A beautifully written, sensual and evocative book, in the tradition of Amy Tan and Isabelle Allende, rich in magic realism and folklore. 'To understand the end you have to look for the beginning'. As a little girl in Jaffa, Israel, Tamara has an insatiable desire for stories, constantly asking questions of those around her, and demanding explanations. However, no-one ever seems to give Tamara the whole story, so instead she must piece together the various narratives herself in what will become a lifelong attempt to unravel the hidden secrets of her tangled family history, and so bring some meaning to her own life. Raised by her fiercely independent maternal grandmother, Simcha, who jealously guards her from others, in particular her paternal grandmother, Rashella, Tamara's love of stories develops into a voracious appetite for life itself. An impulsive, passionate seeker of knowledge in all its forms, nothing prepares her for the thrilling intensity and the danger of falling deeply, madly in love for the first time

Uncompromising exploration of post-Holocaust memory and loss. Pat Goldman is a successful Dublin journalist planning a trip to Israel to report on the Intifada. Before she leaves, her mother tells her of a sister her parents had placed in the care of Christian friends just before she and her husband were deported to a Nazi camp. As Pat becomes involved in the complexities of the Israeli-Palestinian conflict, she meets Daniel, a ruthless member of the renowned Israeli secret service. He, too, is a son of Holocaust survivors. Their meeting inspires Pat to start an investigation into the history of their families' survival.

"Just when Leah Rubin is enjoying some peace, her mother is back, arguing from the grave. Leah's father, very much alive, sends her pages of bad jokes in lieu of conversation. With her life now in turmoil, burdened by a moody psychiatrist and disapproving daughters, Leah realises the only way forward is back, tackling a long trail of unfinished business. Samovar is a story of unquiet souls, both ghostly and real, wrestling with the silence and pain of their own history. Biting, warm and extremely funny, it is a book both as intimate and as universal as the family itself"--Back cover.

Maxwell Bodenheim's 1934 novel Slow Vision depicts a young couple, a pair of average Americans swept up in labor struggles and reduced to painful subsistence, portraying the protagonists' gradual understanding of labor unions and the psychological, philosophical, and political trials that led to sympathetic affiliations in Socialism and Communism. Thus initiates their "slow vision," a simmering understanding of the manifestations of Leftist movements and of special relevance to the climate of the first two decades of the 21st century. Bodenheim's books-thirteen novels and nine volumes of verse-are mostly out of print. Some were resurrected in the late-1940s through the mid-1950s as cheap pulp paperbacks after Bodenheim had lost the rights to his own work. Slow Vision was not one of them. Presumably, nobody wanted to be reminded of the Great Depression. Slow Vision would be Bodenheim's last published novel and literary history has forgotten it.

Set in Buenos Aires, Lisbon, Vienna, Budapest and Odessa, both before and after the Second World War, Edgardo Cozarinsky's stories belong to the spirit of Borges and to a great Argentine cosmopolitan that of the uprooted exile, the plaything of History, who, set down in a strange but proud land, looks back nostalgically to the Europe of his ancestral memories. Cozarinsky's characters are writers, lovers, scholars, artists and dreamers. An ambitious young Jew, about to marry and embark for a new life in Argentina is accosted by an unknown woman who departs with him to Buenos Aires; a pianist in a Buenos Aires nightclub finds himself drawn back to Germany in 1937; an Argentine-American Jew travels to Lisbon to unravel the threads of his grandparents' wartime affair... They are all travellers of a kind, characters who inhabit a secret land, without frontiers.

A daring tale that "explains" a great historical event. The most daring and the most consistently sustained of his many stories, and is heartily recommended to seekers for exciting reading.

Reproduction of the original: Notes on The Diplomatic History of The Jewish Question by Lucien Wolf

The Return of the Caravels unfolds in Lisbon as Portugal’s African colonies gain their independence in the mid-1970s. In a contemporary response to Cam”es’s conquest epic The Lusiads, Antunes imagines Vasco da Gama and other heroes of Portuguese explorations beached amid the detritus of the empire’s collapse. Or is it the modern colonials–with their mixed-race heritage and uneasy place in the “fatherland” –who have somehow ended up in sixteenth-century Lisbon? As da Gama begins winning back ownership of Lisbon piece by piece in crooked card games, four hundred years of Portuguese history mingle–the caravels dock next to Iraqi oil tankers, and the slave trade rubs shoulders with the duty-free shops. The Return of the Caravels is a startling and uncompromising look at one of Europe’s great colonial powers, and how the era of conquest reshaped not just Portugal but the world. --

"At eight years old, Gerta Pieters is forced to disguise herself as a boy and sent to work for a genteel Dutch family. When their brilliant and beautiful daughter Maria sees through Gerta's ruse, she insists that Gerta accompany her to Amsterdam and help her enter the elite, male-dominated art world. While Maria rises in the ranks of society as a painting prodigy, Gerta makes herself invaluable in every way: confidante, muse, lover. But as Gerta steps into her own talents, their relationship fractures into a complex web of obsession and rivalry--and the secrets they keep threaten to unravel everything"--

"Granny Yaga follows the switchback adventures of a boy called Danny, growing up in North London where the local she-dragons are notorious fighters, and any alert passer-by can spot Granny herself flying low over the British Museum. Danny becomes Granny's aide-de-camp in a life-or-death duel with the demon Koschei, fought out in the London underground, in disused stations, boarded-up houses and the enchanted skies over Crouch End, with back-up from the relatively orthodox magic of Yesterdayland (huts on chicken legs, talking cats, self-catering tablecloths) and the realpolitik of its neighbouring Soviet satellite, a land of cruel edicts and capricious tsars where the workers and permanently drunk, and the loo seats belonging to each family in a communal flat hang side by side on the wall 'like luckless horseshoes'. A gripping read for all ages, from Danny's to Granny's." Hilary Spurling"Delightfully inventive. Wickedly funny." Marina Lewycka, author of A Short History of Tractors in Ukranian

At 41, single professor Sara Leader decides to create a family by adopting a child. After the adoption agency asks for details about her background, Sara reluctantly begins to probe her father's secret history — in particular, his flight as a 17–year–old Holocaust refugee aboard a ship denied entry into America. The more she learns about her father's past, the more Sara feels the need to question him about what happened — and the more she realizes how her father's secrets have shaped her own life. Alternating between a teenage boy's energetic letters to Eleanor Roosevelt and a daughter's sifting through the fragments of her father's traumatic wartime choices, Victoria Redel brilliantly imbues her characters with not only bravery and strength but with the humor to survive the pain of the past and the uncertainty of what lies ahead.

The upsetting of natural order is our largest tragedy, none more than the death of a child. Thus the bones of this shattering novel. Where Himmelman, his own history of break and mend as perhaps his only aid to understanding, must move from impotence to rage and whatever beyond. But a writer too. With a writer's exclusive powers. To record, to relive, to honour with fullest art and ability the beloved existence of his daughter's however stopped nevertheless complete life.