Examines traditional masculine and feminine stereotypes and argues for a redefinition and recognition of the creative strengths of women

From Jeff Pearlman--the New York Times best-selling author of Three Ring Circus--comes the rollicking, outrageous story of the USFL, full of larger-than-life characters and you-can't-make-this-up stories featuring some of the biggest celebrities and buffoons in the game. The United States Football League--known fondly to millions of sports fans as the USFL--did not merely challenge the NFL, but cause its owners and executives to collectively shudder. In its three seasons from 1983-85, it secured multiple television deals, drew millions of fans and launched the careers of legends such as Steve Young, Jim Kelly, Herschel Walker, and Reggie White. But then it died beneath the weight of a particularly egotistical and bombastic team owner--a New York businessman named Donald J. Trump. In Football for a Buck, Jeff Pearlman draws on more than four hundred interviews to unearth all the salty, untold stories of one of the craziest sports entities to have ever captivated America. From 1980s drug excess to airplane brawls and player-coach punch outs, to backroom business deals and some of the most enthralling and revolutionary football ever seen, Pearlman transports readers back in time to this crazy, boozy, audacious, unforgettable era of the game. He shows how fortunes were made and lost on the backs of professional athletes and how, forty years ago, Trump was already a scoundrel and a spoiler. For fans of Terry Pluto's Loose Balls or Jim Bouton's Ball Four and of course Pearlman's own stranger-than-fiction narratives, Football for a Buck is sports as high entertainment--and a cautionary tale of the dangers of ego and excess.

The former dean of the Yale School of Management and Undersecretary of Commerce in the Clinton administration chronicles the 1971 August meeting at Camp David, where President Nixon unilaterally ended the last vestiges of the gold standard--breaking the link between gold and the dollar--transforming the entire global monetary system. Over the course of three days--from August 13 to 15, 1971--at a secret meeting at Camp David, President Richard Nixon and his brain trust changed the course of history. Before that weekend, all national currencies were valued to the U.S. dollar, which was convertible to gold at a fixed rate. That system, established by the Bretton Woods Agreement at the end of World War II, was the foundation of the international monetary system that helped fuel the greatest expansion of middle-class prosperity the world has ever seen. In making his decision, Nixon shocked world leaders, bankers, investors, traders and everyone involved in global finance. Jeffrey E. Garten argues that many of the roots of America's dramatic retrenchment in world affairs began with that momentous event that was an admission that America could no longer afford to uphold the global monetary system. It opened the way for massive market instability and speculation that has plagued the world economy ever since, but at the same time it made possible the gigantic expansion of trade and investment across borders which created our modern era of once unimaginable progress. Based on extensive historical research and interviews with several participants at Camp David, and informed by Garten's own insights from positions in four presidential administrations and on Wall Street, Three Days at Camp David chronicles this critical turning point, analyzes its impact on the American economy and world markets, and explores its ramifications now and for the future.

The sheer magnitude of the Holocaust has commanded our attention for the past sixty years. The extent of atrocities, however, has overshadowed the calculus Nazis used to justify their deeds. According to German wartime media, it was German citizens who were targeted for extinction by a vast international conspiracy. Leading the assault was an insidious, belligerent Jewish clique, so crafty and powerful that it managed to manipulate the actions of Roosevelt, Churchill, and Stalin. Hitler portrayed the Holocaust as a defensive act, a necessary move to destroy the Jews before they destroyed Germany. Joseph Goebbels, Minister of Propaganda, and Otto Dietrichâe(tm)s Press Office translated this fanatical vision into a coherent cautionary narrative, which the Nazi propaganda machine disseminated into the recesses of everyday life. Calling on impressive archival research, Jeffrey Herf recreates the wall posters that Germans saw while waiting for the streetcar, the radio speeches they heard at home or on the street, the headlines that blared from newsstands. The Jewish Enemy is the first extensive study of how anti-Semitism pervaded and shaped Nazi propaganda during World War II and the Holocaust, and how it pulled together the diverse elements of a delusionary Nazi worldview. Here we find an original and haunting exposition of the ways in which Hitler legitimized war and genocide to his own people, as necessary to destroy an allegedly omnipotent Jewish foe. In an era when both anti-Semitism and conspiracy theories continue to influence world politics, Herf offers a timely reminder of their dangers along with a fresh interpretation of the paranoia underlying the ideology of the Third Reich.

