The singer of the Turtles' iconic 1967 song "Happy Together" recounts his life as a player in the rock and roll revolution, chronicling his years with classic bands, work with legendary artists, and experiences with sex and drugs.

When Hamilton Jordan died of peritoneal mesothelioma in 2008, he left behind a mostly finished memoir, a book on which he had been working for the last decade. Jordan's daughter, Kathleen - with the help of her brothers and mother - took up the task of editing and completing the book. A Boy from Georgia - the result of this posthumous father-daughter collaboration - chronicles Hamilton Jordan's childhood in Albany, Georgia, charting his moral and intellectual development as he gradually discovers the complicated legacies of racism, religious intolerance, and southern politics, and affords his readers an intimate view of the state's wheelers and dealers. Jordan's middle-class childhood was bucolic in some ways and traumatizing in others. As Georgia politicians battled civil rights leaders, a young Hamilton straddled the uncomfortable line between the southern establishment to which he belonged and the movement in which he believed. Fortunate enough to grow up in a family that had considerable political clout within Georgia, Jordan went into politics to put his ideals to work. Eventually he became a key aide to Jimmy Carter and was the architect of Carter's stunning victory in the presidential campaign of 1976; Jordan later served as Carter's chief of staff. Clear eyed about the triumphs and tragedies of Jordan's beloved home state and region, A Boy from Georgia tells the childhood story of a remarkable life in a voice that is witty, vivid, and honest. -- from dust jacket.

The legendary Warner Brothers movie producer recounts his days in the hectic movie world and reveals his role in discovering such talents as Kirk Douglas and Burt Lancaster and in making Casablanca and The Maltese Falcon.

From Mel Brooks and Tommy Smothers to Mort Sahl and Lenny Bruce, the story of America's "Satiric Revolution."

"Good Things Happen Slowly is [Fred Hersch's] memoir. It's the story of the first openly gay, HIV-positive jazz player; a deep look into the cloistered jazz culture that made such a status both transgressive and ground-breaking; and a profound exploration of how Hersch's two-month-long coma in 2007 led to his creating some of the finest, most direct, and most emotionally compelling music of his career."--Jacket.

Frank Bank's story is a sometimes wild, sometimes bawdy, often poignant, always funny account of a real-life Louie Louie who led a nation to California-dreamin'.

A meditation on the transforming nature of intimacy, stripped to its essentials in the relationship between patient and therapist." "When she begins therapy for depression after breast cancer treatment, Eve Kosofsky Sedgwick brings with her an extraordinarily open and critical mind, but also shyness about revealing herself and fear. Resisting easy responses to issues of dependence, vulnerability, desire, and mortality, she warily commits to a male therapist who shares little of her cultural and intellectual world." "Although not without pain, their improvised relationship is as unexpectedly pleasurable as her writing is unconventional: Sedgwick combines dialogue, verse, and even her therapist's notes to explore her interior life - her responses to terminal illness, her close relationships to gay male friends, the risky terrain of sexual fantasies, and the grace of her engagement with Buddhism.

In Bad Boy , renowned American artist Eric Fischl has written a penetrating, often searing exploration of his coming of age as an artist, and his search for a fresh narrative style in the highly charged and competitive New York art world in the 1970s and 1980s. With such notorious and controversial paintings as Bad Boy and Sleepwalker, Fischl joined the front ranks of America artists, in a high-octane downtown art scene that included Andy Warhol, David Salle, Julian Schnabel, and others. It was a world of fashion, fame, cocaine and alcohol that for a time threatened to undermine all that Fischl had achieved. In an extraordinarily candid and revealing memoir, Fischl discusses the impact of his dysfunctional family on his art—his mother, an imaginative and tragic woman, was an alcoholic who ultimately took her own life. Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world. Fischl rebelled against the conceptual and minimalist art that was in fashion at the time to paint compelling portraits of everyday people that captured the unspoken tensions in their lives. Still in his thirties, Eric became the subject of a major Vanity Fair interview, his canvases sold for as much as a million dollars, and The Whitney Museum mounted a major retrospective of his paintings. Bad Boy follows Fischl’s maturation both as an artist and sculptor, and his inevitable fall from grace as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors. Beautifully written, and as courageously revealing as his most provocative paintings, Bad Boy takes the reader on a roller coaster ride through the passion and politics of the art world as it has rarely been seen before.

An autobiography by Zuroff (born in 1948 in New York), focusing on his relentless search for Holocaust perpetrators, both Nazis and their local collaborators, mainly in Eastern Europe, who after World War II found refuge in the USA and other Western countries. In 1978 Zuroff began to work at the newly established Wiesenthal Center in Los Angeles, and from 1979 he worked with the U.S. Office of Special Investigations, created to take legal action against Nazi war criminals and collaborators living in the USA. In the late 1980s he launched a campaign on behalf of the Wiesenthal Center to prosecute Nazi criminals and collaborators who had entered Australia, Canada, Britain, and other Western countries posing as refugees. In the course of his activities, Zuroff was confronted with the reluctance of authorities in Western countries to punish citizens who had been Holocaust perpetrators; many of those who Zuroff was able to trace died unpunished. After the fall of communism in Eastern Europe, he launched a similar campaign in formerly communist countries; his attempts to convince Latvian and Estonian governments to de-heroize mass murderers such as Herberts Cukurs and Evald Mikson, and to bring to trial numerous others, were in vain. In 1998-99, however, he was successful in achieving the extradition to Croatia from Argentina and then the trial and punishment of Dinko Šakić. Buoyed by the success, Zuroff began Operation Last Chance, aiming to trace and bring to trial former mass murderers from the Baltics, Ukraine, Croatia, Austria, Romania, etc. Relates some achievements of this operation. Zuroff's activities have occasionally evoked antisemitic and neo-Nazi backlash in the Baltics, Croatia, and elsewhere.

