Neuroscience is one of the scientific fields where progress in the 20th century has been spectacular. With the coming of the new millennium, it is appropriate to look at some of the advances and the neurologists who helped to produce them. The original contributions in this volume reflect the background against which the rapid advances have taken place in the past 100 years.

It's a Man's World was first released in 2003 to critical acclaim and was featured on the cover of the Los Angeles Times Book Review and in the New York Times. This rich collection, filled with interviews, essays, and color reproductions of testosterone-heavy thirty-five-cent magazines with names like Man's Exploits, Rage, and Escape to Adventure (to name a few), illustrates the culture created to help veterans confront the confusion of jobs, girls, and the Cold War on their return from World War II and the Korean War. The expanded paperback edition includes wartime illustrations and advertisements from mass-produced magazines that preview the xenophobia and racist ideas later seen throughout men's adventure magazines of the '50s and '60s--

In 1961, Beat writer Seymour Krim set Greenwich Village on its ear with a slim volume of essays that featured an unleashed voice, a brash title, and a foreword by Norman Mailer. James Baldwin called Views of a Nearsighted Cannoneer an "extraordinary volume." Saul Bellow published an excerpt in his journal The Noble Savage, and Mailer saluted Krim’s jazzy prose with its "shifts and shatterings of mood." Despite such praise and critical attention, Krim’s work is excluded from most Beat anthologies and is little known outside literary circles. With Missing a Beat, a collection of eighteen essays by Krim published between 1957 and 1989, Cohen introduces this influential writer to a new generation. In the Village Voice, New York Magazine, New York Times, and elsewhere, Krim pioneered a new style of subjective and personal reporting to write about the postwar American scene from a Jewish angle. Aggressively unacademic, Krim’s journalism displays the "rapid, nervous, breathless tempo" that Irving Howe called a hallmark of Jewish literature. Krim outlived his early literary fame, but he produced an impressive body of work and was a tremendous prose stylist. Missing a Beat resurrects an American original, finding Krim a new literary home among such celebrated writers as Norman Mailer, David Mamet, and Saul Bellow.

When Benjamin Pogrund, one of South Africa's most distinguished journalists, first began his career as a young reporter in the 1950s, "There had been little reason at that stage to believe that anything revolutionary was about to start." As the "African affairs reporter," and then deputy editor, it was Pogrund who first brought the words of black leaders like Robert Sobukwe and Nelson Mandela to the pages of South Africa's leading newspaper, the Rand Daily Mail. This was the period of apartheid in South Africa and for most of the next thirty years, the Rand Daily Mail was the country's liberal white voice against the tyranny of the Afrikaner Nationalist government. A riveting memoir and a complex commentary on apartheid and freedom of the press, War of Words offers an insider's perspective on one of the most turbulent, and arguably one of the most significant, periods in modern history.

Chs. 7 and 8 (pp. 79-110) discuss how the Holocaust has changed Jewish thought, especially on ethics and theology. In keeping with the principle of historicism of Judaism, contends that the Holocaust generated a set of new imperatives, including the importance of Jewish existence as a response to the Holocaust. Regards Rabbi Ephraim Oshry from Kovno as the first halakhic authority who began to alter Jewish ethics in the period of the Holocaust. Divides contemporary Jewish thinkers between those who recognize that the Holocaust was a unique event, and hence justify amendments in Jewish ethics and theology (e.g. Emil Fackenheim), and those who do not recognize it (e.g. Eliezer Berkovits); an intermediate attitude is held by Irving Greenberg.

Published by the University of Nebraska Press, Lincoln, and Yad Vashem, Jerusalem Based on an unparalleled and exhaustive collection of original Jewish accounts and sources not available until the fall of Nicolae Ceausescu in the late 1980s, Jean Ancel provides a detailed analysis of the path of antisemitism that led to the unspeakable horrors of the Holocaust in Romania. The Romanians, and other nations inside and outside the Balkans, related differently to ?their Jews? and ?other Jews,? that is, those living in districts annexed to Romania after the First World War and in areas occupied and annexed to the Romanian military administration after the Soviet invasion in June 1941. The Jews of the Regat, the core Romanian principality, suffered pogroms, decrees, and degradation, but on the whole they survived the Holocaust. Contradicting long-held assumptions, Ancel shows that Romanians were largely responsible for murdering their Jewish community?one of the largest in Europe before the war?and although its survival rate was the highest in Europe, the survival rate in areas where Jews were liquidated was one of the lowest.

The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.

