A "shamelessly funny" ( Kirkus ) and utterly original new novel from Mark Leyner about a father and his intense and devout relationship with his daughter and with alcohol. An anthropologist and his daughter travel to Kermunkachunk, the capital of Chalazia, to conduct research for an ethnography on the Chalazian Mafia Faction (a splinter group of the Chalazian Children's Theater). The book takes place over the course of a night at the Bar Pulpo, Kermunkachunk's #1 spoken-word karaoke bar. Moreover, it's Thursday, "Father/Daughter Nite," when the bar is frequented by actual fathers and daughters as well as couples cosplaying fathers and daughters. Somehow emanating from the letters on an optometrist's eye chart, from karaoke screens in the bar, and from posters on a piazza that's the scene of phantasmagorical and unending mob wars, Last Orgy of the Divine Hermit relentlessly pulls the rug out from under itself, leaving you suspended in a state of perpetual exhilaration. Leyner, one of the most blazingly imaginative and influential writers of the last thirty years, has not only written his funniest novel, he's broken through to something entirely unprecedented. Imagine tripping on a hallucinogen made by an alien intelligence and then wanting to immediately call your dad (in this world or the next) and tell him that you love him--that's what reading Last Orgy of the Divine Hermit is like. It's a novel about the deep pleasures of reading and drinking, the tumultuous reign of a cabal of mystic mobsters, and, of course, the transcendent love of a father for his daughter. Last Orgy of the Divine Hermit is like nothing else you've ever read before.

The White Man in the Tree is a comedy of cultural misunderstandings set in the Caribbean, New York, and Paris, a novella and eight stories about people who, because of their differences, misjudge each other. Whether it is a sophisticated European filmmaker, an ambitious young black Haitian woman, a promising politician obsessed with women's feet, or a fish-out-of-water rabbi in search of a kosher chicken in Curaçao, each of Kurlansky's characters engages us with impulses and interactions that are by turns comic, insightful, and poignant. The White Man in the Tree is an affectionate portrait of a unique society, where Europe, America, Africa, and Asia meet Latin America.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Konrad Bercovici (1881-1961) was born in Romania, then emigrated to the United States via Paris. He wrote articles for Harper's Magazine, as well as novels, biographies, and travel books.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Joseph Roth paints a vivid portrait of Emperor Napoleon's last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica--an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth's signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. "There may be," as James Wood has stated, "no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile."

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Since publishing his first collection in the eighties, John J. Clayton has continued to write "powerful stories of urban life in America, of life often enough among Jews who carry their exile and their wilderness within them. The prose is powerful, an impressive mixture of sinuous sentences--which one reads as if one overhears thoughts. All of these characters are bruised. They are often enough triumphant, though, even if locked into mortal flesh, because they have an astonishing belief in the spirit" (Fredrick Busch). We are pleased to be publishing the definitive collection of Clayton's remarkable stories. Included are two previously published collections, Bodies of the Rich and Radiance: Ten Stories , together with a selection of previously uncollected stories, and a large collection of new stories, Wrestling with Angels , plus an introduction to his work by the author.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jakob Wassermann (1873-1934) war ein deutsch-jüdischer Schriftsteller. Er zählte zu den produktivsten und populärsten Erzählern seiner Zeit. Inhalt: - Franziska und die Freunde - Was über den Spiegel beschlossen wurde - Die Pest im Vintschgau - Der Stationschef - Geronimo de Aguilar - Von Helden und ihrem Widerspiel - Der Tempel von Apamea - Die Gefangenen auf der Plassenburg - Paterner - Nimführ und Willenius - Herr de Landa und Peter Hannibal Meier - Begegnung - Die Geschichte des Grafen Erdmann Promnitz - Franziskas Erzählung - Aurora - Der Affe und der Spiegel

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Israel Zangwill was born in London on 21st January 1864, to a family of Jewish immigrants from the Russian Empire. Zangwill was initially educated in Plymouth and Bristol. At age 9 he was enrolled in the Jews' Free School in Spitalfields in east London. Zangwill excelled here. He began to teach part-time at the school and eventually full time. Whilst teaching he also studied with the University of London and by 1884 had earned his BA with triple honours in philosophy, history, and the sciences. His writing earned him the sobriquet "the Dickens of the Ghetto" primarily based on his much lauded novel 'Children of the Ghetto: A Study of a Peculiar People' in 1892 and its glimpse of the poverty-stricken life in London's Jewish quarter. As a writer he was keen to reflect on his political and social outlooks. His simulation of Yiddish sentence structure in English aroused great interest. His mystery work, 'The Big Bow Mystery' (1892) was the first locked room mystery novel. Zangwill was also involved with narrowly focused Jewish issues as an assimilationist, an early Zionist, and later a territorialist. In the early 1890s he had joined the Lovers of Zion movement in England. In 1897 he joined Theodor Herzl (considered the father of modern political Zionism) in founding the World Zionist Organization. Zangwill quit the established philosophy of Zionism when his plan for a homeland in Uganda was rejected and founded his own organisation; the Jewish Territorialist Organization. Its stated goal was to create a Jewish homeland in whatever territory in the world could be found for them. Amongst the challenges in his life he found time to write poetry. He had translated a medieval Jewish poet in 1903 and his volume 'Blind Children' in 1908 shows his promise in this new endeavour. 'The Melting Pot' in 1909 made Zangwill's name as an admired playwright. When the play opened in Washington D.C., former President Theodore Roosevelt leaned over the edge of his box and shouted, "That's a great play, Mr. Zangwill, that's a great play." Israel Zangwill died on 1st August 1926 in Midhurst, West Sussex.

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

Reprint of the original, first published in 1862.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.