Kindred spirits despite their profound differences in position, Abraham Lincoln and Walt Whitman shared a vision of the democratic character. They had read or listened to each other’s words at crucial turning points in their lives, and both were utterly transformed by the tragedy of the Civil War. In this radiant book, poet and biographer Daniel Mark Epstein tracks the parallel lives of these two titans from the day that Lincoln first read Leaves of Grass to the elegy Whitman composed after Lincoln’s assassination in 1865. Drawing on a rich trove of personal and newspaper accounts and diary records, Epstein shows how the influence and reverence flowed between these two men–and brings to life the many friends and contacts they shared. Epstein has written a masterful portrait of two great American figures and the era they shaped through words and deeds.

In this unique biography of Thomas Jefferson, leading journalist and social critic Christopher Hitchens offers a startlingly new and provocative interpretation of our Founding Father—a man conflicted by power who wrote the Declaration of Independence and acted as ambassador to France yet yearned for a quieter career in the Virginia legislature. A masterly writer, Jefferson was an awkward public speaker. A professed proponent of emancipation, he elided the issue of slavery from the Declaration of Independence and continued to own human property. A reluctant candidate, he left an indelible presidential legacy. With intelligence, insight, eloquence, and wit, Hitchens gives us an artful portrait of a complex, formative figure and his turbulent era.

As Reagan's solicitor general, Fried selected and argued cases involving some of the most important legal battles in our time: abortion, flag burning, civil rights, and capital punishment. In this provocative and lively memoir, he gives an inside look at how these controversial cases were part of the larger Reagan judicial revolution.

"Renowned producer, director, and B-movie showman Charles Band takes readers on a wild romp through Hollywood's decidedly un-Oscarworthy underbelly, where mayhem and zombies reign supreme, and cheap thrills and entertainment are king." --

Biography of the inventor of the birth control pill.

Enough of lunatics like Rosie O'Donnell who think "Radical Christianity" is "as big a threat to America as Radical Islam." Enough of the hyperbolic liberal rhetoric comparing Bush to Hitler and Abu Ghraib to a Saddam Hussein torture chamber. And please, enough of the military-hating crazies who run San Francisco! But Goldberg doesn't stop with the crazies on the Left; he also goes after the wimps on the Right—the gutless wonders in Washington who sold out their principles for power. In his most personal, provocative book yet, Bernard Goldberg argues that while conservatives still believe in important things, the jury is out on Republicans. The 2006 election was a wake-up call, he warns, and if the wimps on the Right fail to regain their courage, recover their principles, and reclaim their sense of fiscal responsibility, the crazies on the Left just might win the White House in 2008.

From an acclaimed historian of early America, a compelling account of the first great transit of people from Britain, Europe, and Africa to the British colonies of North America and their involvements with each other and the indigenous peoples of the eastern seaboard

(Applause Books). Here is the original story of a true original, the celebrated and internationally renowned director, playwright and screenwriter Arthur Laurents, whose creative genius continues to energize American stage and screen today. Say his name, and images of West Side Story , Gypsy, Anastasia, The Turning Point , and The Way We Were appear. Laurents' highly praised memoir is a dazzling portrait of his life as he recounts the great moments, the trials and the joys of his incredible career. He takes us into his world, peopled with the creative artists, directors, actors and personalities who came of age in the theatre and in Hollywood after WWII. Later, back in New York, he writes about jump-starting Barbra Streisand's career by casting her in I Can Get It for You Wholesale . He writes about the creation of Gypsy with Jule Styne and Stephen Sondheim. And he writes about coming together in a complex, fraught collaboration with his three old pals, Jerome Robbins, Leonard Bernstein and Sondheim for West Side Story . Throughout, Laurents is funny, fierce, and frank a life recounted as richly as it was lived. "This is a historic work. A 'must' for show biz mavens." LIZ SMITH, Newsday & Syndicated

An elegant, masterful portrait of Andy Warhol's life, character, and lasting influence by an eminent art critic. "Danto . . . sums up the Pop master's evolution as both artist and persona. . . . It is, in essence, everything you need to dive deeper into Brillo boxes and Empire ."--Rachel Wolff, The Daily Beast (Best Art and Photography Books of 2009) In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol's personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol's time and shows us Warhol as an endlessly multidimensional figure--artist, political activist, filmmaker, writer, philosopher--who retains permanent residence in our national imagination. Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."

In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure—artist, political activist, filmmaker, writer, philosopher—who retains permanent residence in our national imagination. Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."

