James Salter's exalted place in American letters is based largely on the intense admiration of other writers, but his work resonates far beyond the realm of fellow craftsmen, addressing themes--youth, war, erotic love, marriage, life abroad, friendship--that speak to us all. Following the publication of his first novel, Salter left behind a military career of great promise to write full-time and--through decades of searching, exacting work--became one of American literature's master stylists. Only months before he died, at the age of eighty-nine, he agreed to serve as the first Kapnick Writer-in-Residence at the University of Virginia, where he composed and delivered the three lectures presented in this book and introduced by his friend and fellow novelist, National Book Award-winning author John Casey. Salter speaks to us here with an easy intimacy, sharing his unceasing enchantment with the books that made up his reading life, including works by Balzac, Flaubert, Babel (whose prose is "like a handful of radium"), Dreiser, Celine, Faulkner. These talks provide an invaluable opportunity to see the way in which a great writer reads. They also offer a candid look at the writing life--the rejection letters, not one but two negative reviews in the New York Times for the same book, writing in the morning or at night and worrying about money during the long afternoons. Salter raises the question, Why does one write? For wealth? For admiration, or a sense of "importance"? Confronting a blank sheet that always offers too many choices, practicing a vocation that often demands one write instead of live, the answer for Salter was creating a style that captured experience, in a world where anything not written down fades away. -- Amazon.com.

In this brilliant, inventive, tragic farce, Deborah Levy creates the ultimate dysfunctional kids, Billy and his sister Girl. Apparently abandoned years ago by their parents, they now live alone somewhere in England. Girl spends much of her time trying to find their mother, going to strangers' doors and addressing whatever Prozac woman who answers as "Mom." Billy spends his time fantasizing a future in which he will be famous, perhaps in the United States as a movie star, or as a psychiatrist, or as a doctor to blondes with breast enlargements, or as the author of "Billy England's Book of Pain." Together they both support and torture each other, barely able to remember their pasts but intent on forging a future that will bring them happiness and reunite them with the ever-elusive Mom. Billy and Girl are every boy and girl reeling from the pain of their childhoods, forgetting what they need to forget, inventing worlds they think will be better, but usually just prolonging nightmares as they begin to create--or so it seems--alternative personalities that will allow them to survive and conquer and punish. In the end, the reader is as bewildered as Billy and Girl--have they found Mom and a semblance of family, or are they completely out of control and ready to explode?

"James Salter (born James Horowitz in 1925) has been known throughout his career as a "writer's writer," acclaimed by such literary greats as Susan Sontag, Richard Ford, John Banville, and Peter Matthiessen for his lyrical prose, his insightful and daring explorations of sex, and his examinations of the inner lives of women and men. Conversations with James Salter collects interviews published from 1972 to 2014 with the award-winning author of The Hunters, A Sport and a Pastime, Light Years, and All That Is. Gathered here are his earliest interviews following acclaimed but moderately selling novels, conversations covering his work as a screenwriter and award-winning director, and interviews charting his explosive popularity after publishing All That Is, his first novel after a gap of thirty-four years. These conversations chart Salter's progression as a writer, his love affair with France, his military past as a fighter pilot, and his lyrical explorations of gender relations.The collection contains interviews from Sweden, Chile, France, and Argentina appearing for the first time in English. Included as well are published conversations from the United States, Canada, and Australia, some of which are significantly extended versions, giving this collection an international scope of Salter's wide-ranging career and his place in world literature"--

