedoms.

From the moment the battle ended, Gettysburg was hailed as one of the greatest triumphs of the Union army. Celebrations erupted across the North as a grateful people cheered the victory. But Gabor Boritt turns our attention away from the rejoicing millions to the dark mood of the White House--where Lincoln cried in frustration as General Meade let the largest Confederate army escape safely into Virginia. Such unexpected portraits abound in Lincoln's Generals, as a team of distinguished historians probes beyond the popular anecdotes and conventional wisdom to offer a fascinating look at Lincoln's relationship with his commanders. In Lincoln's Generals, Boritt and his fellow contributors examine the interaction between the president and five key generals: McClellan, Hooker, Meade, Sherman, and Grant. In each chapter, the authors provide new insight into this mixed bag of officers and the president's tireless efforts to work with them. Even Lincoln's choice of generals was not as ill-starred as we think, writes Pulitzer Prize-winner Mark E. Neely, Jr.: compared to most Victorian-era heads of state, he had a fine record of selecting commanders (for example, the contemporary British gave us such bywords for incompetence as "the charge of the Light Brigade," while Napoleon III managed to lose the entire French army). But the president's relationship with his generals was never easy. In these pages, Stephen Sears underscores McClellan's perverse obstinancy as Lincoln tried everything to drive him ahead. Neely sheds new light on the president's relationship with Hooker, arguing that he was wrong to push the general to attack at Chancellorsville. Boritt writes about Lincoln's prickly relationship with the victor of Gettysburg, "old snapping turtle" George Meade. Michael Fellman reveals the political stress between the White House and William T. Sherman, a staunch conservative who did not want blacks in his army but who was crucial to the war effort. And John Y. Simon looks past the legendary camaraderie between Lincoln and Grant to reveal the tensions in their relationship. Perhaps no other episode has been more pivotal in the nation's history than the Civil War--and yet so much of these massive events turned on a few distinctive personalities. Lincoln's Generals is a brilliant portrait that takes us inside the individual relationships that shaped the course of our most costly war.

WINNER OF THE PULITZER PRIZE In the bustling streets of early 20th-century New York City, the stoop of a nondescript brownstone serves as the central stage for the intricate dramas and poignant narratives that unfold in Elmer Rice's seminal work, "Street Scene." Premiering in 1929 at the Playhouse Theatre in New York City, this evocative play offers a profound exploration of the human condition amidst the backdrop of a gritty urban landscape. At the heart of the narrative are the Maurrant family—Anna, Rose, and Frank—whose lives intertwine with those of their neighbors in profound and often tumultuous ways. Anna Maurrant, a woman grappling with issues of infidelity and disillusionment in her marriage, finds herself entangled in a web of secrets and desires. Her daughter, Rose, struggles to navigate the demands of her job and the oppressive presence of her father, Frank, whose domineering and sometimes abusive behavior casts a shadow over their household. Against this backdrop of familial strife, the character of Sam Kaplan emerges as a beacon of empathy and compassion. A Jewish neighbor deeply in love with Rose, Sam serves as both a confidant and a source of solace amidst the chaos of their urban existence. His unwavering devotion to Rose illuminates the complexities of love and longing in a world marked by social and economic divides. As the action unfolds entirely on the front stoop of the brownstone and in the adjacent streets, Rice skillfully captures the rhythm and pulse of city life, infusing each scene with a palpable sense of immediacy and authenticity. From the colorful array of neighbors and passersby to the bustling energy of the urban milieu, "Street Scene" paints a vivid portrait of a community teetering on the brink of despair yet resilient in the face of adversity. Recipient of the prestigious Pulitzer Prize for Drama in 1929, "Street Scene" remains a timeless testament to the enduring power of theater to illuminate the complexities of the human experience. Through its rich tapestry of characters and its evocative portrayal of urban life, Rice's play invites audiences to reflect on themes of love, longing, and the indomitable spirit of the human soul against the backdrop of a mean quarter of New York City.

