Larry can't stop thinking about the growling dog in the alley. He already has three strays in his backyard. How can he afford to take care of another one? When his brother Paul points out a strange mark in the alley, Larry has a mystery to solve. What is the dog protecting? What is really going on in that dark alley?

From the pen of Hollywood screenwriter David Levien comes this fast, furious and unforgettable crime thriller. Perfect for fans of Lee Child and Harlan Coben. "Tense and tightly plotted" - GUARDIAN "This is American crime thriller writing at its rocket-fuelled, roller-coaster best" - DAILY MAIL "Crime fiction at its finest" - Christopher Reich "What a great read. Its hard to put the book down." -- ***** Reader review ***************************************************************************** DOES HE REALLY WANT TO KNOW THE TRUTH? THE COMPANY: Troubled former cop Frank Behr is working for an exclusive Indianapolis investigation company, when he finds himself on a protection detail for Bernard "Bernie Cool" Kolodnik. THE CLIENT: Bernard "Bernie Cool" Kolodnik is a hard driving business mogul on the verge of making a move into big-time politics. THE CORRUPT: An attempt on Kolodnik's life is quickly buried by the police. But Behr wants the truth, and his hunt will put him a collision course with a dangerous sociopath . . .

"Make Mine Mars" (Science Fiction Adventures 1952) "The Meddlers" (Science Fiction Adventures 1953) "The Events Leading Down to the Tragedy" (F&SF 1958) "The Little Black Bag" (Astounding 1950) "Everybody Knows Joe" (Fantastic Universe 1953) "Time Bum" (Fantastic Stories 1953) "Passion Pills" (original) "Virginia" (Venture 1958) "The Slave" (Science Fiction Adventures 1957) "Kazam Collects" (Stirring Science Stories 1941) "The Last Man Left in the Bar" (Infinity 1947) "The Adventurer" (Space Science Fiction 1953) "The Words of Guru" (Stirring Science Stories 1941) "Shark Ship" (Vanguard 1958) "Two Dooms" (Venture 1958)

Flavia and her friends cross the desert in a caravan and encounter an eclectic ensemble of characters on their way to a Roman province, as they pursue their mission to steal the gemstone known as Nero's Eye for the Emperor Titus.

'Hugely impressive . . . Brooke writes the kind of women we want to see in crime fiction' Russel McLean A body is found and questions must be answered - the conspiracy runs right to the top . . . Miri Goldstein was a call girl with connections to powerful men. Now that she's dead, some can breathe more easily. But the grave is not always good at keeping secrets. As the media dig into Miri's past, her old friend Denise worries that her own will rise to the surface. Meanwhile in Scotland, controversial forensic pathologist Harriet Hitchin is put in a bind when the body turns up on her patch. Police think they have their killer but Harriet is certain they made a mistake. If she's wrong, it will end her career. If she's right it could cost her life. The case will play games with all who come near and force them to ask - how many of us are living a lie? With taut pace and a twisted sense of humour, You Don't Know Me is a sexy thriller from someone who knows exactly what it means to live a double life.

When sixth-grade mathematical genius Charlie Lewis is recruited to recover moon rocks taken from NASA's vaults, the Whiz Kids enter a paper airplane contest hosted by the suspect's company.

When sixth-grade mathematical genius Charlie Lewis is recruited to recover moon rocks taken from NASA's vaults, the Whiz Kids enter a paper airplane contest hosted by the suspect's company.

"Biblical scholars, Egyptologists, archaeologists, historians, literary scholars, anthropologists, and filmmakers are drawn to it. Unable to find physical evidence until now, many archaeologists and scholars claim this mass migration is just a story, not history. Others oppose this conclusion, defending the biblical account. Like a detective on an intricate case no one has yet solved, pioneering Bible scholar and bestselling author of Who Wrote the Bible? Richard Elliott Friedman cuts through the noise — the serious studies and the wild theories — merging new findings with new insight. From a spectrum of disciplines, state-of-the-art archeological breakthroughs, and fresh discoveries within scripture, he brings real evidence of a historical basis for the exodus — the history behind the story. The biblical account of millions fleeing Egypt may be an exaggeration, but the exodus itself is not a myth. Friedman does not stop there. Known for his ability to make Bible scholarship accessible to readers, Friedman proceeds to reveal how much is at stake when we explore the historicity of the exodus. The implications, he writes, are monumental. We learn that it became the starting-point of the formation of monotheism, the defining concept of Judaism, Christianity, and Islam. Moreover, we learn that it precipitated the foundational ethic of loving one's neighbors — including strangers — as oneself. He concludes, the actual exodus was the cradle of global values of compassion and equal rights today"--front flap.