BEAUTIES, BEASTS AND ENCHANTMENT CLASSIC FRENCH FAIRY TALES Edited and translated by Jack Zipes A wonderful new collection of 36 French fairy tales translated into English by renowned writer and authority on fairy tales, Jack Zipes. Cinderella, Beauty and the Beast, Sleepy Beauty, Puss In Boots, Bluebeard, and Little Red Riding Hood are some of the classic fairy tales in this amazing book. There are many stories here by Charles Perrault, the most famous author of French conte de fées. Features a new introduction by editor Jack Zipes. Includes a generous number of exquisite illustrations from fairy tale collections. This is a clothbound edition, with gold letters embossed on a blue cloth cover, and a colour flyleaf. 'Terrific... a succulent array of 17th and 18th century 'salon' fairy tales' - The New York Times Book Review 'These tales are adventurous, thrilling in a way fairy tales are meant to be... The translation from the French is modern, happily free of archaic and hyperbolic language... a fine and sophisticated collection' - New York Tribune 'Enjoyable to read... a unique collection of French regional folklore' - Library Journal 'Charming stories accompanied by attractive pen-and-ink drawings' - Chattanooga Times 'An excellent collection' - Booklist. JACK ZIPES is professor emeritus of German and comparative literature at the University of Minnesota. In addition to his scholarly work, he is an active storyteller in public schools and has worked with children's theaters in Europe and the United States. Some of Jack Zipes' major publications include Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales (1979), Fairy Tales and the Art of Subversion (1983, rev. ed. 2006), Don't Bet On the Prince: Contemporary Feminist Fairy Tales in North America and England (1986), The Brothers Grimm: From Enchanted Forests to the Modern World (1988), Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter (2000), Speaking Out: Storytelling and Creative Drama For Children (2004), Hans Christian Andersen: The Misunderstood Storyteller (2005), and Why Fairy Tales Stick: The Evolution and Relevance of a Genre (2006). Jack Zipes has also translated The Complete Fairy Tales of the Brothers Grimm (1987) and edited The Oxford Companion to Fairy Tales (2000), and The Great Fairy Tale Tradition (2001). Most recently he has translated and edited The Folk and Fairy Tales of Giuseppe Pitre (2008) and Lucky Hans and Other Merz Fairy Tales (2008) by Kurt Schwitters. Includes illustrations and a new introduction. ISBN 9781861717474. 612 pages. www.crmoon.com

Drawing on more than thirty years' experience as a practicing psychiatrist, Dr. Rubin shows the reader the heartrending and hope-filled stories of emotionally disturbed children as they struggle to make it through each day. To his two classic stories in the literature of psychology, Lisa and David and Jordi, Dr.. Rubin has now added Little Ralphie and the Creature. together they demonstrate the power of love and its ability to heal. Meet these four extraordinary young people as they search for a place and time in the world where is it safe to be themselves. David: Extremely intelligent, with extraordinary abilities in math, physics, and chess. He is passionately interested in clocks. he cannot bear to be touched, in petrified of germs and human contact. Suffers overwhelming panic attacks and obsessive-compulsive behavior. Lisa: Schizophrenic who must constantly speak in singsong rhymes to avoid losing herself to Muriel--her moody, brooding, scowling, silent other self. Jordi: Schizophrenic, with autistic tendencies. He's afraid of garbage cans, all garbage cans, because he believes them to be ears. Ears that will hear him. Only his "jiggler"--a doorknob tied to a long string--can offer him an comfort or protection. Little Ralphie: Actue schizophrenic reaction--catatonic type. Ralphie hides in alternate realties to escape his unbearable pain.

Marcel Schwob (18671905) was one of the key symbolist writers, standing in French literature alongside such names as Stphane Mallarm, Octave Mirbeau, Andr Gide, Lon Bloy, Jules Renard, Rmy de Gourmont, and Alfred Jarry. His best-known works are Double Heart (1891), The King In The Gold Mask (1892), and Imaginary Lives (1896). Imaginary Lives contains twenty-two mythopoeic literary portraits of figures from ancient history, art history, and the history of crime and punishment. From demi-gods, sorcerers, incendiaries, wantons and philosophers of the ancient world, to the "poet of hate" Cecco Angiolieri and the painter Paolo Uccello, through to the pirates William Kidd and Major Stede-Bonnet, and finally Burke and Hare, the serial killers; Schwob presents a vivid array of characters who display all that is macabre, deviant and magnificently terrifying in human beings and in life. In Imaginary Lives, Schwob has created a "secret" masterpiece that joins other biographical glossaries such as Jorge Luis Borges' A Universal History Of Infamy and Alfonso Reyes' Real And Imagined Portraits in the pantheon of classic speculative fiction, of which Schwob's book is the dark progenitor. Livid with decadent imagery, Imaginary Lives resonates loudly today with its themes of temporality, myth, violence and sexuality, and stands as a major work of the fin-de-si]cle. Solar Nocturnal presents classic literature and art by key forerunners of modernism.

