Emerge: Putting Southern California on the art world map -- Claim: assemblage and self-possession -- Organize: Building an exhibitionary complex -- In motion: the performative impulse -- Conclusion. Noshun: Black Los Angeles and the global imagination

The New York Times hailed John B. Judis's The Emerging Democratic Majority as "indispensable." Now this brilliant political writer compares the failure of American imperialism a century ago with the potential failure of the current administration's imperialistic policies. One hundred years ago, Theodore Roosevelt believed that the only way the United States could achieve peace, prosperity, and national greatness was by joining Europe in a struggle to add colonies. But Roosevelt became disillusioned with this imperialist strategy after a long war in the Philippines. Woodrow Wilson, shocked by nationalist backlash to American intervention in Mexico and by the outbreak of World War I, began to see imperialism not as an instrument of peace and democracy, but of war and tyranny. Wilson advocated that the United States lead the nations of the world in eliminating colonialism and by creating a "community of power" to replace the unstable "balance of power." Wilson's efforts were frustrated, but decades later they led to the creation of the United Nations, NATO, the IMF, and the World Bank. The prosperity and relative peace in the United States of the past fifty years confirmed the wisdom of Wilson's approach. Despite the proven success of Wilson's strategy, George W. Bush has repudiated it. He has revived the narrow nationalism of the Republicans who rejected the League of Nations in the 1920s. And at the urging of his neoconservative supporters, he has revived the old, discredited imperialist strategy of attempting to unilaterally overthrow regimes deemed unfriendly by his administration. Bush rejects the role of international institutions and agreements in curbing terrorists, slowing global pollution, and containing potential threats. In The Folly of Empire, John B. Judis convincingly pits Wilson's arguments against those of George W. Bush and the neoconservatives. Judis draws sharp contrasts between the Bush administration's policies, especially with regard to Iraq, and those of every administration from Franklin Roosevelt and Harry Truman through George H. W. Bush and Bill Clinton. The result is a concise, thought-provoking look at America's position in the world -- then and now -- and how it has been formed, that will spark debate and controversy in Washington and beyond. The Folly of Empire raises crucial questions about why the Bush administration has embarked on a foreign policy that has been proven unsuccessful and presents damning evidence that its failure is already imminent. The final message is a sobering one: Leaders ignore history's lessons at their peril.

Portrays the hopes of Jews for acceptance on equal terms in European society in the countries that emerged from or were affected by World War I. In all the cases described, great expectations gave way to lost illusions, as antisemitism played a role in the establishment of fascist societies. Stresses the failure of postwar minority treaties to guarantee rights for Jews. Discusses the situation in Ukraine (particularly as reflected in the 1927 trial in Paris of Shalom Schwarzbard for the murder of Petlyura), Poland, Romania, Hungary, Czechoslovakia, Austria (especially Vienna), Germany (especially Berlin), and France. Devotes much attention to leftist Jews, whom antisemites tended to identify with the Bolshevik threat, and to Jews in European culture, whom antisemites saw as dominating their countries. Among the figures featured are: Bela Kun, Lucien Wolf, Sigmund Freud, Rosa Luxemburg, Walther Rathenau, and Leon Blum. A number of these Jews were assassinated, victims of rightist antisemitism.

By the time of his untimely death in 1983, Herman Kahn was recognized by both friends and intellectual adversaries as "one of the world's most creative and best minds." The current growing resurgence of interest in Kahn's ideas and intellectual legacy demonstrates the enduring relevance of his work. Yet, in spite of the constant influence of his arguments, there is a shortage of books summarizing Kahn's essential contributions, and thus his work is not as well known as it should be. The Essential Herman Kahn is an attempt to cope with this predicament and offer the public for the first time.

"Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation, as well as through the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. By selectively revisiting canonical pre-1990 films and amply representing films of the new millennium, Movie-Made Jews illuminates an American Jewish film tradition that includes jazz singers, pawnbrokers, and serious men. It also features those who tremble before G-d, who commit crimes and misdemeanors, who declare Hineini, Here I Am, who do whatever works, who leave and then return to Delancey Street and Liberty Heights. In these pages, those who might be identified as "just Jews" reside alongside those who are traditionally-and sometimes untraditionally-observant. Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis of what appears onscreen as well as what happens behind the scenes during production and how audiences respond to what they view, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it's a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews"--

Based on a variety of classified military records, Lewy provides the first systematic analysis of the course of the Vietnam War, the reasons for the failure of American strategy and tactics, and the causes of the final collapse of South Vietnam.

