Norman Stillman has produced a comprehensive and articulate history of the turbulent and complex relationships in the Middle East that brilliantly captures the people and the history.

A guide to building self-esteem shows readers how to become active participants in their journeys toward self-discovery, how their past controls their present, and how to obtain fresh insights into their relationships. Reprint.

Fortunately for the reader, the author is not only a sophisticated practicing anthropologist--and incidentally a medical man--but also a person of wide and cosmopolitan literary culture. ... The interest of this exercise extends far beyond two backward corners of South America. How human beings make intellectual sense of the world in which they live, and which they no longer even partially control, is a question which concerns all of us. What they do with the 'social constructions (and deceptions) of reality' is equally significant. For men strive not only to understand but to change the world."--E.J. Hobsbawm, New York Review of Books "[Taussig] gives us superb ethnography, a Marxist critique of world capitalism, a lesson in analogical and dialectical techniques (some of them bordering on the mystical), and argues convincingly that humanist interpretation can be as empirically 'hard' as scientific measurement. ... [He] develops a set of painstaking techniques that allow us to 'read' the text of Caucana beliefs by means of an elaborate iconography derived from analogic reasoning and grounded in Marxist theory. Such a text is not to be 'understood' as a peasant or folk recourse to 'limited good' or 'folk Catholocism, ' but rather as revelatory of real social relationships that are disguised in more advanced capitalist societies by the process of ideological mystification that Marx called 'the fetishism of commodities.'"

"Anger is not just ubiquitous, it is also popular. Many people think it is impossible to care sufficiently for justice without anger at injustice. Many believe that it is impossible for individuals to vindicate their own self-respect or to move beyond an injury without anger. To not feel anger in those cases would be considered suspect. Is this how we should think about anger, or is anger above all a disease, deforming both the personal and the political? In this wide-ranging book, Martha C. Nussbaum, one of our leading public intellectuals, argues that anger is conceptually confused and normatively pernicious. It assumes that the suffering of the wrongdoer restores the thing that was damaged, and it betrays an all-too-lively interest in relative status and humiliation. Studying anger in intimate relationships, casual daily interactions, the workplace, the criminal justice system, and movements for social transformation, Nussbaum shows that anger's core ideas are both infantile and harmful. Is forgiveness the best way of transcending anger? Nussbaum examines different conceptions of this much-sentimentalized notion, both in the Jewish and Christian traditions and in secular morality. Some forms of forgiveness are ethically promising, she claims, but others are subtle allies of retribution: those that exact a performance of contrition and abasement as a condition of waiving angry feelings. In general, she argues, a spirit of generosity (combined, in some cases, with a reliance on impartial welfare-oriented legal institutions) is the best way to respond to injury. Applied to the personal and the political realms, Nussbaum's profoundly insightful and erudite view of anger and forgiveness puts both in a startling new light."--Provided by publisher

While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimed "Artist's Reality: Philosophies of Art". Rothko's other written works have yet to be brought together into a major publication. "Writings on Art" fills this significant void; it includes some 90 documents, including short essays, letters, statements and lectures, written by Rothko over the course of his career. The texts are fully annotated and a chronology of the artist's life and work is also included. This provocative compilation of both published and unpublished writings from 1934-69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell and Clyfford Still) as well as journalists and curators. As was revealed in Rothko's "The Artist's Reality", what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable and philosophical artist, who was also a passionate and articulate writer.

Following her acclaimed, Los Angeles Times Book Prize–nominated novel, The God of War , Marisa Silver’s extraordinary book, Alone With You , is a starkly elegant and superbly rendered collection of short stories. Marisa Silver dazzled and inspired readers with her critically acclaimed The God of War (a Los Angeles Times Book Prize finalist), praised by Richard Russo as “a novel of great metaphorical depth and beauty.” In this elegant, finely wrought new collection, Alone With You, Silver has created eight indelible stories that mine the complexities of modern relationships and the unexpected ways love manifests itself. Her brilliantly etched characters confront life’s abrupt and unsettling changes with fear, courage, humor, and overwhelming grace. In the O. Henry Prize–winning story “The Visitor,” a VA hospital nurse’s aide contends with a family ghost and discovers the ways in which her own past haunts her. The reticent father in “Pond” is confronted with a Solomonic choice that pits his love for his daughter against his feelings for her young son. In “Night Train to Frankfurt,” first published in The New Yorker, a daughter travels to an alternative-medicine clinic in Germany in a gambit to save her mother’s life. And in the title story, a woman vacations in Morocco with her family while contemplating a decision that will both ruin and liberate them all. From “Temporary,” where a young woman confronts the ephemeral nature of companionship, to “Three Girls,” in which sisters trapped in a snowstorm recognize the boundaries of childhood, the nuanced voices of Alone With You bear the hallmarks of an instant classic from a writer with unerring talent and imaginative resource. Silver has the extraordinary ability to render her fictional inhabitants instantly relatable, in all their imperfections. Her stories have the singular quality of looking in a mirror. We see at once what is familiar and what is strange. In these stirring narratives, we meet ourselves anew.

