The Pulitzer Prize-winning author of The Good War and Working writes a chronicle of the American Dream in trouble. Studs Terkel talks to 100 Americans, from housewives and bartenders to teachers and cops. What they have to say presents a candid portrait of a nation divided. A hardcover bestseller. Pantheon.

* * * Previously published as Secrecy World * * * The Inspiration for the Major Motion Picture from Director Steven Soderbergh, Starring Meryl Streep, Gary Oldman, and Antonio Banderas Two-time Pulitzer Prize–winning investigative reporter takes us inside the world revealed by the Panama Papers, a landscape of illicit money, political corruption, and fraud on a global scale. A hidden circulatory system flows beneath the surface of global finance, carrying trillions of dollars from drug trafficking, tax evasion, bribery, and other illegal enterprises. This network masks the identities of the individuals who benefit from these activities, aided by bankers, lawyers, and auditors who get paid to look the other way. In The Laundromat , two-time Pulitzer Prize–winning investigative reporter Jake Bernstein explores this shadow economy and how it evolved, drawing on millions of leaked documents from the files of the Panamanian law firm Mossack Fonseca—a trove now known as the Panama Papers—as well as other journalistic and government investigations. Bernstein shows how shell companies operate, how they allow the superwealthy and celebrities to escape taxes, and how they provide cover for illicit activities on a massive scale by crime bosses and corrupt politicians across the globe. Bernstein traveled to the Caribbean, Latin America, Europe, and within the United States to uncover how these strands fit together—who is involved, how they operate, and the real-world impact. He recounts how Mossack Fonseca was exposed and what lies ahead for the corporations, banks, law firms, individuals, and governments that are implicated. The Laundromat offers a disturbing and sobering view of how the world really works and raises critical questions about financial and legal institutions we may once have trusted.

Herman Wouk Full Length, Drama Characters:19 male (6 non-speaking) Simple set The Pulitzer Prize-winning novel about a court martial has been adapted by the author into suspenseful evening of theatre. A young lieutenant is relieved his captain of command in the midst of a typhoon on the grounds that the captain, Queeg is a psychopath in crisis and commanded the ship and its crew to destruction. Naval tradition is against him, but testimony eventually reveals a devastating picture of Queeg's mental disintegration. "Enormously exciting. It is the modern stage at its best." -N.Y. Daily News

With a knack for trivia, Encyclopedia solves mysteries for the neighborhood kids through his own detective agency. But his dad is also the chief of police, and every night Encyclopedia helps him solve his most baffling crimes. Join Encyclopedia Brown as he solves ten new and even more confounding mysteries, including a case of a stolen watch, disappearing money, a headless ghost, and more. And with the clues given in each case, you can solve these mysteries too! Interactive and chock-full of interesting bits of information, it's classic Encyclopedia Brown! “I loved Encyclopedia Brown as a kid.”—Junot Diaz, Pulitzer Prize-winning author of The Brief Wondrous Life of Oscar Wao

The American Heritage History of World War II was first published in 1966. At the time, author and Pulitzer Prize-winning journalist C.L. Sulzberger received widespread praise for his authoritative account of the six-year war that involved more than fifty-six nations, resulted in the death of some 22 million people, and shaped the course of history. His work became a standard reference on the war. Stephen E. Ambrose, one of the most highly regarded historians of our time, oversaw a major revision of this classic work. Seamlessly incorporating new material and insights, Ambrose produced a comprehensive and riveting account of the war's key characters and events. In planes and foxholes, in deserts and jungles, on ships and beaches, Ambrose shines a light on the people involved - the leaders, the fighters, the victims. He also added new chapters on the atrocities of the Holocaust and revelations about the secret war of espionage. Ambrose's analysis also offers insight into the events that precipitated the Cold War. This book captures the courage, commitment, military genius, and horror of the war that gave birth to a new era in world politics. For students, history buffs, and fascinated readers, The American Heritage History of World War II is the definitive single-volume work on the subject and will endure as a major narrative of world history.

The Crisis of the Old Order, 1919-1933, volume one of Pulitzer Prize-winning historian and biographer Arthur M. Schlesinger, Jr.'s Age of Roosevelt series, is the first of three books that interpret the political, economic, social, and intellectual history of the early twentieth century in terms of Franklin D. Roosevelt, the spokesman and symbol of the period. Portraying the United States from the Great War to the Great Depression, The Crisis of the Old Order covers the Jazz Age and the rise and fall of the cult of business. For a season, prosperity seemed permanent, but the illusion came to an end when Wall Street crashed in October 1929. Public trust in the wisdom of business leadership crashed too. With a dramatist's eye for vivid detail and a scholar's respect for accuracy, Schlesinger brings to life the era that gave rise to FDR and his New Deal and changed the public face of the United States forever.

