This book examines the "constitutional faith" that has, since 1788, been a central component of American "civil religion." By taking seriously the parallel between wholehearted acceptance of the Constitution and religious faith, Sanford Levinson opens up a host of intriguing questions about what it means to be American. While some view the Constitution as the central component of an American religion that serves to unite the social order, Levinson maintains that its sacred role can result in conflict, fragmentation, and even war. To Levinson, the Constitution's value lies in the realm of the discourse it sustains: a uniquely American form of political rhetoric that allows citizens to grapple with every important public issue imaginable. In a new afterword, Levinson looks at the deepening of constitutional worship and attributes the current widespread frustrations with the government to the static nature of the Constitution.

More thon forty years ago, Robert Warshow wrote that "the unresolved problem of 'popular culture' . . . has come to be a kind of nagging embarrassment to criticism." Despite the rise of academic trends like cultural studies, we don't have a criticism that speaks to the actual, immediate experience of seeing and responding to popular culture. Warshow argued that the evasion of the popular arts in his time was due to a "disastrous vulgarization of intellectual life" that corrupted American liberalism from the 1930s to the 1950s. Political correctness then, like political correctness since the 1960s, had led to "organized mass disingenuousness" on the part of intellectuals who turned away from developing a vocabulary for describing the immediate, aesthetic experience and used irony instead, even about their own experiences. But, says Warshow, "a whole literature cannot be built on irony." Warshaw died a young man of 37 in 1955, but he left as his legacy a series of essays for The Partisan Review, Commentary, The Nation, and other journals. These writings, the cornerstone of a major account of the role of mass culture in our lives, were first gathered and published as a book in 1962. A number of essays have been anthologized frequently, and the book as a whole has achieved cult status for a number of discerning critics. "A legendary little book, partly because its author died at the age of 37, but mostly because it stands as a virtually unique representative from its period of a consistently open-minded, moral, aesthetic, and political engagement with commercial culture." -Louis Menand

“Nat Hentoff may very well be the foremost jazz historian in the world because he was there to witness firsthand the music’s evolution from big band and swing to fusion and bossa nova; and to dive into the souls of the men and women who created it from Ellington, Basie, Miles, Ray Charles, Ella Fitzgerald and Dinah Washington, among many others. At the Jazz Band Ball: Sixty Years on the Jazz Scene is an invaluable archive of not only the musical influence of America’s only indigenous music on the world, but its enormous impact as an engine for social change as well. It is a book that should be read by every young musician, music fan, and educator in America.”—Quincy Jones "The very best witnesses in the worlds of the law, aesthetic evaluation, social contexts of imposing significance, and artistic public performance are those who accurately understand what they have seen or what they are seeing. Nat Hentoff has been and continues to be a star witness in every one of those arenas. One of the greatest contributions of his jazz writing is that he has never felt the need to condescend to black people or to let the dictates of sociology diminish the universal significance of what they do when they do it well. Nat knows that so many jazz musicians have done what they do superbly, quite often expressing themselves beyond the narrows of color. As sensitive to the Americana of jazz as he is to its transcendent revelations about the sound of the human heart, Nat Hentoff is part of our American luck."—Stanley Crouch “ At the Jazz Band Ball is full of nuggets from Nat's rich lode of wit and wisdom, gleaned in a lifetime of fellowship with jazz and its makers.”—Dan Morgenstern, Director, Institute of Jazz Studies, Rutgers University; author of Living With Jazz: A Reader

Shortly after World War II, when the Allies interrogated Field Marshal Gerd von Rundstedt, the senior commander who opposed the Allied invasion of France, they asked him to rate the skills of his opponents. He is reputed to have said, "Patton, he was your best." Praise for his performance was precisely what George Smith Patton, Jr., had sought all his life. As a cadet at the Virginia Military Institute and West Point, he was already searching for what he called "the undefinable difference" that distinguished a great general from the good ones. He led a mechanized attack in Mexico and a tank battalion during World War I. In World War II he turned American fortunes around in North Africa, chased the Germans out of Sicily, and sparked the breakout and liberation of France. When the Germans attacked the American First Army in the Battle of the Bulge, Patton turned his army north and smashed the German salient. He then drove into the heart of Germany and reached Czechoslovakia by war's end. Brilliant yet flawed, Patton's leadership style drove himself and his men to acts of bravery and victory. Half uncouth, provincial cowboy and half cultured sophisticate, the man behind the warrior mask was a complex and paradoxical person. He became an icon of the American military leader and the uncompromising individual.