When Patrick Modiano was awarded the 2014 Nobel Prize for LIterature he was praised for using the 'art of memory' to bring to life the Occupation of Paris during the Second World War. The Night Watch is his second novel and tells the story of a young man of limited means, caught between his work for the French Gestapo informing on the Resistance, and his work for a Resistance cell informing on the police and the black market dealers whose seedy milieu of nightclubs, prostitutes and spivs he shares. Under pressure from both sides to inform and bring things to a crisis, he finds himself driven towards an act of self-sacrifice as the only way to escape an impossible situation and the question that haunts him - how to be a traitor without being a traitor. In this astonishing, cruel and tender book, Modiano attempts to exorcise the past by leading his characters out on a fantasmagoric patrol during one fatal night of the Occupation.

Elisa - orphaned as a child, raised by a 'fallen woman', fed by fairy tales - has lived in an outlandish imaginary world for years. When her guardian dies, she feels compelled to confront her family's tortured and dramatic past, weaving the tale of her mother and grandmother through a history of intrigue, treachery, deception and desire. But as her saga of three generations of Sicilian women proceeds, it becomes something else entirely, taking in a whole legacy of oppression and injustice. By turns flamboyant and intense, raging and funny, Lies and Sorcery is a celebration of the female imagination, and the power of storytelling itself. First published in 1948, Elsa Morante's debut novel won the Viareggio Prize and earned her the lasting admiration of generations of writers from Italo Calvino and Natalia Ginzburg to Elena Ferrante. Translated by Jenny McPhee

From a small, bogside cabin in rural New England, 38-year-old Aimee Slater unravels the story of her life, attempting to make sense of the tangled thread that leads from her mother's house-a short, unbridgeable distance away-to the world she now inhabits. It is soon after the Civil War; Aimee lives alone, but is graced with visits from two friends, a crippled man and a troubled eleven-year-old girl. She is perpetually caught between the sensual world she so desires and the divine retribution passed down to her by her mother's scorn. How Aimee ultimately creates a life for herself and bridges that distance makes for a moving story of love and loss. Told in a voice of spare New England lyricism, Unravelling is a remarkably haunting account of the power of redemption.

Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

"a horrifyingly vivid account of an American artillery battalion's advance through northern Italy in World War II" Robert Mcg. Thomas Jr., The New York Times Gil Freeman was a normal, young, American man before the events of Pearl Harbor. His life was forever changed when the United States was thrust into the most bloody conflict of the twentieth century. Posted with the American Fifth Army to fight against the forces of Fascist Europe in Italy he quickly grows disillusioned with the realities of modern warfare. When he and his fellow soldiers land in Italy they view the inhabitants of this land as little more than enemies, but in time they "began to speak of the villagers not as guineas or wops but as these people." He entered the war with hope of experiencing brotherhood and excitement, but instead it loss, tragedy and heartbreak that are the emotions that fill Freeman as he moves through Italy. Will Freeman overcome these feelings? Or will the toll of the war prove too much for the young man? And how will he ever be able to return to normality after everything that he has seen? Mitchell Goodman's novel The End of It is an arresting depiction of one man's battle through the course of the Second World War. The End of It received widespread praise including from prominent literary figures, such as William Carlos Williams and Norman Mailer. "Goodman's style is powerful, sensitive, and incisive. This is an exciting and provocative addition to contemporary, avant garde American literature" Kirkus Reviews "an effective and poetic antiwar treatise" Professor Sandy Cohen Mitchell Goodman was an American writer, teacher, and activist. He was at college when the U.S.A. entered the Second World War. He was trained as a Second Lieutenant forward observer in an artillery battalion, but was not deployed overseas. He traveled to Europe following the war and used many of these experiences to shape his novel. The End of It was first published in 1961. Later in his life he became famous for his role in the Vietnam draft resistance movement, which drew the high-profile 1968 federal prosecution of the "Boston Five." He passed away in 1997.

