Grace the Cat is not at all like me, as she is forever bent on mischief. But because I am an older and wiser cat, she looks to me for counsel, and so I have allowed Grace to prevail upon me to set down the story of my life as a housecat in the human world. . . . As the irrepressible Foudini M. Cat regales us with his adventures, an exciting story unfolds. After his valiant but frail mother leaves him in search for food and never returns, the starving kitten is taken, hissing and spitting, to a frightening room with cages and men in white coats. Facing the specter of eternal sleep, the homeless cat is adopted by a woman he later calls "Warm." ("All cats like to make up strange names for things.") From here Foudini enchants us with splendid tales of his unlikely but ultimately poignant friendship with Sam the Dog; their trips between Cold House in the city and Mouse House in the country; his mystical experiences with famous felines of the past; his near-death in a raging river that leads to a profound act of sacrifice; and his introduction to a silly young thing named Grace, which evolves into something completely unexpected. "From the Trade Paperback edition.

Most of us have our own comfort zone, the place where we feel safe and satisfied. However, circumstances often drive us out from that area in which we feel most comfortable. Such was the case when Ray Comfort found himself being taken 7,000 miles from his homeland in New Zealand, to speak to the daunting residents of the most dangerous part ...

I Love Her, That's Why! is an entertaining look at the life and career of comedian George Burns and his wife Gracie Allen. From humble beginnings in New York, Burns and Allen went on to become much-loved stars of stage, radio, television, and the big-screen, one of the few entertainers to be successful in each venue. The book begins with Burns' childhood and early struggles in vaudeville before he meets Gracie Allen. Burns then details his efforts to win her affections; their marriage and adoptions of two children; radio, film, and TV productions (including the script for their television series). Included are numerous illustrated pages of photographs.

"Healing the split between my mind and my body has been my life's challenge. In the sixty years that I have practiced psychotherapy, I have learned that the pathway to emotional health is through the body. The underlying purpose of Bioenergetic Analysis has always been to heal the mind-body split." - From the Introduction. Alexander Lowen was a teacher, lawyer, medical doctor, psychotherapist, writer, and a pioneer in the fields of body-psychotherapy and psychobiology. His life and work are recorded in this candid autobiography. His work continues to resonate today.

Sid Caesar was the star & guiding force behind Your Show of ShowsÓ & Caesar's Hour,Ó two of the most innovative programs in the Golden Age of TV, & the writers & stars of those shows -- including Woody Allen, Mel Brooks, Imogene Coca, Nanette Fabray, Larry Gelbart, Howard Morris, Carl Reiner, & Neil Simon -- went on to create the plays, movies, & sitcoms that we now think of as classic American comedy. This is Caesar's artistic autobiography, an account of how these great routines were fashioned & performed, what he learned from his own life, & just what is funny. He takes us inside the famed Writers' Room, onto the stage, & into his life, to show us how some of the funniest moments in TV history came to be. Photos.

Most fans know Ralph Kiner as the New York Mets' long-tenured color commentator, but as a player he was one of the most feared hitters in the game; this autobiography allows Kiner to reveal his life story and to share his learned opinion about many topics affecting the game today.

Marty Glickman, the incomparable sportscaster and Olympian athlete, writes of his five decades in sports. And what a career it was! At the heart of his autobiography is the notorious incident at the 1936 "Nazi Olympics" in Berlin. Glickman and Sam Stoller, the only Jews on the American track and field team, were dropped from the 400-meter relay team. More than any other event that would shape his life, this would be a defining moment for Glickman, one that would propel him into one of the richest and longest career in sports broadcasting history. In The Fastest Kid on the Block, Glickman recounts his beginnings as an athlete in Brooklyn and his early years at Syracuse University. After his devastating experience at the Olympics, he began his broadcasting career. As one of the best-known voices of New York City sports, he announced many of the most exciting games in sports history, including baseball, hockey, football, wrestling, and basketball. Glickman was actively involved with, and now brings to life, the most influential teams and personalities in the sports world, including the New York Knicks, the New York Giants, Red Auerbach, Joe Namath, Wilt Chamberlain, Bill Bradley, Bud Collins, and Mike Emrick, to name just a few. This spirited autobiography concludes with Glickman's trenchant observations about his fellow sports broadcasters, the present-day Olympics, and his own tips on how to break into the competitive, wonderful world of sports broadcasting.

