ABOUT THE BOOK Shortly before he published Walden; or Life in the Woods, Henry David Thoreau called ¿The library a wilderness of books.¿ He also noted that while Americans were ¿clearing the forest in our westward progress, we are accumulating a forest of books in our rear, as wild and unexplored as any of nature¿s primitive wildernesses.¿ In "A Terrible Beauty: the Wilderness of American Literature," Jonah Raskin takes a long close look at the forest of books that poets, novelists and essayists mapped and explored before and after Thoreau. The first work of cultural criticism to look back at writing in the United States from the perspective of the contemporary environmental crisis, Raskin offers insights for students, teachers and lovers of literature as well as for backpackers and hikers who have trekked across untrammeled forests, deserts and mountains. ABOUT THE AUTHOR Jonah Raskin, Phd, has taught American literature at Sonoma State University, the State University of New York at Stony Brook and as a Fulbright professor at the University of Antwerp and the University of Ghent in Belgium. The author of fifteen books, he earned his B.A. at Columbia College in New York, his M.A. at Columbia University and his Ph.D. at the University of Manchester, Manchester, England. He lives in northern California and has written for The San Francisco Chronicle, The L.A. Times, The Nation, The Redwood Coast Review and Catamaran.

Film In the Battle of Ideas was written by John Howard Lawson, published by Masses & Mainstream and was printed in 1953 in a Hardcover binding.

Joel Porte offers a timely reassessment of nineteenth century literature, focusing on the general question of the American Romantic ego and its varying modalities of self-creation, self-display, self-projection, and self-concealment. The book begins by exploring the status of the "text" in nineteenth-century American writing, the relationship of "rhetorical" reading to historical context, and the nature of "Romanticism" in an American setting. Porte then concentrates on the great authors of the period through a series of thematically linked but critically discrete essays on Brown, Irving, Parkman, Cooper, Poe, Emerson, Hawthorne, Thoreau, Melville, Frederick Douglass, Stowe, Whitman, and Dickinson. Throughout his important new study, Porte offers provocative reassessments of familiar texts while at the same time casting an illuminating critical eye on less well-known territory. Readers of this book will come away with increased respect for the achievement of American Romantic writers.

The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre. Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950. No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.

Poetics & Polemics, 1980-2005 brings together in one volume a wide-ranging selection of essays and commentaries by one of the most significant poets, critics, and translators working with American and international poetry today. Jerome Rothenberg's work spans a period of over forty years and nearly one hundred books, and though perhaps best known as a poet, his critical and theoretical contributions to the fields of innovative, experimental poetry have become equally important facets of his work. Rothenberg's earliest critical writings concerned themselves with ethnopoetics and the poetics of performance. In the last twenty years his critical thinking has evolved to encompass more explicitly issues of modernism, postmodernism, and the avant-garde, as well as meditations on the nature of the book and writing. This volume extends and elaborates all of those interests, allowing for the first time a comprehensive glimpse of the full trajectory of his thinking. In the first section, "Poetics and Polemics," Rothenberg's essays address a range of issues with which he's become closely associated, among them the anthology as a critical and polemical tool; the intersection of poetry with art, performance, and politics, in both contemporary and traditional practice; the poetics of Jewish mysticism as a traditional form of conceptual and language poetry; and the universality of poetic discourse, particularly as seen in tribal poetry or in poetic traditions long separated from the Western literary mainstream. In "A Gallery of Poets" is Rothenberg's lively explorations of the work of other poets, as they relate to his own work, to avant-garde poetry in general, and to the poetic traditions that concern him the most. Finally, in "Dialogues and Interviews" are Rothenberg's unbridled meditations and musings on what he calls "the life of poetry" outside the bounds of book and binding, class and category, a dynamic force at the center of all that we call human.

Available in paperback for the first time, Jenny Strauss Clay's landmark study of the Odyssey argues that Athena's wrath is central to both the structure and the theme of the epic poem. Clay demonstrates that an appreciation of the thematic role of Athena's anger elucidates the poem's complex narrative organization and its conception of the hierarchical relations between gods and men. This edition includes a new introduction by the author.

