From his extraordinary beginnings-his mother went into labor while gambling at a French casino-to escaping Nazi Germany, Fascist Italy, and ultimately hoping to conquer New York City, John Gruen writes a subtly revealing self-portrait in Callas Kissed Me...Lenny Too! As a boy unable to speak a single word of English, Gruen was determined to make a successful life for himself in America. Anxious to know what his adopted country was truly about, he ventured to the Midwest to attend the University of Iowa, where he emerged, five years later, as a more-or-less Americanized graduate student on his way to a PhD scholarship to the prestigious Institute of Fine Arts at New York University, and as the 20-year-old husband of ravishing fellow student and painter Jane Wilson. The story of the Gruens' life in New York City, from the 1950s to the present, explores a complex marriage and two parallel journeys of artistic growth. Gruen worked as a composer, photographer, and journalist; Wilson developed as a distinguished painter, though often supported the two with work as a fashion model. Life was always on the move for the couple. Though hardly well-connected and certainly not wealthy, the Gruens knew everyone during their many years in the artistic milieu of which they were an active part. From the many apartments they occupied in New York City to the countless dinner parties, nights at the Cedar bar, and weekends at their Hamptons barn, their life was a nonstop social whirlwind. There were chance encounters with Salvador Dalí, evenings spent pretending to be Chekhov characters at home with E.E. Cummings and Marion Morehouse, working vacations to Italy with the Leonard Bernsteins, and a long working visit to Gian Carlo Menotti's baronial Scottish estate. Their ever-expanding circle of acquaintances and friends also included Rudolf Nureyev, Maria Callas, Willem De Kooning, Francis Bacon, Judy Garland, Tennessee Williams, Bette Davis, Samuel Beckett, Lucien Freud, Andy Warhol, Robert Rauschenberg, Jasper Johns, and so many others. It was all quite head-spinning, at times producing hugely complicated situations, but throughout it all, John Gruen and Jane Wilson built successful careers based on hard work and a steady conviction that life should be lived to the fullest.

Using himself as the persona, the author interviews the police commissioner concerning racism and a SoHo dealer on art, invades Brooklyn Mafia dens and a Times Square sex palace, and explores a shelter for the homeless

"I am so proud to be Jamie's 'dad.' She is not only a talented actress but also a bright, generous, and inspiring young lady." -- James Gandolfini "Jamie-Lynn Sigler definitely knows how to inspire people....I'm grateful to call her my friend." -- Lance Bass, *N'SYNC SHE'S YOUNG, TALENTED, BEAUTIFUL AND FAMOUS. BUT NOTHING IS THAT SIMPLE... Everyone knows Jamie-Lynn Sigler as Meadow Soprano on the HBO hit television series The Sopranos. But there's so much more to her, as her candid, outspoken autobiography proves. In Wise Girl, Jamie-Lynn reveals both the perks and the pressures that have come with fame, and how uncertain, fearful times have made her stronger, more confident, and able to face life's challenges. Writing openly and from the heart, she describes the emotional and physical toll taken when Lyme disease left the healthy 19-year-old paralyzed at the height of The Soprano 's popularity; an obsession with her weight that nearly destroyed her career; and the dark side of overnight success. Her story will both surprise and inspire you. For this wise girl, the key to success isn't just what's on the outside -- it's using your brains, going with your gut, and learning from your experiences, including the mistakes, every day.

James Salter's exalted place in American letters is based largely on the intense admiration of other writers, but his work resonates far beyond the realm of fellow craftsmen, addressing themes--youth, war, erotic love, marriage, life abroad, friendship--that speak to us all. Following the publication of his first novel, Salter left behind a military career of great promise to write full-time and--through decades of searching, exacting work--became one of American literature's master stylists. Only months before he died, at the age of eighty-nine, he agreed to serve as the first Kapnick Writer-in-Residence at the University of Virginia, where he composed and delivered the three lectures presented in this book and introduced by his friend and fellow novelist, National Book Award-winning author John Casey. Salter speaks to us here with an easy intimacy, sharing his unceasing enchantment with the books that made up his reading life, including works by Balzac, Flaubert, Babel (whose prose is "like a handful of radium"), Dreiser, Celine, Faulkner. These talks provide an invaluable opportunity to see the way in which a great writer reads. They also offer a candid look at the writing life--the rejection letters, not one but two negative reviews in the New York Times for the same book, writing in the morning or at night and worrying about money during the long afternoons. Salter raises the question, Why does one write? For wealth? For admiration, or a sense of "importance"? Confronting a blank sheet that always offers too many choices, practicing a vocation that often demands one write instead of live, the answer for Salter was creating a style that captured experience, in a world where anything not written down fades away. -- Amazon.com.