Many writers and artists have undertaken the difficult task of recreating the image of Lenin for their contemporaries and future generations. The Blue Notebook by the well-known Soviet author Emmanuil Kazakevich (1913-1962) has become one of the most popular books about Lenin. A notebook in a blue cover actually did exist. In it Lenin jotted down notes for his famous book State and Revolution which he worked on in the difficult days preceding the Great October Socialist Revolution. At the time Lenin was in hiding at Razliv Station, from where he directed the preparations for the armed uprising. "He was a passionate traveler, a hunter, a crack shot, a top-notch driver, the life of the party, witty and full of fun... Moreover, he was a truly courageous soldier." This portrait of Kazakevich was drawn by his contemporary and colleague, the writer Alexander Tvardovsky. During the Second World War Kazakevich, commander of a platoon, was asked to join the staff of the brigade newspaper. After working on the paper for a short while he asked to be transferred back to the front lines. "The front lines are important to me not only as a patriot, but as a writer," he said. Emmanuil Kazakevich was born in the Ukraine in 1913, the son of a teacher. His first book, a volume of poetry, was published in 1932. He translated the works of Pushkin, Lermontov, and Mayakovsky into Yiddish. Kazakevich's first prose work, The Star, is a harsh, yet sensitive war story which gained him world fame. This was followed by Spring on the Oder, Heart of a Friend, Two in the Steppe, The House on the Square, By the Light of Day and The Blue Notebook, the author's last work. Kazakevich was twice awarded the State Prize for Literature.

Zofloya or, THE MOOR: a romance of the fifteenth century Charlotte Dacre This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Leib Goldkorn, aged musician, first appeared almost a quarter-century ago in The Steinway Quintet. Now Leib has replaced his magic flute with his phallus: it is love, longing, and the quest for sexual fulfillment that must stave off both his own death and the imminent destruction of the Jews. In Ice he rescues the celebrated skater Sonja Henie from Hitler's clutches. In Fire his paramour is Carmen Miranda. And in Water he engages in a South Sea Island intrigue with a famous swimming star of the 1940s. Meanwhile, in the present, Leib seeks consummation with three other inamoratas: Clara, his wife; Hustler model Miss Crystal Knight; and the critic Michiko Kakutani (causing a real-life literary scandal). In this "wickedly funny" (Elle) and no less heartbreaking novel, Leib Goldkorn emerges as one of American literature's most enduring, and endearing, creations. A New York Times Notable Book; a Los Angeles Times Best Book of the Year.

The haunting story of a woman who desires “something more, as if something more had been promised her that was not yet given.” Vivian Carpentier, confined by her role as an upper class woman in the 1940s, gleans meaning only from erotic love. Troubled by the elusiveness of men, yet convinced that they run the world, she can barely conceal her desperation to entice. Struggling with motherhood and the failure of marriage, she takes jobs to bridge intervals between lovers. She sings in a hotel bar, sells dresses, and nurses her father’s friend through his last illness, hoping to atone for a self-centered life. The constant in Vivian’s life is her son, David. Having seen her worst and best moments, he provides her with consolation and a reason for living.

Hotel Malta is a fascinating tale of love and hope, the story of Ernest and Eva Bloom whose lives were upended by World War II, and of Amotz, their grandson, whose marriage is disintegrating, while expecting the birth of his first child. Compelled by an overpowering urge, Ernest makes an intriguing request of his grandson that returns him to a fraught period in his life, rekindling the memory of three distant, stormy, passionate days in Naples in the 1950s. This request alters not only Ernest Bloom's life but also the lives of others, both close and distant. The book raises many questions: How can three days of bliss be weighed against an entire life, and what is love, after all? How does an author find her place in the lives of her characters? And perhaps the most heartbreaking question of all - is it possible to die of happiness?The author's two previous books, Amstel (shortlisted for the prestigious Sapir Prize, 2008) and The Sand Dunes of Paris, were received with critical acclaim, have been translated into English and were awarded national and international prizes: "Arabesque," from Amstel, won first prize in UNESCO's international Mediterranean Short Story Competition; The Sand Dunes of Paris was awarded the Hebrew Literature Translation Prize by the Israel Ministry of Culture. Hotel Malta was awarded the Hebrew Literature Translation Prize in 2016. Go, Pave the Sea, her most political novel, will be published soon (Autumn 2017).