This book sets forth both a theory and a comparative empirical analysis of stagflation, that peculiar combination of high unemployment, slow growth, and spurts of high inflation bedeviling the advanced industrial nations during the past fifteen years. The authors first construct a small macroeconomic model that takes full account of aggregate demand and supply forces in the determination of output, employment, and the price level, in both a single-economy and a multi-economy setting. They then apply the model to provide an understanding of comparative performance of industrial countries in the areas of unemployment, inflation, productivity, and investment growth. They argue convincingly that the decay of the major economies during this period resulted from the supply shocks of the 1970s, such as the two major OPEC oil-price increases, and from the consequent policy-induced decrease in demand in response to inflationary pressures. Their analysis differs markedly from similar studies in that it takes specific account of institutional differences in the labor markets of the various economies. This helps to explain in particular the divergent adjustment profiles of the United States and Europe. Bruno and Sachs make several key recommendations for the mix of demand management and incomes policies necessary to combat stagflation in individual countries as well as for the coordination of macroeconomic policies among the major industrial nations.

Educated in the humanities and trained in psychiatry, Jean Starobinski is a central figure in the Geneva School of criticism. For twenty-five years his work has had considerable influence on postmodern European critics (notably Derrida), scholars of French literature, and intellectual historians. Montaigne in Motion is his subtly conceived and elegantly written study of the Essais of Montaigne, whose deceptively plainspoken meditations have entranced readers and stimulated philosophers since their first publication in 1580 and 1595. -- Publisher's description.

First published in 1974, this book is a critical introduction to the work of four quintessential pragmatist Charles Sanders Peirce, William James, George Herbert Mead and John Dewey.Alongside providing a general historical and biographical account of the pragmatist movement, the work offers an in depth critical response to the philosophical doctrines of the four main thinkers of the pragmatist movement, with reference to the theories of meaning, knowledge and conduct which have come to define pragmatism.

Isaak Ilyich Rubin (1886-1937) was a Soviet economist who participated in the Russian Revolution and was a researcher at the Marx-Engels Institute Though his ideas were suppressed by the Soviet Union and he was eventually killed after being accused of Trotskyism, his ideas have since been rehabilitated within modern Marxism. Essays on Marx's Theory of Value (1924) emphasizes the importance of Marx's theory of commodity fetishism within the labor theory of value. It also argues that Marx's mature economic work represented the culmination of his lifetime project to understand how human creative power is shaped by social structures. He also discusses commodity production as a mere theoretical abstraction that only explains one aspect of a developed capitalist economy. The concept of value, as understood by Rubin, cannot exist without the other elements of a full-blown capitalist economy: money, capital, the existence of a proletariat, and so on. This Radical Reprint by Pattern Books is made to be accessible and as close to only manufacturing cost as possible.

Rabbinic texts are often cited in New Testament and Old Testament studies, but hitherto there has been no easy way for a student to grasp the scope and variety of the relevant rabbinic writings. This book introduces the student to the full range of the early rabbinic writings, with a thorough introduction and notes, so that both a bird's eye view of the literature as well as close aquaintance with typical and important texts can be obtained. This will enable the reader to embark on further study with a clearer orientation. The book also aims to correct many mistaken views about rabbinic Judaism arising from outdated conceptions of the relation between Christianity and Judaism.