Two men are classmates and friends at Harvard, though never all that close: Max, a brilliant student with a touch of the aesthete's affectations about him, and Charlie, some years older, having served in the Korean War. As Max sees it, Charlie excels in a single scull, soaks up martinis, and enjoys the favors of a particularly glamorous Radcliffe girl. Twenty years later, not having seen each other since college, the two men meet unexpectedly as guests at a villa on the shore of Lake Como. Max is now a law professor, circumspect and slightly sorry for himself - a man to whom relationships do not stick. Charlie has become a celebrated architect, the most successful member of their class. Beautiful when a young man, he has ripened into a foul-mouthed, golden-tongued giant: a demigod and a bully. In his imperious way, he proclaims that Max will henceforth be one of his chosen intimates. Charlie is right. Max's life becomes increasingly intertwined with Charlie's, and with that of Toby, Charlie's adolescent companion. When Toby is stricken by a devastating illness, Charlie performs an act of coolly calculated self-sacrifice, the only gesture he thinks will make a difference. Max bears witness, and learns a lesson that may at last complete his sentimental education. With all the force and elegance of his earlier work, Louis Begley's masterful new novel tells a gripping story of friendship and mortality.

A great critic’s quarrels with himself and others, as revealed in his correspondence In the mid-twentieth century, Lionel Trilling was America’s most respected literary critic. His powerful and subtle essays inspired readers to think about how literature shapes our politics, our culture, and our selves. His 1950 collection, The Liberal Imagination , sold more than 100,000 copies, epitomizing a time that has been called the age of criticism. To his New York intellectual peers, Trilling could seem reserved and circumspect. But in his selected letters, Trilling is revealed in all his variousness and complexity. We witness his ardent courtship of Diana Trilling, who would become an eminent intellectual in her own right; his alternately affectionate and contentious rapport with former students such as Allen Ginsberg and Norman Podhoretz; the complicated politics of Partisan Review and other fabled magazines of the period; and Trilling’s relationships with other leading writers of the period, including Saul Bellow, Edmund Wilson, and Norman Mailer. In Life in Culture , edited by Adam Kirsch, Trilling’s letters add up to an intimate portrait of a great critic, and of America’s intellectual journey from the political passions of the 1930s to the cultural conflicts of the 1960s and beyond.

Antiblack racism avows reason is white while emotion, and thus supposedly unreason, is black. Challenging academic adherence to this notion, Lewis R. Gordon offers a portrait of Martinican-turned-Algerian revolutionary psychiatrist and philosopher Frantz Fanon as an exemplar of "living thought" against forms of reason marked by colonialism and racism. Working from his own translations of the original French texts, Gordon critically engages everything in Fanon from dialectics, ethics, existentialism, and humanism to philosophical anthropology, phenomenology, and political theory as well as psychiatry and psychoanalysis. Gordon takes into account scholars from across the Global South to address controversies around Fanon's writings on gender and sexuality as well as political violence and the social underclass. In doing so, he confronts the replication of a colonial and racist geography of reason, allowing theorists from the Global South to emerge as interlocutors alongside northern ones in a move that exemplifies what, Gordon argues, Fanon represented in his plea to establish newer and healthier human relationships beyond colonial paradigms.

Originally published in two volumes, this exquisite collection of deeply personal, yet profoundly universal poetry explores themes of childhood and family relationships, cultural identity, the destructive nature of sexual abuse and the healing power of love. Newman's poetry will elicit laughter and tears, heartfelt recognition and an appreciation for what makes us most human -- love, desire, family, personal courage and joy. Lesléa Newman has received Poetry Fellowships from the Massachusetts Artists Foundation and the National Endowment for the Arts. She is the author of several other poetry collections including Still Life with Buddy.

