Two middle aged men were brought as children out of Nazi Germany and parted from their parents forever. One forgets all memories while the other is a damaged person, a man of sorrows.

"The literature of the twenty-first century will belong to Neuman." —Roberto Bolaño Searching for an inn, the enigmatic traveler Hans stops in a small city on the border between Saxony and Prussia. The next morning, Hans meets an old organ-grinder in the market square and immediately finds himself enmeshed in an intense debate—on identity and what it is that defines us—from which he cannot break free. Indefinitely stuck in Wandernburg until his debate with the organ-grinder is concluded, he begins to meet the various characters who populate the town, including a young freethinker named Sophie. Though she is engaged to be married, Sophie and Hans begin a relationship that defies contemporary mores about female sexuality and what can and cannot be said about it. Traveler of the Century is a deeply intellectual novel, chock-full of discussions about philosophy, history, literature, love, and translation. It is a book that looks to the past in order to have us reconsider the conflicts of our present. The winner of Spain's prestigious Alfaguara Prize and the National Critics Prize, Traveler of the Century marks the English-language debut of Andrés Neuman, a writer described by Roberto Bolaño as being "touched by grace."

1924. This book tells the tale of Percy Bysshe Shelley, whose life was singularly interesting and diverse. His friends unanimously testify that his character was one of gentleness, purity, generosity and strong affection. As a poet, he stands in the front rank and in some of his shorter poems he is unsurpassed. During his short life of 30 years, he was not the object of much severe judgment and his poetic power was recognized by only a few. Contents Part Keate's Way; The Home; The Confidant; The Neighbouring Pine; Quod Erat Demonstrandum; Timothy Shelley's Vigorous Dialectics; An Academy for Young Ladies; The Despotic Chain; A Very Young Couple; Hogg; First Encounter with Middle Age; Soap Bubbles; The Venerated Friend; Miss Hitchener; Harriet; Comparisons; and Second Incarnation of the Goddess. Contents Part A Six Weeks' Tour; The Pariahs; Godwin; Don Juan Conquered; Ariel and Don Juan; Graves in the Garden of Love; The Rules of the Game; Queen of Marble and Mud; The Roman Cemetery; Any Wife to Any Husband; The Cavaliere Servente; A Scandalous Letter; Lord Byron's Silence; Miranda; The Disciples; II Samuel The Refuge; Ariel Set Free; and Last Links.

Offers seven poems, seven works of fiction, including an excerpt from the author's novel "Trust," and eight essays that discuss such authors as Virginia Woolf, Edith Wharton, and Henry James, feminism, and other topics

Now back in print?a taut spy thriller from The New York Times bestselling author of The Company With the publication of his New York Times bestseller The Company , Robert Littell re-established his position among the highest ranks of writers of literary espionage novels. In The Debriefing , long out of print until now, Littell offers another novel of exquisite suspense. Stone is the head of an elite arm of the Joint Chiefs of Staff?and a master of the psychologically sophisticated art of debriefing. When Oleg Kulakov defects from Russia, handcuffed to a sealed diplomatic pouch, it?s Stone?s job to find out if he?s genuine. As Stone uncovers Kulakov?s darkest secrets, he penetrates Russia itself to learn the chilling truth . . . a truth that tears his own world apart.

"Algren's classic 1947 short story collection is the pure vein Algren would mine for all his subsequent novels and stories. The stories in this collection are literary triumphs that "don't fade away." Among the stories included here are "A Bottle of Milk for Mother," about a Chicago youth being cornered for a murder, and "The Face on the Barrome Floor," in which a legless man pummels another man nearly to death-the seeds that would grow into the novel Never Come Morning. Algren's World War II stories whose final expression would be in the novel The Man with the Golden Arm are also part of this collection. "So Help Me," Algren's first published work, is here. Other stories include, "The Captain Has Bad Dreams," in which Algren first introduced the character of the blameless captain who feels such a heavy burden of guilt and wonders why the criminal offenders he sees seem to feel no guilt at all. And then there is "Design for Departure," in which a young woman drifting into hooking and addiction sees her own dreaminess outlasting her hopes"--

Long Remember is the first realistic novel about the Civil War. Originally published in the 1930s, and out of print sincer the 50s, this book received rave reviews from the NY Times Book Review, and was a main selection of the Literary Guild. It is the account of the Battle of Gettysburg, as viewed by a pacifist who comes to accept the nasty necessity of combat, and lives an intense and skewed romance along the way.