George Seldes analyzes the political atmosphere of the late 1930's, and exposes the people who exploit the Red Scare for political and monetary gain.

Book by George L. Mosse

"The best scholarly description of European Fascism available."-- American Historical Review "Professor Carsten surveys the major and minor European fascist groups which flourished between the world wars, including such movements as were active in Romania, Austria, Hungary, Finland, Britain, and Belgium. In doing so, he has produced a useful, if brief, addition to the growing number of studies on this subject."-- The Historian "A short, responsible survey of how fascism came to power in Italy and Germany, with some valuable comparative data on fascist movements in other European countries."-- Foreign Affairs "The core of this factual, but extremely readable book consists of an account of Italian fascism up to 1929 and Nazism up to 1934."-- International Review of Social History "To date, this is the best study on the origins of fascism . . . . "-- Library Journal

Since its first publication over thirty years ago, The End of the European Era: 1890 to the Present has offered students a concise and authoritative historical narrative of the events that shaped twentieth-century Europe. The Fifth Edition retains these strengths while embracing recent developments and current research. The text covers a century of rapid and tumultuous change, from increased population and migration in the early 1900s through the ongoing unrest in the Balkans.

From television talk shows to the criminal justice system, from office politics to world politics—a fascinating historical study of how America's obsession with self-fulfillment permeates all aspects of society From self-esteem talk on Oprah to self-help books like Negaholics and Your Sacred Self, from magazine quizzes that test your "happiness quotient" to headlines blaring the supposed deepest emotions of public figures—we live in an age fixated on emotional well-being. Rich or poor, black or white, male or female, straight or gay, Americans share a belief in the therapeutic gospel. Feelings reveal inner truth; salvation lies in self-esteem. We measure success with a psychological yardstick. As Eva Moskowitz argues, Americans today turn to psychological cures as confidently as they once petitioned the Lord with prayer. How did the land of the free become obsessed with self-fulfillment? Has America gained or lost by placing so much emphasis on personal well-being? Taking a historical approach, Moskowitz explores the country's tendency to find psychological explanations—and excuses—for nearly everything. Beginning with the example of a "Mind Cure" developed by mid-nineteenth-century clockmaker Phineas P. Quimby, Moskowitz explains how Americans' growing fascination with therapy led them to adopt new kinds of reform—including, at the turn of the twentieth century, provisions for psychological services in prisons, courts, hospitals, and schools. Depression-era divorce rates prompted colleges and high schools to offer courses on marital happiness and produced a new marriage-counseling industry. During World War II, Moskowitz shows, the army devoted unprecedented energy to a soldier's "psychological readiness for combat." Moskowitz also explores more recent developments, including Cold War-era psychological assumptions of magazine campaigns that targeted unhappy housewives. She confronts the social protest movements in the 60s and the explosion of 70s self-help fads that continue to the present. In a study that encompasses all aspects of American society—from television talk shows to the criminal justice system, from office politics to world politics—Moskowitz identifies a debilitating "sense of self" that is intimately bound up with the major developments of the twentieth century.

"Part One examines New York from aristocracy (e.g. Henry James and Edith Wharton), immigrants (e.g. Mario Puzo), African Americans (e.g. Ralph Ellison), Jews (e.g. Daniel Fuchs). Part Two studies variations and themes in works of Stephen Crane, Tom Wolfe, F. Scott Fitzgerald, and Theodore Dreiser. Part Three covers New York theatre from Eugene O'Neill and Arthur Miller"--Provided by publisher.