"A collection of stories about space missions gone wrong."--

I did not want to fail, because the stakes were too high. After all, I was after nothing less than the secret of human harmony." The challenge that bestselling author Jeffrey Moussaieff Masson set for himself was formidable: to create a true interspecies peaceable kingdom within his own household. He hoped to learn if several different species-some, natural enemies-raised together from an early age could live peacefully side by side. So he took into his home seven young animals-a kitten, a rabbit, two rats, two chickens, and a puppy-and set about observing the whole process of socialization (or non-socialization) from the very beginning. The initial results were mixed. Tamaiti, the kitten, made herself instantly comfortable, but Hohepa, the Flemish giant rabbit, remained inscrutably reserved. Kia and Ora, the rats, slept all day and became active at night. Moa and Moana, the Polish frizzle chickens, bonded with each other but to no one else. Mika, the stray pup, barked much too much. But as the hours and days passed in this never-before-attempted environment, the animals began to change in startling ways, as Masson wondered which animals would bond, and which would recoil from one another? Can animals, including humans, truly change when direct experience tells them it's safe to do so? Would the experiment end in triumph, or in tragedy? Raising the Peaceable Kingdom poses universal questions we've all had about relationships, social strife, and peaceful coexistence. In its intimations of the potential for planetary harmony, this elegantly written book is a work of major significance. As a unique account of life in an interspecies community, it offers unmitigated enchantment, joy, and delight.

Hi, I'm Jenny Mollen, an actress and writer living in Los Angeles. I'm also a wife, married to someone more famous than me, which is especially annoying because all the free clothing he gets never come in a size small. This is my book, an assortment of stories about not doing the right thing. Yes, it's about me. But it's also about women, who all come in two types: those that are totally batshit crazy, and those that are liars. It's a book about acting on impulses, plotting elaborate hoaxes, and refusing to acknowledge boundaries in any form. Like hiding in the trunk of a car to get a look at the girl who used to fuck my husband. Or pretending to have a seizure on a red-eye to New York in order to explain why my dog is balls-deep in a bag of Pirates' Booty burrowed in the lap of a sleeping child. Life is too short for bullshit. I'm 33 and my tits drop half an inch a year. Someday very soon, ladies, you and I are going to be whatever fetish comes after "cougar," unable to wear shirts without sleeves, and full of cell phone cancer. It is our obligation to be honest with ourselves about who we really are and what we really want. Which more often than not is someone else's email password. So let's embrace it. I Like You Just the Way I Am is a book about taking the high road—as long as it intersects with the train tracks my ex-boyfriend is tied to.

Time has finally caught up with the Challengers of the Unknown. The world seems to have passed them by, and they are now relics, curious artifacts and faded celebrities. All that changes when their fabled mountaintop headquarters blows up and the quartet suddenly find themselves on trial for their lives. So begins the most audacious case of their careers. This graphic novel is the first creative pairing of writer Jeph Loeb and artist Tim Sale, whose highly regarded partnership would give way to legendary works including BATMAN: THE LONG HALLOWEEN, SUPERMAN: FOR ALL SEASONS and CATWOMAN: WHEN IN ROME. Collects CHALLENGERS OF THE UNKNOWN #1-8.

Jeph Loeb and Tim Sale have formed one of the most highly-regarded partnerships in comics with works including BATMAN: DARK VICTORY and BATMAN: THE LONG HALLOWEEN. But their first collaboration was a miniseries for DC that rescued a classic property from near-obscurity: THE CHALLENGERS OF THE UNKNOWN. Four men who barely survive the crash of a small aircraft now consider themselves to be living on borrowed time! Because they managed to avoid such a devastating fate, they dedicate themselves to a life of harrowing adventures, all in the name of good! Nothing is deemed too dangerous for the Challengers--after all, they should be dead already.

The world was on the brink of destruction. Countless heroes died. The Fantastic Four have disbanded. The X-Men are gone. Mutants are hunted as criminals. But there is hope - in the form of an unlikely group of young heroes gathered together to save tomorrow. Who, or what, is Ultimate X? Collecting ULTIMATE X #1-5.