Intelligence turns me on. Lore Segal's tour de force look at the New York literary scene was a hit when it was first released in the 1970s, winning the praise of the literary elite. John Garnder called it “magical.” William Gass said it was “witty, elegant, beautiful.” Stanley Elkin called it “a shamelessly wonderful novel, so flawless one feels civilized reading it.” It's been a cult classic ever since, and appears here in its full, original text, as fresh as ever: the story of the whimsical New York poet Lucinella and her adventures among the literati. It starts at Yaddo writers colony, where life is idyllic, meals are served to you in your rooms, and cocktails are ready at day's end … and still the writers complain and compete. Then it moves back to New York City, where the pampered once again face reality, and wonder: Will a different husband … or the right publisher … or the perfect filing system … put life in order? Lucinella and her circle feel lacking and keep looking, busily going to parties and watching one another 's lives closely for signs of happiness, love and despair. Segal depicts it all with a perfect blend of love and malice. And at the center is Lucinella herself, so full of humanity and frailty that these divertissements do her to death. “Here,” as Cynthia Ozick says, “is the enchanted microcosm, the laughter of mortality.” The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

A Nick Hoffman / Academic Mystery, Book 1 - Nick Hoffman has everything he's ever wanted: a good teaching job, a beautiful house, and a solid relationship with his lover, Stefan Borowski, a brilliant novelist and writer-in-residence at the State University of Michigan. But when Perry Cross shows up, Nick's peace of mind is shattered. Not only does he have to share his office with the nefarious Perry, who managed to weasel his way into a tenured position without the right qualifications, he also discovers that Perry played a destructive role in Stefan's past. When Perry turns up dead, Nick wonders if Stefan might be involved, while the campus police force is wondering the same about Nick. Originally published in 1996, this first book in the Nick Hoffman Academic Mystery series is now back in print, with a 2019 foreword by the author. EDITORIAL REVIEWS: "Deliciously wicked... The perfect book to take away for a weekend in the country... a genuinely funny modern comedy of manners." - Washington Post Book World "The Borgias would not be bored at the State University of Michigan, that snake pit of academic politics." - New York Times Book Review "Clever and sharp social satire." - Los Angeles Times "Lev Raphael skewers academic pretensions with wicked glee [and] Dickensian flair." - Chicago Sun-Times Lev Raphael offers "a delightful take on death in academe." - San Francisco Chronicle A "witty and devastating backstage view of college life." - San Diego Union-Tribune "Some of the most pointed and funny put-downs of academics in my memory." - Detroit Free Press Raphael "elegantly skewers ivory-tower pretensions, petty politics, incompetencies and hypocrisies." - Booklist Lev Raphael combines "stylish literary mystery with an intimate look at the jungle of academia... witty, impeccably written." - The Mystery Review "Marvelous humor and satisfying mystery... wickedly fun." - Drood Review of Mystery "Bright, breezy, and laugh-aloud funny." - Alfred Hitchcock Mystery Magazine

The stories collected here span the years 1988 to 2002, during which time LeslA(c)a Newman wrote six volumes of short stories: "A Letter to Harvey Milk, Secrets, Every Woman's Dream, Out of the Closet and Nothing to Wear, Girls Will Be Girls "and "She Loves Me, She Loves Me Not." In Newman's prize-winning story "A Letter to Harvey Milk," Harry Weinberg, a 77-year-old Holocaust survivor, takes a writing class in which he unearths memories that force both him and his writing teacher, a Jewish lesbian, to see their lives differently. "Right Off the Bat" is a monologue by a 12-year old girl whose lesbian mothers have been gay-bashed. "Eggs McMenopause" tells the story of how a sleep-deprived butch finds a unique solution to the trials and tribulations of menopause. In "The Babka Sisters," a women's studies student interviews a nursing home resident and hears a tale the woman has never told anyone: the story of the girl she fell in love with in high school. And in "Mothers of Invention," a couple tests their relationship when one woman decides she wants to have a baby and the other woman does not. Newman's stories covers a dazzling array of themes pertaining to contem-porary lesbian life, including long-term relationships, one-night stands, family-of-origin angst, motherhood, friendships with gay men, AIDS, breast cancer, aging, loss and bisexuality. Many of these stories explore Jewish identity as well. Each story in this collection is told with Newman's trademark wit, honesty, talent and compassion. LeslA(c)a Newman's literary awards include fellowships from the National Endowment for the Arts and the -Massachusetts Artists Foundation. Six of her books have been Lambda Literary Award finalists. A native New Yorker, she currently lives in western Massachusetts.