Given first as an address at Yeshiva University in NY on the occasion of Israel’s Independence Day (Yom HaAtzmaut 1956), Kol Dodi Dofek discusses God and the Holocaust, the importance of the modern State of Israel and the role of Zionism in American Orthodoxy. Kol Dodi Dofek has become a classic text of religious Zionist philosophy.

Baseball card collecting carries with it images of idealized boyhoods in the sprawling American suburbs of the postwar era. Yet since the mid-1970s, it has grown from a pastime for children to a big money pursuit taken seriously by adults. This work employs interviews with collectors, dealers, and hobbyists to ask what this hobby tells us about nostalgia, work, play, masculinity, and race and gender relations among collectors. These interviews reveal the hobby's alienating, lonely and unfulfilling aspects, and demonstrate the nostalgia experienced among collectors for the ideal childhood world many middle class white males experienced in the postwar years, when baseball card collecting was a form of play, not a money-making enterprise. The work links this nostalgia to anxieties about de-industrialization and the rise of the civil rights, feminist, and gay rights movements. It examines the gendered nature of swap meets as well as the views of masculinity expressed by the collectors: is the purpose of baseball card collecting to form a community of adults to reminisce or to inculcate young men with traditional masculine values? Is it to establish "connectedness" or to make money? Are collectors striving to reinforce the dominant culture or question it through their attempts to create their own meaning out of what are, in fact, mass-produced commercial artifacts?

"One of America's finest reporters and essayists explores the powerful currents beneath the roiled waters of a nation coming apart. An unmatched guide to the religious dimensions of American politics, Jeff Sharlet journeys into corners of our national psyche where others fear to tread. The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies-sometimes realities-of violence. Across the country, men "of God" glorify materialism, a gluttony of the soul, while citing Scripture and preparing for civil war-a firestorm they long for as an absolution and exaltation. Lies, greed, and glorification of war boom through microphones at hipster megachurches that once upon a time might have preached peace and understanding. Political rallies are as aflame with need and giddy expectation as religious revivals. At a conference for incels, lonely single men come together to rage against women. On the Far Right, everything is heightened-love into adulation, fear into vengeance, anger into white-hot rage. Here, in the undertow, our forty-fifth president, a vessel of conspiratorial fears and fantasies, continues to rise to sainthood, and the insurrectionist Ashli Babbitt, killed on January 6 at the Capitol, is beatified as a martyr of white womanhood. Framing this dangerous vision, Sharlet remembers and celebrates the courage of those who sing a different song of community, and of an America long dreamt of and yet to be fully born, dedicated to justice and freedom for all. Exploring a geography of grief and uncertainty in the midst of plague and rising fascism, The Undertow is a necessary reckoning with our precarious present that brings to light a decade of American failures as well as a vision for American possibility"--

"In his new book, New York Times bestselling author Jay Sekulow presents a political and historical rationale for the existence of Israel as a sovereign nation. The State of Israel and its very right to exist is a lynchpin issue not only in the Middle-East, but is a critical issue to the world at large. Whether it is the blatant and stated desire of ISIS, Hamas, Hezbollah, or Iran to wipe Israel from the face of the earth, or the more subtle but equally insidious aim to delegitimize Israel's existence through efforts at UNESCO, the goal is the same-to get rid of Israel. Here is the book that defends, Israel's right to exist as a sovereign nation. As Chief Counsel for the American Center for Law and Justice, Jay Sekulow has fought with Israel hand-in-hand in some of Israel's most strategic, international battles. Now, he has pulled together the definitive and comprehensive look at Israel-one of the world's most controversial nations- and its importance to us as Americans and as a key focal point to the future of the world. He looks at the legal case for its prominence, as well as the historical and political rationale for its existence as a sovereign nation and homeland for Jews today, and encourages readers to stand with him against the hatred, lies, and efforts to delegitimize one of the world's oldest nations."--Amazon.