Originally published in 1958, this is Lillian Roth's story in her own words following up on her blockbuster memoir I'll Cry Tomorrow. "Nothing in my wildest imaginings could have prepared me for what has happened these past five years," says Lillian Roth in her new book, which continues the story of her life from the publication of I'll Cry Tomorrow to the present. Catapulted back into the limelight as a "reformed" alcoholic, faced with the problems of a professional come-back, besieged by people who sought solace and advice, troubled by her own weaknesses and doubts, she found herself on the verge of panic and blindness. But the love and strength of her husband, the will to make good on her own, and the faith and affection of a vast audience who turned to her for help, carried her over the troubled waters. Step by step she found her way out of the darkness that still threatened her. With the same frankness and honesty that made her autobiography a deeply moving experience, Lillian Roth now describes her struggle back to the top of the nightclub circuit, of the lean and the full years, of the disappointments and triumphs, and of her search for religious understanding. She tells of her decision to become a serious actress, of the way she finally found a home, after forty-six years, and of the never-ending struggle that everyone is faced with. "Life is a struggle-and to stop struggling is to stop living. But that struggle is not for money alone, but to create, to realize the best within us." "People turned to me for help, not realizing that I too suffered human frailty. But wondrously, they brought me their strength along with their fears." Seldom has there been a story as inspiring and warmly human as this continuation of the record of a woman's search to find peace and happiness within herself.

The Man Who Created Halloween is the fascinating story of one man's improbable journey from the tenements of Brooklyn's Williamsburg to fame and fortune in Hollywood. It is also a chronicle of the shifting winds of change from the old studio system to the emergence of a new generation of independent producers and film makers. Replete with first hand anecdotes we see that tumultuous era thru the eyes of famed producer and film executive Irwin Yablans. Yablans career encompasses the entire gamut of motion picture experience from his early years at Warner Brothers to sales chief at Paramount and Orion pictures, culminating with the formation of his own company, Compass International Pictures. But his story is much more. It is a tale of how determination and perseverance enabled him to overcome seemingly insurmountable obstacles in the rough and tumble motion picture industry. Told in his own words, this candid, no holds barred autobiography finally relates the truth about how the classic film Halloween came into being. The discovery of John Carpenter, the complex relationship with Moustapha Akkad and Joseph Wolf is discussed in never before revealed detail. Written with humor and fidelity to the truth, The Man Who Created Halloween is an essential addition to any film lore library as well as an inspirational example of the possibilities for any man who will not be denied.

The man in the street would not, perhaps, recognize all the names of the brilliant scientists whose careers and personalities animate this book, but doctors know them. Morgan, who founded the first medical school in American and, fighting beside Washington, was ruined b the petty politics of the Revolution; McDowell, who, although on the fringe of the wilderness, dared the operation that prepared the way for all abdominal surgery; Rush, the equivocal personality who, for better or worse, dominated American medicine for more than fifty years; Beaumont, who, saving a life, won a living laboratory; Drake, who brought modern medicine to the New West; Long and Morton, who banished pain from surgery and earned it for themselves these men are honored in their profession today.