"A world in which the leading liberal-democratic nation does not assume its role as world policeman will become a world in which dictatorships contend, or unite, to fill the breach. Americans seeking a return to an isolationist garden of Eden--alone and undisturbed in the world, knowing neither good nor evil--will soon find themselves living within shooting range of global pandemonium." --From the Introduction In a brilliant book that will elevate foreign policy in the national conversation, Pulitzer Prize-winning columnist Bret Stephens makes a powerful case for American intervention abroad. In December 2011 the last American soldier left Iraq. "We're leaving behind a sovereign, stable, and self-reliant Iraq," boasted President Obama. He was proved devastatingly wrong less than three years later as jihadists seized the Iraqi city of Mosul. The event cast another dark shadow over the future of global order--a shadow, which, Bret Stephens argues, we ignore at our peril. America in Retreat identifies a profound crisis on the global horizon. As Americans seek to withdraw from the world to tend to domestic problems, America's adversaries spy opportunity. Vladimir Putin's ambitions to restore the glory of the czarist empire go effectively unchecked, as do China's attempts to expand its maritime claims in the South China Sea, as do Iran's efforts to develop nuclear capabilities. Civil war in Syria displaces millions throughout the Middle East while turbocharging the forces of radical Islam. Long-time allies such as Japan, Saudi Arabia, and Israel, doubting the credibility of American security guarantees, are tempted to freelance their foreign policy, irrespective of U.S. interests. Deploying his characteristic stylistic flair and intellectual prowess, Stephens argues for American reengagement abroad. He explains how military intervention in Iraq and Afghanistan was the right course of action, foolishly executed. He traces the intellectual continuity between anti-interventionist statesmen such as Henry Wallace and Robert Taft in the late 1940s and Barack Obama and Rand Paul today. And he makes an unapologetic case for Pax Americana, "a world in which English is the default language of business, diplomacy, tourism, and technology; in which markets are global, capital is mobile, and trade is increasingly free; in which values of openness and tolerance are, when not the norm, often the aspiration." In a terrifying chapter imagining the world of 2019, Stephens shows what could lie in store if Americans continue on their current course. Yet we are not doomed to this future. Stephens makes a passionate rejoinder to those who argue that America is in decline, a process that is often beyond the reach of political cures. Instead, we are in retreat--the result of faulty, but reversible, policy choices. By embracing its historic responsibility as the world's policeman, America can safeguard not only greater peace in the world but also greater prosperity at home. At once lively and sobering, America in Retreat offers trenchant analysis of the gravest threat to global order, from a rising star of political commentary.

This is the remarkable story of Barack Obama's journey to the White House, as told by the greatest cultural recorders in the world, the staff of The New York Times. From the first mention of Barack Obama in its pages (when he was elected president of the Harvard Law Review), to his electrifying speech at the 2004 Democratic Convention, to the days and months of the hardfought, innovative campaign for Presidency, The New York Times has documented, recorded, and analyzed Obama in all the ways that he has irrevocably changed this country. In twelve rich chapters, filled with award-winning photos and graphics, as well as text from Nobel Prize and Pulitzer€”winning columnists like Paul Krugman and Thomas Friedman, and seasoned political reporters like Adam Nagourney, The New York Times tells Obama's unlikely and incredible journey from the beginning all the way to his inauguration as President of the United States. Jill Abramson, the managing e

From a brilliant and witty comic book aficionado, this “scholarly but lively narrative” ( Kirkus Reviews ) reveals the links between Jews and the iconic superheroes of Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby. Many of us know that the superheroes at the heart of the American comic book industry were created by Jews. But you’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. With great wit and compelling arguments, Harry Brod situates superheroes within the course of Jewish-American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for abandoning their families, like Spider-Man; and outsiders persecuted for being different, like the X-Men. Brod blends humor and sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators integrated their Jewish identities and their creativity. Captivating, poignant, and packed with historical insights, this guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad magazine to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. “A witty, insightful exposé” ( Publisher’s Weekly ), Superman Is Jewish? is an endlessly fascinating American saga about an immigrant group that used comic books to see itself in new, empowering—and laughable—ways. You don’t even have to be Jewish to get a kick out of it.

Nearly a century and a half after his death, Abraham Lincoln remains an intrinsic part of the American consciousness, yet his intentions as president and his personal character continue to stir debate.Now, in The Lincoln Enigma, Gabor Boritt invites renowned Lincoln scholars, and rising new voices, to take a look at much-debated aspects of Lincoln's life, including his possible gay relationships, his plan to send blacks back to Africa, and his high-handed treatment of the Constitution. Boritt explores Lincoln's proposals that looked to a lily-white America. Jean Baker marvels at Lincoln's loves and marriage. David Herbert Donald highlights the similarities and differences of the Union and Confederate presidents' roles as commanders-in-chief. Douglas Wilson shows us the young Lincoln--not the strong leader of popular history, but a young man who questions his own identity and struggles to find his purpose. Gerald Prokopowicz searches for the military leader, William C. Harris for the peacemaker, and Robert Bruce meditates on Lincoln and death. In a final chapter Boritt and Harold Holzer offer a fascinating portfolio of Lincoln images in modern art.Acute and thought-provoking in their observations, this all-star cast of historians--including two Pulitzer and three Lincoln Prize winners--questions our assumptions of Lincoln, and provides a new vitality to our ongoing reflections on his life and legacy.