Munich 1919 is a vivid portrayal of the chaos that followed World War I and the collapse of the Munich Council Republic by one of the most perceptive chroniclers of German history. Victor Klemperer provides a moving and thrilling account of what turned out to be a decisive turning point in the fate of a nation, for the revolution of 1918-9 not only produced the first German democracy, it also heralded the horrors to come. With the directness of an educated and independent young man, Klemperer turned his hand to political journalism, writing astute, clever and linguistically brilliant reports in the beleaguered Munich of 1919. He sketched intimate portraits of the people of the hour, including Erich Mühsam, Max Levien and Kurt Eisner, and took the measure of the events around him with a keen eye. These observations are made ever more poignant by the inclusion of passages from his later memoirs. In the midst of increasing persecution under the Nazis he reflected on the fateful year 1919, the growing threat of antisemitism, and the acquaintances he made in the period, some of whom would later abandon him, while others remained loyal. Klemperer's account once again reveals him to be a fearless and deeply humane recorder of German history. Munich 1919 will be essential reading for all those interested in 20th century history, constituting a unique witness to events of the period.

Tin Lizzie: The Story Of The Fabulous Model T Ford is a book written by Philip Van Doren Stern. The book is a comprehensive history of the Model T Ford, one of the most iconic cars in American history. The book covers the development of the Model T, its impact on American society, and the people who drove and worked on the car. The book is divided into several sections, each of which covers a different aspect of the Model T. The first section covers the early history of the automobile and the development of the Model T. The second section covers the impact of the Model T on American society, including its role in the growth of the middle class and the expansion of the American economy. The third section of the book covers the people who drove and worked on the Model T, including the assembly line workers who built the car and the farmers and businessmen who used it for transportation. The fourth section covers the Model T's impact on American culture, including its appearance in popular music and literature. Overall, Tin Lizzie: The Story Of The Fabulous Model T Ford is a fascinating and informative book that provides a comprehensive history of one of the most important cars in American history. The book is well-researched and well-written, making it an enjoyable read for anyone interested in the history of the automobile or American culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Newton Minow’s long engagement with the world of television began nearly fifty years ago when President Kennedy appointed him chairman of the Federal Communications Commission. As its head, Minow would famously dub TV a “vast wasteland,” thus inaugurating a career dedicated to reforming television to better serve the public interest. Since then, he has been chairman of PBS and on the board of CBS and elsewhere, but his most lasting contribution remains his leadership on televised presidential debates. He was assistant counsel to Illinois governor Adlai Stevenson when Stevenson first proposed the idea of the debates in 1960; he served as cochair of the presidential debates in 1976 and 1980; and he helped create and is currently vice chairman of the Commission on Presidential Debates, which has organized the debates for the last two decades. Written with longtime collaborator Craig LaMay, this fascinating history offers readers for the first time a genuinely inside look into the origins of the presidential debates and the many battles—both legal and personal—that have determined who has been allowed to debate and under what circumstances. The authors do not dismiss the criticism of the presidential debates in recent years but do come down solidly in favor of them, arguing that they are one of the great accomplishments of modern American electoral politics. As they remind us, the debates were once unique in the democratic world, are now emulated across the globe, and they offer the public the only real chance to see the candidates speak in direct response to one another in a discussion of major social, economic, and foreign policy issues. Looking to the challenges posed by third-party candidates and the emergence of new media such as YouTube, Minow and LaMay ultimately make recommendations for the future, calling for the debates to become less formal, with candidates allowed to question each other and citizens allowed to question candidates directly. They also explore the many ways in which the Internet might serve to broaden the debates’ appeal and informative power. Whether it’s Clinton or Obama vs. McCain, Inside the Presidential Debates will be welcomed in 2008 by anyone interested in where this crucial part of our democracy is headed—and how it got there.

The men held captive in the Marion control unit lived in an 8 x 10 foot cell for about 23 hours a day, seven days a week. There was no contact with other human beings. There was no way to know when it would end. Days, months, years would go by... Out of Control: A Fifteen-Year Battle Against Control Unit Prisons tells the inspiring story of the Committee to End the Marion Lockdown (CEML). Founded in 1985 to organize against control unit prisons and related inhumane practices at the notorious federal prison in Marion, Illinois, the committee's work and influence spread nationwide, even as the practices at Marion became widespread in many other prisons in the U.S. and internationally. Written in a very accessible and eloquent style by Nancy Kurshan, a CEML co-founder and leading activist throughout its history, the book recounts how the committee led and organized hundreds of educational programs and demonstrations in many parts of the country and sought to build a national movement to expose and abolish "end-of-the-line" prisons. Along the way the Committee wrote thousands of pages of educational and agitational literature, and developed new ways of analyzing and fighting against the "prison industrial complex."