The classic collection of criticism about television and American culture from the late, multi-award-winning legend. From 1968 through 1972, Harlan Ellison penned a series of weekly columns, sharing his uncompromising thoughts about contemporary television programming for the Los Angeles Free Press , a.k.a. "The Freep," a countercultural, underground newspaper. Sitcoms and variety shows, westerns and cop dramas, newscasts and commercials, Ellison left no pixilated stone unturned, expounding on the insipidness, hypocrisy, and malaise found in the glowing images projected into the faces of American audiences. The Glass Teat: Essays of Opinion on the Subject of Television collects fifty-two of Ellison's columns--including his 2011 introduction "Welcome to the Gulag," his unapologetic commentary about how cellphones and the internet have extended television's reach, eroding intelligence and freedom and creating a legion of bloodshot eyed zombies unable to communicate beyond their screens or think for themselves. Provocative and prescient, irreverent and insightful, Ellison's critical analyses of the glowing box that became the center of American life are even more relevant in the twenty-first century. Also available: The Other Glass Teat: Further Essays of Opinion on the Subject of Television

These two volumes are designed to explain the origins of World Way II by focusing on the role of German foreign policy under Hitler. New light is shed on German rearmament, on the efforts of Britain and France to avert war, on the annexation of Austria, on the Munich Agreement, and on the final steps to war in 1939. Both specialists and general readers will find much of interest in these two volumes. The German foreign policy, as determined by Adolf Hitler, is analyzed on the basis of comprehensive research in German, British, and American archives. The published documents of France, Italy, Russia, and numerous other countries as well as the extensive literature on the subject and the papers of many participants have been researched to present what still remains the only comprehensive study in any language of the road to way in 1939. This edition adds a new preface relating these volumes to the evidence, the controversies, and the literature of the years since they were first written.

Robert A. Heinlein began publishing in the 1940s at the dawn of the Golden Age of science fiction, and today he is considered one of the genre's 'big three' alongside Arthur C. Clarke and Isaac Asimov. His short stories were instrumental in developing its structure and rhetoric, while novels such as Stranger in a Strange Land and Starship Troopers demonstrated that such writing could be a vehicle for political argument. Heinlein's influence remains strong, but his legacy is fiercely contested. His vision of the future was sometimes radical, sometimes deeply conservative, and arguments have flared up recently about which faction has the most significant claim on his ideas. In this major critical study, Hugo Award-winner Farah Mendlesohn carries out a close reading of Heinlein's work, including unpublished stories, essays, and speeches. It sets out not to interpret a single book, but to think through the arguments Heinlein made over a lifetime about the nature of science fiction, about American politics, and about himself.

With Freedom's Lawmakers, Eric Foner has assembled the first comprehensive directory of the over 1,500 African Americans who held political office in the South during the Reconstruction era. He has compiled an impressive amount of information about the antebellum status, occupations, property ownership, and military service of these officials -- who range from U.S. congressmen to local justices of the peace and constables. This revised paperback edition also contains new material on forty-five officials who were not included in the first edition.In his Introduction, Foner ably analyzes and interprets the roles of the black American officeholders. Concise biographies, in alphabetical order, trace the life histories of individuals -- many previously unknown -- who played important parts in the politics of the period. This useful and informative volume also includes an index by state, by occupation, by office during Reconstruction, by birth status, and by topic.

Presents the major ideas that have formed the modern Latin American political mind and profiles influential revolutionaries, thinkers, poets, and novelists, from Che Guevara to Octavio Paz and Gabriel García Márquez

"In this pioneering book, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed nearly 150 photographs--some never before published--from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration ... From photos of the enslaved on plantations and African American soldiers and camp workers in the Union Army to Juneteenth celebrations, slave reunions, and portraits of black families and workers in the American South, the images in this book challenge perceptions of slavery. They show not only what the subjects emphasized about themselves but also the ways Americans of all colors and genders opposed slavery and marked its end."--Book jacket

Do you love the sound of a peg leg stomping across a quarterdeck? Or maybe you prefer a parrot on your arm, a strong wind at your back? Adventure, treasure, intrigue, humor, romance, danger — and, yes, plunder! Oh, the Devil does love a pirate — and so do readers everywhere! Swashbuckling from the past into the future and space itself, Fast Ships, Black Sails, edited by Ann and Jeff VanderMeer, presents an incredibly entertaining volume of original stories guaranteed to make you walk and talk like a pirate. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