The Saga Of The Jomsvikings is a book written by Lee Milton Hollander, which tells the story of the legendary Jomsvikings, a group of Viking warriors who lived in the 10th century. The book is a translation of the original Icelandic saga, which is one of the most famous and important sagas of the Viking Age.The Jomsvikings were a group of elite warriors who lived in a fortress on the island of Jomsborg, located in modern-day Poland. They were known for their bravery, skill in battle, and strict code of honor, which included loyalty to their leader and fellow warriors.The book follows the story of the Jomsvikings, from their origins as a group of mercenaries to their rise as one of the most feared and respected warrior groups in the Viking world. It also explores the relationships between the Jomsvikings and their allies and enemies, including the Danish king Harald Bluetooth and the Norwegian king Olaf Tryggvason.Throughout the book, the reader is taken on a journey through the Viking Age, with vivid descriptions of battles, raids, and political intrigue. The Saga Of The Jomsvikings is a fascinating and exciting read for anyone interested in Viking history and culture.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A psychoanalyst tries to help a young man find happiness and fulfillment by telling him a story each day in an effort to provide a better understanding of his hopes, dreams, fears, and relationships.

"One of the best-kept religious secrets has been the revolution that has been quietly taking place within Judaism over the last two decades, as it has sought to grapple with contemporary issues. These include mixed-faith marriages, gay relationships, women's empowerment, declining numbers, atheism and being trans. It has involved a willingness to abandon biblical laws that conflict with modern values. Most ground-breaking of all, it has meant re-defining what it means to be Jewish in the 21st century. Inclusive Judaism not only uncovers this religion revolution, but presents a challenge to all people of faith on how best to marry tradition and modernity. The book also reflects the soul-searching that has prompted rabbis to chart a new course, both out of principle and as a practical way of rescuing British Jewry from possible collapse if it did not adapt to the new social trends that affect us all"--

John Mack explored alien encounter experiences deeply, revealing a world of meaning and power that can revolutionize our understanding of who we are and our place in the cosmos. Dr. Mack suggests that such experiences reveal to us a universe which is filled with intelligence and life, though this may not always take the densely embodied form with which we are most familiar. This book brings us to the edge of material reality and beyond, shattering the boundary that has separated matter and spirit and scientific or spiritual ways of knowing. Dr. Mack asks us to move beyond the largely useless debate about whether UFOs or abductions are real in a purely material sense. He shows us the limited way that we have used ourselves in learning about the cosmos, and challenges the limitations of traditional science as a way to learn about the multi-dimensional world in which we reside. Insights about the relationship between spiritual and physical energy; trauma's role in transformation; information about the ecological crisis facing the planet and the urgency that we do something about it; the possibility that human beings are participating in the creation of some sort of interdimensional hybrid race; the expansion of human consciousness and our spiritual reawakening; and the apparent evolution of extraordinary relationships that some human beings may be developing beyond the earth plane - these are the matters this book includes.Dr. Mack demonstrates that the investigations of a skilled clinician, exploring human consciousness through in-depth conversations, can reveal to us a multidimensional, apparently intelligent, cosmos whose nature is fundamentally consistent with the discoveries of leading scientists who have been gaining knowledge primarily through exploring the physical world.

All the answers clinicians need to work effectively with LGBTQ clients. A therapist who treats LGBTQ clients often must be more than “gay friendly.” Clinical experience, scientific research, and cultural understanding are advancing rapidly, and the task of being LGBTQ informed is ever-changing in today's world. This book covers topics such as how to avoid making the common mistake of believing that "a couple is a couple," thus treating LGBTQ couples the same as their heterosexual counterparts; how to treat clients struggling in "mixed" orientation marriages and relationships (straight and LGBTQ spouses in the same couple); and how to work with all clients who have non-heteronormative sexual behaviors and practices. Perhaps most importantly, the book discusses covert cultural sexual abuse (the trauma suffered from having to suppress one's own sexual and gender identity) as well as the difficult process of coming out to family and friends. A therapist's job is to help clients and their identities through their own lens and not anyone else's—especially the therapist's. The gay affirmative principles put forward in this book will help you build a stronger relationship with your LGBTQ clients and become the go-to therapist in your area.