Illustrated by the Author: Now in Black & White Mandela Was Late traverses the inner universe of a satiric genius who maybe should be getting out of the house a little more often. Wrapped in his cocoon of Hollywood residuals, battling his own (mounting?) foibles day by day, former Seinfeld writer/producer Peter Mehlman somehow manages to see the world a little more clearly than the rest of us. Ride along through the arc of time drawn by six separate moving violations; only in L.A. can you mark life’s mileposts by the traffic citations you receive. Share the thrill of being nominated for an Emmy, and the agony of not winning… early in the evening. Meet a fictive pundit who becomes famous for publishing blank space; a detective who is ready to reopen the O.J. Simpson case and bust it wide open; a parole officer responsible for the newly won freedom of Nelson Mandela; and a Philip Roth who lengthens his literary career by resorting to ‘roids. Go “star trekking” across the urban wilds of Manhattan, hunting celebrity big game; dodge potholes along a memory lane that feels very familiar in spots and bizarrely antic in others; and remember where you were the first time you heard that infamous number… 69. Read and laugh and shake your head. Nothing is sacrosanct, including other people’s kids. “Mandela Was Late will make you laugh and you will find more than once you can relate to his stories in a “yeah that happened to me” or “yeah I feel the same” kind of way. It was a true pleasure to get a firsthand glimpse into the mind of this master of satire. Keep writing Mr. Mehlman; we are waiting for more.”–Jaime Martinetion, TheCelebrityCafe.com “It turns out that not only can Peter Mehlman write funny television, he can write a funny book. Who knew?” ―Julia Louis-Dreyfus, star of Veep and Seinfeld “American humor would not be the same without Peter Mehlman, a former co-executive producer of Seinfeld and leading television writer and producer.” ―The Wrap “Thanks to Peter Mehlman, former Seinfeld writer and producer, the terms ‘shrinkage’ and ‘yada-yada’ became a part of the popular vernacular.” ―NPR’s Fresh Air “Anyone who writes for television gets frustrated that they can’t write like Peter Mehlman. Now he’s going to make novelists mad too. Mehlman’s writing style is completely unique and creates an intimate bond between the narrator and the reader. You finish the book feeling as though you’ve made a new friend.” ― Aaron Sorkin, Academy and Emmy-award winning screenwriter, producer, and playwright, whose works include A Few Good Men, The West Wing, The Social Network, and The Newsroom “Peter Mehlman worked in sports for Howard Cosell, wrote legendary episodes of Seinfeld, and now he’s written an amazingly funny and heartfelt novel. Unstoppable!” ―Marv Albert, Hall of Fame Sports Broadcaster

In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne's Essais , Walter Benjamin's Denkbilder , or Adorno's Minima Moralia . Drawing upon an intellectual tradition that ranges from Aesop to Wittgenstein and from medieval theology to astrophysics, he works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues--metaphors, gestures, anecdotes--essential to grasping human finitude. Images of shipwrecks, attempts at ordering the world, and questions of foundations are traced through the work of Goethe, Schopenhauer, Simmel, Husserl, Thomas Mann, and others. The book's reflections culminate in a rereading of the fable "Care Crosses the River" that lies at the center of Heidegger's analysis of Dasein in which the fable's elided Gnostic center is recovered: Care creates the human in its own image, as a reflection of its narcissism. At stake throughout are two inextricable elements of Blumenberg's thought: a theory of nonconceptuality as essential to philosophizing and an exploration of culture understood as humanity's unceasing attempts to relieve itself of the weight of the absolutism of reality.

AN ELLERY QUEEN MYSTERY. When Hollywood bigwig Solly Spaeth is murdered, thousands cheer. He is a most popular corpse, for Solly's stock manipulations have ruined many, including his partner. A cut and dried case - or so it appears. Enter master detective Ellery Queen, whose embarrassing questions uncover a maze of conflicting alibis and motives, and ultimately reveal a deadly face lurking beneath the glittering mask of Tinseltown.

This book written by Ellery Queen, the famous radio detective story man, is a history of the detective crime short story as revealed by the 125 most important books published on that subject since 1845.