Selected by the Modern Library as one of the 100 best nonfiction books of all time On the occasion of the 150th anniversary of the Civil War, the Modern Library publishes Shelby Foote's three-volume masterpiece in a new boxed set including three hardcovers and a new trade paperback, American Homer: Reflections on Shelby Foote and His Classic Civil War: A Narrative, edited by and with an introduction from Pulitzer Prize winner Jon Meacham and including essays by Michael Beschloss, Ken Burns, Annette Gordon-Reed, and others. Random House publisher Bennett Cerf commissioned southern novelist Shelby Foote to write a short, one-volume history of the American Civil War. Thirty years and a million and a half words later--every word having been written out longhand with nib pens dipped into ink--Foote published the third and final volume of what has become the classic narrative of that epic war. As he approached the end of the final volume, Foote recounted this scene in a letter to his friend, the novelist Walker Percy: "I killed Lincoln last week--Saturday, at noon. While I was doing it (he had his chest arched up, holding his last breath to let it out) some halfassed doctor came to the door with vols I and II under his arm, wanting me to autograph them for his son for Xmas. I was in such a state of shock, I not only let him in; I even signed the goddam books, a thing I seldom do. Then I turned back and killed him and had Stanton say, 'Now he belongs to the ages.' A strange feeling, though. I have another 70-odd pages to go, and I have a fear they'll be like Hamlet with Hamlet left out. Christ, what a man. It's been a great thing getting to know him as he was, rather than as he has come to be--a sort of TV image of himself, with a ghost alongside." When Percy read the final book, he wrote to Foote: "It's a noble work. I'm still staggered by the size of the achievement. . . . It is The Iliad ." A selection of these letters, along with essays by Jon Meacham, Michael Beschloss, Ken Burns, Annette Gordon-Reed, Michael Eric Dyson, Julia Reed, Robert Loomis, Donald Graham, John M. McCardell, Jr., and Jay Tolson, are included in American Homer, the bonus paperback book available only in the Modern Library boxed set of The Civil War. Shelby Foote's tremendous, sweeping narrative of the most fascinating conflict in our history--a war that lasted four long, bitter years, an experience more profound and meaningful than any other the American people have ever lived through--begins with Jefferson Davis's resignation from the United States Senate and Abraham Lincoln's departure from Springfield for the national capital. It is these two leaders, whose lives continually touch on the great chain of events throughout the story, who are only the first of scores of exciting personalities that in effect make The Civil War a multiple biography set against the crisis of an age. Four years later, Lincoln's second inaugural sets the seal, invoking "charity for all" on the Eve of Five Forks and the Grant-Lee race for Appomattox. Here is the dust and stench of war, a sort of Twilight of the Gods. The epilogue is Lincoln in his grave, and Davis in his postwar existence--"Lucifer in Starlight." So ends a unique achievement--already recognized as one of the finest histories ever fashioned by an American--a narrative that re-creates on a vast and brilliant canvas the events and personalities of an American epic: the Civil War.

A New York Times BestsellerThomas L. Friedman won his third Pulitzer Prize for his clarity of vision, based on extensive reporting, in commenting on the worldwide impact of the terrorist threat after the attacks of September 11, 2001. Longitudes & Attitudes is made up of the columns Friedman has published about September 11, as well as a diary of his private experiences and reflections as he travels from Afghanistan to Israel to Europe to Indonesia to Saudi Arabia reporting on the post-September 11 world.

Pulitzer Prize-winning oral historian Studs Terkel's "greatest hits." Terkel's oral histories have been enjoyed by millions of Americans, and have earned him a Pulitzer Prize, induction into The American Academy of Arts and Letters, The National Humanities Medal, and The National Book Foundation Medal for Distinguished Contribution to American Letters, among other honors. My American Century collects the best of his interviews and the introductions from each of his eight classic books, along with a major new introduction to Terkel's work by Robert Coles. It is a both stellar collection of portraits and a panoramic chronicle of America from the 1920s onward.

