Originally published in Hebrew in 2021, Hillel Cohen's Enemies, a Love Story argues that to understand the ongoing conflict in Palestine/Israel we need to examine the interactions among three identity groups: Mizrahim, Ashkenazim, and Arabs. Refusing to treat Jewish society as a monolith, Cohen shows how the ethnic divide between Ashkenazim (Jews of European descent) and Mizrahim (Jews of Middle Eastern origin) can inform and complicate how we view the wider picture of nationalism, religiosity, and oppression in this part of the world. Cohen considers how and why Ashkenazi-Arab and Mizrahi-Arab relations have metamorphosed over time, from the final decades of the Ottoman Empire into the Mandate period, from the Nakba and its aftermath to the Six Day War of 1967, and from the political upheaval of the 1970s to the rise of the right-wing Likud party and the assassination of Prime Minister Yitzhak Rabin in 1995. The author challenges widespread beliefs that "Mizrahi" is synonymous with rigid nationalism and "Ashkenazi" with progressivism and support for reconciliation, showing how religiosity and socioeconomic status have shaped Israeli attitudes toward Palestinians. Readers interested in Israel, Palestine, and the Middle East should find tremendous value in this timely book on a sensitive issue.

"The extraordinary untold story of how Irish and Jewish immigrants worked together to secure legitimacy in America. Popular belief holds that the various ethnic groups that emigrated to the United States at the turn of the twentieth century regarded one another with open hostility, fiercely competing for limited resources and even coming to blows in the crowded neighborhoods of major cities. One of the most enduring stereotypes is that of rabidly anti-Semitic Irish Catholics, like Father Charles Coughlin of Boston and the sensationalized Gangs of New York trope of Irish street thugs attacking defenseless Jewish immigrants. In Opening Doors, Hasia Diner, one of the world's preeminent historians of immigration, tells a very different story; far from confrontational, the prevailing relationships between Jewish and Irish Americans were overwhelmingly cooperative, and the two groups were dependent upon one another to secure stable and upwardly mobile lives in their new home. The Irish had emigrated to American cities en masse a generation before the first major wave of Jewish immigrants arrived, and had already entrenched themselves in positions of influence in urban governments, public education, and the labor movement. Jewish newcomers recognized the value of aligning themselves with another group of religious outsiders who were able to stand up and demand rights and respect despite widespread discrimination from the Protestant establishment, and the Irish realized that they could protect their political influence by mentoring their new neighbors in the intricacies of American life. Opening Doors draws from a deep well of historical sources to show how Irish and Jewish Americans became steadfast allies in classrooms, picket lines, and political machines, and ultimately helped one another become key power players in shaping America's future. In the wake of rising anti-Semitism and xenophobia today, this informative and accessible work offers an inspiring look at a time when two very different groups were able to find common ground and work together to overcome bigotry, gain representation, and move the country in a more inclusive direction"--

Edwin Black s latest book, Financing the Flames: How Tax-Exempt and Public Money Fuel a Culture of Confrontation and Terrorism in Israel, pulls the cover off the robust use of US tax-exempt, tax-subsidized, and public monies to foment agitation, systematically destabilize the Israel Defense Forces, and finance terrorists in Israel. In a far-flung investigation in the United States, Israel and the West Bank, human-rights investigative reporter Edwin Black documents that it is actually the highly politicized human rights organizations and NGOs themselves all American taxpayer supported which are financing the flames that make peace in Israel difficult if not impossible. Black spotlights key charitable organizations such as the Ford Foundation, George Soros s Open Society Foundations, the New Israel Fund, and many others, as well as American taxpayers as a group. Instead of promoting peace and reconciliation between Arabs and Israelis, a variety of taxpayer-subsidized organizations have funded a culture where peace does not pay, but warfare and confrontation do. Ironically, several Jewish organizations, scooping up millions in tax-subsidized donations, stand at the forefront of the problem. At the same time, the author details at great length the laudable and helpful activities of such groups as the New Israel Fund; he chronicles a heartbreaking conflict between stated intent and true impact on the ground. In addition to documenting questionable 501(c)(3) activity, Black documents the direct relationship between taxpayer assistance to the Palestinian Authority and individuals engaged in terrorism against civilians.

Set in the early 1900s, Viennese Romance tells the story of Michael Rost, an eighteen-year-old Jewish youth who travels to Vienna, hungry for experience. There, he forms passing relationships with everyone who crosses his path - prostitutes, revolutionaries, paupers, army officers, and rich men alike. With a foreword that explains how this lost novel came to light, Viennese Romance is a seminal work that explores the conflicts faced by many Jewish intellectuals in early-twentieth-century Europe. A compelling portrait of a decadent society, it also lays bare the obsessive-destructive nature of love.