"Gardner's memoir places his work on multiple intelligences within the arc of his academic career, and presents a defense of the scholarly and public value of powerful 'works of synthesis.'"--

Greenwich Village in the 1950s was a haven to which young poets, painters, and jazz musicians flocked. Among them was Hettie Cohen, who'd been born into a middle-class Jewish family in Queens and who'd chosen to cross racial barriers to marry the controversial black poet LeRoi Jones. Theirs was a bohemian life in the awakening East Village of underground publishing and jazz lofts, through which drifted such icons of the generation as Allen Ginsberg, Thelonious Monk, Jack Kerouac, Frank O'Hara, Billie Holiday, James Baldwin, and Franz Kline.

The oral history of a renowned Czech writer, whose optimism and faith in people survived grueling experiences under authoritarian regimes. Heda Margolius Kovály (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street --based on her own experiences living under Stalinist oppression--was named an NPR Best Book in 2015. In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovály and award-winning filmmaker Helena Trestíková. In it, Kovály recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slánsky Trial and executed for treason. Remarkably, Kovály, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996. Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda's life directly with maximum intensity. Nevertheless, she remained an optimist. Helena Trestíková has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan.

In 1906, Harriet Levy was talked into moving to Paris by her friend Alice B. Toklas and suddenly found herself immersed in a strange world peopled by artists who spoke a language she could not understand--a colorful world that she could only remotely observe in black and white. Paris Portraits is a short masterpiece. This sparkling manuscript, long hidden in the archives of the University of California's Bancroft Library, brings to life a vibrant and mythic time and place. Through Harriet's eyes, we circulate among the artists and patrons in the salons of Gertrude and Sarah Stein, overhear conversations between the up-and-coming Matisse and his students, and see Gertrude Stein's reaction when she learns of Picasso putting his hand on Toklas's knee. We're present when, while reading the poetry of Tagore, Harriet looks up and for the first time, sees--really sees and understands with the heart--what Matisse is doing.

In 1955 a New York City court sentenced Puerto Rican immigrant and teenage gang member Frank Santana to twenty-five years to life for second-degree murder. Fredric Wertham (1895-1981), one of the most influential authorities on child psychology in the twentieth century, was outraged and felt compelled to write The Circle of Guilt . He had conducted multiple interviews with Santana and created an extensive psychological profile on him. Wertham saw unsettling patterns in the ways in which the case was reported, investigated, and deliberated. Media portrayed the victim, a white teenager named Bill Blankenship, as a "model boy" and reported the killing as "unprovoked." In the furor surrounding the case, Santana was often called a "hoodlum." Wertham suspected otherwise. In The Circle of Guilt , the psychiatrist uncovers a paradigm of fear, racism, distrust, and prejudice. He argues that the press's presentation of the case reflected extreme cultural bigotry. Wertham also reveals Blankenship's activity within teen gangs and asserts that Santana's actions were shaped in part by his unmediated exposure to mass media. This reprinted edition includes a new introduction by history professor William Bush that places both the crime and Wertham's work into cultural and historical context. Bush argues that much of what Wertham decries in mass media and its impact on justice and race applies equally today. Longtime chief of psychiatry at Bellevue Hospital, Fredric Wertham authored Seduction of the Innocent . William Bush is visiting assistant professor of history at University of Nevada, Las Vegas.

Psychoanalytic Pioneers is a comprehensive history of psychoanalysis as seen through the lives and the works of its most eminent teachers, thinkers, and clinicians. It is also a definitive portrait of the atmosphere in which psychoanalytic creativity has emerged and flourished. Going beyond mere biographical description, the contributors elucidate the contributions of various psychoanalysts to the evolution of psychoanalytic thought, and evaluate their roles in the development of psychoanalysis as a science, as a method of investigation, as a treatment technique, and as an organization. The editors have assembled profiles of Karl Abraham, Sandor Ferenczi, Otto Rank, Carl Jung, Alfred Adler, Ernest Jones, Paul Federn, Oskar Pfister, Harms Sachs, A.A. Brill, Sandor Rado, Theodor Reik, Melanie Klein, Otto Fenichel, Karen Horney, Heinz Hartmann, Ernst Kris, and twenty-four other pioneers, whose influence on psychoanalysis reverberates to this day. In a new introduction, Eisenstein maintains that while man and his unconscious have not changed much since Freud's time, today psychoanalysis is full of many different clinical and theoretical viewpoints. Among the ideas being debated are object theory, drive theory, the oedipal concept, intersubjectivity, and self-psychology. Eisenstein also discusses the contributions of psychohistory, a recent and significant development in psychoanalysis in which psychological study is applied to historical periods and personalities. Psychoanalytic Pioneers will be an important addition to the libraries of psychoanalysts, psychologists, psychiatrists, sociologists, historians, and anyone interested in the influence of psychoanalysis in our lives.