Cable and X-Force are united under the pen of blockbuster writer Jeph Loeb! A new era begins as Cable revamps his mutant strike team and relocates to the X-Mansion - where Cannonball "graduates" to the X-Men, and Boomer gets unhealthily attached to the murderous prisoner named Sabretooth! But when Cable's wife Aliya returns from the future with a dire warning, he'll be swept up in a time-traveling battle to save his younger self from his arch-nemesis Stryfe! Plus: Cable's mentor Blaquesmith debuts, Caliban and the Mimic return, Grizzly goes bad, and Deadpool helps Siryn escape from...a mental hospital? COLLECTING: Cable (1993) 21-28, X-Force (1991) 44-48

"In this brilliant and hilarious jailbreak of a novel, Charyn channels the genius poet and her great leaps of the imagination." —Donna Seaman, Booklist (starred review) Jerome Charyn, "one of the most important writers in American literature" (Michael Chabon), continues his exploration of American history through fiction with The Secret Life of Emily Dickinson , hailed by prize-winning literary historian Brenda Wineapple as a "breathtaking high-wire act of ventriloquism." Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn removes the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality. The novel, daringly written in first person, begins in the snow. It's 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. Inspired by her letters and poetry, Charyn goes on to capture the occasionally comic, always fevered, ultimately tragic story of her life-from defiant Holyoke seminarian to dying recluse.

Law and the Modern Mind first appeared in 1930 when, in the words of Judge Charles E. Clark, it "fell like a bomb on the legal world." In the generations since, its influence has grown-today it is accepted as a classic of general jurisprudence.The work is a bold and persuasive attack on the delusion that the law is a bastion of predictable and logical action. Jerome Frank's controversial thesis is that the decisions made by judge and jury are determined to an enormous extent by powerful, concealed, and highly idiosyncratic psychological prejudices that these decision-makers bring to the courtroom.

Jerome Bruner argues that the cognitive revolution, with its current fixation on mind as "information processor", has led psychology away from the deeper objective of understanding mind as a creator of meanings. Only by breaking out of the limitations imposed by a computational model of mind can we grasp the special interaction through which mind both constitutes and is constituted by culture.

In this engaging book, Jerry Fodor argues against the widely held view that mental processes are largely computations, that the architecture of cognition is massively modular, and that the explanation of our innate mental structure is basically Darwinian. Although Fodor has praised the computational theory of mind as the best theory of cognition that we have got, he considers it to be only a fragment of the truth. In fact, he claims, cognitive scientists do not really know much yet about how the mind works (the book's title refers to Steve Pinker's How the Mind Works ). Fodor's primary aim is to explore the relationship among computational and modular theories of mind, nativism, and evolutionary psychology. Along the way, he explains how Chomsky's version of nativism differs from that of the widely received New Synthesis approach. He concludes that although we have no grounds to suppose that most of the mind is modular, we have no idea how nonmodular cognition could work. Thus, according to Fodor, cognitive science has hardly gotten started.

The wildly entertaining and unfiltered story of the man whose became a music legend.

This memoir is by the man who created the Broadway hits "Hello Dolly!," "Mame," and "La Cage Aux Folles." The self-described "Mr. Show Business, the razzmatazz musical comedy writer, a cheerful man whose life is dedicated to making people smile and feel good and leave the theater humming a show tune," Jerry Herman takes readers on a sentimental journey, retracing his steps toward big-time success and occasional disappointment. Though Herman relates losing his lover to AIDS, and tells of his own HIV status, of plagiarism disputes, and of in-fighting with Broadway producers, his tone remains conversational and cheerfully upbeat.

"The world knew him best as the Royalty of rock 'n' roll. But as his true destiny unfolded, Elvis Presley felt guided by heaven's hand to become the messenger of God. Here is the long-hidden truth about Elvis."

Gloria Mendez is thirty-six, single, and hopelessly in love with her oblivious boss, a soft-spoken loner twenty years her senior. Her friends might urge her to look for someone more her age, but Gloria knows the real thing when she sees it. So when he disappears while on vacation in Mexico, it's Gloria who goes in search of him. As she follows his trail deep into the desert, she runs face-first into a staggering history of betrayal and death: the wreckage of a hidden past. Carl Perreira was not the man she thought she knew - nor was he anything she could have imagined. Her journey will teach her as much about herself as it does about Carl. And as she plunges closer to his fleeing shadow, she will find herself fighting not only for the truth, but for her life.