This first fully documented biography of Simon Wiesenthal, the legendary Nazi hunter, is also a brilliant character study of a man whose life was part invention but wholly dedicated to ensuring both that the Nazis be held responsible for their crimes and that the destruction of European Jewry never be forgotten. Like most Jews in Eastern Europe on the eve of Hitler's invasion of Poland, twenty-four-year-old Simon Wiesenthal did not grasp the nature of the Nazi threat. But six years later, when a skeletal Wiesenthal was liberated from the concentration camp at Mauthausen, he fully fathomed the crimes of the Nazis. Within days he had assembled a list of nearly 150 Nazi war criminals, the first of dozens of such lists he would make over a lifetime as a Nazi hunter. A hero in the eyes of many, Wiesenthal was also attacked for his unrelenting pursuit of the past, when others preferred to forget. For this new biography, rich in newsworthy revelations, historian and journalist Tom Segev has obtained access to Wiesenthal's private papers and to sixteen archives, including records of the U.S., Israeli, Polish, and East German secret services. Segev is able to reveal the intriguing secrets of Wiesenthal's life, including his stunning role in the capture of Adolf Eichmann, his relationship with Israel's Mossad, his controversial investigative techniques, his unlikely friendships with Kurt Waldheim and Albert Speer, and the nature of his rivalry with Elie Wiesel. Segev's challenge in writing this biography was Wiesenthal's own complicated relationship to truth. Wiesenthal told many versions of his life, his suffering in the camps, and his involvement with the arrest of individual Nazis. Segev shows that in order to gain the information he sought and twist the arms of reluctant government figures, Wiesenthal needed to seem more influential than he really was. For two generations of Americans, Simon Wiesenthal was a Jewish superhero--depicted on film by Ben Kingsley and Laurence Olivier--and the muse for a Frederick Forsyth thriller. Now Segev demonstrates that the truth of Wiesenthal's existence is as compelling as the fiction. "Simon Wiesenthal" is an unforgettable life of one of the great men of the twentieth century.

'Bower's book is a devastating indictment' Sunday Times 'Explosive ... Bower reveals a remarkable and sinister picture of the man who likes to appear as the ever-smiling hero' Daily Mail A sensational critical biography of the man and his business practices. No British tycoon is better known, few claim to be richer and none has masterminded a more recognisable brand than Richard Branson. What is behind the success of the buccaneering balloonist, the tabloids' favourite celebrity nude, the 'grinning jumper' and the scourge of corporate goliaths? Tom Bower has a uncovered a different tale to the one so eagerly promoted by Virgin's publicists. Here is the full story of Branson: his businesses, his friendships, his ambition, his law-breaking, his drug-taking, his bullying. Offering an intimate scrutiny of exactly how Richard Branson created and sold himself, this biography reveals Branson to be a single-minded profiteer who, while occasionally generous to others, has a fixed purpose to enhance his family's wealth in secret off-shore trust funds. Instead of a glittering saint, Branson emerges as a devious actor, proud of plucking for his own profit the good ideas of others.

'This war', wrote Winston Churchill to King George VI at the height of the Second World War, 'has brought throne and people closer together than was ever before recorded.' Here is a full and fascinating account of that coming together. It is a study of the contribution made, not only by George VI and his redoubtable Queen, but also by the entire royal family during those turbulent years. And of how that contribution strengthened and popularized the monarchy. This is a family saga; an account of the lives, as much private as public, of all the diverse members of what George VI called 'The Firm'. Together with the tireless efforts of the King and Queen, it deals with such aspects as the Duke of Windsor's flirtation with Fascism, the ground-clearing obsessions of Queen Mary, the mysterious death of the Duke of Kent, the activities of the Athlones in Canada and the Gloucesters in Australia, and the imprisonment of the Princess Royal's eldest son, Viscount Lascelles. Occasionally tragic, often amusing, always interesting, it is a richly detailed panorama of the monarchy in one of its finest hours. Theo Aronson has been granted an unprecedented series of audiences with the Queen Mother, Princess Margaret, Princess Alice. Duchess of Gloucester, and the late Princess Alice, Countess of Athlone, as well as interviews with many other members of the royal family and of the royal households. He has been permitted the use of previously unpublished letters, diaries and papers. The result is a colourful study by an author who has been consistently praised for his insight, scholarship and, above all, readability.

The years immediately before the First World War saw the last great flowering of European monarchy. Although sovereigns no longer ruled by divine right, their prestige and positions remained almost intact. The glittering centerpieces of national life, those crowned and anointed monarchs were still widely regarded as mystical, unassailable, divinely guided. And, with the majority of them being so closely related, they constituted a royal clan, an international freemasonry through which it was assumed the peace of Europe was being maintained. World War I shattered all this. King took up arms against king; cousin was pitted against cousin. Twelve leading monarchs, ranging from the vainglorious Kaiser Wilhelm II to such lesser-known figures as the brigandly Nicholas of Montenegro, the 'outre' Foxy Ferdinand of Bulgaria and the tragic Emperor Karl of Austria-Hungary, were involved in the conflict. For, in the end, that celebrated kinship of the family of kings proved irrelevant. Against the upheavals of these years, monarchs were revealed as both powerless and impotent. Here, Theo Aronson has assembled the entire cast of embattled monarchs. His is the story of eight momentous years viewed, as it were, from the monarchical standpoint; an account of the passing, not only of their particular world, but of the entire monarchic and dynastic order of the Continent. It describes the brilliant sunset and the dramatic break-up of the Europe of the Kings.

