Feldman, Gerald D.

"Many and multiform are the pleasures this volume offers to Lovecraftians, including a hotly anticipated novelette set in Pugmire's trademark locality, Sesqua Valley; a lengthy prose poem sequence; decadent, dreamlike vignettes in the style of Oscar Wilde, and much other new material. The themes of the book, as the author explains it, are 'Lovecraftian dreams as thresholds to alien emotion, dimension, salvation, damnation.' Cross the threshold with one of the shining stars of Mythos fiction.'"--p. [4] of cover.

Many of us dream of staying as young as possible as long as possible whether we're in our 30s, 40s, 70s or even 80s, and there's a growing Conga line of products and people offering you just that dream. The dilemma is, which of the pills, mental and physical exercise programs, diets and superfoods actually work? Some of them do help to keep us young, healthy and living longer, others may work when the researchers get the potions right and some are a downright waste of money. So how do you know what and who to trust? That's the journey that Dr Norman Swan is going to take you on in So You Want to Live Younger Longer? Deeply researched and written with his trademark wit, common sense and accessibility, Norman brings together what's known, not known, hopeful but not harmful and harmful and not hopeful, summarised with quick takeaway messages backed up by the science and evidence. No matter what your age, So You Want to Live Younger Longer? gives you the information you need to make your own choices without wasting your time and money or even missing a nice dinner because you might be on a diet that is getting you nowhere. Norman disentangles our 'Book of Life' - the genes we're born with and what we subject them to later on - and shows that in the search for youth, genes matter much less than you'd think for most of us. In other words, we can overwrite our personal Book of Life and Norman's book will help you do it. We can live younger, longer - at any age - we've just got to know what to do.

While the rest of the media lounge in the warm glow of New Labour’s rosy dawn, one journalist in Britain has been a consistently sharp and witty scourge of Tony Blair and his bandwagon babes. Step forward Nick Cohen, denizen of the Observer newspaper’s celebrated ‘Hold on a Minute’ column and a writer who has regularly identified Labour’s Third Way as the mid-point between truth and lies, decency and hypocrisy, honesty and corruption. Whether he is tearing into Labour’s plans to privatize the prison system and introduce curfews for teenagers, or detailing the government’s cozying up to Rupert Murdoch and the hot money traders in the City, Cohen maintains a peerless grasp on the power that flows from fusing invective with scrupulous investigation. Even Downing Street Policy Advisor Andrew Adonis was forced to concede that ‘no one is better at getting under the Government’s skin’. A coruscating barrage of dispatches from his sniper’s post, Cruel Britannia celebrates Cohen’s lonely stand. It will revivify the disillusioned who anticipated something better from Labour’s ascent and fortify those on the left who expected little and received precisely that.

Beauty and the Beast begins with the question: Is beauty destined to end in tragedy? Drawing on extensive fieldwork in Colombia, Michael Taussig scrutinizes the anxious, audacious, and sometimes destructive attempts people make to transform their bodies through cosmetic surgery and liposuction. He balances an examination of surgeries meant to enhance an individual’s beauty with an often overlooked counterpart, surgeries performed—often on high profile criminals—to disguise one’s identity. Situating this globally shared phenomenon within the economic, cultural, and political history of Colombia, Taussig links the country’s long civil war and its bodily mutilation and torture to the beauty industry at large, sketching Colombia as a country whose high aesthetic stakes make it a stage where some of the most important and problematic ideas about the body are played out. Central to Taussig’s examination is George Bataille’s notion of depense , or “wasting.” While depense is often used as a critique, Taussig also looks at the exuberance such squandering creates and its position as a driving economic force. Depense, he argues, is precisely what these procedures are all about, and the beast on the other side of beauty should not be dismissed as simple recompense. At once theoretical and colloquial, public and intimate, Beauty and the Beast is a true-to-place ethnography—written in Taussig’s trademark voice—that tells a thickly layered but always accessible story about the lengths to which people will go to be physically remade.

"After nearly fifty years of disrupting media, gleefully Rabelaisian uberindie filmmaker Lloyd Kaufman (b. 1945) has been maligned, mocked, and-worst of all-ignored throughout the general course of his wildly eclectic and impactful filmography. As the equally huckster-ish and self-denigrating cofounder and president of Troma Entertainment-responsible for the likes of such schlocky "midnight movie" fare as The Toxic Avenger, Sgt. Kabukiman N.Y.P.D., Surf Nazis Must Die, Class of Nuke 'Em High, Tromeo and Juliet, and, most recently, #ShakespearesShitstorm-Kaufman has indisputably left his slimily viscous fingerprints on moviemaking throughout the past half century. Lloyd Kaufman: Interviews gathers together no-holds-barred commentaries, op-eds, Q&As, arguments, and retorts from the prodigious filmmaker. Considering the typical Troma film is known, if at all, for the brand's signature egregious gore, unabashedly scandalous sexual fetishism, sophomoric scatology, and provocative contrarianism, it's easy to understand why Kaufman and his (still metastasizing) oeuvre go without much notice in the mainstream trades or classroom discussions. Like a modern-day P. T. Barnum, if there's one way that Kaufman finds a pragmatic hold on the cultural zeitgeist, it's through his tsunamic deluge of often vivacious, often vulgar, often vicious, and often (most dangerous of all) presciently insightful speaking engagements and interviews provided at an almost manic pace across the globe. Complete with an exclusive interview conducted by volume editor Mathew Klickstein, Lloyd Kaufman: Interviews is an extensive deep-dive omnibus from one of cinema's most indefatigably ardent auteurs who may make us all uproariously laugh but refuses to not be taken deadly seriously"--

Next generation of the classic Episcopal Teaching Series Accessible and engaging enough for newcomers and adult learners; full of content for church leaders and seminarians Filled with interactive study materials The New Church’s Teaching series has been one of the most recognizable and useful sets of books in the Episcopal Church. With the launch of the Church’s Teachings for a Changing World series, visionary Episcopal thinkers and leaders have teamed up to write a new set of books, grounded and thoughtful enough for seminarians and leaders, concise and accessible enough for newcomers, with a host of discussion resources that help readers to dig deep. In this seventh volume, bestselling author, scholar, and priest Lauren Winner introduces the story behind the Scriptures and invites readers to engage the Word of God with curiosity and confidence. Rich with content and grounded in Episcopal tradition, A Word to Live By is filled with Winner’s trademark combination of humor, authenticity, and rich insight.