"The fabulous life and times of one of our wittiest and most endearing and enduring caricaturists--in his own words and inimitable art. Alongside more than 150 of his drawings, cartoons, and caricatures--and in prose as spirited and wickedly pointed as his artwork--Edward Sorel gives us an unforgettable self-portrait: a poor Depression-era childhood in the Bronx (surrounded by loving Romanian-immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at the age of eight; his time as a student at New York's famed High School of Music & Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast and which became the hottest design group of the 1960s; his two marriages and four children; his many friends in New York's art and literary circles. Sorel charts the highlights of his remarkable career as the "young lefty becomes an older lefty," and, in magazines and newspapers, murals, cartoons, and comic strips, he steadily lampooned--and celebrated--American cultural and political life. He sets his story in the parallel trajectory of American presidents, from FDR to the present day--with the candor and depth of insight that could only come from someone who lived through it all--revealing the uproarious ways in which the personal and political collide in his mordant artwork"--

"David Shulkin was appointed by President Obama to save the broken Department of Veterans Affairs and was the only Obama holdover who served in the Cabinet within the Trump administration. In this book the former VA Secretary describes corruption in the Trump White House: how a group of wealthy men enabled by the President conspired to control and profit from the VA, with stunning implications for military veterans"--

"In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture's Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a "Greek DNA" in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the "aesthetics of victimhood" in Hanya Yanagihara's A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgard. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence--a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist's personal essays, including his "critic's manifesto" and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics."--

It is Guttenplan's wisdom to see that the key to Stone's achievement throughout his singular career lay in the force of his political commitments. Stone's calm, forensic, yet devastating reports on American politics and institutions sprang from a radical faith in the long-term prospects for American democracy.

"Risky Business. Revenge of the Nerds. Better Off Dead. Moonlighting. Supernatural. American Dad. New Girl. What do all of these movies and television shows have in common? Curtis Armstrong. A legendary comedic second banana to a litany of major stars, Curtis is forever cemented in the public imagination as Booger from Revenge of the Nerds. A classically trained actor, Curtis began his incredible 40-year career on stage but progressed rapidly to film and television. He was typecast early and it proved to be the best thing that could have happened. But there's more to Curtis' story than that. Born and bred a nerd, he spent his early years between Detroit, a city so nerdy that the word was coined there in 1951, and, improbably, Geneva, Switzerland. His adolescence and early adulthood was spent primarily between the covers of a book and indulging his nerdy obsessions. It was only when he found his true calling, as an actor and unintentional nerd icon, that he found true happiness. With whip-smart, self-effacing humor, Armstrong takes us on a most unlikely journey--one nerd's hilarious, often touching rise to the middle. He started his life as an outcast and matured into...well, an older, slightly paunchier, hopefully wiser outcast. In Hollywood, as in life, that counts as winning the game"--

Father of the birth control pill, developer of antihistamines, founder of biomedical companies, teacher of world-class chemists, best-selling novelist.... As The Scientist notes, "Few can match Carl Djerassi's juggling act for success and longevity". Here is Djerassi's remarkable autobiography. Blending vivid descriptions of the lucrative world of drug development with controversial chapters on the politics of contraception and poignant disclosures about his personal life, this book tells the story of one of the most productive and socially conscious chemists working today. The Pill, Pygmy Chimps, and Degas' Horse tells how Djerassi, while still in his twenties and leading a small team in an obscure laboratory in Mexico City, used a locally grown yam first to synthesize cortisone and then, within twelve months, to create the first steroid effective as a birth control pill. Dubbed for this latter work "the father of the pill", a title he often shares with Gregory Pincus and John Rock, who performed the biological and clinical studies to confirm the pill's efficacy in humans, Djerassi has spent a lifetime thinking and rethinking, discussing and debating, the social, economic, and biological consequences of the changed attitudes toward contraception engendered by the pill. In two riveting chapters entitled "The Pill at Twenty" and "The Pill at Forty: What Now?" Djerassi recounts the fascinating history of the pill's journey from its first days in the laboratory to widespread public use--from being hailed as an agent of the sexual revolution to condemnation as an agent of the new promiscuity, to being accused of being an expression of the scientific community's sexism (Why was there no malebirth control pill?). And then, in a powerful consideration of where the politics of contraception have taken us, he discusses why so few innovations in contraception are being investigated today, and why even fewer are making their way to the public. The Pill, Pygmy Chimps, and Degas' Horse chronicles Djerassi's many successful careers in science, business, the academy, and the arts (he is a published poet and novelist, as well as the founder of an artists' colony). His growing appreciation for the soft side of science--its human and humane aspects--have long been reflected in the courses he teaches at Stanford, in the plot of his novel, Cantor's Dilemma, and in his decision to found one of the first environmentally aware pesticide companies. In this intellectually challenging book, the reader is let into the fertile mind and psyche of one of the few Renaissance men of twentieth-century science.