"At what point did the British develop their mania for interiors, wallpaper, furniture and decoration? Why have the middle classes developed so passionate an attachment to the contents of their homes? This book offers surprising answers to these questions, uncovering the roots of today's consumer society and investigating the forces that shape consumer desires. Richly illustrated, Household Gods chronicles one hundred years of British interiors, focusing on class, choice, shopping and possessions. Exploring a wealth of unusual records and archives, Deborah Cohen locates the source of modern consumerism and materialism in early nineteenth-century religious fervour. Over the course of the Victorian era, consumerism shed the taint of sin to become the pre-eminent means of expressing individuality. The book ranges from musty antique shops to luxurious emporia, from suburban semi-detached houses to elegant city villas, from husbands fretting about mantelpieces to women appropriating home decoration as a feminist cause. It uncovers a society of consumers whose identities have become entwined with the things they put in their houses"--OCLC

With the rare gift of a storyteller, David Landau takes the reader inside the little-known world of the haredim - the bearded, black-clothed Jewish fundamentalists. Decimated by the Holocaust, this sect has enjoyed a dramatic revival that has caused tensions everywhere and a bitter battle for the soul of Israel. Piety and Power describes life in the self-contained haredi ghettos in London, New York, and Jerusalem, where Hasidic rabbis reign supreme and strict rules govern every aspect of life. Landau takes the reader into homes marked by warm family life and strict sexual codes, and into yeshivas, the intellectual core of the community, where young men spend decades as full-time students of the Torah. For many readers, Jews and Gentiles alike, this will be a disturbing book. It depicts an aggressive, assertive fundamentalism in an expansive and self-confident mood, certain of its divine right to win souls and influence the Jewish people and to dictate its views on who is a Jew.

In his second public contribution to ending the American intervention in Vietnam, Daniel Ellsberg brings together and revises his papers that best explain US policy and strategies during the war. Drawing upon his virtually unique range of experience as a participant, field observer, analyst, and critic, Papers on the War shares a selection of Daniel Ellsberg’s writings as he critiques the presence of US policies in Vietnam. With the major contribution of a greatly expanded and redefined version of his crucial study “The Quagmire Myth and the Stalemate Machine,” Ellsberg reveals consistent patterns of decision-making with respect to Indo-china that ran from Truman’s Administration into Nixon’s. From the first participant permitted to make use of the entire study that led to the Pentagon Papers, this book shares analysis on the invasion of Laos, the internal policies of South Vietnam, the failure of rural pacification, the American way of war, and the renewed escalation in the spring of 1972.

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An anthology of previously uncollected essays, originally published in "The New Yorker," reflects the work of the eminent journalist's early career and traces his witness to the fledgling years of desegregation in Georgia

These essays by a leading Israeli historian focus on Israeli decisions and the reasons behind the mass Arab exile from Palestine in 1948. Benny Morris addresses the transfer of Majdal's Arabs to Gaza in 1950, the initial absorption of the Palestinian refugees in Arab host countries in 1948-9, and why some Arabs remained in their villages. He then explores attitudes toward the Palestinian Arabs from the 1948 war to the differing perspectives of Israel's two main parties. By examining past and present Israeli historiography, Morris identifies and analyzes the major points of controversy between the "old" official Israeli histories and the "new" histories of the 1980s and beyond.

The wide-ranging portrayal of modern Jewishness in artistic terms invites scrutiny into the relationship between creativity and the formation of Jewish identity and into the complex issue of what makes a work of art uniquely Jewish. Whether it is the provenance of the artist, as in the case of popular Israeli singer Zehava Ben, the intention of the iconography, as in Ben Shahn's antifascist paintings, or the utopian ideals of the Jewish Palestine Pavilion at the 1939 New York World's Fair, clearly no single formula for defining Jewish art in the diaspora will suffice. The Art of Being Jewish in Modern Times is the first work to analyze modern Jewry's engagement with the arts as a whole, including music, theater, dance, film, museums, architecture, painting, sculpture, and more. Working with a broad conception of what counts as art, the book asks the following questions: What roles have commerce and politics played in shaping Jewish artistic agendas? Who determines the Jewishness of art and for what purposes? What role has aesthetics played in reshaping religious traditions and rituals? This richly illustrated volume illuminates how the arts have helped Jews confront the various challenges of modernity, including cultural adaptation and self-preservation, economic diversification, and ritual transformation. There truly is an art to being Jewish in the modern world--or, alternatively, an art to being modern in the Jewish world--and this collection fully captures its range, diversity, and historical significance.