This is a collection of three short stories. The title story "A Taste of Life" tells the gruesome tale of a fat young woman whose glamorous mother steals her lover. The woman proceeds to kill her mother and eat the body.

Returning to the now-renowned locale of Kindle County, Scott Turow gives us Mack Malloy, ex-cop, not-quite-ex-drunk, and partner-on-the-wane in one of the country's most high-powered law firms. A longtime ally of the wayward, Mack is on the trail of a colleague, his firm's star litigator, who has vanished with more than five million dollars of a client's money. Mack will descend into the enthralling and ominous heart of a city...taking you with him on his final, desperate, and courageous crusade to reinvent himself from the depths of his own shattered soul.

Four nuns forced to flee their Spanish convent find themselves pawns in a violent struggle between the outlawed Basque movement and the Spanish army.

The Stars Shine Down is Sidney Sheldons twelfth and most passionate novel, set against the glamorous world of international business and featuring a complex and compelling heroine faced with a series of life-shattering decisions. Lara Cameron is young and beautiful. Rising from a past she seeks to repress, she achieves her wildest ambition, creating a much envied business empire. Then, overnight, all that has gone before, her fortune, her achievements, and her marriageeverythingis at risk. Paul Martin, a brilliant but mysterious lawyer who is captivated by Lara, finally is faced with her desire for independence and his own compulsion no to let her go. Howard Keller, Laras longtime friend and mentor, is torn between loyalty to her and maintaining a terrifying secret, one that must never be revealedespecially to Lara. It is Philip Adler who offers Lara an exciting new world, but at a devastating price that threatens to destroy them both. From Scotland to Nova Scotia, New York to London, Rome to Reno, The Stars Shine Down is classic Sidney Sheldon, featuring the startling shocks and amazing surprises millions of readers have come to expect and love. It is also a highlight in a continuum of virtuoso performances by the man everyone turns to for irresistible romance, cliff-hanger suspense, and the totally unexpected.

The Stanford Family Is One Of The Most Respected In America But Behind The Facade Of Fame And Glamour Lies A Hidden Web Of Blackmail, Drugs And Murder& When Harry Stanford, One Of The Wealthiest Men In The World, Mysteriously Drowns While Cruising On His Yacht Off The Rugged Coast Of Corsica, It Sets Off A Chain Of Events That Reverberates Around The Globe. At The Family Gathering Following The Funeral In Boston, A Strikingly Beautiful Young Woman Appears. She Claims To Be Stanford'S Daughter And Entitled To A Share Of The Tycoon'S Estate. Is She Genuine, Or Is She An Imposter? Sweeping From The Splendours Of The Italian Riviera, To The Fashion Salons Of Paris And New York, And The Élite Opulence Of Boston And Florida, 'Morning, Noon & Night' Twists And Turns Its Way Through Intrigue, Smoke And Mirrors To A Surprise Ending You'Ll Never Forget&

Argues that recent political, cultural, and social trends have had a negative impact on women's rights in America, creating an antifeminist backlash that is punishing successful women.

Presenting the complete texts of eight of the world’s greatest plays, this important volume illuminates the changing concept of tragedy from Sophocles to O’Neill. Some of the world’s greatest dramas unfold on these pages. In the powerful and famous plays of Sophocles, Aeschylus, and Euripedes, Oedipus makes his disastrous marriage, Prometheus struggles against Zeus to break his painful chains, and the Love Goddess, Aphrodite, takes her revenge on the Theban prince who slighted her. Shakespeare’s King Lear suffers at the hands of his two evil daughters. The great Scandinavian dramatists Ibsen and Strindberg fearlessly present stories of infidelity and social disease, while Desire under the Elms, Eugene O’Neill’s savage picture of primitive desires in modern New England, rounds out this excellent anthology. Including important essays by noteworthy critics and philosophers, this book is an ideal companion to the editors’ Eight Great Comedies. Featured Plays: Prometheus Unbound (Aeschylus) Oedipus the King (Sophocles) Hippolytus (Euripedes) King Lear (William Shakespeare) Ghosts (Henrik Ibsen) Miss Julie (August Strindberg) On Baile’s Strand (William Butler Yeats) Desire under the Elms (Eugene O’Neill) Also includes essays by Aristotle, Hume, Emerson, Tillyard, Richards, and Krutch.

