Double Delights #19: TABLE FOR TWO: CEO Jack Hanford wants Rachael Reeves to be his wife...in name only for a publicity stunt. But when they embark on a whirlwind promotional tour, the sparks flying between them turn their faux marriage into irresistible temptation. Add some meddling relatives and a delicious scheme and Rachael's and Jack's hearts don't have a chance. JUST MY IMAGINATION: When straight-laced principal Katherine Tipton meets Steven Walker, the sexy dad of one of her students, she intends to limit their discussion to disciplining his mischievous daughter. But when attraction for the eccentric Steven turns Katherine's world upside down, she realizes life has a new lesson plan for her--love.

In the year 2098, humanity has pushed beyond Earth into the solar system and unlocked the secrets of life with genetic engineering. But despite the lifesaving cures and physical improvements wrought by the mastery over human DNA, some consider the tinkering with genes an abomination and vow to destroy it.

At 34, Faith has given up on love. Her cleavage is disappointing, her best friend is clinically depressed and her younger sister is getting breast implants as an engagement present. She used to think about falling in love, but that was a long time ago. Having heard one too many love-gone-wrong stories from the other side of her desk, Faith is worn thin by her work as a legal counsellor in a women's crisis centre. Then one night, an odd twist of fate brings her to a suburban veterinary clinic where she wrings out years of unshed tears. It is a night that will slowly change the way she sees herself and begin the unearthing of long-buried family secrets so she can forgive herself for something she doesn't remember, but that has shaped her into the woman she is today. Faith will finally understand what she has always needed to know: that before you can save others, you have to save yourself.

Basil St. Cloud falls in love with a descendant of the royal line of deposed and magical kings, and finds himself caught up in a secret movement demanding a return to the rituals of the past.

A probing examination of the claims of Erich von Daniken and other space-god proponents attempts to refute popular claims that Earth's culture has been strongly influenced by extraterrestrial visitors

After sending her résumé to the CIA on a whim, New Yorker Selena Keller is contacted by an Agency recruiter, who asks her how she would feel about convincing another human being to commit treason. Despite her checkered past, Selena passes the background investigation and a battery of bizarre aptitude tests. Living under cover as a government budget analyst, she begins her education in espionage at the Farm, the CIA's covert facility. All CIA officers must survive a demanding training program, and it is there that Selena becomes romantically involved with Stan, a brilliant but darkly paranoid fellow student with presidential ambitions. What happens next is a fascinating inside portrait of the Agency--how spies are recruited, how they are trained, who they meet, where they go, and most important . . . what happens when they fall in love, and begin spying on one another.

Cybill Berenson, mother of three, newly divorced at age 42, is sure the most passionate years of her life are behind her. Then she meets Mel, a sexual shaman who takes her to new heights-and new depths. After their liaison ends, she feels a new openness to pleasure, and she sees that the conventional life is not for her. She falls in love with Quinn, a much younger man; she travels to the Burning Man festival on her own; she edits a book called Adultery Now (which outrages her children); she takes lovers while in her fifties and sixties. Cybill never stops seeking the thrill of deep connection to another human being. When a lover calls her his soul-mate, Cybill realizes "it was for moments like this, and not sex, that she had love affairs." John Updike described Hiller's story collection, Skin, as "Good, brave and joyful fiction." The same can be said about Cybill Unbound-a novel like Fear of Flying for those over forty. "Uh-oh! Cybill's witty rationalizations for her bold adventures are seeming all too rational to me." -Kathleen Rockwell Lawrence, author of The Last Room in Manhattan

The architecture of the human language faculty has been one of the main foci of the linguistic research of the last half century. This branch of linguistics, broadly known as Generative Grammar, is concerned with the formulation of explanatory formal accounts of linguistic phenomena with the ulterior goal of gaining insight into the properties of the 'language organ'. The series comprises high quality monographs and collected volumes that address such issues. The topics in this series range from phonology to semantics, from syntax to information structure, from mathematical linguistics to studies of the lexicon.

"[A] hilariously satirical debut novel. Miller, Lawrence, and Genet stop by like proud ancestors... But it's a more recent generation of mischievous deviant writers (Nicholson Baker, Mary Gaitskill) that truly looms large — Erotomania's closest predecessor might be Baker's The Fermata. [An] ambitious book... [A] biting satire." —Zach Baron, Village Voice "Sex is familiar, but it's perennial, and Levy makes it fresh." —Richard Rayner, Los Angeles Times Book Review "Levy seems to have an eye for detail for all that is absurd, commonly human, and uniquely American." —Beth Harrington, Bookslut "It's a great book, written with flawless verve by a tremendous fictioneer and thinker, and it deserves glory. A classic." —Andre Codrescu, Exquisite Corpse "[Erotomania] can just as easily be a bookend to the beautifully nuanced prose of Milan Kundera as it can be a long-version story for a nudie mag minus the accompanying photographs. It's all in the context — as it is with most relationships." —Quarterly Conversation "Erotomania wields a comedic punch that makes it, above all, a fun novel to read." —Nerve.com Erotomania is an absurdist portrait of a modern-day romance. It follows James and Monica from their early days as couple that is forced to move into a nuclear fall-out bunker so their explosive sex life doesn’t physically harm their neighbors, down the long journey to marriage counseling. Francis Levy’s short stories, criticism, humor, and poetry have appeared in The New York Times, The Washington Post, The New Republic, The Village Voice, and The Quarterly.