Product Description Both an enhanced digital edition―the first edited specifically for undergraduates―and a handsome print volume, The Norton Shakespeare, Third Edition, provides a freshly edited text, acclaimed apparatus, and an unmatched value. The attractive print and digital bundle offers students a great reading experience at an affordable price in two ways―a hardcover volume for their dorm shelf and lifetime library, and a digital edition ideal for in-class use. Students can access the ebook from their computer, tablet, or smartphone via the registration code included in the print volume at no additional charge. As one instructor summed it up, “It’s a long overdue step forward in the way Shakespeare is taught.” Book Description with The Norton Shakespeare Digital Edition registration card About the Author Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, where he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; an

For the first time, the collected poems of America's preeminent postwar poet Edmund Wilson wrote of Robert Lowell that he was the "only recent American poet--if you don't count Eliot--who writes successfully in the language and cadence and rhyme of the resounding English tradition." Frank Bidart and David Gewanter have compiled a definitive edition of Lowell's poems, from the early triumph of Lord Weary's Castle , winner of the Pulitzer Prize, to the brilliant willfulness of his Imitations of Sappho, Baudelaire, Rilke, and other masters, to the late spontaneity of his History , winner of another Pulitzer, and of his last book of poems, Day by Day . The book will also include several poems never previously collected, as well as a selection of Lowell's intriguing drafts. As poet and critic Randall Jarrell said, "You feel before reading any new poem of his the uneasy expectation of perhaps encountering a masterpiece." Lowell's Collected Poems will offer the first opportunity to view the entire range of his astonishing verse.

Anti-intellectualism in American Life was awarded the 1964 Pulitzer Prize in Non-Fiction. It is a book which throws light on many features of the American character. Its concern is not merely to portray the scorners of intellect in American life, but to say something about what the intellectual is, and can be, as a force in a democratic society. Hofstadter set out to trace the social movements that altered the role of intellect in American society from a virtue to a vice. In so doing, he explored questions regarding the purpose of education and whether the democratization of education altered that purpose and reshaped its form. In considering the historic tension between access to education and excellence in education, Hofstadter argued that both anti-intellectualism and utilitarianism were consequences, in part, of the democratization of knowledge. Moreover, he saw these themes as historically embedded in America's national fabric, an outcome of her colonial European and evangelical Protestant heritage. Anti-intellectualism and utilitarianism were functions of American cultural heritage, not necessarily of democracy.

One of the first examples of "new journalism" daringly combines reportage with a novelistic style and garnered Mailer his first Pulitzer Prize and a National Book Award in 1968.

The collected works of the Pulitzer Prize and National Book Critics Circle Award-winning writer explores her transfigured landscapes and offers insight into her unique form created to reflect the human drive to release the past in order to realize the yet-unimagined

The story of Nobel Prize–winning discoveries regarding the molecular mechanisms controlling the body’s circadian rhythm. How much of our fate is decided before we are born? Which of our characteristics is inscribed in our DNA? Weiner brings us into Benzer's Fly Rooms at the California Institute of Technology, where Benzer, and his asssociates are in the process of finding answers, often astonishing ones, to these questions. Part biography, part thrilling scientific detective story, Time, Love, Memory forcefully demonstrates how Benzer's studies are changing our world view--and even our lives. Jonathan Weiner, winner of the Pulitzer Prize for The Beak of the Finch , brings his brilliant reporting skills to the story of Seymour Benzer, the Brooklyn-born maverick scientist whose study of genetics and experiments with fruit fly genes has helped revolutionize or knowledge of the connections between DNA and behavior both animal and human.

After more than two decades, this dramatic and concise single-volume distillation of James Thomas Flexner's definitive four-volume biography George Washington , which received a Pulitzer Prize citation and a National Book Award for the fourth volume, has itself become an American classic. Now in a new trade paperback edition, this masterful work explores the Father of Our Country - sometimes an unpopular hero, a man of great contradictions, but always a towering historical figure, who remains, as Flexner writes in these pages, "a fallible human being made of flesh and blood and spirit - not a statue of marble and wood... a great and good man." The author unflinchingly paints a portrait of slave owner, brave leader, man of passion, reluctant politician, and fierce general. His complex character and career are neither glorified nor vilified here; rather, Flexner sets up a brilliant counterpoint between Washington's public and private lives and gives us a challenging look at the man who has become as much a national symbol as the American flag.

