The author of the acclaimed New York Times bestseller The Next 100 Years now focuses his geopolitical forecasting acumen on the next decade and the imminent events and challenges that will test America and the world, specifically addressing the skills that will be required by the decade's leaders. The next ten years will be a time of massive transition. The wars in the Islamic world will be subsiding, and terrorism will become something we learn to live with. China will be encountering its crisis. We will be moving from a time when financial crises dominate the world to a time when labor shortages will begin to do so. In The Next Decade, George Friedman offers readers a pro_vocative and endlessly fascinating prognosis for the immedi_ate future. Using Machiavelli's The Prince as a model, Friedman focuses on the world's leadersÑparticularly the American presidentÑand, with his trusted geopolitical insight analyses the complex chess game they will all have to play. The book also asks how to be a good president in a decade of extraordinary challenge, and puts the world's leaders under a microscope to explain how they will arrive at the decisions they will makeÑand the consequences these actions will have for us all.

*Finalist for the Pulitzer Prize for Biography* *Winner of the Los Angeles Times Prize for Biography* *Winner of the 2019 Hitchens Prize* Portrays Holbrooke in all of his endearing and exasperating self-willed glory...Both a sweeping diplomatic history and a Shakespearean tragicomedy... If you could read one book to comprehend American's foreign policy and its quixotic forays into quicksands over the past 50 years, this would be it.--Walter Isaacson, The New York Times Book Review By the end of the second page, maybe the third, you will be hooked...There never was a diplomat-activist quite like [Holbrooke], and there seldom has been a book quite like this -- sweeping and sentimental, beguiling and brutal, catty and critical, much like the man himself.--David M. Shribman, The Boston Globe Richard Holbrooke was brilliant, utterly self-absorbed, and possessed of almost inhuman energy and appetites. Admired and detested, he was the force behind the Dayton Accords that ended the Balkan wars, America's greatest diplomatic achievement in the post-Cold War era. His power lay in an utter belief in himself and his idea of a muscular, generous foreign policy. From his days as a young adviser in Vietnam to his last efforts to end the war in Afghanistan, Holbrooke embodied the postwar American impulse to take the lead on the global stage. But his sharp elbows and tireless self-promotion ensured that he never rose to the highest levels in government that he so desperately coveted. His story is thus the story of America during its era of supremacy: its strength, drive, and sense of possibility, as well as its penchant for overreach and heedless self-confidence. In Our Man, drawn from Holbrooke's diaries and papers, we are given a nonfiction narrative that is both intimate and epic in its revelatory portrait of this extraordinary and deeply flawed man and the elite spheres of society and government he inhabited.

One-time underground journalist Sandy Blair has come a long way from his radical roots in the '60s--until something unexpectedly draws him back: the bizarre and brutal murder of a rock promoter who made millions with the '60s band the Nazgul. Now, as Sandy sets out to investigate the crime, he finds himself drawn back into his own past--a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the Nazgul and the mad new beat may be more than anyone bargained for--a requiem of demonism, mind control, and death, whose apocalyptic tune only Sandy may be able to change in time.--From publisher description.

This interview offers insight into the little-known personal and professional life of the reknown investor who is also a major philanthropist, describing his early family life, his years as a "Guru in Training," and the founding of The Quantum Fund.

This is an updated single volume edition of the complete history and analysis of Hitler's foreign policy leading to the outbreak of World War II. Weinberg shows the inexorable goal of Nazi Germany's foreign policy and Hitler's key role in setting its course.

The purpose of Weinberg’s text is to suggest a way in which the dramatic events of World War II may be seen. Weinberg argues that the war must be seen as a whole, and that the presentation of it in discrete segments covering the European and Pacific portions separately distorts reality and obscures important aspects of the war on both sides of the world. In addition, any understanding of the great struggle requires a mental self-liberation from the certain knowledge of its outcome. In desperate struggles millions fought and died, hopeful or fearful--or both--but without awareness of the end.

A groundbreaking text on alchemy by the leading scholar of Jewish mysticism is presented here for the first time in English translation. Scholem looks critically at the connections between alchemy, the Jewish Kabbalah; its christianized varieties, such as the gold- and rosicrucian mysticisms, and the myth-based psychology of C.G. Jung, and uncovers forgotten alchemical roots embedded in the Kabbalah.

Includes articles on Walter Benjamin, S.Y. Agnon, Martin Buber, and on Israel and the diaspora.

Crossing borders across the Israeli Palestinian conflict lines, Gershon Baskin provides insights and stories highlighting efforts to bridge gaps and invent solutions to the most sensitive and difficult issues in the conflict.