The very best writing from one of America's most groundbreaking literary magazines. When Creative Nonfiction debuted in 1994, the literary genre it championed was largely the target of skepticism or downright ridicule. But at a time when few editors were interested in the personal essay, the magazine doggedly explored new ideas and fresh modes of expression, and over the next three decades, its contributors pioneered what would come to be known as the "fourth genre." The thirty-two essays collected here bring together some of the finest work Creative Nonfiction published over its seventy-eight issues. Read Pulitzer Prize-winner Charles Simic's boyhood remembrances of the bombing of Belgrade, Carolyn Forche's haunting, lyric catalog of her daily life as she faced down a cancer diagnosis, and John Edgar Wideman's meditation on the photo of a murdered boy his same age--Emmett Till--and how the image haunted him forever. Here, you'll find work by such luminaries as Adrienne Rich and John McPhee, but also essays from more contemporary voices like Brian Broome, Elizabeth Fortescue, and Anne McGrath. With an introduction by Lee Gutkind, Creative Nonfiction's founder and editor, this collection captures the evolution of a genre and the amazing work of the little magazine that helped make it all happen.

Although best known for his plays, Harold Pinter has also written an extensive and wide-ranging body of other work since 1948; prose, prose fiction, poetry and political writings. In this anthology Pinter presents his own selection, among which are "A Note on Shakespeare" (1950), a paean to the cricketer Len Hutton (1969), the short stories "Kullus" (1949) and "Girls" (1995), the poetry from "School Life" (1948), and political pieces - including many letters to the press - on the United States, Cuba, Kurdistan and Nicaragua.

Seven Types of Ambiguity is a psychological thriller and a literary adventure of breathtaking scope. Celebrated as a novelist in the tradition of Jonathan Franzen and Philip Roth, Elliot Perlman writes of impulse and paralysis, empty marriages, lovers, gambling, and the stock market; of adult children and their parents; of poetry and prostitution, psychiatry and the law.

In "Men I'm Not Married To," Dorothy Parker offers a sharp, witty collection of essays and character sketches that explore the complexities of love, desire, and disillusionment through her incisive lens. Known for her acerbic humor and keen observations of the societal norms of her time, Parker employs a conversational yet poignant literary style, weaving personal anecdotes with broader social critiques. This work emerges from the early 20th century, a pivotal era in American literature marked by a burgeoning feminism and shifting gender dynamics, which Parker critiques with a blend of irony and authenticity. Dorothy Parker, a prominent member of the Algonquin Round Table, was known for her biting wit and advocacy for women's rights, often reflecting her personal experiences with romance and disappointment. Her own tumultuous relationships and her struggles within the patriarchal society profoundly influenced her writing. Parker's work not only illuminates her individual concerns but also resonates with the broader existential questions of her generation, establishing her as a significant voice in American literature. "Men I'm Not Married To" is an essential read for those who appreciate humor laced with wisdom. Parker's insightful commentary on relationships remains relevant, inviting readers to reflect on the intricacies of human connections, making this collection a timeless exploration of love's transient nature.

In "Men in War," Andreas Latzko presents a poignant exploration of the psychological and moral complexities faced by soldiers during wartime. This powerful narrative is woven with vivid imagery and stark realism, reflecting Latzko's incisive observations of the human condition in the harrowing backdrop of conflict. Each narrative intertwines character-driven stories, portraying the profound sense of loss, camaraderie, and existential dread that permeate the battlefield. As a work deeply rooted in the early 20th-century literary context, it resonates with the growing disillusionment that emerged from the catastrophic impacts of World War I. Andreas Latzko, an Austrian writer and veteran of World War I, drew on his experiences and those of his comrades to craft this compelling collection. His own exposure to the brutal realities of war profoundly shaped his worldview, leading him to question notions of heroism and glory. Latzko's background in philosophy and his empathetic understanding of the soldier's plight inform his nuanced storytelling, revealing both the triumphs and tragedies inherent in the human experience. "Men in War" is an essential read for anyone seeking to comprehend the profound psychological scars left by war. Latzko's masterful prose invites readers to reflect on the shared humanity of those who endure conflict, making this book not only a historical account but a timeless meditation on the costs of warfare.

"This groundbreaking collection brings together 28 stunning stories by literary talents never before assembled in a single volume. With contributions from both established and bright new voices in lesbian fiction, 'Women on Women' ranges from the subtlety and restraint of Willa Cather's 'Tommy, the Unsentimental' to Sapphire's daring and highly erotic 'Eat' and Valerie Miner's suspenseful 'Trespassing.' Some of the stories are universal in theme - the joy and excitement of new romance, the ageless problems of family life, and the pain of lost love and of death. And many are written by or about members of racial, ethnic, and other minorities within the gay community. These are stories that offer stirring, eloquent, often passionate insights into the lesbian experience in a long-overdue collection that represents the best of lesbian short fiction from past to present"--Amazon.com

