This interpretation of the way female sexuality was viewed by the nineteenth-century European medical profession characterizes an attitude based on massive ignorance and prejudice

The titles in this mini-set were originally published between 1924 and 1931 and include works by J D Bernal, E E Fournier d'Albe, Andre Maurois and S Radhakrishnan. Drawing on philosophy, anthropology, and psychology they examine man's place in the world of the future.

Item shows wear on cover. Pages are a bit yellowed but there are NO markings or highlighting.

This is a new release of the original 1954 edition.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Flames from the Earth is an autobiographical novel by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust, depicting the complex web of relationships in and around the Łódź Ghetto"--

304 pages.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

A study of the life and times of Bishop S.I.J. Schereschewsky (1831-1906) and his translation of the Hebrew Old Testament into northern vernacular (Mandarin) Chinese. Based largely on archival materials, missionary records and letters, the book includes an analysis of the translated Chinese text together with Schereschewsky's explanatory notes. The book examines his Jewish youth in Eastern Europe, conversion, American seminary study, journey to Shanghai and Beijing, mission routine, the translating committee's work, his tasks as Episcopal bishop in Shanghai and the founding of St. John's University. Concluding chapters analyze the controversial "Term Question" (the Chinese term for God) and Schereschewsky's techniques of translating the Hebrew text. Included are useful discussions of the Old Testament's Chinese reception and the role of this translation for subsequent Bible translating efforts.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This study assimilates diverse interpretations of the origins of the Middle East conflict with emphasis on the fight for Palestine and its religious and political roots. It draws largely on the historical revisionism of the last two decades.

First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

"Scriptural Vitality challenges the view that the Persian and Hellenistic periods constitute a time of decay, a period of 'late Judaism', languishing between an original, vibrant Judaism and the birth of Christianity. Instead, Hindy Najman argues that the Second Temple period was one of untethered creativity and poetic imagination, of dynamism exemplified through philosophical translation, poetic composition, and a convergence of ancient Mediterranean cultures that gave birth to hermeneutic innovation. Building on Nietzsche's critique of classical philology and drawing on new ways of reading the Dead Sea Scrolls, the author carries out a radical rethinking of biblical studies. Instead of seeking to reconstruct the original text and to find its original author or at least the original context of its production, Najman celebrates textual pluriformity and transformation, tracing ways in which texts and meanings proliferated within interpretive communities through new performances and fresh articulations of the past. Engaging with thinkers such as Friedrich Schlegel and Peter Szondi, whom biblicists have rarely considered, biblical philology is reimagined as the forward-moving study of the poetic processes by which Jewish communities re-created their past and revitalized their present. The Second Temple period emerges as a golden age of creativity, whose traces may still be discerned in Judaism and Christianity today." --

A talented artist who studied in Munich, Berlin, and Paris, Hilla Rebay embraced the idea of non-representational art as both a style and an aesthetic philosophy. At age 22 she began to exhibit and was introduced to the influential and avant-garde gallery Der Sturm in Berlin, where she was drawn to modern giants such as Marc Chagall, Vasily Kandinsky, and Paul Klee. When Rebay moved to America in 1927, she was commissioned by Solomon R. Guggenheim to paint his portrait, and from that point she began her mission to enlighten him with the art she so fervently supported. Rebay introduced Guggenheim to artists such as Kandinsky, and in 1937, he established the Solomon R. Guggenheim foundation for the magnificent collection he had purchased, based on Rebay's advice. In 1939, he and Rebay started the Museum of Non-objective painting, which, in 1959 opened as today's Guggenheim Museum in New York City. This catalogue, which accompanies the exhibition Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim , shows Rebay not only as a director and curator, but also as a prolific artist--her early abstract watercolors, drawings, abstract and figurative collages, and large-scale non-objective paintings are featured here. Also included are early masterpieces by Rebay's artist colleagues and friends Arp, Bauer, Kandinsky, Richter, and others. Not only a testament to Rebay's artistic and curatorial prowess, this book also gives touching insight into the extraordinary collaboration between her and Solomon R. Guggenheim, which resulted in one of the world's finest collections of early 20th century modernism.

In 1942, Lt. Herman H. Goldstine, a former mathematics professor, was stationed at the Moore School of Electrical Engineering at the University of Pennsylvania. It was there that he assisted in the creation of the ENIAC, the first electronic digital computer. The ENIAC was operational in 1945, but plans for a new computer were already underway. The principal source of ideas for the new computer was John von Neumann, who became Goldstine's chief collaborator. Together they developed EDVAC, successor to ENIAC. After World War II, at the Institute for Advanced Study, they built what was to become the prototype of the present-day computer. Herman Goldstine writes as both historian and scientist in this first examination of the development of computing machinery, from the seventeenth century through the early 1950s. His personal involvement lends a special authenticity to his narrative, as he sprinkles anecdotes and stories liberally through his text.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.