"Young Lions: How Jewish Authors Reinvented the American War Novel shows how Jews, traditionally castigated as weak and cowardly, for the first time became the popular literary representatives of what it meant to be a soldier and what it meant to be an American. Revisiting best-selling works ranging from Norman Mailer's The Naked and the Dead to Joseph Heller's Catch-22, and uncovering a range of unknown archival material, Leah Garrett shows how Jewish writers used the theme of World War II to reshape the American public's ideas about war, the Holocaust, and the role of Jews in postwar life. In contrast to most previous war fiction these new Jewish war novels were often ironic, funny, and irreverent and sought to teach the reading public broader lessons about liberalism, masculinity, and pluralism"--Page 4 of cover.

In this highly readable account by a renowned expert on Chinese politics, we enter China's real channels of power, known to all participants but invisible to most observers. In this shadow world behind the formal organizational charts, power runs vertically through gateways, or mouths (kous), that connect Beijing to the smallest local neighborhoods in this far-flung land. The mouths of power are guarded by the most powerful men in the nation. It is a world of organizations but no institutions, of constantly changing rules. With a focus on the period of Communist Party rule since 1949, Lieberthal shows how the ways and forms of power were precipitated out of the rush of historical events in twentieth-century China. He presents compelling accounts of major events from the Long March through the Cultural Revolution, to China's post-Tiananmen economic surge, and incisive analyses of their political meaning. Lieberthal also explores the key issues challenging China now - succession at the top, a destabilizing level of economic growth, a degraded environment, human rights, the impending takeover of Hong Kong, and relations with Taiwan.

An intimate and profound reckoning with the changes buffeting the $2 trillion global advertising and marketing business from the perspective of its most powerful players, by the bestselling author of Googled Advertising and marketing touches on every corner of our lives, and the industry is the invisible fuel powering almost all media. Complain about it though we might, without it the world would be a darker place. But of all the industries wracked by change in the digital age, few have been turned on their heads as dramatically as this one. Mad Men are turning into Math Men (and women--though too few), an instinctual art is transforming into a science, and we are a long way from the days of Don Draper. Frenemies is Ken Auletta's reckoning with an industry under existential assault. He enters the rooms of the ad world's most important players, meeting the old guard as well as new powers and power brokers, investigating their perspectives. It's essential reading, not simply because of what it reveals about this world, but because of the potential consequences: the survival of media as we know it depends on the money generated by advertising and marketing--revenue that is in peril in the face of technological changes and the fraying trust between the industry's key players.

Lesbian writers include some of the most innovative and adventurous writers of this century, but only recently have they been given their due attention in terms of critical study. This book is the first anthology to discuss the subject of lesbianism as it relates to the critical interaction among readers, writers, and literary critics. It explores lesbian texts in terms of identification, meaning, and interpretation, and examines the complex entanglements of identity, voice, intersubjectivity, textualities, and sexualities. "A wonderful exploration of the varieties of life choices lesbians can and do make. This book once again proves that telling the truth aboutyourself is a revolutionary act." — Rita Mae Brown "They will probably drum Karla Jay and Joanne Glasgow out of the academy for this one...A college text that is witty, literate, interesting, and can be read for fun. What's the world coming to? Lesbian Texts and Contexts : dry title, wonderful book." — Barbara Grier, Editor Naiad Press "To call this collection much-needed or eagerly awaited would be the understatement of the year. It's thrilling ot think of the new readings of classic texts, the new directions for theory, and—maybe best of all—the new range of literary encounters in the classroom, that will be enabled by this radical intervention on the critical scene." — Eve Kosofsky Sedgwick, Duke University "Excellent,...challenging, sexy,...never boring." — Outweek .

'Never before has there been so many and such dreadful weapons in so many irresponsible hands.' - Karl Popper, from the Preface All Life is Problem Solving is a stimulating and provocative selection of Popper's writings on his main preoccupations during the last twenty-five years of his life. This collection illuminates Popper's process of working out key formulations in his theory of science, and indicates his view of the state of the world at the end of the Cold War and after the collapse of communism.