Benny Cooperman's favourite lunch counter and diner have closed down and the fittings have been sold to Americans. The nation mourns the accidental death of its greatest artist, cellist Dermot Keogh. It's April and there's already a heat wave. Things are just not the way they used to be. Alas, not just the plots and settings have changed in Howard Engel's 10th Benny Cooperman mystery. While Canada's favourite fictional detective is still his smart-alecky but unsophisticated self ("Dim Sum may be unknown in Grantham, Mr. Cooperman, but we in Toronto have had it for nearly forty years"), his talents seem washed out, if not washed up, in this nasty little mystery set in the high-tech, high-pressure world of a Toronto TV station far up the road from his native Grantham. All the stock figures are the former high school love goddess who calls at the detective's office wondering if she's in the path of a killer, the small-town lawyer, the slobbish cops, the heavies in dark glasses. What's missing are the gritty small-town ambience and naked class antagonisms that drive best hard-boiled detective fiction, including Engel's early novels. Burdened with the bland homogeneity of the contemporary city and with convoluted literary references, the tale becomes progressively less gripping. In fact Cooperman hasn't been himself since 1990's Dead and Buried , when his creator first fell for the suits and the happy ending. The warning of his first sentence--"I should have seen the writing on the wall"--should have been a message to readers as well. --Robyn Gillam

Winner of the Edgar Allan Poe Award from Mystery Writers of America. Final Decree reads like a thriller. Yet, by sheer literary skill, George Jonas thrills us not through artificial catastrophes of far-fetched fiction, but through the dangers and suspense of familiar, everyday life. Kazmer Harcsa, an immigrant carpenter, has worked unstintingly to give his wife, Petrona, and their two children all the comforts of a modest middle-class life in Toronto. Kazmer's confident dreams of a happy future are shattered, however, on the day he comes home to find his family gone and himself a casualty of Petrona's quest for self-fulfillment. Confronted by trendy divorce lawyers and judges, who mistake his native wit for simple-mindedness and his fierce pride for insolence, Kazmer becomes desperate in his search for justice. Humiliation gives way to rage when he decides that to be a man worthy of his ancestors he must take the law into his own hands. A controversial indictment of how progressive laws destroy the very people they seek to protect, Final Decree is, above all, a work of literature. It strips away the masks of fashion to focus on the basic emotions of men and women. It does not plead for social reform, but celebrates the resilience of the human spirit. Tragedy, suspense and controversy combine to make Final Decree an explosive masterful novel.

Puckish and playful, Georges Perec infused avant-garde and experimental fiction with a wit and wonder that belied the serious concerns and concepts that underpinned it. A prominent member of the OuLiPo, and an abiding influence on fiction writers today, Perec used formal constraints to dazzling effect in such works as A Void —a murder mystery that contains nary an “e”—and Life A User’s Manual , in which an apartment building, systematically canvassed, unfolds secrets and, ultimately offers a reflection on creation, destruction, and the devotion to art. Before embarking on these experiments, however, Perec tried his hand at a relatively straightforward novel, Portrait of a Man . His first book, it was rejected by publishers when he submitted it in 1960, after which he filed it away. Decades after Perec’s death, David Bellos discovered the manuscript, and through his translation we have a chance to enjoy it in English for the first time. What fans will find here is a thriller that combines themes that would remain prominent in Perec’s later work, such as art forgery, authenticity, and murder, as well as craftsman Gaspard Winckler, who whose namesakes play major roles in Life A User’s Manual and W or The Memory of Childhood . Engaging and entertaining on its own merits, and gaining additional interest when set in the context of Perec’s career, Portrait of a Man is sure to charm the many fans of this postmodern master.

Jachin-Boaz is a maker and seller of maps. In his shop are maps that will lead you to whatever it is you most desire: love, inspiration, wealth. But his greatest achievement is a master-map showing the location of everything that has ever been found in the world, which he intends to give to his son, Boaz-Jachin. There is only one thing missing from the map: lions - for there are no more lions left. Or are there? When Jachin-Boaz sets out on a quest to find a lion for his son, Boaz-Jachin will follow in search of his father, and both will discover something wholly unexpected ... Russell Hoban's first novel for adults, The Lion of Boaz-Jachin and Jachin-Boaz (1973) was widely acclaimed by critics and earned comparisons to Tolkien and C.S. Lewis. Both a humorous and light-hearted fantasy and an insightful meditation on the sometimes difficult relationships between fathers and sons, it is a perfect introduction to the work of this brilliant writer. 'A piece of invention as original as any of Tolkien's or C.S. Lewis's.' - New Statesman 'Magic at work ... Funny as well as beautiful.' - Irish Times 'Mr. Hoban is unclassifiable, thank goodness. His narrative is so minutely and compellingly realistic that after a time you cease to notice that he has stood reality on its head.' - Sunday Times 'Of outstanding quality ... unusually vivid imagination ... immensely striking use of words.' - Auberon Waugh, The Spectator