1961 Common Reader Classic Bestseller. A narrative history of American politics in action. 2004 Barnes and Noble edition.

Since 1961, Philosophic Classics has provided a generation of students with an anthology of quality in the history of Western philosophy. Using complete works, or where appropriate, complete sections of works, this series allows the philosophers to speak directly to the reader. This series includes texts central to the thinker's philosophy, using the best available translations. Introductions to the readings are divided into three sections: a- Biographical - provides a glimpse into the life of the philosopher; b- Philosophical -- presents a resume of the philosopher's thought; and c- Bibliographical -- offers suggestions for further reading. In addition, drawings, photographs, and time lines help put the readings in context. In short, every effort has been made to help the reader understand the primary source materials. -- Publisher description.

New for 2026 — Authorized Fourth Edition. This newly typeset edition restores the original Theodore P. Wolfe 1946 translation, overseen and approved by Reich and out of print for decades, together with new supporting material: a foreword by Professor Håvard Friis Nilsen, a bibliographic introduction by Dr. Philip W. Bennett, and Reich's 1933 Foreword and 1934 Afterword appearing in English for the first time. Wilhelm Reich, M.D. (1897–1957), first published this landmark study of the psychological roots of fascism in Nazi Germany in 1933, at the beginning of Hitler’s regime. It was banned almost immediately. Drawing on his work as a psychoanalyst and sexologist, Reich examines why the fascist message appealed to broad masses of voters in a time of economic uncertainty. At the time of publication, this was the first analysis of Nazism from one of Freud’s pupils, and for many years, it remained the only one. In a new foreword, Professor Håvard Friis Nilsen situates the book in its historical context.

Collects new poems by the author, that celebrate social presence under enforced isolation, aggressive authority, and ancient and present wars.

The poet writes, "In these poems I have been trying to speak from, and of, and to, my country. To speak a different claim from those staked by the patriots of the sword; to speak of the land itself, the cities, and of the imaginations that have dwelt here, at risk, unfree, assaulted, erased. I believe more than ever that the search for justice and compassion is the great wellspring for poetry in our time, throughout the world, though the theme of despair has been canonized in this century. I draw strength from the traditions of all those who, with every reason to despair, have refused to do so."--Back cover

"The year is 1908, the height of the Belle Époque, and a brilliant, young French woman named Gabriële, newly graduated from the most elite music school in Europe, meets a volcanic Spanish artist named Francis. Following a whirlwind romance, they marry and fall headlong into a Paris that is experimenting with new forms of living, thinking, and creating. Soon after marrying Francis, Gabriële meets Marcel, another young artist, five years her junior. Soon, Francis, Marcel, and Gabriële are all involved in a fervent affair that will change the course of art history and redefine the avant-garde. As the Belle Époque gives way to rebellion and revolution, and the world descends into the devastation of World War I, Francis Picabia, Marcel Duchamp, and Gabriële Buffet revolutionize art and open up new ways of seeing and thinking, along the way posing a vital question for their age and ours: what is the connection between new ways of loving and new ways of creating? Moving between Paris, New York, Berlin, Zurich, Barcelona, London, and Saint-Tropez, Gabriële is as audacious, uninhibited, intimate, and unforgettable as its central character, the mercurial, pioneering Gabriële Buffet."--

There have been ghosts on the London Underground, sad, harmless spectres whose presence does little more than give a frisson to travelling and boost tourism. But now there's a rash of sightings on the Metropolitan Line and these ghosts are frightening, aggressive and seem to be looking for something. Enter PC Peter Grant junior member of the Metropolitan Police's Special Assessment unit a.k.a. The Folly a.k.a. the only police officers whose official duties include ghost hunting. Together with Jaget Kumar, his counterpart at the British Transport Police, he must brave the terrifying the crush of London's rush hour to find the source of the ghosts. Joined by Peter's wannabe wizard cousin, a preschool river god and Toby the ghost hunting dog their investigation takes a darker tone as they realise that a real person's life might just be on the line. And time is running out to save them. With this new novella, bestselling author Ben Aaronovitch has crafted yet another wickedly funny and surprisingly affecting chapter in his beloved Rivers of London series.