"In 1938, just before they were killed by the Nazis, Frieda and Siegmund Westerfeld sent their twelve-year-old daughter, Edith, to live with relatives in America. Edith escaped the death camps but was left profoundly adrift, cut off from the culture of her homeland ... her entire identity. For decades she shut away her memories, unable even to sing a German lullaby to her children, until she realized that the void of the past was consuming her and her family. Then, with her daughter Fern, Edith returned to Germany."--Jacket.

"Timely and beautifully written, New England Beyond Criticism provides a passionate defense of the importance of the literature of New England to the American literary canon, and its impact on the development of spirituality, community, and culture in America. An exploration and defense of the prominence of New England's literary tradition within the canon of American literature. Traces the impact of the literature of New England on the development of spirituality, community, and culture in America. Includes in-depth studies of work from authors and poets such as William Bradford, Emily Dickinson, Robert Frost, Henry David Thoreau, Susan Howe, and Marilynne Robinson. Examines the place and impression of New England literature in the nation's intellectual history and the lives of its readers"--

The compassion of Reb Moshe-Leib, the vision of the Seer of Lublin, the wisdom of Reb Pinhas, the warmth of the Ba’al Shem Tov, the humor of Reb Naphtali–to their followers these sages appeared as kings, judges, and prophets. They communicated joy and wonder and fervor to the men and women who came to them in the depths of despair. They brought love and compassion to the persecuted Jews of Russia, Ukraine, Poland, and Lithuania. For Jews who felt abandoned and forsaken by God, these Hasidic masters incarnated an irresistible call to help and salvation. The Rebbe combats sorrow with exuberance. He defeats resignation by exalting belief. He creates happiness so as not to yield to the sadness around him. He tells stories to escape the temptations of irreducible silence. It is Elie Wiesel’s unique gift to make the lives and tales of these great teachers as compelling now as they were in a different time and place. In the tradition of Hasidism itself, he leaves others to struggle with questions of justice, mercy, and vengeance, providing us instead with eternal truths and unshakable faith.

"Five Biblical Portraits represents an old-new approach to Jewish textual commentary. This sequel to Elie Wiesel's Messengers of God continues the work done in that volume of bringing religious figures to life and studying their place both in the text and in our lives. Wiesel reflects on his own life as well as the tragedy of the Holocaust as he discusses each figure and adds personal framing and insight into the religious study. Through sensitive readings of the scriptures as well as the Talmudic and Hasidic sources, Wiesel illuminates Joshua, Elijah, Saul, Jeremiah, and Jonah. He seeks not simple answers but fully complex responses to the crucial questions of human suffering as he examines each religious figure in turn. Originally published in 1981, this new edition of Five Biblical Portraits includes a new text design, cover, and an introduction by Ariel Burger, which examines how Wiesel's post-Holocaust Midrash teaches us not only how to read the Bible but also how to read the world"--

When Armand Hammer died at the age of 92, he was chairman of the Occidental Petroleum Company, lauded for his financial support of cancer research and for his art collection. But behind the facade of respectability lay a lifetime of fraud, both personal and professional. Now, the bestselling author of The Assassination Chronicles reveals the true story of this manipulative and corrupt man. of photos.

Presents a very detailed account, including the English and European context, of the Lopez Affair, involving Dr. Roderigo Lopez, who gained wealth via international trade and became physician to Queen Elizabeth I. At the same time, he was a spy, with multiple masters, in England and abroad. His downfall and execution on the false charge of attempted regicide stemmed from political rivalry in England. His high status was related to the advantages, such as widespread contacts, that stemmed from his Converso background. Contemporary stereotyped attitudes toward Jews were reflected in Marlowe's "Jew of Malta" and Shakespeare's "The Merchant of Venice."

From such films as Mean Streets, Taxi Driver, and GoodFellas, Martin Scorsese has won a reputation as the most talented filmmaker of his generation. Now, with the director's full cooperation, esteemed critic David Ehrenstein examines every aspect of Scorsese's life and career in penetrating detail. Illustrated with numerous photographs, many rare.