"Following the catastrophes of the twenty-first century--the pandemics, the environmental disaster, the end of oil, the ensuing chaos--people are doing whatever they can to get by and pursuing a simpler and sometimes happier existence. In little Union Grove, the townspeople are preparing for Christmas. Without the consumerist shopping frenzy that dogged the holidays of the previous age, the season has become a time to focus on family and loved ones. It is a stormy Christmas Eve when Robert Earle's son Daniel arrives back from his two years of sojourning throughout what is left of the United States. He collapses from exhaustion and illness, but as he recovers tells the story of the break-up of the nation into three uneasy independent regions and his journey into the dark heart of the New Foxfire Republic centered in Tennessee and led by the female evangelical despot, Loving Morrow. In the background, Union Grove has been shocked by the Christmas Eve double murder by a young mother, in the throes of illness, of her husband and infant son. Town magistrate Stephen Bullock is in a hanging mood"--

"NOT FUNNY is a FUNNY, whipsmart essay collection on gender, politics, the entertainment industry, and work. Jena Friedman is an acclaimed writer and performer, with multiple credits to her name in the fields of tv comedy (The Daily Show and The Late Show with David Letterman), film (an Academy Award nomination for writing on Sacha Baron Cohen's 2020 blockbuster Borat Subsequent Moviefilm), humor writing (The New Yorker), and live performance. More recently, her skill for keen social observation is seen in her acclaimed tv series Indefensible-a comedic takedown of the true-crime tv craze. With incisive cultural criticism, acerbic wit, and an interdisciplinary mind, Jena sheds light on her life as a millennial woman, treated as too smart, brash, and fearless for her own good through this collection of essays. We see her at her highest highs and lowest lows. We see her struggle to accept mistreatment in exchange for career advancement. We see her cope with "cancel culture" first-hand, as mentors she trusts are called to account for misdeeds she herself did not witness. We watch her unpack the roots of humor, and her lifelong goal to change minds through political incitement. And we see a bright-lights big-city version of a classic young women's career struggle; an immensely talented creative who refuses to soften herself for others. In her debut essay collection NOT FUNNY, Friedman fearlessly jousts with a label so often placed on women like her-perceptive, opinionated, ready to call out hypocrisy wherever she finds it, and... funny! Friedman pushes just past the edge of comfort on matters of gender, politics, decency, and class: Why do we look to celebrities to decide whether other celebrities deserve forgiveness? Why don't we ask men whether their careers might get in the way of starting a family? What does it mean to still hold admiration for a mentor you learn in hindsight to have been a predator? And what's so wrong with telling a dead baby joke? As she notes, one of the first jokes in recorded history was just that. Friedman challenges us to reconsider why we do and do not laugh, with whom we choose to empathize, and when we decide to grant attention in a world that demands we laugh to keep from crying. At once brainy, insightful, and absurd, NOT FUNNY reclaims power using the sharpest tool in bold satirist's arsenal: humor"--

Transformer, Lou Reed's most enduringly popular album, is described with varying labels: it's often called a glam rock album, a proto-punk album, a commercial breakthrough for Lou Reed, and an album about being gay. And yet, it doesn't neatly fit into any of these descriptors. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Here Lou Reed managed to make a fun, accessible rock'n'roll record that is also a troubled meditation on the ambiguities-sexual, musical and otherwise-that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores Reed's and Transformer 's unstable identities, and the secrets the songs challenge us to uncover.

"Based on long-lost recordings, a set of riveting and revealing conversations with America's great cultural provocateur. There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain.Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing career, the people he knew--FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more--and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse--sexist, homophobic, racist, or none of the above-- because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny.Edited by Peter Biskind, America's foremost film historian, My Lunches with Orson reveals one of the giants of the twentieth century, a man struggling with reversals, bitter and angry, desperate for one last triumph, but crackling with wit and a restless intelligence. This is as close as we will get to the real Welles--if such a creature ever existed. "--

"A collection of interviews with one of America's most influential authors, music journalists, and cultural critics. In this book, the author has explored the connections among figures, sounds, and events in culture, relating unrelated points of departure, mapping alternate histories and surprising correspondences." -- Blackwells

Sure to make major headlines, this is a hard-hitting inside look at the internal power plays surrounding military policy-making in the '80s, by President Reagan's Secretary of Defense. 16-page photo insert.