While the special relationship of all ethnic and religious minorities in the USA with their old countries and the existence of their pressure groups is regarded as normal, the support given by U.S. Jews to Israel and the pro-Israeli lobby causes some Americans to view the Jews as disloyal to the USA. Examines the "paper" by John J. Mearsheimer and Stephen M. Walt, "The Israeli Lobby and U.S. Foreign Policy" (first published in 2006 on the Internet and then in the "London Review of Books"; an expanded book appeared later, in 2007). The authors contend that U.S. support of Israel is harmful to American interests, and is due to pressure exerted by a mighty Israel Lobby which acts to the detriment of the state. They argue that the Israel Lobby had a crucial part in the decision to attack Iraq in 2003. Notes that despite the academic style of their paper, Mearsheimer and Walt have revived the myths of a Jewish conspiracy, of Jewish control of the mass media, and of a Jewish secret power. Dwells, also, on the Tony Judt affair. In 2006 Judt, who supported Mearsheimer and Walt, was to deliver a lecture on a binational alternative for Israel. His lecture was cancelled, which he ascribed to pressure by the Anti-Defamation League. Supporters of Mearsheimer and Walt used it as a demonstration of the Israel Lobby's intervention. Criticizes Jimmy Carter's book "Palestine: Peace Not Apartheid" (2006) for its clear anti-Israel bias.

San Francisco Beat is an essential archive of the Beat Generation, a rich moment in a fortunate place. America-somnolent, conformist, and paranoid in the 1950s-was changed forever by a handful of people who refused an existence of drudgery and enterprise, opting instead for a life of personal, spiritual, and artistic adventure. In these intimate, free-wheeling conversations, a baker's dozen of the poets of San Francisco talk about the scene then and now, the traditions of poetry, and about anarchism, globalism, Zen, the Bomb, the Kabbalah, and the Internet. Thirty years ago, poet David Meltzer interviewed his poet friends for The San Francisco Poets. Now in San Francisco Beat he has combined these classic interviews with recent follow-up. San Francisco Beat features major new interviews with Philip Lamantia, Joanne Kyger, Gary Snyder, Jack Hirschman, Diane di Prima, Jack Micheline, Philip Whalen, and David Meltzer himself. David Meltzer is the author of many books of poetry, including Tens, The Name, Arrows: Selected Poetry 1957-1992, and No Eyes: Lester Young. He is the editor of Birth, The Secret Garden, Reading Jazz, and Writing Jazz, among other collections. His agit-smut fictions include The Agency Trilogy. Meltzer read poetry at the Jazz Cellar in the 1950s and in the 1960s fronted the band, Serpent Power. Meltzer teaches poetics at New College of California. Table of Contents/Interviewed Authors Preface Acknowledgments Diane di Prima (1999) William Everson (1971) Remembering Everson (1999) Lawrence Ferlinghetti I (1969) Lawrence Ferlinghetti II (1999) Jack Hirschman (1998) Joanne Kyger (1998) Philip Lamantia (1998) Michael McClure I (1971) Michael McClure II (1999) David Meltzer (1999) Jack Micheline (1994) Kenneth Rexroth (1971) Remembering Rexroth (1971) Gary Snyder (1999) Lew Welch (1971) Philip Whalen (1999) Bibliographies Preface Nothing is hidden; As of old All is clear as daylight -Anonymous haiku, 16th century San Francisco Beat: Talking with the Po

In this book, Alfred Kazin, who for more than 30 years has been one of the central figures of America's intellectual life, takes us into his own life and times. His autobiography encompasses a personal story openly told; an inside look at New York's innermost intellectual circles; strong and intimate revelations of many of the most important writers of the century; and brilliantly astute observations of the literary accomplishments, atmosphere, and fads of the 1940s, 50s, and 60s in the context of America's shifting political gales.

'Simon Rich is outrageously, lavishly gifted'- Caitlin Moran'Simon Rich is the funniest writer alive'- Matt Haig'How fabulously funny'- Lauren Laverne'One of my favourite authors'- B J NovakFrom a bitter tell-all by a horse who made a man famous and then got left behind to a gushing magazine profile of one of your favorite World War II dictators, these stories trawl through history to skewer our obsession with fame and fortune - all the way from ancient Babylon to Hollywood. What father-to-be wouldn't feel a little jealous when his baby outstrips his success from the womb? And what happens when a film critic is forced to live in the movies he so cruelly damned?Loved in the UK by celebs, writers and readers alike, from Lauren Laverne to Matt Haig and Caitlin Moran, Simon Rich is back with his funniest and most personal collection of stories to date.