This is the largest collection of limericks ever published, erotic or otherwise. Of the 2750 printed here, none is otherwise. The limerick is the only fixed poetic form native to the English language. "Hickory Dickory Dock" was a limerick remember?), but that was the last time the limerick ever saw a nursery. Don Marquis is reported to have divided limericks into three kinds: "Limericks to be told when ladies are present, limericks to be told when ladies are absent and clergymen are present, and LIMERICKS." Ladies have changed, and so have clergymn, but the LIMERICK, as this collection will attest, is authentic erotic folklore at its most ribald. Arnold Bennett said, in the 1920s, that the best limericks were entirely unprintable. Until now, we might add. For here are printed, for the first time, 2750 NEW LIMERICKS (plus another 100 in the Notes) most of which have never before seen the light of day. From aardvarks to yaks and zebras, every error of mankind-and womankind-is celebrated here in verses of five hilarious yet pathetic lines. Wild, witty, sad and outrageous: Read 'em and weep! Nothing is repeated from THE LIMERICK (First Series) and for good measure an entirely new subject is now presented for the first time, the Science Fiction Limericks that so neatly sum up our Interplanetary Age, still with the same age-old aspirations and inspirations, by means of which the unpardonable now commit the unmentionable. The limerick is the bawdiest thing to happen to an ancient literary form since graffiti were found in Pompeii. Clean limericks were a fad in the mid-1800s, and lasted only five years. Few of them will be found here. But there's an index of Geographical and Personal names, so you can find your real favorites, and a list of subjects, from Buggery to Zoophily and beyond. If you have a favorite, it's here. If you don't have a favorite yet, you soon will.

A spiritual crisis sent Orthodox rabbi Gershon Winkler to remote regions of the Southwest, where he studied with Native American healers. From them he began to recover the long-lost wisdom of what he calls “Aboriginal Judaism”: the religion’s tribal roots. This book tracks his personal journey and draws from a dazzling mix of sources to detail the surprising connections between two seemingly unrelated religions.

Memoir of popular entertainer Gertrude Berg.

Libro usado en buenas condiciones, por su antiguedad podria contener señales normales de uso

"Past and Present brings together almost two dozen newly collected essays by the distinguished American historian and cultural critic, Gertrude Himmelfarb. Their common theme is the intriguing, often unexpected ways in which the past illuminates the present. The novelist William Faulkner wrote that "The past is never dead. It's not even past." In these essays, Himmelfarb shows the truth of this statement. She helps us find a new perspective on contemporary issues by bringing to bear a trenchant analysis of debates and thinkers of the past. She allows the past to inform the present without distorting either past or present. The essays, unified by the common theme of present and past, are varied. The topics range from the disorders of modern democracy to the challenges of postmodernism, from the Victorian ethos to the Jewish question. The thinkers range from Edmund Burke to Leo Strauss, from Cardinal Newman to Lionel Trilling. The political figures range from Benjamin Disraeli to Winston Churchill, from the American founders to Queen Elizabeth II. The underlying premise and principle of the essays is the conviction that the pursuit of knowledge and truth, however difficult or discomforting, eminently matters, in the "practical life,"as Trilling put it,as in the "moral life."Past and Presentis a notable contribution to this endeavor-to understanding where we have been, where we are now, and where we may be-or should be-going"--

It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew - a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda , George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state - this well before the founders of Zionism had conceived of that mission. Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda . And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions - above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

Selected and annotated by Gertrude Himmelfarb, a distinguished historian of Victorian thought, the writings in this volume address a wide range of subjects, including religion, politics, history, science, art, socialism, and feminism, by eminent figures of the Victorian era.

Although remembered mostly for her audacious bestseller, The Autobiography of Alice B. Toklas, Gertrude Stein was a unique literary artist of the twentieth century who left a voluminous body of work, including novels, essays, poetry, and prose. Stymied--just once--by a case of writer's block, Stein forayed into the world of mystery fiction to rediscover her path to creativity. Combining elements of free association and interior monologue that earned her reputation as an avant-garde stylist, Stein drew from a summer's worth of mysterious events at her French country home for inspiration. Blood on the Dining-Room Floor is the brilliant result. A possible murder disrupts the peaceful setting when, in a nearby village, Madame Pernollet is found on the cement courtyard of her husband's hotel. Did she fall from a window above . . . or was she pushed? Was there someone who wanted the preoccupied woman out of the way? In a departure from the typical whodunit, with nary a detective to lead the way, Stein lays out a series of crimes and clues, enticing readers to come up with their own verdict on the baffling events of one unnatural summer.

First published in 1931, this volume offers Gertrude Stein's reflections on the art and craft of writing. Although written in her distinctive experimental style, the book is remarkably accessible and easy to read. The modernist author's characteristic humor is borne out by some of the chapter titles, "Saving the Sentence," "Arthur a Grammar," "Regular Regularly in Narrative," and "Finally George a Vocabulary." Stein's experimental style features elements such as disconnectedness, a love of refrain and rhyme, a search for rhythm and balance, a dislike of punctuation (especially the comma), and a repetition of words and phrases. Those who are unfamiliar with her Stein's work or have found it difficult to understand will discover in How to Write an excellent entrée to a unique literary voice and an imaginative approach to language that continues to inspire writers and readers.