Dreamers of the Ghetto (1892) is a collection of stories by Israel Zangwill. Raised in London by parents from Latvia and Poland, Zangwill understood the plight of the city's Jewish community firsthand. Having risen through poverty to become an educator and author, he dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. "This is a Chronicle of Dreamers, who have arisen in the Ghetto from its establishment in the sixteenth century to its slow breaking-up in our own day. Some have become historic in Jewry, others have penetrated to the ken of the greater world and afforded models to illustrious artists in letters..." As a Jewish immigrant who grew up in poverty in London, Israel Zangwill knows that the condition of life in the ghetto changes not just lives, but mentalities. In the third installment of his Ghetto series, Zangwill imagines the lives of such historical Jewish figures as Dutch philosopher Baruch Spinoza, German poet Heinrich Heine, and Prussian lawyer and political activist Ferdinand Lasalle. The tales of Jewish life in Dreamers of the Ghetto earned Zangwill comparisons to Dickens upon publication, and helped to establish him as an author with a gift for intensive character study and a passion for political themes. This edition of Israel Zangwill's Dreamers of the Ghetto is a classic of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Revenge: A Tale of Old Jamaica (1919) is a novel by H. G. de Lisser. Born and raised in Jamaica, H. G. de Lisser was one of the leading Caribbean writers of the early twentieth century. Concerned with issues of race, urban life, and modernization, de Lisser dedicated his career to representing the lives and concerns of poor and middle-class Jamaicans. In Revenge: A Tale of Old Jamaica , de Lisser portrays the deadly Morant Bay Rebellion of 1865, a protest by poor black laborers unsatisfied with the economic and political establishment and the widespread lack of opportunity for freedmen in Jamaica. In response to a period of scarcity brought on by drought and disease, as well as to acts of police brutality against peaceful protestors, a group of several hundred Jamaicans led by Paul Bogle took to the streets in an effort to fight for their rights. In de Lisser's fictionalized version of events, he explores the experiences of white and black Jamaicans in the days leading up to the violence. As signs of unrest grow impossible to ignore, those in power prove more than willing to reject the pleas of the oppressed, writing their anger off as nothing more than a passing phase. Seated on their veranda overlooking the mountains of the Jamaican countryside, the Carlton family observes a series of fires growing in the nearby hills. While the women see them as a sign of violence to come, the men seem entirely unphased by the threat of an uprising. In response to his mother's fears, Dick Carlton attempts to calm her: "'Our people are just now passing through one of their periodical fits of depression, and you will probably hear them expressing fears of negro uprisings and all that sort of thing [...] and you may be frightened. Don't allow yourself to be. The danger is purely imaginary.'" As night falls with no end to the fires, however, and as the songs and cries of the oppressed grow closer, his sense of security will prove a foolish thing indeed. This edition of H. G. de Lisser's Revenge: A Tale of Old Jamaica is a classic of Jamaican literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"Moacyr Scliar was the preeminent literary voice of the Jewish immigrant experience in modern Brazil. Now his most ambitiously satirical and irreverent novel is at last translated into English, offering not just a significant contribution to Latin American and Jewish literature but to world literature as well. In a past-life therapy session, a mysterious woman makes a remarkable breakthrough when she discovers that in a previous life she was one of King Solomon's seven hundred wives. In language that hilariously mixes modern jargon and biblical diction, she sets out to tell the story of her earlier incarnation three thousand years in the past, revealing how she went from a provincial nobody to a queen. Yet being royalty isn't all it's cracked up to be. As the least desirable of King Solomon's wives and concubines, she is unceremoniously discarded and forgotten in his harem. But as luck would have it, she possesses a unique gift: she is a woman who knows how to read and write. Once her talent is discovered, King Solomon charges her with writing what will become one of the most important texts in human history. Along the way our nameless narrator leverages her newfound status as royal scribe to bring about her own secret agenda. A brilliant feminist critique skewering the absurdities of patriarchy, The Woman Who Wrote the Bible is a comic masterpiece of truly biblical proportions"-- Provided by publisher.

"The Spy: The Story of a Superfluous Man" by Maksim Gorky plunges readers into the turbulent heart of Russia during a period of revolution and political upheaval. This gripping historical fiction, set against the backdrop of the 1905-1907 Russian Revolution, explores themes of political intrigue and the shadowy world of espionage. Gorky, a master of Russian literature, crafts a compelling narrative that resonates with timeless relevance. Delve into a society rife with secrets and betrayals, where the lines between loyalty and treachery blur. "The Spy" offers a glimpse into the complex forces that shaped Russia's destiny. This meticulously prepared print edition preserves the integrity of Gorky's original work, making it a valuable addition to any collection of classic literature and historical fiction. Experience the drama and tension of a nation on the brink in this powerful story of a man caught in the crossfire. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.