A compelling account of the development of a great artist, and a portrait of the tragic character of an entire era The uncompromising achievement of Elias Canetti has been matched by few writers this century. Canetti worked brilliantly in many forms, but the three volumes that comprise his autobiography are where his genius is perhaps most evident. The first volume, "The Tongue Set Free," presents the events, personalities, and intellectual forces that fed Canetti's early creative development. "The Torch in My Ear" explores his admiration for the first great mentor of his adulthood, Karl Krauss, and also describes his first marriage. The final volume, "The Play of the Eyes," is set in Vienna between 1931 and 1937, with the European catastrophe imminent; here he vividly portrays relationships with Hermann Broch and Robert Musil, among others.

Traces the life of the Czech author and looks at his relationships with influential writers and intellectuals of the period

Watershed events - including the second Palestinian uprising in 2000, September 11 2001 and the Iraq war - have created major challenges for American Jewry, leading to changes in its perceptions and environment. Through conversations with some of America's most influential Jewish leaders, Manfred Gerstenfeld sheds light on the how the tumultuous events of recent years have affected and will continue to influence the American Jewish population. These include issues surrounding education, assimilation and revitalization, relationships with other religious communities, anti-Semitism and generational change. Of enormous historical value, American Jewry's Challenge serves as a time capsule capturing American Jewry at the dawn of the 21st century.

From Library Journal Bloch gives us lines worth storing in the heart against nameless pain. Themes include giving birth, raising children, relationships that fail ("Whatever you gave me, I used it right away/ for breathing"), marriage that lasts ("Rosin of sunlight slides up and down/ a string of spiderweb,/bowing a high note"), and childhood ("If we were so happy/ why weren't we happy?"). Adding to the ongoing work of late 20th-century women telling their lives in honest detail, her voice is at its best when her own body is at risk ("There's a future loose in my body and I/ am its servant:/carrying wood, fetching water"). Surprisingly, the Russian Jewish inheritance articulate in the matrioshka doll poem points us more toward Bloch's human identity than toward any specific ethnic experience. The poems' elegant simplicity of diction make them very readable. Recommended for most contemporary poetry and women's studies collections.- Judy Hogan, Durham, N.C.Copyright 1992 Reed Business Information, Inc. From the Publisher 6 x 9 trim. LC 92-9628

The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian , an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years. A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible. Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.

Winner, 2015 USC Book Award in Literary and Cultural Studies, for outstanding monograph published on Russia, Eastern Europe or Eurasia in the fields of literary and cultural studies The Ethics of Witnessing investigates the reactions of five important Polish diaristswriters—Jaroslaw Iwaszkiewicz, Maria Dabrowska, Aurelia Wylezynska, Zofia Nalkowska, and Stanislaw Rembek—during the period when the Nazis persecuted and murdered Warsaw’s Jewish population. The responses to the Holocaust of these prominent prewar authors extended from insistence on empathic interaction with victims to resentful detachment from Jewish suffering. Whereas some defied the dehumanization of the Jews and endeavored to maintain intersubjective relationships with the victims they attempted to rescue, others selfdeceptively evaded the Jewish plight. The Ethics of Witnessing examines the extent to which ideologies of humanism and nationalism informed the diarists’ perceptions, proposing that the reality of the Final Solution exposed the limits of both orientations and ultimately destroyed the ethical landscape shaped by the Enlightenment tradition, which promised the equality and fellowship of all human beings.

My Life And Loves In Greenwich Village is a memoir written by Maxwell Bodenheim, an American poet and novelist who lived in the bohemian neighborhood of Greenwich Village in New York City during the early 20th century. The book is a candid account of Bodenheim's personal and professional life, detailing his struggles as a struggling writer, his relationships with women, and his experiences with drugs and alcohol. Bodenheim describes the colorful characters and events that defined the Greenwich Village scene during his time there, including the rise of modernist art and literature, the emergence of jazz music, and the social and political movements of the era. The book also provides insights into the author's own creative process, as he discusses his writing techniques and the inspiration behind his work.Overall, My Life And Loves In Greenwich Village is a fascinating glimpse into the bohemian lifestyle of early 20th century New York City, as seen through the eyes of one of its most talented and troubled writers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

After World War II, the center of gravity for world Jewry moved outside Europe. In the aftermath of the Holocaust, large-scale emigration and postwar assimilation resulted in a disheartening contraction of European Jewry, with the notable exception of France. Today, Europe's Jews number only 17 percent of the world Jewish population. At the beginning of this century, they comprised 83 percent and were the center of the modern Jewish experience. In a radical reversal, former peripheries became the centers, notably American Jewry, the largest and most dynamic of the Diaspora communities, and the State of Israel. An examination of the altered place of Europe and its future role in Jewish history is long overdue.In Jewish Centers and Peripheries, S. Han Troen presents evidence of cultural renewal and community reorganization - both internally driven and supported by Israeli-and American-based Jewish organizations - which promise to assure the continuity and vitality of Jewish life in Europe. This volume presents the contributions of scholars, senior community professionals, lay leaders, and former diplomats from Europe, Israel, and America, including Yosef Gorny, Gabriel Sheffer, Rashid Kaplanov, Barry Kosmin, Ralph Goldman, Jean-Jacques Wahl, Israel Finestein, David Patterson, and Daniel Elazar.These original and thoughtful contributions examine dynamic relationships among European, American, and Israeli communities at times bringing personal knowledge of significant events pertinent to understanding these relationships. Collectively they suggest that present conditions are ripe for the reemergence of European Jewry, though on a scale much diminished from that of the pre-Holocaust period. Moreover, the prospects for the rejuvenation of European Jewry mirror the possibilities for Jewish continuity everywhere. Jewish Centers and Peripheries is a strikingly informative assessment of the condition of world Jewry at the close of the century.