Michael Stanislawski's provocative study of Max Nordau, Ephraim Moses Lilien, and Vladimir Jabotinsky reconceives the intersection of the European fin de siecle and early Zionism. Stanislawski takes up the tantalizing question of why Zionism, at a particular stage in its development, became so attractive to certain cosmopolitan intellectuals and artists. With the help of hundreds of previously unavailable documents, published and unpublished, he reconstructs the ideological journeys of writer and critic Nordau, artist Lilien, and political icon Jabotinsky. He argues against the common conception of Nordau and Jabotinsky as nineteenth-century liberals, insisting that they must be understood against the backdrop of Social Darwinism in the West and the Positivism of Russian radicalism in the fin de siecle, as well as Symbolism, Decadence, and Art Nouveau. When these men turned to Zionism, Stanislawski says, far from abandoning their aesthetic and intellectual preconceptions, they molded Zionism according to their fin de siecle cosmopolitanism. Showing how cosmopolitanism turned to nationalism in the lives and work of these crucial early Zionists, this story is a fascinating chapter in European and Russian, as well as Jewish, cultural and political history.

For centuries liberal minded men have been horrified by the pain and waste of war. From Erasmus, who saw war above all as a product of stupidity, to the Marxists who see it as a matter of class conflict, they have produced social theories to account for its occurrence and have tried to devise means to end it. Their prescriptions have been various. The central view of the Enlightenment was that wars would end when the ambitions of princes could be curbed by the sanity of ordinary men. At first the commercial classes seemed to be the new force that would produce this happy state, but by the end of the nineteenth century they themselves (the ‘capitalists’) were being stigmatized as the instigators of war. Similarly, the nineteenth-century liberals at first believed that the rise of the new independent nation-states of Europe would lead to a permanent peace as the wishes of the masses (naturally peace-loving) were able to express themselves. Again, the supposed agents of peace were soon seen as a prime cause of wars. Despite these contradictions there have been certain continuing themes in the search for a means to end wars, and one of the most enlightening things in this book is they way in which it is possible to see how these themes recur in subtly different forms in different periods of history. Professor Howard traces them from the renaissance to our own time, through the social, political and intellectual groups that gave birth to them. Throughout the whole story runs the continuing contrast between those who hoped to find a single cause for the disease, leading to a lasting cure, and those who understood that, in Professor Howard’s words, ‘this was a task which needs to be tackled afresh every day of our lives’.

Uncovers the powerful effects of 20th-century Jewish women's social and political activism on contemporary American life Winner of the 2013 National Jewish Book Award, Women's Studies Ballots, Babies, and Banners of Peace explores the social and political activism of American Jewish women from 1890 to the beginnings of World War II. Written in an engaging style, the book demonstrates that no history of the birth control, suffrage, or peace movements in the United States is complete without analyzing the impact of Jewish women's presence. The volume is based on years of extensive primary source research in more than a dozen archives and among hundreds of primary sources, many of which have previously never been seen. Voluminous personal papers and institutional records paint a vivid picture of a world in which both middle-class and working-class American Jewish women were consistently and publicly engaged in all the major issues of their day and worked closely with their non-Jewish counterparts on behalf of activist causes. This extraordinarily well-researched volume makes a unique contribution to the study of modern women's history, modern Jewish history, and the history of American social movements.

Based on years of research conducted mostly in Arabic sources, Meir Litvak and Ester Webman track the evolution of post-World War II perceptions of the Holocaust and their parallel emergence in the wake of the Arab-Israeli conflict of 1948. Following the establishment of the State of Israel, Arab attitudes toward the Holocaust became entangled with broader anti-Zionist and anti-Semitic sentiments. Litvak and Webman track this discourse through the work of leading intellectuals and turn to representations of the Holocaust in the media and culture of Egypt, Lebanon, Jordan, and among the Palestinian people. Their chronological history, which spans sixty years, provides a remarkable perspective on the origins, development, and tenaciousness of anti-Holocaust belief. From Empathy to Denial is the first comprehensive investigation of Holocaust denial in the Arab world, and is based on years of painstaking historical research of mostly Arabic language sources. The authors explore how Holocaust denial emerged after the Second World War, how it paralleled the wider Arab-Israeli conflict after the establishment of the State of Israel in 1948 and how it subsequently became entangled with broader anti-Zionist and anti-Semitic sentiment. In particular Litvak and Webman look at the role of leading intellectuals, the media and other cultural forms in Egypt, Lebanon, Jordan and among the Palestinians and how their representation of the Holocaust has evolved in the last sixty years.

A groundbreaking interpretation of the intellectual origins of the United Nations No Enchanted Palace traces the origins and early development of the United Nations, one of the most influential yet perhaps least understood organizations active in the world today. Acclaimed historian Mark Mazower forces us to set aside the popular myth that the UN miraculously rose from the ashes of World War II as the guardian of a new and peaceful global order, offering instead a strikingly original interpretation of the UN's ideological roots, early history, and changing role in world affairs. Mazower brings the founding of the UN brilliantly to life. He shows how the UN's creators envisioned a world organization that would protect the interests of empire, yet how this imperial vision was decisively reshaped by the postwar reaffirmation of national sovereignty and the unanticipated rise of India and other former colonial powers. This is a story told through the clash of personalities, such as South African statesman Jan Smuts, who saw in the UN a means to protect the old imperial and racial order; Raphael Lemkin and Joseph Schechtman, Jewish intellectuals at odds over how the UN should combat genocide and other atrocities; and Jawaharlal Nehru, India's first prime minister, who helped transform the UN from an instrument of empire into a forum for ending it. A much-needed historical reappraisal of the early development of this vital world institution, No Enchanted Palace reveals how the UN outgrew its origins and has exhibited an extraordinary flexibility that has enabled it to endure to the present day.