Beginning with women's most common complaints about men, this study explores the psychology of the male and identifies the divergent attitudes that separate men and women

Norma Barzman is a blacklisted writer living in Southern France. Henry Myers is her beloved cousin, a former member of the Algonquin circle who has found his writing talent diminished with age, and is living an isolated life in New York City. When Norma invites Henry to Italy to realize their mutual dream of traveling together to Cremona to write about the mysterious origins of violin making, neither one could have anticipated the explosive consequences of their journey. But their adventure opens a Pandora's box of long-suppressed emotions, family secrets, and forces each to reassess their feelings towards each other, and themselves.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

Explores medieval French and English romances in their relation to the literary aesthetic of that vanished age as well as to the evolution of narrative. The framework of this investigation is chronological, beginning in the twelfth century with the work of Chrétien de Troyes and following through to the great Arhurian Prose Cycle and its remodelling by Sir Thomas Malory, whose mind and art the author strives constantly to elucidate. As it seeks out the meaning and design of the early masterpieces, the study transcends its chronological framework: major problems of style and technique arise that are of fundamental importance to the contemporary novel as well. Related phenomena in medieval painting, sculpture and manuscript ilumination are drawn upon to illustrate and reinforce the significance of the author's discoveries.

Surprise your mum with a chainsaw, be a bigger star than Tom Cruise, save the world with a plate of veggies, start your new life in a taxi, rescue your family with a tomato, send your dad into a panic with a tractor, do a good deed with a paper bag on your head pack your bags for a trip to the spleen, upset your auntie with ten kilos of chocolate, swap a bomb for three ice-creams on a train . . . and lots more.

"THE LOVE BOOK", transcendental jewel of American Poetry, banned as part of an illegal program of harassment, arrests, and mass confiscations instituted by then-governor Ronald Reagan, is back in all its notorious glory to claim its rightful place in San Francisco literary history.

Love, Michigan, is famous for Winterfest, an annual athletic competition, but Tara, Erin, and Noelle are about to find out that there's a lot more to Winterfest than sports.

Zoo is Tobias Hill’s third collection of poems. It shows the growing maturity of a voice already distinctive three years ago, when his first collection was noted for its ‘grand irony and playful humour, with episodes of tenderness and even charm’. Hill’s poems combine narrative impetus with musical lyricism. Influenced by the poetry of Japan and the paintings of Edward Hopper, they are full of intense sound, smell, and visions, Often through a nocturnal eye, Hill describes an urban-pastoral landscape, full of the greenhouse luxuriance of city flora, fauna and humanity. “Hill’s special territory, in poetry and prose, is the ‘urban-pastoral’ … his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage’s storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately ‘Japanese’, or reminiscent of the heyday of Craig Raine’s ‘Martian’ style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life – and romance … these are poems of flirtation and desire.”—contemporarywriters.co.uk“The closeup detail taken directly from nature, then skewed through 90° to give the reader something completely new, even unique … with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work.”—Poetry Review“There is a fin de siècle decadence about them … not least in their brightly coloured diction, their luxuriant descriptiveness, their louche postures.”—Poetry Wales“Superb conjurations of place.”—Adam Mars Jones“Compassionate and intelligent … so full of action and interest and that brings alive such an array of people and places, that it is difficult to believe they sprang from the pen of one writer.”—Rachel Cusk

In this latest collection of poems, Hill invokes people and place, mythologizing and demythologizing city lives as they are led. From poignant vignettes and celebrations to urban-pastoral and elegy, these poems extend Hill’s romance with London’s psychic and surreal fabric. Selected as a Next Generation poet, Hill continues to delight us with sensuous observation and imaginative embrace.“Hill’s special territory, in poetry and prose, is the ‘urban-pastoral’ … his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage’s storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately ‘Japanese’, or reminiscent of the heyday of Craig Raine’s ‘Martian’ style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life – and romance … these are poems of flirtation and desire.”—contemporarywriters.co.uk“The closeup detail taken directly from nature, then skewed through 90° to give the reader something completely new, even unique … with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work.”—Poetry Review“There is a fin de siècle decadence about them … not least in their brightly coloured diction, their luxuriant descriptiveness, their louche postures.”—Poetry Wales“Superb conjurations of place.”—Adam Mars Jones“Compassionate and intelligent … so full of action and interest and that brings alive such an array of people and places, that it is difficult to believe they sprang from the pen of one writer.”—Rachel Cusk

This lively second collection from a young, much-travelled writer, falls into two parts. ‘Transit’ includes poems of abroad, especially Japan, where Tobias Hill lived for two years. ‘Back to the City’ is about London, from hangover to Underground; Hiroshima; and the `City of Clocks’, a fusion of cities and ages. They are poems crammed with a young man’s curiosity and eye for detail, and show his great ability for story-telling. Tobias Hill lives in London, and besides writing (his short stories and novels are published by Faber) he reviews and edits several new magazines. “Hill’s special territory, in poetry and prose, is the ‘urban-pastoral’ … his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage’s storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately ‘Japanese’, or reminiscent of the heyday of Craig Raine’s ‘Martian’ style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life – and romance … these are poems of flirtation and desire.”—contemporarywriters.co.uk“The closeup detail taken directly from nature, then skewed through 90° to give the reader something completely new, even unique … with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work.”—Poetry Review“There is a fin de siècle decadence about them … not least in their brightly coloured diction, their luxuriant descriptiveness, their louche postures.”—Poetry Wales“Superb conjurations of place.”—Adam Mars Jones“Compassionate and intelligent … so full of action and interest and that brings alive such an array of people and places, that it is difficult to believe they sprang from the pen of one writer.”—Rachel Cusk