After World War II, the center of gravity for world Jewry moved outside Europe. In the aftermath of the Holocaust, large-scale emigration and postwar assimilation resulted in a disheartening contraction of European Jewry, with the notable exception of France. Today, Europe's Jews number only 17 percent of the world Jewish population. At the beginning of this century, they comprised 83 percent and were the center of the modern Jewish experience. In a radical reversal, former peripheries became the centers, notably American Jewry, the largest and most dynamic of the Diaspora communities, and the State of Israel. An examination of the altered place of Europe and its future role in Jewish history is long overdue. In Jewish Centers and Peripheries, S. Han Troen presents evidence of cultural renewal and community reorganization—both internally driven and supported by Israeli-and American-based Jewish organizations—which promise to assure the continuity and vitality of Jewish life in Europe. This volume presents the contributions of scholars, senior community professionals, lay leaders, and former diplomats from Europe, Israel, and America, including Yosef Gorny, Gabriel Sheffer, Rashid Kaplanov, Barry Kosmin, Ralph Goldman, Jean-Jacques Wahl, Israel Finestein, David Patterson, and Daniel Elazar. These original and thoughtful contributions examine dynamic relationships among European, American, and Israeli communities at times bringing personal knowledge of significant events pertinent to understanding these relationships. Collectively they suggest that present conditions are ripe for the reemergence of European Jewry, though on a scale much diminished from that of the pre-Holocaust period. Moreover, the prospects for the rejuvenation of European Jewry mirror the possibilities for Jewish continuity everywhere. Jewish Centers and Peripheries is a strikingly informative assessment of the condition of world Jewry at the close of the century.

Product Description When Jack Rodenko shipped out as a sailor during World War II, he never imagined that real adventure would be waiting for him at home in New Orleans. The Crescent City after the war is at the heart of a rapidly changing America, and ex-sailor Jack Rodenko is caught up in a strange and shifting milieu as he tends bar at a seedy club called L’Êtoile. While struggling to build a new life, Rodenko becomes involved with a corrupt, greedy power broker, and falls in love with a striking photographer - relationships that will force him to choose between two decidedly different futures. First published decades after the author's death in 1972, The Unknown Constellations is the first novel by unsung postwar literary hero Henry Swados. Through these pages, we can trace the origins of a unique voice and an unerring conscience. From Library Journal Written in the 1940s, this is Swados's recently rediscovered first novel. (The late Swados was the author of ten books, including The Will, which received a National Book Award nomination in 1963.) The novel concerns Jack Rodenko, a disaffected seaman who puts ashore in New Orleans, hoping to rebuild a life shattered by an accident that occurred while in college. Soon, he is a protege of corrupt, power-hungry Shepard Ball and becomes enmeshed in Ball's schemes involving drugs, weapons, and politics. In the end, Jack must decide between wealth and easy success with Ball or self-respect and the love of Linda Lester, a beautiful photographer. While generally melodramatic, the novel is significant for sounding themes Swados would develop in later works: father-son conflicts, concern for the working class, and the tensions between public and private commitments. For academic and large public libraries.?Lawrence Rungren, Bedford Free P.L., Mass. Copyright 1995 Reed Business Information, Inc.

In the pages of Gary Barwin's latest collection of poetry, No TV for Woodpeckers, the lines between haunting and hilarious, wondrous and weird, beautiful and beastly, are blurred in the most satisfying ways. No stranger to poetic experimentation, Barwin employs a range of techniques from the lyrical to the conceptual in order to explore loss, mortality, family, the self and our relationship to the natural world. Many of these poems reveal a submerged reality full of forgotten, unknown or invisible life forms that surround us - that are us. Within this reality, Barwin explores the connection between bodies, language, culture and the environment. He reveals how we construct both self and reality through these relationships and also considers the human in relation to the concepts of "nature" and "the animal." As philosophical as it is entertaining - weaving together threads of surrealism, ecopoetics, Dada and more - No TV for Woodpeckers is a complex and multi-layered work that offers an unexpected range of pleasures.

"This second of three volumes of Charles Brasch's journals covers 1945 to 1957, beginning with his return to New Zealand after World War II to establish a literary quarterly. The journals cover the discussions that preceded Landfall and the first decade of his distinguished editorship, a role that brought Brasch into contact with New Zealand's leading artists and intelligentsia. His frank and often detailed descriptions of these people - including Frank Sargeson, A.R.D. Fairburn, Keith Sinclair, Eric McCormick, James Bertram, John Beaglehole, Fred and Evelyn Page, Alistair Campbell, Toss and Edith Woollaston, Denis Glover, Allen Curnow, Leo Bensemann, Ngaio Marsh, Colin McCahon, James K. Baxter, Janet Frame, Ruth Dallas and many others - are among the highlights of the book. Unmarried and longing for intimacy, Brasch also writes with great candour about his relationships with Rose Archdall, Rodney Kennedy and Harry Scott, revealing a side of himself that has not been known about before. Central to Brasch's life was the vocation of poetry. He writes revealingly about his own work, and also about his love of nature and the outdoors. The book ends with his visit to Europe in 1957, which confirmed his sense that New Zealand had become for him 'a centre & a world'" -- Back cover.

A unique mix of prose and poetry, of the joy of life and the agony of loss, Tadeusz Rozewicz creates a rich and complex portrait of his mother Stefania and of her indelible influence on her extraordinary family."