"Selected by Cynthia Ozick from a dozen books written across more than fifty years, the essays and short stories gathered here constitute a summing-up of her remarkable literary career. In such classic essays as 'Who Owns Anne Frank?,' 'What Helen Keller Saw,' 'Dostoevsky's Unabomber,' and 'Transcending the Kafkaesque,' Ozick examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. In her short stories, including 'A Hebrew Sibyl,' 'What Happened to the Baby?,' 'Dictation,' 'The Biographer's Hat,' and 'The Conversion of the Jews,' Ozick demonstrates again and again her stylistic brilliance and the originality of her distinctive interweaving of the strands of history and myth." -

This is a landmark discussion of the effects of The Englightenment (specifically French, here) on the Jewish people as they emerged from non-citizenship to citizenship of modern nation states, even if only second class citizenship. x + 420 pp., 8 7/8" x 5.75".

Focuses on authors: Nahman of Bratslav, Isaac Meir Dik, I.L. Peretz, Sholem Aleichem, Der Nister, Itzik Manger, and Isaac Bashevis Singer.

A history of the Jews in Germany from the 4th century to 1941. Throughout this period the Jews tried to integrate into German society, but they were unsuccessful due to antisemitism. Pp. 20-31 mention restrictions imposed on the Jews in medieval Germany (e.g. specific Jewish clothing, the yellow badge), and other manifestations of antisemitism (e.g. blood libels, persecution caused by the Black Death, anti-Jewish writings by Luther). Pp. 254-283 describe the situation of German Jews under Nazism between 1933-41.

Kosher pork—an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.

"Bruce Vilanch, a storyteller without peer, has written a tell-all . . . on himself! And it's hilarious! He's finally coming clean and owning up to his part in creating some of the worst television of the twentieth century, and that's saying a lot. There's no one like him. As they've been saying since I discovered him as a cub reporter at the Chicago Tribune , when you're in a pinch . . . Get Bruce!" --BETTE MIDLER Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and over-the-top variety specials, but he has also been responsible for quite a few of the most legendary disasters ever made. Some of his work lives in infamy-- The Star Wars Holiday Special , The Paul Lynde Halloween Special , Rob Lowe dancing with Snow White at the Oscars, and The Brady Bunch Variety Hour . How did these ever seem like a good idea? Well, everyone has screwed up a few times, or had their work screwed up by others. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, and forgotten in decades of working in show business, specifically the south forty acres known as comedy. It involves very famous people and people who were not very famous but should have been. It explains to the people in the audience who say to themselves, once they have gotten their jaw off the floor, "'How did this ever get made?" Don't we all want to know?

Analyzes the communal organization, political affiliations, and cultural contributions of Vienna's Jews from 1848 to World War I. After 1848, Jewish emancipation became an issue in party politics. Jews identified with the Austrian Liberal Party, with the Emperor and Germanism, in all of which they saw safeguards of Jewish emancipation. Analyzes the antisemitism of Schönerer's Pan-German Party, which found many adherents at the University of Vienna, and of Lueger's Christian Social Party. Describes the cautious reactions of Jewish officials, who supported the Liberal Party even in defeat and in the face of that party's desertion of the Jewish cause; the more nationalist faction led by Rabbi Joseph Samuel Bloch, a member of the Austrian parliament from 1884-95 and a militant fighter against antisemitism; and the Austrian Israelite Union set up in 1886 to encourage pride in Jewish identity and combat antisemitism. Surveys the role of antisemitism in the rise of Zionism. Suggests that the surge of antisemitism in Vienna, rather than the Dreyfus case, was responsible for Herzl's concern with the "Jewish question". Analyzes the Jewish self-hatred of Karl Kraus and Otto Weininger, and the role of Jewish identity and antisemitism in the life and work of Freud, Schnitzler, and other Austrian Jewish writers.

Social Functions of Synagogue Song: A Durkheimian Approach by Jonathan L. Friedmann paints a detailed picture of the important role sacred music plays in Jewish religious communities. Drawing upon the work of Émile Durkeim, the book examines how synagogue songs serve disciplinary, cohesive, revitalizing, and euphoric functions.