Free SchoolsAuthor: Joanthan KozolTitle: Free SchoolsPublication: Houghton Mifflin CompanyEdition: FIRST EDITIONDescription: First Edition, First Printing. Not price-clipped. Published by Houghton Mifflin Company, 1972. Octavo. Hardcover. Book is like new with light spots to page ends. Dust jacket is like new with light shelf wear. Seller ID: 458776Subject: History

"This book, by one of America's most intelligent and decent political writers, tells liberals how the conservative movement rose and fell, and how they could emulate its successes while avoiding its failures." --George Packer, author of Blood of the Liberals and The Assassins' Gate "No one is better than Todd Gitlin at describing the crucial dynamic through which movements gain or lose political power. Justly celebrated for his seminal work on such dynamics during the 1960s, Gitlin now explains everything that's happened since, with passion and wisdom--and happily, because of Bushism's collapse, legitimate optimism about the future." --Michael Tomasky, Editor, Guardian America "An impassioned yet realistic plea for Democrats and liberals to become more serious about politics. They would do well to follow his advice." --Alan Wolfe, Director, Boisi Center for Religion and American Public Life, Boston College "A brilliant and indispensable book. Gitlin convincingly urges liberals to take seriously the greater difficulty the Democrats have forging cohesion among identity-based groups over the Republicans persuading the less diverse Republican base to bury disagreements in the drive for victory. Gitlin argues that Democrats will have to bite the bullet and unite under a big tent. It's a hard lesson for ardent newcomers to the movement to swallow. Gitlin is dead right." --Thomas B. Edsall, Special Correspondent, The New Republic "This is an indispensable book by one of our most gifted public intellectuals. Todd Gitlin explains--with splendid scholarship, reporting, and wit--how the Bush machine debased our political life and how progressives, in all their variety, are struggling to build a new majority. It is the best guide we have to America's recent past and its possible future." --Michael Kazin, author of A Godly Hero: The Life of William Jennings Bryan and Professor of History, Georgetown University

Two years ago, Stephen J. Dubner wrote a cover story for the New York Times Magazine called "Choosing My Religion." It became one of the most widely discussed articles in the magazine's history. Turbulent Souls, the book that grew out of that article, is an intimate memoir of a man in search of a Jewish heritage he never knew he had. It is also a loving portrait of his parents. Stephen Dubner's family was as Catholic as they come. His devout parents attended mass at every opportunity and named their eight children after saints. Stephen, the youngest child, became an altar boy, studied the catechism, and learned the traditional rituals of the Church -- never suspecting that the religion he embraced was not his by blood. Turbulent Souls is Dubner's personal account of his family; tumultuous journey from Judaism to Catholicism -- and in his own case, back to Judaism -- and the effects, some tragic, some comic, of those spiritual transformations. His parents were Jews, born in Brooklyn to immigrant parents, but -- independent of each other and, indeed, before they met -- each converted to Christianity, only to be shunned by their families. After their marriage, they closed the door on Judaism so firmly that their children had no inkling that their background was far different from what it seemed: They didn't know, for instance, that their mother had a first cousin named Ethel Rosenberg, who was executed for treason in one of the most controversial cases of the cold war era. Stephen Dubner's is a story about discovery: of relatives he never knew existed, of family history he'd never learned, and of a faith he'd never thought of as his own and, in fact, knew nothing about. It's a fascinating, thoughtful, and thought-provoking exploration of a subject of intense interest to spiritually minded men and women everywhere.

In a series of columns and essays that renowned journalist and former presidential adviser Sidney Blumenthal wrote in the three years following the 2003 invasion of Iraq, a unifying theme began to emerge: that Bush, billed by himself and by many others as a conservative, is in fact a radical--more radical than any president in American history. In How Bush Rules , Blumenthal provides a trenchant and vivid account of the progression of Bush's radical style--from his reliance on one-party rule and his unwillingness to allow internal debate to his elevation of the power of the vice president. Taking readers through pivotal events such as the hunt for Iraqi weapons of mass destruction, the rise of the foreign-policy neoconservatives, Abu Ghraib, the war on science, the Jack Abramoff scandal, and the catastrophic mishandling of Hurricane Katrina, the book tracks a consistent policy that calls for the president to have complete authority over independent federal agencies and to remain unbound by congressional oversight or even the law. In an incisive and powerful introduction, Blumenthal argues that these radical actions are not haphazard, but deliberately intended to fundamentally change the presidency and the government. He shows not only the historical precedents for radical governing, but also how Bush has taken his methods to unique extremes. With its penetrating account of a critical new era in American leadership, How Bush Rules is a devastating appraisal of the Bush presidency.