"Once upon a time there were three men who exemplified, without knowing it, my ideal in life. All of them became famous as writers, influential thinkers, and public figures. Their names are Clifton Fadiman, Lionel Trilling, and Jacques Barzun. They met in college, they remained aware of one another as friends or, if less than friends, companions and fellow crusaders on behalf of similar ideals. Although one of them never knew of my existence, the second ignored it, and the third treated me with formal kindness, without them I would have had no concrete model in my youth of what I wanted to become. Theirs was the universe in which I wished to have my being." With these words, Carolyn Heilbrun begins a personal, pointed, and surprisingly moving account of how a woman, destined to become one of the leading feminist critics of her day as well as one of our most popular mystery novelists, found the models for the life she aspired to in men who neither imagined nor countenanced women as their equals or colleagues. Remembering these three figures as they were when she hung upon their printed words and professorial presences, reappraising them now half a century later, Heilbrun vividly evokes what these remarkable individuals had to offer to an admiring young woman who could not acknowledge—and later would not accept—the impossibility of following in their paths. In the admired anthologies, magazine articles, and introductions through which Fadiman transmitted the world of high culture to an educated general public, he indicated no devotion to questions of female destiny; yet long before Heilbrun could imagine the life in the academy that was denied to Fadiman but would eventually be hers, his was the career to which she privately aspired. Later, in her days as a graduate student at Columbia, it was Trilling who would have the most powerful intellectual effect upon her, formulating as he did the tensions inherent in the desire to salvage what was of worth from a sad, almost moribund culture, even if he frankly admitted to no interest in teaching women or in considering their destinies beyond the domestic sphere. Only the courtly Barzun, also a mentor at Columbia, seemed capable of respecting female accomplishment and eschewing stereotyped views of women. Yet together, all three men unconsciously made Heilbrun's life as a feminist possible, by representing both what she wished to join and what she needed to struggle against. When Men Were the Only Models We Had is a loving, admiring, but stringent account of youthful enthusiasms, of the romance of ideas, of the intellectual brilliance of three unwitting mentors, and of the hopelessness of female ambition in the years before the feminist movement of the last three decades of the last century. And it is, in the end, a book that offers splendid proof that the models we once had are no longer the only ones before us.

"Blume Lempel is a fearless storyteller whose imagination skillfully moves between the realistic and the fantastic, the lyrical and the philosophical. Her subjects like her settings -- Paris, Poland, Brooklyn, Tel Aviv, California -- range widely. A Holocaust survivor speaks to the shadows in her garden; a pious old woman imagines romance; a New York subway commuter forges a bond with a homeless woman; and in the title story, a mother is drawn into a transgressive relationship with her blind son. Lempel's narratives are masterpieces of poetic imagery and startling modernist touches, suffused with an abiding compassions"--

"There is a huge amount of academic 19th century literature relating to sacred sexuality. However, there are not many books which cover this subject matter for the general reader: this book is one of the few. Goldberg approaches the culturally sensitive issue of the intersection of religion and sex frankly and in some depth. That said, this work has a few problems which need to be kept in mind while reading it. There is not much in the way of apparatus aside from a bibliography: not even the Bible quotes are attributed. Goldberg also invents a number of descriptive passages, particularly in the second section. While these go a long way towards dimensionalizing this material, they include a number of purely speculative details which are not identified as such. Perhaps the best part of this book is the discussion of the evolution of the attitude towards sexuality in Christianity. Goldberg also describes a number of little-known curious cults such as the Russian Skopzi, the mediaeval flagellants, and others. Long out of print, but available used, this book serves as a useful introduction to the subject and sheds light on some little known corners of the subject of sacred sexuality." (Quote from sacred-texts.com) Table of Contents Publisher's Preface; The Erotic Motive In Primitive Religion; Far Away And Long Ago; Primitive Man In Love And Faith; In The Foundry Of The Gods; The Spirit Of Love In God And Man; Love's Hidden Ways; In The Temple Of The Gods; A Day With Baal; A Night With Aphrodite; At A Dionysian Mystery; Twilight With Moloch; The Dance Of The Saktas; In The House Of The Lord; Prologue; Love In The Synagogue; Romance In The Church; Marriage In The Mosque; Longing In The Dark; The Spirit Of Revolt In Religion; Rebels In The Faith; Love The Force Of Rebellion; The Revolt Against Religion; The Revolt Against God; The Revolt A

In a love story framed by the vivid realities of the Israeli-Palestinian conflict, Edeet Ravel tenderly explores the complicated ways people connect when violence touches every aspect of their lives Dana Hillman is a young Israeli woman whose humanity and passion for justice are obvious to all who meet her. On peace missions, she and other activists act as human shields in situations where the Israeli army tries to displace Palestinians. A gifted photographer, she documents the protests, and the faces of women and children caught in the seemingly endless struggle. To make a living, though, she churns out junky historical romances, well aware of the irony of her situation. Her own love story has turned into a heartbreaking mystery: why did her husband, Daniel, suddenly disappear and where has he been for the last eleven years? Every year Dana publishes a full-page ad addressed to her lost husband that says, “I will never ever ever ever . . . stop waiting for you,” with that “ever” multiplied to fill the whole page. Dana’s hope and constancy fill the novel in the way that her “ever” fills up the page, as she holds fast to trust, love and a vision for the future that seems magical in this fractured place. From the Hardcover edition.