It is the holiday of Purim -- a time to stage comic and entertaining plays or "Purimshpiels". But in the village of Shamgorod in 1649, this festive custom takes a tragic turn. Three itinerant actors show up at an inn to perform a Purim play for the Jewish community. The discovery that Shamgorod has suffered a pogrom and only two Jews have survived -- the innkeeper, Berish, and his daughter. Egged on by Berish, the actors agree that instead of a "Purimshpiel" they will stage a mock trial of God, indicting Him for allowing such things to happen to His children. Berish wants to be the Prosecutor; the three actors agree to be the Judges. But who will be Defense Attorney? A Stranger, who looks oddly familiar to all of them, appears and offers to take the role. Meanwhile the mob outside is planning a new assault on the inn. -- From publisher's description.

"In this remarkable, historically significant book, Mordecai Paldiel recounts in vivid detail the many ways in which, at great risk to their own lives, Jews rescued other Jews during the Holocaust. In so doing he puts to rest the widely held belief that all Jews in Nazi-dominated Europe wore blinders and allowed themselves to be led like 'lambs to the slaughter.' Paldiel documents how brave Jewish men and women saved thousands of their fellow Jews through efforts unprecedented in Jewish history. Encyclopedic in scope and organized by country, Saving One's Own tells the stories of hundreds of Jewish activists who created rescue networks, escape routes, safe havens, and partisan fighting groups to save beleaguered Jewish men, women, and children from the Nazis. The rescuers' dramatic stories are often shared in their own words, and Paldiel provides extensive historical background and documentation. The untold story of these Jewish heroes, who displayed inventiveness and courage in outwitting the enemy - and in saving literally thousands of Jews - is finally revealed"--front jacket flap.

Nineteenth-century French Jewry was a community struggling to meet the challenges of emancipation and modernity. This struggle, with its origins in the founding of the French nation, constitutes the core of modern Jewish identity. With the Revolution of 1789 came the collapse of the social, political, and philosophical foundations of exclusiveness, forcing French society and the Jews to come to terms with the meaning of emancipation. Over time, the enormous challenge that emancipation posed for traditional Jewish beliefs became evident. In the 1830s, a more comprehensive ideology of regeneration emerged through the efforts of younger Jewish scholars and intellectuals. A response to the social and religious implications of emancipation, it was characterized by the demand for the elimination of rituals that violated the French conceptions of civilization and social integration; a drive for greater administrative centralization; and the quest for inter-communal and ethnic unity. In its various elements, regeneration formed a distinct ideology of emancipation that was designed to mediate Jewish interaction with French society and culture. Jay Berkovitz reveals the complexities inherent in the processes of emancipation and modernization, focusing on the efforts of French Jewish leaders to come to terms with the social and religious implications of modernity. All in all, his emphasis on the intellectual history of French Jewry provides a new perspective on a significant chapter of Jewish history.

In his historic play The Melting Pot, Israel Zangwill (1864–1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative stereotype of the so-called Stage Jew was still deeply entrenched in the theatrical mainstream, so much so that Jewish playwrights writing for the English-language stage avoided altogether the portrayal of Jewish life. Zangwill shattered this silence in 1899 with the American premiere of Children of the Ghetto―his first full-length drama, and the first English-language play devoted in its entirety to the depiction of Jewish life in an authentic and positive fashion. The play's groundbreaking production drew tremendous attention and generated heated debates, but since the script was never published, the memory of the passions it generated dimmed, and its whereabouts eventually became unknown. After more than a century, theater historian Edna Nahshon has discovered the original manuscript of this milestone text, as well as that of another unpublished Zangwill play, The King of Schnorrers, and the original version of The Melting Pot. Nahshon brings these three works together in print for the first time in From the Ghetto to the Melting Pot. Edna Nahshon's in-depth introduction to this volume includes a biography of Israel Zangwill that especially pertains to these works and situates them within the Anglo-American theater of the time. The essays preceding each play provide rich and hitherto unknown information on the scripts, their stage productions, and their popular and critical reception. While some issues addressed in From the Ghetto to the Melting Pot are uniquely Jewish, others are universal and typical of the negotiation of self-presentation by ethnic and minority groups, particularly within the American experience.