"As an orphaned survivor and witness to the horrors of Auschwitz, Elie Wiesel (1928-2016) compelled the world to confront the Holocaust with his searing memoir Night. How did this soft-spoken man from a small Carpathian town become such an influential figure on the world stage. Drawing on Wiesel's prodigious literary output and interviews with his family, friends, scholars, and critics, Joseph Berger seeks to answer this question."--

"The mid-1970s was England's darkest, dreariest hour. The UK was sliding deeper into unemployment, reeling from strike after strike, power cuts, the three-day work week, and IRA bombs. It was time for a new order and in London's restless streets a handful of snotty young men, feisty females, and first generation Jamaican musicians created the UK's punky revolution. They made it up as they went along and it touched every corner of the Disunited Kingdom. For a few glorious years the UK was the center of the cultural universe." --Vivien Goldman When punk first rocked, the rough and rugged style on the streets was a world away from the super-slick music videos and corporate stylists that were to follow. And photographer Janette Beckman was on the front line of that hyper-energized time, capturing "the look" of the musicians and kids who were loudly defining an era. Collected for the first time in Made in the UK , Beckman's powerful portraits celebrate the music and the attitude of Punk, Mod, Skinhead, 2 Tone, and Rockabilly culture in the UK. Made in the UK: The Music of Attitude, 1977-1983 documents a time when British music pushed every boundary. Beckman began her career working for Melody Maker , one of London's premier weekly music papers. She soon had extraordinary access to the musicians topping the UK charts--icons of an era when music had an agenda--including The Clash, The Sex Pistols, The Jam, The Undertones, The Specials, The Beat, The Police, The Ramones, The Rockats, The Raincoats (Kurt Cobain's inspiration), Billy Idol, and Echo and the Bunnymen. Among these groups, this generation still had the radical idea that each and every punk, skin, mod, rude boy, and ted was just as important as the bands. Janette Beckman's gritty aesthetic placed her on good footing among the kids on the street--and the portraits she made prove that attitude never dies.

The starting point of Jan Tomasz and Irena Grudzinska Gross's Golden Harvest, this haunting photograph in fact depicts a group of peasants--"diggers"--atop a mountain of ashes at Treblinka, where some 800,000 Jews were gassed and cremated. The diggers are searching for gold and precious stones that Nazi executioners may have overlooked. The story captured in this grainy black-and-white photograph symbolizes the vast, continent-wide plunder of Jewish wealth that went hand-in-hand with the Holocaust. The seizure of Jewish assets during World War II occasionally generates widespread attention when Swiss banks are challenged to produce lists of dormant accounts, or national museums are forced to return stolen paintings. But the theft of Europe's Jewish population was not limited to conquering armies, leading banks, or museums. It was perpetrated also by local people, such as those pictured in the photograph.

"From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists-Miles Davis, John Coltrane, and Bill Evans-who came together to create the most famous and bestselling jazz album of all time, Kind of Blue The myth of the 60s depends on the 1950s being the before times of conformity, segregation, straightness-The Lonely Crowd and The Organization Man. This all carries some truth, but it does nothing to explain how, in 1959, the great indigenous art form, jazz, reached the height of its power and popularity, led there by a number of Black geniuses so iconic they go by one name-Monk, Mingus, Rollins, Coltrane, and above all, Miles. 1959 saw Miles, Coltrane, Bill Evans, and the other members of Miles's sextet come together to record what is widely considered the greatest jazz album of all time, and certainly the best-selling: Kind of Blue. 3 Shades of Blue is James Kaplan's magnificent account of the paths of the three giants Miles, Coltrane and Evans to the mountaintop of 1959 and their path on from there. It's a book about music, and business, and race, and heroin, and the towns that gave jazz its home, from New York and LA to Philadelphia, Chicago and Kansas City. It's an astonishing meditation on creativity and the strange hothouses that can produce its full flowering. It's a book about the great forebears of this golden age, particularly Charlie Parker, and the people, like Ornette Coleman, who would take the music down strange new paths. And it's about why this period has never been replicated, why the world of jazz most people visit is a museum to it. But above all this is a book about three very different men-their struggles, their choices, their tragedies, their greatness. Bill Evans had a gruesome downward spiral, John Coltrane took the mystic's path into a space far away from mainstream concerns. Miles had three or four sea changes in him before the end. The tapestry of their lives is, in Kaplan's hands, an American Odyssey, with no direction home. It is also a masterpiece, a book about jazz that is as big as America"--