Lyrical works by the New England writer probe aspects of the scholarly life, contemporary America, and nature

Hermann Broch (1886-1951) is remembered among English-speaking readers for his novels The Sleepwalkers and The Death of Virgil , and among German-speaking readers for his novels as well as his works on moral and political philosophy, his aesthetic theory, and his varied criticism. This study reveals Broch as a major historian as well, one who believes that true historical understanding requires the faculties of both poet and philosopher. Through an analysis of the changing thought and career of the Austrian poet, librettist, and essaist Hugo von Hofmannsthal (1874-1929), Broch attempts to define and analyze the major intellectual issues of the European fin de siècle, a period that he characterizes according to the Nietzschean concepts of the breakdown of rationality and the loss of a central value system. The result is a major examination of European thought as well as a comparative study of political systems and artistic styles.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1923]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - English, Pages 790. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

Identity Papers argues that contemporary Jewish American literature revises our understanding of Jewishness and Jewish difference. Moving beyond the reductive labeling of texts and authors as “too Jewish” or “not Jewish enough,” and focusing instead on narratives that portray Jewish regeneration through feminist Orthodoxy, queerness, off-whiteness, and intermarriage, Helene Meyers resists a lachrymose view of contemporary Jewish American life. She argues that such gendered, sexed, and raced debates about Jewish identity become opportunities rather than crises, signs of creative potential rather than symptoms of assimilation and deracination. Thus, feminist debates within Orthodoxy are allied to Jewish continuity by Rebecca Goldstein, Allegra Goodman, and Tova Mirvis; the geography of Jewish identity is racialized by Alfred Uhry, Tony Kushner, and Philip Roth; and the works of Jyl Lynn Felman, Judith Katz, Lev Raphael, and Michael Lowenthal queer the Jewish family as they reveal homophobia to be an abomination. Even as Identity Papers expands Jewish literary horizons and offers much-needed alternatives to the culture wars between liberal and traditional Jews, it argues that Jewish difference productively troubles dominant narratives of feminist, queer, and whiteness studies. Meyers demonstrates that the evolving Jewish American literary renaissance is anything but provincial; rather, it is engaged with categories of difference central to contemporary academic discourses and our national life.

Experience the wit and charm of 18th-century Italian comedy with "The Comedies of Carlo Goldoni," a collection of plays from one of Europe's most celebrated playwrights. This carefully prepared edition, edited with an insightful introduction by Helen Zimmern, showcases Goldoni's enduring contribution to theater. Carlo Goldoni revitalized Italian drama, moving away from the improvisational style of commedia dell'arte to create fully realized characters and engaging plots. This anthology offers a glimpse into his mastery, demonstrating why his works continue to be studied and enjoyed today. Explore universal themes of love, family, and social class through Goldoni's distinctly Italian lens. Whether you're a student of literature, a theater enthusiast, or simply appreciate classic comedies, this collection provides a rich and rewarding reading experience. "The Comedies of Carlo Goldoni" is a testament to the power of theater to entertain, enlighten, and endure. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

George Perle takes us into the composer's workshop as he reevaluates what we call "twentieth-century music"—a term used to refer to new or modern or contemporary music that represents a radical break from the tonal tradition, or "common practice," of the preceding three centuries. He proposes that this music, in the course of breaking with the tonal tradition, presents coherent and definable elements of a new tradition. In spite of the disparity in their styles, idioms, and compositional methods, he argues, what unites Scriabin, Stravinsky, Bartók, and the Viennese circle (Schoenberg, Berg, and Webern) is more important than what separates them. If we are to understand the connections among these mainstream composers, we also have to understand their connections with the past. Through an extraordinarily comprehensive analysis of a single piece by Varèse, Density 21.5 for unaccompanied flute, Perle shows how these composers refer not only to their contemporaries but also to Wagner, Debussy, and Beethoven. Perle isolates the years 1909-10 as the moment of revolutionary transformation in the foundational premises of our musical language. He asks: What are the implications of this revolution, not only for the composer, but also for the listener? What are the consequences for the theory and teaching of music today? In his highly original answers, Perle relates the role of intuition in the listening experience to its role in the compositional process. Perle asserts that the post-Schoenbergian serialists have preoccupied themselves with secondary and superficial aspects of Schoenberg's twelve-tone method that have led it to a dead end but he also exposes the speciousness of current alternatives such as chance music, minimalism, and the so-called return to tonality. He offers a new and more comprehensive definition of "twelve-tone music" and firmly rejects the notion that accessibility to the new music is reserved for a special class of elite listeners.

Book by Jonas, George