Published by the University of Nebraska Press, Lincoln, and Yad Vashem, Jerusalem "We were both small nations whose existence could never be taken for granted," Václav Havel said of the Czechs and the Jews of Israel in 1990, and indeed, the complex and intimate link between the fortunes of these two peoples is unique in European history. This book by one of the world's leading authorities on the history of Czech and Slovak Jewry during the Nazi period is the first to thoroughly document this singular relationship and to trace its impact on the fate of the Jews of Bohemia and Moravia during the Holocaust. Livia Rothkirchen provides a detailed and comprehensive history of how Nazi rule in the Czech lands was shaped as much by local culture and circumstances as by military policy. The extraordinary nature of the Czech Jews' experience emerges in chapters on the role of the Jewish minority in Czech life; the crises of the Munich agreement and the German occupation; the reaction of the local population to the persecution of the Jews; the policies of the London-based government in exile; the question of Jewish resistance; and the Theresienstadt ghetto. The Jews of Bohemia and Moravia is based on a wealth of primary documents, many uncovered only after the 1989 November revolution, and includes an epilogue on the post-1945 period.

Yokohama Burning is the story of the worst natural disaster of the twentieth century: the earthquakes, fires, and tsunamis of September 1923 that destroyed Yokohama and most of Tokyo and killed 140,000 people during two days of horror. With cinematic vividness and from multiple perspectives, acclaimed Newsweek correspondent Joshua Hammer re-creates harrowing scenes of death, escape, and rescue. He also places the tumultuous events in the context of history and demonstrates how they set Japan on a path to even greater tragedy. At two minutes to noon on Saturday, September 1, 1923, life in the two cities was humming along at its usual pace. An international merchant fleet, an early harbinger of globalization, floated in Yokohama harbor and loaded tea and silk on the docks. More than three thousand rickshaws worked the streets of the port. Diplomats, sailors, spies, traders, and other expatriates lunched at the Grand Hotel on Yokohama's Bund and prowled the dockside quarter known as Bloodtown. Eighteen miles north, in Tokyo, the young Prince Regent, Hirohito, was meeting in his palace with his advisers, and the noted American anthropologist Frederick Starr was hard at work in his hotel room on a book about Mount Fuji. Then, in a mighty shake of the earth, the world as they knew it ended. When the temblor struck, poorly constructed buildings fell instantly, crushing to death thousands of people or pinning them in the wreckage. Minutes later, a great wall of water washed over coastal resort towns, inundating people without warning. Chemicals exploded, charcoal braziers overturned, neighborhoods of flimsy wooden houses went up in flames. With water mains broken, fire brigades could only look on helplessly as the inferno spread. Joshua Hammer searched diaries, letters, and newspaper accounts and conducted interviews with nonagenarian survivors to piece together a minute-by-minute account of the catastrophe. But the author offers more than a disaster narrative. He details the emerging study of seismology, the nascent wireless communications network that alerted the world, and the massive, American-led relief effort that seemed to promise a bright new era in U.S.-Japanese relations. Hammer shows that the calamity led in fact to a hardening of racist attitudes in both Japan and the United States, and drove Japan, then a fledgling democracy, into the hands of radical militarists with imperial ambitions. He argues persuasively that the forces that ripped through the archipelago on September 1, 1923, would reverberate, traumatically, for decades to come. Yokohama Burning , a story of national tragedy and individual heroism, combines a dramatic narrative and historical perspective that will linger with the reader for a long time.

"Lukacs's book is a lyrical, sometimes dazzling, never merely nostalgic evocation of a glorious period in the city's history. . . . {His} true sympathy lies . . . not with the famous expatriates, but with the writers and intellectuals who lived and died at home: the poets Endre Ady and Mihaly Babits; the novelists Ferenc Herczeg, Sandor Hunyady, Frigyes Karinthy, Dezso Kosztolanyi, Gyula Krudy, Kalman Mikszath, and Zsigmond Moricz; the political essayist DezsoSzabo; the playwright Erno Szep; the literary historian Antal Szerb; and others. . . . {John Lukacs} sets out to explain Hungarian literature to English-speaking readers. Though I have no idea whether or not he will succeed, few interpreters of Hungarian literature have made a more touching and eloquent attempt." -- The New York Review of Books