AMIDST THE CONTROVERSIES AND HYPE SURROUNDING DNA, ONE JUDGE'S DETERMINED SEARCH FOR THE TRUTH . . . Judge Gerald Sheindlin presided over the first trial to involve the admissibility of DNA: the murder of a Bronx mother and her infant. His ruling, admitting DNA evidence, changed the American criminal justice system forever, and Judge Sheindlin's guidelines, prepared for that case, have become the model used in many courtrooms. Now, beginning with that precedent-setting trial, Sheindlin reveals the true nature of forensic DNA: the revolutionary crime-solving tool that can find deadly clues in a drop of blood, the root of a hair, or a smear of saliva. With wit and clarity, the author explains the dynamics of DNA and shows how the genetic code, once deciphered, can break open a case. Because of its devastating implications for killers, rapists, stalkers, and terrorists, defense lawyers everywhere are fighting to diminish DNAs credibility. Sheindlin examines their arguments *particularly addressing the claims and counterclaims that raged during O.J. Simpson's trial *and discusses DNAs dramatic impact on the future of police investigations and the process of criminal justice in America. With a Glossary and Q&A section

Cyrus Dolittle knows where all the bodies are buried in Auburn County--figuratively and literally. Dolittle heads the hunt for the murderer, but he knows more than he is telling. And Sally Dawes, a burned-out local journalist, knows that Dolittle is not the virtuous cop he appears to be. From the author of True Crime.

"It's past midnight, but Connie can't sleep. To pass the time, she logs onto a real estate website in search of a particular house, the address of which was mysteriously in the GPS of her car that afternoon. As she clicks through the virtual tour of 11 Bentley Grove, she's shocked to see the body of a woman, lying face down on the living room floor in a pool of blood. But when she returns to show her husband Kit moments later, there is no body, no blood- only an ordinary beige carpet in an ordinary living room. Once again featuring detectives Charlotte (Charlie) Zailer and Simon Waterhouse" --

"The world's greatest detectives race to solve the mystery of Leviathan only to discover that this time, they're already too late. Leviathan is in control. With startling ease, a newly dangerous and aggressive secret organization called Leviathan has returned and has been systematically wiping out all its competition. The ways of the old world no longer work. Now Leviathan is turning its sights to molding the world into its own radical vision of order. Can this new threat's growth be stopped? Join Lois Lane as she leads Batman, Green Arrow, Plastic Man, Manhunter, the Question along with a couple of surprise sleuths in the search of the man who sits behind the cloak of Leviathan. But will whoever find him first capture him...or join him?"--

Benny Cooperman is a detective with flair, known and loved the world over as a witty, egg salad-loving, Jewish gentleman sleuth. This kinder, gentler detective-funny, smart, and squeamish about violence-is the creation of master of the genre Howard Engel, and readers stretch now to thirteen countries, from his native Canada to Japan, England, Germany, Italy, Spain, Denmark, and the US.

Benny Cooperman's favourite lunch counter and diner have closed down and the fittings have been sold to Americans. The nation mourns the accidental death of its greatest artist, cellist Dermot Keogh. It's April and there's already a heat wave. Things are just not the way they used to be. Alas, not just the plots and settings have changed in Howard Engel's 10th Benny Cooperman mystery. While Canada's favourite fictional detective is still his smart-alecky but unsophisticated self ("Dim Sum may be unknown in Grantham, Mr. Cooperman, but we in Toronto have had it for nearly forty years"), his talents seem washed out, if not washed up, in this nasty little mystery set in the high-tech, high-pressure world of a Toronto TV station far up the road from his native Grantham. All the stock figures are the former high school love goddess who calls at the detective's office wondering if she's in the path of a killer, the small-town lawyer, the slobbish cops, the heavies in dark glasses. What's missing are the gritty small-town ambience and naked class antagonisms that drive best hard-boiled detective fiction, including Engel's early novels. Burdened with the bland homogeneity of the contemporary city and with convoluted literary references, the tale becomes progressively less gripping. In fact Cooperman hasn't been himself since 1990's Dead and Buried , when his creator first fell for the suits and the happy ending. The warning of his first sentence--"I should have seen the writing on the wall"--should have been a message to readers as well. --Robyn Gillam

Dr. Harry Brown discovers the corpse of an unknown woman in his apartment and the detective, Ellery Queen, investigates the baffling murder of a scientist

All she wanted to do was take her son's forgotten sports kit to school. So why does Nicki Clements drive past the home of controversial newspaper columnist Damon Blundy eight times in one day? Blundy has been murdered, and the words 'HE IS NO LESS DEAD' daubed on his wall - in red paint, not blood. And, though Blundy was killed with a knife, he was not stabbed. Why? Nicki, called in for questioning, doesn't have any of the answers police are looking for. Nor can she tell them the truth, because although she is not guilty of murder, she is far from innocent. And the words on the wall are disturbingly familiar to her, if only she could remember where she has heard them before ...