This vivid and colorful memoir recounts the experience of a Jewish-American man growing up during the turmoil of the Bush and Obama eras and dealing with the 2008 recession, crazy relatives, depression, failed romances, political and law careers, and foreign adventures in Israel, South Korea, and China. It contains richly detailed portraits of 2000's American life and the various fascinating cities of America, from New York to Chicago to New Orleans. It also has outrageous sexual comedy, Jewish shtick, and provides a serious look at the social issues facing the modern United States, from welfare to homelessness to the expense of college and over-competitiveness in the workforce. A must-read for people of what Newsweek has dubbed "Generation Screwed." If you enjoyed "The Adventures of Huckleberry Finn", you'll love this. Its a heartfelt and at times hilarious commentary on our American life.

Kat Roth and Mark Denham have plenty in common - they're CEOs of rival Seattle-area candy companies, they're both in feverish pursuit of number one status in the nation and they were both once married . . . to each other. Their brief venture into matrimony, an explosive mix of hot passion and all-out war, has made Kat and Mark wary of love and leery of the sparks between them. Push comes to shove when they finally give in to the heat. After several days of back-to-back lovemaking bouts, Kat convinces herself she's found the perfect solution to the seemingly bottomless pit of lust she feels for her ex - a passionate sex-only affair, avoiding all the messy complications of love. Then the night of the chocolate tasting, Kat experiences the ultimate betrayal . . . the two of them are locked up in her office by close friends who refuse to let them out until they resolve their differences. In a firefight of love and passion, Kat finally confesses her fears of failing at love. Mark admits his own fear that he doesn't know what real love is. They both realize that their verbal fireworks really drive them closer together. They agree to remarry, joining together physically and fiscally, in chocolate and in love.

*The pleasure of your company is requested.* Graceful feet tracing courtly steps. Eyes behind jeweled masks meeting across a room of twirling dancers. Gloved hands touching fleetingly-or gripping swords... Anything can happen at a ball. You are invited to enjoy these stories of fancy and fantasy from thirteen authors, framed in the splendor and elegance of a ballroom. Be it at a house party for diplomats and thieves, or Almacks in a side-universe in which the Patronesses have magic, or a medieval festival just after the plague years ... *Prepare to be swept into the enchantment of the dance *

I was winning when I met your gaze . . . So begins the confession of Gwendolen Harleth: dazzling beauty, wilful vivant and gambler of hearts: who bet her strength against her cruel husband, staked it all on the love of Daniel Deronda, and played her way back to a winning hand. With the profound insight of her acclaimed biographies, Diana Souhami fashions a real life for this most mercurial and magnetic of literary heroines, plotting Gwendolen's course in step with the drama of the age as a pioneer of women's aspirations in our own.

Even the most pious Jew need not shed so many tears over the destruction of Jerusalem as the women were in the habit of shedding when Stempenyu was playing. The first work of Sholom Aleichem's to be translated into English--this long out-of-print translation is the only one ever done under Aleichem's personal supervision--Stempenyu is a prime example of the author's hallmark traits: his antic and often sardonic sense of humor, his whip-smart dialogue, his workaday mysticism, and his historic documentation of shetetl life. Held recently by scholars to be the story that inspired Marc Chagall's "Fiddler on the Roof" painting (which in turn inspired the play that was subsequently based on Aleichem's Tevye stories, not this novella), Stempenyu is the hysterical story of a young village girl who falls for a wildly popular klezmer fiddler--a character based upon an actual Yiddish musician whose fame set off a kind of pop hysteria in the shtetl. Thus the story, in this contemporaneous "authorized" translation, is a wonderful introduction to Aleichem's work as he wanted it read, not to mention to the unique palaver of a nineteenth-century Yiddish rock star.

Description of many of the more interesting aspects of the Hassidic sect of the Jewish religion.

"The history of the Jews"

The year is 1031. Karimah, a charming, headstrong Jewish nineteen-year-old has followed her heart on an adventure that will take her far from home. The story is revealed in her letters to the family she left behind in Egypt, their letters to her, and their correspondence with others as they seek to make sense of the disorder that Karimah has brought to their lives. Details of everday life from a millennium ago are now familiar to scholars through the discovery of the Cairo Geniza, a synagogue storeroom full of several centuries' worth of religious manuscripts, receipts, and business correspondence. The author creates an impassioned portrayal of a time when Jews and Muslims lived together in reasonable harmony.

'Literature for me was a magnificent destiny for which I was not yet fully prepared.' Paul and Henrietta Manning and their solitary, academic daughter Jane have nothing in common with Dolly, widow of Henrietta's brother. Corseted and painted, Dolly is a frivolous, superficial woman, who has little time for those without that inestimable quality - charm. Jane, in particular, falls into this category, especially after the death of her parents. But Jane has money - and a conscience - and these bind her to Dolly. Through disagreements, disappointments and disapprovals, Jane and Dolly are enmeshed in an uneasy alliance in which history and family create closer ties than friendship ever could.