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT

Pulitzer Prize–winning Washington Post columnist Art Buchwald returns undaunted to examine the ridiculous people and preposterous events that we call our daily reality. Collected from his columns, with a foreword by Garry Trudeau, Buchwald’s satirical voice darts at politicians, power, corporations and the media without pause. A self-described troublemaker, Buchwald continues to represent the great American traits of skepticism, humor, and a refusal to compromise in the face of absurdity.

The Civil War and the World War II stand as the two great cataclysms of American history. They were our two costliest wars, with well over a million casualties suffered in each. And they were transforming moments in our history as well, times when the life of the nation and the great experiment in democracy--government of the people, by the people, for the people--seemed to hang in the balance. Now, in War Comes Again, eleven eminent historians--including three Pulitzer Prize winners, all veterans of the Second World War--offer an illuminating comparison of these two epic events in our national life. The range of essays here is remarkable, the level of insight consistently high, and the quality of the writing is superb. For instance, Stephen Ambrose, the bestselling author of D-Day, June 6th, 1944, offers an intriguing comparison of the two great military leaders of each war--Grant and Eisenhower. Pulitzer Prize-winning historian Robert V. Bruce takes a revealing look at the events that foreshadowed the two wars. Gerald Linderman, author of Embattled Courage, examines the two wars from the point of view of the combat soldier. And Arthur Schlesinger, Jr., describes how both Lincoln and FDR went around strict observance of the Constitution in order to preserve the Constitution. There is, in addition, a fascinating discussion of the crucial role played by spying during the two wars, by Peter Maslowski; a look at the diplomacy of Lincoln and Roosevelt, by Howard Jones; and essays on the impact of the wars on women and on African Americans, by D'Ann Campbell, Richard Jensen, and Ira Berlin. In perhaps the most gripping piece in the book, Michael C.C. Adams offers an unflinching look at war's destructiveness, as he argues that the evils we associate with "bad wars" (such as Vietnam) are equally true of "good wars." And finally, in perhaps the most provocative essay in the book, Russell Weigley, one of America's most eminent military historians, maps the evolution of American attitudes toward war to our present belief that the only acceptable war is one that is short, inexpensive, and certain of victory. Would any great commander, Weigley asks, would a Lee or a Grant or a Marshall, refuse to fight unless he knew he couldn't lose? "Is not a willingness to run risks for the sake of cherished values and interests close to the heart of what defines greatness in a human being or in a nation?" Another Pulitzer winner and World War II veteran, Don E. Fehrenbacher, concludes War Comes Again with a very personal look at two common soldiers who have no monuments, who have not been mentioned in previous histories, but who point at the essence of these two wars and are "embedded in the very structure of the enduring nation and the world we live in."

A profoundly moving biographical study of George Kennan by the fine historian John Lukacs A man of impressive mental powers, of extraordinary intellectual range, and--last but not least--of exceptional integrity, George Frost Kennan (1904-2005) was an adviser to presidents and secretaries of state, with a decisive role in the history of this country (and of the entire world) for a few crucial years in the 1940s, after which he was made to retire; but then he became a scholar who wrote seventeen books, scores of essays and articles, and a Pulitzer Prize-winning memoir. He also wrote remarkable public lectures and many thousands of incisive letters, laying down his pen only in the hundredth year of his life. Having risen within the American Foreign Service and been posted to various European capitals, and twice to Moscow, Kennan was called back to Washington in 1946, where he helped to inspire the Truman Doctrine and draft the Marshall Plan. Among other things, he wrote the "X" or "Containment" article for which he became, and still is, world famous (an article which he regarded as not very important and liable to misreading). John Lukacs describes the development and the essence of Kennan's thinking; the--perhaps unavoidable--misinterpretations of his advocacies; his self-imposed task as a leading realist critic during the Cold War; and the importance of his work as a historian during the second half of his long life.