"Desperate, degrading, wise, witty, these tales of addiction encompass family struggles, failed relationships, dirty sex, overdoses, and the constant drive for drugs that fuels each vein-digging author. Dispelling myths about the glamour of self-destruction, Stahl has chosen stories that are raw and real, focusing on the often bleak hopelessness of addiction, a life lived day to day with the next high as the only real motivator. And though Stahl is secretive about how many of his contributors are clean, still using, or in recovery, each narrative demonstrates a remarkable self-awareness, a revealing tone that allows readers to relate to addiction, even if they have never picked up a needle themselves." --Interview Magazine Inspired by the ongoing international success of the city-based Akashic Noir Series (Brooklyn Noir, Boston Noir, Paris Noir, etc.), Akashic created the Drug Chronicles Series. On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, Tao Lin, etc.) and The Cocaine Chronicles (Lee Child, Laura Lippman, etc.) comes The Heroin Chronicles, a volume sure to frighten and delight. The literary styles are varied, as are the moral quandaries herein. Heroin has long been understood as the most "literary" of narcotics, and this collection will, for better and worse, have tremendous pop cultural appeal.

"Austerity Baby might best be described as an "oblique memoir". Janet Wolff's fascinating volume is a family history - but one that is digressive and consistently surprising. The central underlying and repeated themes of the book are exile and displacement; lives (and deaths) during the Third Reich; mother-daughter and sibling relationships; the generational transmission of trauma and experience; transatlantic reflections; and the struggle for creative expression. Stories mobilised, and people encountered, in the course of the narrative include: the internment of aliens in Britain during the Second World War; cultural life in Rochester, New York, in the 1920s; the social and personal meanings of colour(s); the industrialist and philanthropist, Henry Simon of Manchester, including his relationship with the Norwegian explorer, Fridtjof Nansen; the liberal British campaigner and MP of the 1940s, Eleanor Rathbone; reflections on the lives and images of spinsters. The text is supplemented and interrupted throughout by images (photographs, paintings, facsimile documents), some of which serve to illustrate the story, others engaging indirectly with the written word."--Publisher's description.

The basement: two men, (Tim) Law and (Charles) Stott, compete for possession of and dominance over a "basement flat" and their at-times mutual girlfriend, Jane. During the course of the play, they reverse roles with relation to each other, to the ownership or possession of the flat, and to their relationship with or possession of Jane. The changing furnishings of the room reflect their changing roles and who is in power over whom at various points in time. At first Jane appears to be submissive in relation to the men; but as the action develops, at times she appears to dominate each man and both of them. The character relationships between Stott and Law and the basic plot resemble Pinter's prose fiction works "Kullus" and "The Examination".

This volume presents two works by acclaimed Polish journalist Hanna Krall: The Subtenant, a semi-autobiographical novel, and To Outwit God, a remarkable interview with Marek Edelman, the last surviving leader of the Warsaw Ghetto uprising. The Subtenant explores the troubled and ever-shifting relationships between Poles and Jews, beginning with the author's concealment as a child during the Nazi years and ending in 1981 when martial law was declared in Poland. In To Outwit God, Edelman's words assault conventional assumptions about heroes and heroism, taking in his time not only in the Warsaw Ghetto but his careers as a physician and a Solidarity activist. Taken together, the two works form a powerful memoir of Jewish survival, a meditation on Polish-Jewish relations, and a commentary on the forces that have produced modern Polish opposition movements.

A master of the short form, Gina Berriault stands somewhere between Chekhov and Isaac Babel in style and psychological acuity—and in this beautiful new edition of one of her most beloved novellas, she traces the changing relationships between one woman and two fellow novelists. When it was first published, Andre Dubus said of The Lights of Earth , "Like her stories, it's masterly. Its central character is a woman, Ilona Lewis, who confronts loss of earthly love. But Ilona's experience is far more complex than losing a man because he has become a celebrity. It involves the hearts of all of us seeking the lights of earth, the soul's blessing in its long, dark night." Forsaken by her lover as he gains fame as a novelist, Ilona is stirred by the need to remember the brother she left behind long ago. Revealing the precious worth of life that emerges from the depths of loss, The Lights of Earth is a deeply moving exploration of the soul and a masterwork of style and psychological acuity from one of the most celebrated voices in contemporary fiction. Gina Berriault’s work as a storywriter of great psychological empathy and extraordinary elegance and subtlety was widely praised at the end of her life and, with this reissue of one of her more celebrated short novels, her work can be discovered by a new generation of readers.