A biography of the Israeli prime minister and world leader, emphasizing her early childhood and youth in Russia and America.

"Capitalism as we know it appears to be coming apart. But as financial institutions stagger and crumble, there is no obvious alternative. There is good reason to believe that, in a generation or so, capitalism will no longer exist: for the simple reason that it's impossible to maintain an engine of perpetual growth forever on a finite planet. Yet faced with this prospect, the knee-jerk reaction is often to cling to what exists because they simply can't imagine an alternative that wouldn't be even more oppressive and destructive. The political imagination seems to have reached an impasse. Or has it? In this collection of essays David Graeber explores a wide-ranging set of topics including political strategy, global trade, debt, imagination, violence, aesthetics, alienation, and creativity. Written in the wake of the anti-globalization movement and the rise of the war on terror, these essays survey the political landscape for signs of hope in unexpected places"--

Looking at knowledge as a shared resource: experts discuss how to define, protect, and build the knowledge commons in the digital age. Knowledge in digital form offers unprecedented access to information through the Internet but at the same time is subject to ever-greater restrictions through intellectual property legislation, overpatenting, licensing, overpricing, and lack of preservation. Looking at knowledge as a commons—as a shared resource—allows us to understand both its limitless possibilities and what threatens it. In Understanding Knowledge as a Commons, experts from a range of disciplines discuss the knowledge commons in the digital era—how to conceptualize it, protect it, and build it. Contributors consider the concept of the commons historically and offer an analytical framework for understanding knowledge as a shared social-ecological system. They look at ways to guard against enclosure of the knowledge commons, considering, among other topics, the role of research libraries, the advantages of making scholarly material available outside the academy, and the problem of disappearing Web pages. They discuss the role of intellectual property in a new knowledge commons, the open access movement (including possible funding models for scholarly publications), the development of associational commons, the application of a free/open source framework to scientific knowledge, and the effect on scholarly communication of collaborative communities within academia, and offer a case study of EconPort, an open access, open source digital library for students and researchers in microeconomics. The essays clarify critical issues that arise within these new types of commons—and offer guideposts for future theory and practice. Contributors David Bollier, James Boyle, James C. Cox, Shubha Ghosh, Charlotte Hess, Nancy Kranich, Peter Levine, Wendy Pradt Lougee, Elinor Ostrom, Charles Schweik, Peter Suber, J. Todd Swarthout, Donald Waters

First published in 1935, On Escape represents Emmanuel Levinas’s first attempt to break with the ontological obsession of the Western tradition. In it, Levinas not only affirms the necessity of an escape from being, but also gives a meaning and a direction to it. Beginning with an analysis of need not as lack or some external limit to a self-sufficient being, but as a positive relation to our being, Levinas moves through a series of brilliant phenomenological analyses of such phenomena as pleasure, shame, and nausea in order to show a fundamental insufficiency in the human condition. In his critical introduction and annotation, Jacques Rolland places On Escape in its historical and intellectual context, and also within the context of Levinas’s entire oeuvre, explaining Levinas’s complicated relation to Heidegger, and underscoring the way Levinas’s analysis of “being riveted,” of the need for escape, is a meditation on the body.

A NEW YORK TIMES BEST BOOK OF THE YEAR • An essential new translation of the author’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most influential writers. “An invaluable addition to Kafka’s oeuvre.”— The New York Times An essential new translation of Franz Kafka’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most important, influential, and visionary writers Dating from 1909 to 1923, Franz Kafka’s Diaries contains a broad array of writing, including accounts of daily events, assorted reflections and observations, literary sketches, drafts of letters, records of dreams, and unrevised texts of stories. This volume makes available for the first time in English a comprehensive reconstruction of Kafka’s handwritten diary entries and provides substantial new content, restoring all the material omitted from previous publications—notably, names of people and undisguised details about them, a number of literary writings, and passages of a sexual nature, some of them with homoerotic overtones. By faithfully reproducing the diaries’ distinctive— and often surprisingly unpolished—writing as it appeared in Kafka’s notebooks, translator Ross Benjamin brings to light not only the author’s use of the diaries for literary invention and unsparing self-examination but also their value as a work of genius in and of themselves.