Like his The Embarrassment of Riches and the bestselling Citizens, Simon Schama's latest book is both history and literature of immense stylishness and ambition. But Dead Certainties goes beyond these more conventional histories to address the deeper enigmas that confront a student of the past. In order to do so, Schama reconstructs -- and at times reinvents -- two ambiguous deaths: the first, that of General James Wolfe at the battle of Quebec in 1759; the second, in 1849, that of George Parkman, an eccentric Boston brahmin whose murder by an impecunious Harvard professor in 1849 was a grisly reproach to the moral sanctity of his society. Out of these stories -- with all of their bizarre coincidences and contradictions -- Schama creates a dazzling and supremely vital work of historical imagination.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...

Shirley Povich was the Dean of American sportswriters. As a columnist for The Washington Post for more than seventyfive years, he was an eyewitness to the most thrilling moments in American sports, including: the legendary 1927 Dempsy-Tunney "long count"; the celebrated 1938 race between Seabiscuit and War Admiral; the 1946 signing of Jackie Robinson by the Brooklyn Dodgers; Don Larsen's perfect game in the 1956 World Series; the Ali-Frazier fight of 1971; and the murder of eleven Israeli athletes at the 1972 Munich Olympics. But Povich's columns were about more than sports; they reflected the dramatic changes in American society over the course of the 20th Century. Driven by a strong sense of social justice, Povich called for the integration of major league baseball in 1939, and twenty years later he was still at it, attacking Washington Redskins owner George Preston Marshall for having an all-white team. For the 100th anniversary of his birth, Povich's children— David, Maury, and Lynn — and his colleague at the Post, former sports editor George Solomon, have pulled together this panoramic collection of Povich's most beloved columns. The result is a front-row seat to the most awe-inspiring sports moments of our American Century.

"Sharona Muir's Heredity and Other Inventions radiate like elements discovered late at night after years of searching ... a rocket in a museum in another country is both public knowledge and family secret; a daughter's umbilical cord in her father's lab sparks questions about the uses of love; the body of an airplane holds the imagined gestures of humans in their fi nal moments of life ... Muir renders the physical world so unfl inchingly that the metaphysical blows back, in equal and opposite reaction ... these poems are an act of postmortem collaboration: daughter as witness to history, using language to weld and spark familial bonds and to summon up their mysteries." --Rebecca Klaver, author of Empire Wasted "... Muir has a gift for conjuring beauty in the least expected places, dazzling audiences with rich imagery ... While the speaker's narrative is particular to her unique experience, in many ways this chapbook's poems transcend place and time, and resonate with all who have looked to the past for a way of understanding the present." --Mary Biddinger, author of Small Enterprise

A finalist for the 2017 George Freedley Memorial Award "A compelling, absolutely unputdownable story . . . And, in case you're wondering, yes, the book is funny. In places, very funny. A remarkable story, magnificently told." -- Booklist In this richly reported, scene-driven narrative, Sam Wasson charts the meteoric rise of improv from its unlikely beginnings in McCarthy-era Chicago. We witness the chance meeting between Mike Nichols and Elaine May, hang out at the after-hours bar where Dan Aykroyd hosted friends like John Belushi, Bill Murray, and Gilda Radner, and go behind the scenes of cultural landmarks from The Graduate to The Colbert Report . Along the way, we befriend pioneers such as Harold Ramis, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. Wasson shows why improv deserves to be considered the great American art form of the last half century. " One of the most important stories in American popular culture . . . Wasson may be the first author to explain [improv's] entire history . . . For that reason alone, it's a valuable book . " -- New York Times Book Review "A compelling history . . . It holds the element of surprise--true to the spirit of its subject." -- Entertainment Weekly