Science and Human Values is a thought-provoking book by Jacob Bronowski that explores the relationship between science and human values. The author argues that science is not just a collection of facts and theories, but a way of thinking that shapes our understanding of the world and our place in it. He contends that science and human values are intimately connected, and that science has the power to transform our understanding of ourselves and the world around us.The book is divided into five chapters, each of which explores a different aspect of the relationship between science and human values. The first chapter discusses the nature of scientific inquiry and the role of imagination in scientific discovery. The second chapter examines the relationship between science and art, arguing that both are essential to our understanding of the world. The third chapter explores the ethical implications of scientific research, particularly in the areas of genetics and nuclear physics.The fourth chapter examines the role of science in shaping our understanding of human nature, while the final chapter discusses the implications of scientific progress for our future as a species. Throughout the book, Bronowski emphasizes the importance of human values in shaping scientific research and the need for scientists to be mindful of the ethical implications of their work.Overall, Science and Human Values is a thought-provoking and insightful book that challenges readers to think deeply about the relationship between science and human values. It is a must-read for anyone interested in the role of science in our lives and the ethical implications of scientific research.The Impact Of Science On Ethics And Human Values.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In a timely, lucidly written, and highly accessible examination of America's position in the world today, Henry Kissinger delves into the traditional issues of U.S. relations with Russia, China, Europe, and other regions, as well as recently emerging concerns about globalization, free trade, U.S. military involvement abroad, and the endangered environment. Focusing on current and future policy choices, Kissinger presents an eye-opening perspective on the United States' role as the world's dominate power and outlines how it can be effectively reconciled with the urgent need to achieve a world order based on consensus in the twenty-first century. The new administration's approach to foreign policy has raised many questions about where the country is headed. In a proposal that is solidly grounded and brilliantly argued, Kissinger lays out a compelling and comprehensive vision of the direction America must take in the coming decades.

In Harry Turtledove's The Gladiator, the Soviet Union won the Cold War. The Russians were a little smarter than they were in our own world, and the United States was a little dumber and a lot less resolute. Now, more than a century later, the world's gone Communist, and capitalism is a bad word. For Gianfranco and his friend Annarita, a couple of teenagers growing up in Milan, life in a heavily regimented, surveillance-rich command economy is just plain dreary. The eventual withering-away of the state doesn't look like it's going to happen anytime soon. Annarita's a hard-working student and a member of the Young Socialists' League. Gianfranco is a lot less motivated--but on the other hand, his father's a Party apparatchik. The biggest excitement in their lives is a wargame shop called The Gladiator, which runs tournaments, and stocks marvelous complex games you can't find anywhere else. Then, abruptly, the shop is shut down. Someone's figured out that The Gladiator's games are teaching counterrevolutionary capitalist principles. The Security Police are searching high and low for the shop's proprietors, who've not only vanished into thin air, but have left behind sets of fingerprints that aren't in the records of any government on earth. Only one staffer is left: Gianfranco and Annarita's friend Eduardo. He's on the run, and he comes to them in secret with an astonishing story: he's a time trader from our own timeline, accidentally left behind when the store was evacuated. The only way Eduardo can get home to his own timeline is if Gianfranco and Annarita can help him reach one of the other time trader sites in this world--and the Security Police will be on their tails all the way there.

Harold Brown served as U.S. secretary of defense when the Soviet Union posed an existential threat with superior conventional force capability and a daunting nuclear weapons arsenal. No one could have been better suited to deter the Soviets during that most dangerous period in the Cold War. A physicist, Brown had previously led Livermore Laboratory and its development of the Polaris missile warhead. By age 33 he was director of Defense Research and Engineering, and he later served as secretary of the U.S. Air Force early in the Vietnam War. In the Carter administration, Brown reinvigorated the NATO alliance, promoted AWACs, increased U.S. conventional force capabilities, and developed a new generation of nuclear weapons and delivery systems. As a senior negotiator of SALT II, he also helped set their limits. Brown was the first American secretary of defense to visit China; as principal interlocutor he forged military-to-military relations. During his tenure, the Soviets invaded Afghanistan; the Iranian revolution resulted in the capture of American hostages; President Carter achieved the Camp David Peace Accords; and the Panama Canal Treaties that still protect U.S. interests were rewritten. Brown's role in each was integral. Star Spangled Security provides lessons from the past to inform the future: from Afghanistan to Iran's pursuit of nuclear weapons; from international alliances and interests the U.S. needs to consider in a changing world to specific ideas for jumpstarting technological innovation that could boost American security and our economy today. Based on his twelve years of top-tier government service and nearly fifty more as a president of Caltech, a board member of a dozen corporations, the chair of recent, comprehensive studies of Chinese military capability, U.S. Intelligence, and technological innovation, and as the past chair and a current member of the Defense Policy Board that advises sitting secretaries o

"Academy Award-wining filmmaker Errol Morris investigates the hidden truths behind a series of documentary photographs. In Believing Is Seeing Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record. During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate.