Ten-year-old Floriana is captivated by the magnificent Tuscan villa just outside her small village. She likes to spy into the gardens and imagine that one day she'll live there. When Dante, the son of the villa's powerful owner, invites her inside and shows her the enchanting Mermaid Garden, she knows that her destiny is there, with Dante. But as they grow up, their romance jeopardizes everything they hold most dear. Decades later and hundreds of miles away, a beautiful old country hotel on England's Devon coast has fallen on hard times, and its owner, Marina, advertises for an artist to stay the summer. The man she hires begins to transform the fortunes of the hotel, and her family, but why is he really there?

Annie Markham's true love, nineteen-year-old Jake Mead, ran away from their relationship when meddling godmother, Susannah, stepped in. Now it's seven years later and Annie's wealthy family is heading toward bankruptcy. Susannah brings in the best consultant in England to rescue their London public relations agency and, as the Fates have decreed, the genius turns out to be Jake, who is out for revenge.

In July 1947, fresh out of college and long before he would win the Pulitzer Prize and become known as one of America's finest historians, Stanley Karnow boarded a freighter bound for France, planning to stay for the summer. He stayed for ten years, first as a student and later as a correspondent for Time magazine. By the time he left, Karnow knew Paris so intimately that his French colleagues dubbed him "le plus parisien des Américains" --the most Parisian American. Now, Karnow returns to the France of his youth, perceptively and wittily illuminating a time and place like none other. Karnow came to France at a time when the French were striving to return to the life they had enjoyed before the devastation of World War II. Yet even during food shortages, political upheavals, and the struggle to come to terms with a world in which France was no longer the mighty power it had been, Paris remained a city of style, passion, and romance. Paris in the Fifties transports us to Latin Quarter cafés and basement jazz clubs, to unheated apartments and glorious ballrooms. We meet such prominent political figures as Charles de Gaulle and Pierre Mendès-France, as well as Communist hacks and the demagogic tax rebel Pierre Poujade. We get to know illustrious intellectuals, among them Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and André Malraux, and visit the glittering salons where aristocrats with exquisite manners mingled with trendy novelists, poets, critics, artists, composers, playwrights, and actors. We meet Christian Dior, who taught Karnow the secrets of haute couture, and Prince Curnonsky, France's leading gourmet, who taught the young reporter to appreciate the complexities of haute cuisine. Karnow takes us to marathon murder trials in musty courtrooms, accompanies a group of tipsy wine connoisseurs on a tour of the Beaujolais vineyards, and recalls the famous automobile race at Le Mans when a catastrophic accident killed more than eighty spectators. Back in Paris, Karnow hung out with visiting celebrities like Ernest Hemingway, Orson Welles, and Audrey Hepburn, and in Paris in the Fifties we meet them too. A veteran reporter and historian, Karnow has written a vivid and delightful history of a charmed decade in the greatest city in the world.

Em OS FRUTOS DE OURO o herói é um romance, de nome OS FRUTOS DE OURO, e o assunto é a reação que ele provoca em seus leitores.Numa sequência de cenas justapostas em torna desta única idéia central, para a qual as passagens servem de ilustração, OS FRUTOS DE OURO é o romance que melhor da voz e forma poética à pesquisa sobre arte de construção do romance desenvolvida por Nathalie Sarraute, escritora pioneira do NOUVEAU ROMAN francês. Este livro mereceu o Grande Prêmio Internacional de Literatura, uma instituição que, apesar de sua existência efêmera (de 1961 a 1965), contribuiu para impor nomes como os de Beckett, Borges e Saul Bellow.

1929. With fifty animated maps by the author, giving a pictorial history of centuries of wandering. Browne writes in the prologue that while this story may have been told, yet it cries out to be told still again. From beginning to end it pleads to be retold, and not as a list of names and dates, but as a wild adventure, as a romance. For the whole history of the Jewish people is a romance; the strangest, the most colorful in the saga of all mankind.

This comic romance is set at a small bohemian liberal arts college in Vermont. Embarking on his first teaching job in a longed-for idyllic New England country setting, Richie Schuster’s marriage to snarky and glamorous wife, Sally, soon goes up in flames, along with his academic career as he declares war on his fellow faculty members. Contains many excellent farcial blackouts and sharp, Pinter-like dialogue.This was James Howard Kunstler’s second novel, published in 1981, some time before he became better known as a social critic and author of the acclaimed non-fiction books The Geography of Nowhere, The Long Emergency, and Too Much Magic. Reviewers pilloried Kunstler as “just another unhappy divorced college professor writing about his sorry life,” but Kunstler had never taught school at any level and had never been married when he wrote the book.

Tune in to the wild new series by the bestselling author of "Sunset Island". Welcome to "Trash", the hippest, raciest TV talk show ever. Ten thousand teens apply and six are picked as interns, and given an awesome apartment. Fantastic friends, hot romance, a summer to remember, so long as no one, especially "Trash", unearths intern Chelsea's secret.