Secrecy World is the inspiration for the Major Motion Picture The Laundromat from Director Steven Soderbergh, Starring Meryl Streep, Gary Oldman, and Antonio Banderas A two-time Pulitzer Prize-winning journalist takes us inside the world revealed by the Panama Papers, a landscape of illicit money, political corruption, and fraud on a global scale. A hidden circulatory system flows beneath the surface of global finance, carrying trillions of dollars from drug trafficking, tax evasion, bribery, and other illegal enterprises. This network masks the identities of the individuals who benefit from these activities, aided by bankers, lawyers, and auditors who get paid to look the other way. In Secrecy World , the Pulitzer Prize winning investigative reporter Jake Bernstein explores this shadow economy and how it evolved, drawing on millions of leaked documents from the files of the Panamanian law firm Mossack Fonseca—a trove now known as the Panama Papers—as well as other journalistic and government investigations. Bernstein shows how shell companies operate, how they allow the superwealthy and celebrities to escape taxes, and how they provide cover for illicit activities on a massive scale by crime bosses and corrupt politicians across the globe. Bernstein traveled to the Caribbean, Latin America, Europe, and within the United States to uncover how these strands fit together—who is involved, how they operate, and the real-world impact. He recounts how Mossack Fonseca was exposed and what lies ahead for the corporations, banks, law firms, individuals, and governments that are implicated. Secrecy World offers a disturbing and sobering view of how the world really works and raises critical questions about financial and legal institutions we may once have trusted.

David Brion Davis has long been recognized as the leading authority on slavery in the Western World. His books have won every major history award--including the Pulitzer Prize and the National Book Award--and he has been universally praised for his prodigious research, his brilliant analytical skill, and his rich and powerful prose. Now, in Inhuman Bondage, Davis sums up a lifetime of insight in what Stanley L. Engerman calls "a monumental and magisterial book, the essential work on New World slavery for several decades to come."Davis begins with the dramatic Amistad case, which vividly highlights the international character of the Atlantic slave trade and the roles of the American judiciary, the presidency, the media, and of both black and white abolitionists. The heart of the book looks at slavery in the American South, describing black slaveholding planters, the rise of the Cotton Kingdom, the daily life of ordinary slaves, the highly destructive internal, long-distance slave trade, the sexual exploitation of slaves, the emergence of an African-American culture, and much more. But though centered on the United States, the book offers a global perspective spanning four continents. It is the only study of American slavery that reaches back to ancient foundations (discussing the classical and biblical justifications for chattel bondage) and also traces the long evolution of anti-black racism (as in the writings of David Hume and Immanuel Kant, among many others). Equally important, it combines the subjects of slavery and abolitionism as very few books do, and it illuminates the meaning of nineteenth-century slave conspiracies and revolts, with a detailed comparison with 3 major revolts in the British Caribbean. It connects the actual life of slaves with the crucial place of slavery in American politics and stresses that slavery was integral to America's success as a nation--not a marginal enterprise.A definitive history by a writer deeply immersed in the subject, Inhuman Bondage offers a compelling narrative that links together the profits of slavery, the pain of the enslaved, and the legacy of racism. It is the ultimate portrait of the dark side of the American dream. Yet it offers an inspiring example as well--the story of how abolitionists, barely a fringe group in the 1770s, successfully fought, in the space of a hundred years, to defeat one of human history's greatest evils.

Stilwell & the American Experience in China, 1911-45 was written by Barbara Wertheim Tuchman & published in '71 by Macmillan Publishers. It won the '72 Pulitzer Prize for General Non-Fiction. The book was republished in 2001 by Grove Press. It was also published under the title Sand Against the Wind: Stilwell & the American Experience in China, 1911-45 by Macmillan Publishers in 1970. Using the life of Joseph Stilwell, military attache to China in 1935-39 & commander of U.S. forces & allied chief of staff to Chiang Kai-shek in '42-44, this book explores the history of China from the Revolution of 1911 to the turmoil of WWII, when its right-wing Nationalist government faced attack from both Japanese invaders & Communist insurgents.

From the Pulitzer Prize-winning author of Angels in America comes this powerful portrayal of individual dissolution and resolution in the face of political catastrophe. "Tony Kushner's A BRIGHT ROOM CALLED DAY ... is unabashedly political, thought-provoking, a little scary, and frequently a good deal of theatrical fun ... BRIGHT ROOM is ... an examination of Nazi Germany in an attempt to shed insight on our own time. It's brash, audacious, and, depending on your politics, anything from infuriatingly naïve to intoxicatingly visionary. In its 1932-33 span, it tells of a group of Berlin artists and friends, with varying degrees of communist leanings, and of the changes in their lives as democracy falls and Adolph Hitler takes over." -Sid Smith, Chicago Tribune "It's fun to see a show this engaged. This passionate and ready to talk. Wild, uneven, pugnacious, ragged, committed, smart, dumb, satirical, and utterly serious ... Always dramatically and intellectually forceful. And most important, always passionately committed. More than a diatribe against Reagan or a falling-into-the-Nazi-abyss history play, A BRIGHT ROOM CALLED DAY is an assertion of the need for commitment." -Anthony Adler, The Reader