What is wrong with capitalism, and how can we change it? Capitalism has transformed the world and increased our productivity, but at the cost of enormous human suffering. Our shared values--equality and fairness, democracy and freedom, community and solidarity--can provide both the basis for a critique of capitalism and help to guide us toward a socialist and democratic society. Erik Olin Wright has distilled decades of work into this concise and tightly argued manifesto: analyzing the varieties of anticapitalism, assessing different strategic approaches, and laying the foundations for a society dedicated to human flourishing. How to Be an Anticapitalist in the Twenty-First Century is an urgent and powerful argument for socialism, and an unparalleled guide to help us get there. Another world is possible. Included is an afterword by the author's close friend and collaborator Michael Burawoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the span of a generation, universal military service, universal military training, selective service, a lottery draft, and an all-volunteer armed force have all been either implemented or contemplated seriously in the United States. Why has the United States, unlike every other twentieth-century world power, failed to settle on a durable system of military service? In this informed and even-handed book, Eliot Cohen studies the enduring problems of America's methods of raising an army, seeking to analyze the nature of the many difficulties and the extent to which they can be overcome. A nation's military service must reflect its political and geographical position in the world as well as its ideology. In the case of the United States, Cohen demonstrates, the attempt to satisfy these two types of requirements faces unique and intractable paradoxes. First, the United States must prepare for two completely different kinds of war, large- and small-scale, which for political and military reasons require two different kinds of armies; second, two important traditions?Anglo-Saxon liberalism and democratic egalitarianism?coexist uneasily in American thought and lead to opposing conceptions of citizens' obligations to serve their country. Cohen's book is a long-needed antidote to the myopic preoccupation with short-term trends and fluctuations in recruiting statistics that characterizes the current manpower debate. Lucidly explaining complex issues, Cohen offers a broad comparative view of the historical events, political exigencies, and theoretical arguments that have shaped the military service systems of various countries. His discussion treats many important and timely issues: How shall we select some men?and possibly women?for service, and not others? How will our methods of recruitment affect our foreign policies, our domestic policies, and our forces' performance in battle? What methods have other countries adopted, how well did they work, and could they work here? His thoughtful and objective answers to these difficult questions will interest anyone concerned with contemporary American military policy today.

“ The Ellington Century is a wonderful journey through the world of music and art. If you are already an aficionado of Ellington's music, you will enjoy the author's informative and detailed analysis of the composer's work and musical influences. If you are less familiar, this book puts Ellington's music in perspective with the great ‘classical’ composers of the twentieth century. David Schiff's remarkable insight into the historical and musical parallels between these composers is a delight to read and his references are vast, from Schoenberg’s Pierrot Lunaire and Stravinsky’s Agon to television’s Sesame Street . Schiff writes with a sense of humor and an enthusiasm for Ellington's music that comes out on every page.”—George Manahan, Music Director, American Composers Orchestra “David Schiff points us forward, observing that ‘Ellington’s music asks us to see with our ears and hear with our eyes.’ Writing as a composer and scholar, he has a gift for making complex ideas strikingly clear. His insights move across a huge terrain of twentieth-century culture, as he builds bridges in his musical and cultural analysis where many have not seen a connection. Yet each musical work, each artist, is given his or her equal due. In this sense, he has met the spiritual and cultural challenge of Ellington’s life work.”—Marty Ehrlich, Composer/Instrumentalist, Associate Professor of Improvisation and Contemporary Music, Hampshire College

This is a powerful exploration of the debilitating impact that politically-correct “multiculturalism” has had upon higher education and academic freedom in the United States. In the name of diversity, many leading academic and cultural institutions are working to silence dissent and stifle intellectual life. This book exposes the real impact of multiculturalism on the institution most closely identified with the politically correct decline of higher education—Stanford University. Authored by two Stanford graduates, this book is a compelling insider’s tour of a world of speech codes, “dumbed-down” admissions standards and curricula, campus witch hunts, and anti-Western zealotry that masquerades as legitimate scholarly inquiry. Sacks and Thiel use numerous primary sources—the Stanford Daily, class readings, official university publications—to reveal a pattern of politicized classes, housing, budget priorities, and more. They trace the connections between such disparate trends as political correctness, the gender wars, Generation X nihilism, and culture wars, showing how these have played a role in shaping multiculturalism at institutions like Stanford. The authors convincingly show that multiculturalism is not about learning more; it is actually about learning less. They end their comprehensive study by detailing the changes necessary to reverse the tragic disintegration of American universities and restore true academic excellence.