This is the tragi-comic account of one man's life through the fate of his teeth; from the loss of his first milk tooth swallowed by his father in a prison camp, to the eventual fixture of a set of dentures. Devoting each chapter to a particular tooth, the unnamed narrator charts fifty years of East European history.Having worked in numerous guises and a miscellany of trades and professions which involve journeys across the globe, our hero struggles with the demands and transformations of his body and, more importantly, his teeth. In each city he visits he seeks out dentists from his homeland. Key moments of his life and indeed the last half-century have uncanny parallels with his dental state of health. Swept up in the agitated course of history he becomes involved in secret plots and covert missions, whilst on a personal level he engages in endless affairs and ceaseless reflection on the meaning of life.The reader may follow the story according to various different sequences.

"For over five decades, Elliott Sharp has been on a quest to take the music he hears in his inner ear and bring it to life in the real world. In this vivid memoir and manifesto, we share the adrenalin rush of New York's Downtown scene of the '80s and beyond, where--against a backdrop of junkies frozen 'in a perpetual fall' and escaped tarantulas skittering across club floors--Sharp becomes a pivotal figure at the junction of rock and the avant-garde. Moving deftly between the abstractions of Spinoza and fractal geometry and the gritty physicality of guitars, saxophones, silicon hardware, and offbeat instruments of his own devising, Sharp makes music solo and in a dizzying range of aggregations and collaborations with the likes of Cecil Taylor, Nusrat Fateh Ali-Khan, Sonny Sharrock, Hilary Hahn and blues legend Hubert Sumlin. We watch as he dodges fake cowboys' real bullets by the side of a highway near Colby, Kansas; segues from Zen tea to single malt with an elfin John Cage; trades licks with Bedouin sumsumiya players in a goat's-hair tent in the Negev; and looks up from his teenage strumming of 'Gloria' in Manny's Music on 48th Street to find Jimi Hendrix smiling benignly upon him. A mix of tales from the road and sky with thoughts on music, art, politics, technology, and the process of thinking itself, IrRational Music is a glimpse inside the smooth cranium of one of our most exacting, exciting creative artists"--Back cover.

“We got to talking”—so David Antin begins the introduction to Radical Coherency , embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

A history of trade, from establishment to maturity, between Mexico and Peru in the 16th century.

Governments have been taking control of activities - 'public' goods, 'public' utilities, welfare and local government services - which would have been better left to the private sector. Most of them were being privately provided before the state crowded out private initiatives. People will increasingly escape to non-state suppliers unless the government withdraws from many of these activities. Government should reduce its share of national income from 40 per cent to 20 per cent. Arthur Seldon, for many years the IEA's editorial director, argues that attempts to correct market 'imperfections' have created over-government. But the 'escapable power of political government' is up against the 'irresistible economic force of the market'. Sir Samuel Brittan contributes a comment in which he says that Seldon's paper reveals 'a deep belief in the superior ability of ordinary citizens to make their own choices and decisions better than governments or experts or committees'.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T046733 Uriel Acosta = Uriel da Costa, the author of the life. The introduction is by Thomas Whiston. London: printed for John Whiston, 1740. [2],69, [1]p.; 8

Softcover Trade Paperback

Set in the woolen mills of northern England in the later part of the nineteenth century. Raised in extreme poverty in the North of England, the life working in the woollen mill was transformed by visits to an aunt in Redcar. Abel Moss rises from poverty to become a mill owner. He married Marion Hart, deeply in love with this self-made business man in the Yorkshire wool trade. At first, she was happy in her marriage, but eventually, she finds herself trapped in a loathsome marriage, and his brutish passion disgusted her and she comes to fear this domineering, and unfaithful husband.

Trade paperback.

Ithiel de Sola Pool was a pioneering social scientist, a distinguished scholar of the political process, and one of the most original thinkers in the development of the social sciences. Passionately engaged in politics, he continued his role of leadership throughout his life, building the MIT Political Science Department into an outstanding group. He organized international teams of social scientists and collaborated widely to develop the understanding of social change. He was a frequent adviser to governments as consultant and in-house critic, and a successful advocate of limits on government regulation. Politics in Wired Nations presents his writings on the social and political impact of different communication systems and new telecommunications technology. Included in this volume is the first study of trends in a global information society, and the first study of social networks and the "small world" phenomenon that creates new relationships and routes of informal influence and political power, both domestic and international. Pool's essays on the politics of foreign trade, the influence of American businessmen on Congress, and changeable "unnatural" institutions of the modern world (e.g., bureaucracies, mega-cities, and nation-states) are herein contained. Pool describes a nonviolent revolution in freedom and political control that is possible as the world changes from the era of one-way mass communications--targeted to national audiences--to a new era of abundant, high-capacity, low-cost, interactive, and user-controlled communications on a global scale. He discusses policy choices for freedom, the battlegrounds ahead, and the risks of government involvement in the regulation of new telecommunication technologies.