All human beings are practicing historians," writes Gerda Lerner. "We live our lives; we tell our stories. It is as natural as breathing." It is as important as breathing, too. History shapes our self-definition and our relationship to community; it locates us in time and place and helps to give meaning to our lives. History can be the vital thread that holds a nation together, as demonstrated most strikingly in the case of Jewish history. Conversely, for women, who have lived in a world in which they apparently had no history, its absence can be devastating. In Why History Matters, Lerner brings together her thinking and research of the last sixteen years, combining personal reminiscences with innovative theory that illuminate the importance of history and the vital role women have played in it.Why History Matters contains some of the most significant thinking and writing on history that Lerner has done in her entire career--a summation of her life and work. The chapters are divided into three sections, each widely different from the others, each revelatory of Lerner as a woman and a feminist. We read first of Lerner's coming to consciousness as a Jewish woman. There are moving accounts of her early life as a refugee in America, her return to Austria fifty years after fleeing the Nazis (to discover a nation remarkable both for the absence of Jews and for the anti-Semitism just below the surface), her slow assimilation into American life, and her decision to be a historian. If the first section is personal, the second focuses on more professional concerns. Included here is a fascinating essay on nonviolent resistance, tracing the idea from the Quakers (such as Mary Dyer), to abolitionists such as Theodore Dwight Weld (the "most mobbed man" in America), to Thoreau's essay Civil Disobedience, then across the sea to Tolstoy and Gandhi, before finally returning to America during the civil rights movement of the 1950s. There are insightful essays on "American Values" and on the tremendous advances women have made in the twentieth century, as well as Lerner's presidential address to the Organization of American Historians, which outlines the contributions of women to the field of history and the growing importance of women as a subject of history. The highlight of the final section of the book is Lerner's bold and innovative look at the issues of class and race as they relate to women, an essay that distills her thinking on these difficult subjects and offers a coherent conceptual framework that will prove of lasting interest to historians and intellectuals.A major figure in women's studies and long-term activist for women's issues, a founding member of NOW and a past president of the Organization of American Historians, Gerda Lerner is a pioneer in the field of Women's History and one of its leading practitioners. Why History Matters is the summation of the work and thinking of this distinguished historian.

In the first new synthesis of medieval Jewish history to be published in ten years, Robert Chazan discusses the Jewish experience in Europe between AD 1000 and 1500. As well as being the story of medieval Jewry, the book also illuminates important aspects of majority life in Europe.

Rabbi Rebecca Alpert is a leading voice in progressive Judaism. A crusader for reform within the Jewish community, she was one of the first women in Jewish history to be ordained a rabbi. Alpert is a celebrated teacher, an expert on Jewish American religious history, and a key public advocate for progressive social issues in contemporary Jewish life. In Whose Torah?, Alpert sketches a compelling portrait of the progressive values that belong to the core of Judaism today. Reaching deeply into the sources of Jewish tradition, she highlights with unflinching moral clarity the textual basis for a truly just vision of life for all who care about sexual, economic, and racial justice and for those who would oppose all forms of discrimination, unjust war, and the destruction of the environment. Alpert also carefully considers what it means to be Jewish in contemporary America―offering both a passionate and deeply learned defense of progressive Jewish identity. Whose Torah? will be an essential intellectual resource for progressive Jews and for anyone searching for the religious underpinnings of contemporary progressive politics. Elaine Pagels, Harrington Spear Paine Foundation Professor of Religion at Princeton University, is the author of numerous, widely acclaimed books on Gnosticism and early Christianity, including The Gnostic Gospels, Beyond Belief, and Reading Judas.

The Warsaw Ghetto Uprising has become a symbol of heroism throughout the world. A short time before the uprising began, Pawel Frenkel addressed a meeting of the Jewish Military fighters: Of course we will fight with guns in our hands, and most of us will fall. But we will live on in the lives and hearts of future generations and in the pages of their history.... We will die before our time but we are not doomed. We will be alive for as long as Jewish history lives! On the eve of Passover, April 19, 1943, German forces entered the Warsaw ghetto equipped with tanks, flame throwers, and machine guns. Against them stood an army of a few hundred young Jewish men and women, armed with pistols and Molotov cocktails. Who were these Jewish fighters who dared oppose the armed might of the SS troops under the command of SS General Juergen Stroop? Who commanded them in battle? What were their goals? In this groundbreaking work, Israel s former Minister of Defense, Prof. Moshe Arens, recounts a true tale of daring, courage, and sacrifice that should be accurately told out of respect for and in homage to the fighters who rose against the German attempt to liquidate the Warsaw ghetto, and made a last-ditch fight for the honor of the Jewish people. The generally accepted account of the Warsaw Ghetto Uprising is incomplete. The truth begins with the existence of not one, but two resistance organizations in the ghetto. Two young men, Mordechai Anielewicz of the Jewish Fighting Organization (ZOB), and Pawel Frenkel of the Jewish Military Organization (ZZW), rose to lead separate resistance organizations in the ghetto, which did not unite despite the desperate battle they were facing. Included is the complete text of The Stroop Report translated into English.