"From one of the most respected historians in America, twice the winner of the Pulitzer Prize, a new collection of essays that reflect a lifetime of erudition and accomplishments in history. The past has always been elusive: how can we understand people whose worlds were utterly different from our own without imposing our own standards and hindsight? What did things feel like in the moment when outcomes were uncertain? How can we recover the uncertainties of the past, before the outcomes were known? What kind of imagination goes into the writing of transformative history? Are there latent trends that distinguish the kinds of history we now write? How unique was North America among the far-flung peripheries of the early British empire? As Bernard Bailyn argues in this elegant, deeply informed collection of essays, history always combines approximations based on incomplete data, with empathic imagination and the interweaving of strands of knowledge into a narrative which also explains. This is a stirring and insightful work drawing on the wisdom and perspective of a career spanning more than five decades--a book that will appeal to anyone interested in history"--From publisher's website

Jewish Girls Coming of Age in America, 1860—1920 draws on a wealth of archival material, much of which has never been published—or even read—to illuminate the ways in which Jewish girls’ adolescent experiences reflected larger issues relating to gender, ethnicity, religion, and education. Klapper explores the dual roles girls played as agents of acculturation and guardians of tradition. Their search for an identity as American girls that would not require the abandonment of Jewish tradition and culture mirrored the struggle of their families and communities for integration into American society. While focusing on their lives as girls, not the adults they would later become, Klapper draws on the papers of such figures as Henrietta Szold, founder of Hadassah; Edna Ferber, Pulitzer Prize-winning author of Showboat ; and Marie Syrkin, literary critic and Zionist. Klapper also analyzes the diaries, memoirs, and letters of hundreds of other girls whose later lives and experiences have been lost to history. Told in an engaging style and filled with colorful quotes, the book brings to life a neglected group of fascinating historical figures during a pivotal moment in the development of gender roles, adolescence, and the modern American Jewish community.

In September 1952, John Lukacs, then a young and unknown historian, wrote George Kennan (1904-2005), the U.S. ambassador to the Soviet Union, asking one of the nation's best-known diplomats what he thought of Lukacs's own views on Kennan's widely debated idea of containing rather than militarily confronting the Soviet Union. A month later, to Lukacs's surprise, he received a personal reply from Kennan.So began an exchange of letters that would continue for more than fifty years. Lukacs would go on to become one of America's most distinguished and prolific diplomatic historians, while Kennan, who would retire from public life to begin a new career as Pulitzer Prize-winning author, would become revered as the man whose strategy of containment led to a peaceful end to the Cold War. Their letters, collected here for the first time, capture the writing and thinking of two of the country's most important voices on America's role and place in world affairs. From the division of Europe into East and West after World War II to its unification as the Soviet Union disintegrated, and from the war in Vietnam to the threat of nuclear annihilation and the fate of democracy in America and the world, this book provides an insider's tour of the issues and pivotal events that defined the Cold War.The correspondence also charts the growth and development of an intellectual and personal friendship that was intense, devoted, and honest. As Kennan later wrote Lukacs in letter, "perceptive, understanding, and constructive criticism is . . . as I see it, in itself a form of creative philosophical thought." It is a belief to which both men subscribed and that they both practiced.Presented with an introduction by Lukacs, the letters in Through the History of the Cold War reveal new dimensions to Kennan's thinking about America and its future, and illuminate the political-and spiritual-philosophies that the two authors shared as they wrote about a world transformed by war and by the clash of ideologies that defined the twentieth century.

"Si Lewen's Parade is a timeless story told in a language that knows no country--a wordless epic that, despite its muteness, is more powerful than the written or the spoken word. First published in 1957, The Parade is a lost classic, newly discovered, remastered, and presented by Art Spiegelman, the Pulitzer Prize-winning author of Maus. Reproduced in a unique two-sided accordion-fold format with an extensive overview of the artist's career on the verso, The Parade is a celebration of art and the story of recurring war as Si Lewen experienced it over the past 90 years, watching the joyful parades that marked the end of World War I lead into the death marches of World War II and the Korean War. As The Parade unfolds, the reader is taken on an unforgettable journey of sequential images"--

Available for the first time in paperback after being widely reviewed and discussed upon its hardcover publication, Historians in Trouble is investigative journalist and historian Jon Wiener's "incisive and entertaining" ( New Statesman ) account of several of the most notorious history scandals of the last few years. Focusing on a dozen key controversies ranging across the political spectrum and representing a wide array of charges, Wiener seeks to understand why some cases make the headlines and end careers, while others do not. He looks at the well publicized cases of Michael Bellesiles, the historian of gun culture accused of research fraud; accused plagiarists and "celebrity historians" Stephen Ambrose and Doris Kearns Goodwin; Pulitzer Prize winner Joseph J. Ellis, who lied in his classroom at Mount Holyoke about having fought in Vietnam; and the allegations of misconduct by Harvard's Stephan Thernstrom and Emory's Elizabeth Fox-Genovese, who nevertheless were appointed by George W. Bush to the National Council on the Humanities. As the Bancroft Prize-winning historian Linda Gordon wrote in Dissent, Wiener's "very readable book . . . reveal[s] not only scholarly misdeeds but also recent increases in threats to free debate and intellectual integrity."