My laughter came tearing out of me, child-eyed, leaping in front of your door, singing Day in the face of Night. Mildred Faintly gives power to female voices from around the world that have not received the literary recognition they deserved. With this stunning collection, Faintly presents us Styx - German-Jewish Else Lasker-Schüler's first poetry book, which in its entirety had not been published in English. Until now. The exquisite translation goes beyond a faithful line-by-line representation of the German text. It brings Lasker-Schüler to life in the nuanced and coruscating complexity that characterized her personality: irreverent, sensuous, courageous, loving, lonely, funny, facetious, earnest, while covering the wide thematic range of the only woman poet to play a major role in the Expressionist movement.

David Leavitt's reputation has rested upon stories and novels that explicate a sedate, upper-middle class world of reserved emotions and sexuality. In his new collection of three novellas Arkansas, he explores new territory. Droll, surprising, and very sexy, these works often shock and startle the reader. In "The Term Paper Artist," a writer named David Leavitt writes school papers for cute undergraduates in exchange for sexual favors, and in "Saturn Street." a gay man who delivers lunches to homebound people with AIDS falls in love with one of his clients. Beautifully written and alarmingly funny, Arkansas is one of the best works of gay fiction in years.

The Crimean war is raging a world away from London. Martha Lackland, Abel Lackland’s daughter, astonishes her family and friends by announcing her intention to go to the Crimea to work amongst the British soldiers. After the initial shock, her family rally round to help her raise money for food and medicines. Once in Scutari, Martha meets Florence Nightingale. She also meets a surgeon – the dashing Alexander Laurence and love grows between them amidst the devastation of war.

Language writing, the most controversial avant-garde movement in contemporary American poetry, appeals strongly to writers and readers interested in the politics of postmodernism and in iconoclastic poetic form. Drawing on materials from popular culture, avoiding the standard stylistic indications of poetic lyricism, and using nonsequential sentences are some of the ways in which language writers make poetry a more open and participatory process for the readers. Reading this kind of writing, however, may not come easily in a culture where poetry is treated as property of a special class. It is this barrier that Bob Perelman seeks to break down in this fascinating and comprehensive account of the language writing movement. A leading language writer himself, Perelman offers insights into the history of the movement and discusses the political and theoretical implications of the writing. He provides detailed readings of work by Lyn Hejinian, Ron Silliman, and Charles Bernstein, among many others, and compares it to a wide range of other contemporary and modern American poetry. A variety of issues are addressed in the following chapters: "The Marginalization of Poetry," "Language Writing and Literary History," "Here and Now on Paper," "Parataxis and Narrative: The New Sentence in Theory and Practice," "Write the Power," "Building a More Powerful Vocabulary: Bruce Andrews and the World (Trade Center)," "This Page Is My Page, This Page Is Your Page: Gender and Mapping," "An Alphabet of Literary Criticism," and "A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“… the shadows of death are the spices of love, and eternal life would be the school of absolute coldness. We love a being that the morrows threaten, and love her all the more as she is more threatened….” Albert Caraco was born in 1919 in Constantinople in a Jewish family established in Turkey for four centuries. He grew up in Prague, Berlin, and Paris, where he attended Janson-de-Sailly high school, and got his degree from the École des Hautes Études Commerciales. In 1939, he and his parents fled Europe to South America at the break of World War II, and settled in Montevideo after living in Brazil and Argentina, where his first books were published. Albert Caraco acquired Uruguayan citizenship and retained it for the rest of his life. Back in Paris in 1949, he started writing his immense body of work, part of which remains unpublished to this day. An ambiguous figure, Albert Caraco built nothing short of a baroque literary cathedral, rife with contradictions, yet rising from an uncompromisingly pessimistic foundation. In 1971, consistent with what he had announced recurrently in his semainiers (weekly diaries), he killed himself just a few hours after his father died. The death of his mother in 1963 was the occasion for a reckoning of his relationship with the woman he reproached for having given him birth, while praising her for forming his taste and character and uprooting the sheer possibility of consoling illusions in her only son. The result was Post Mortem, a bittersweet lament and a love poem in prose that offers a glimpse into his bleak worldview and an abstract of his works.

In this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.

Love's Shadow (1908) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel in 1907 to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Love's Shadow is the first installment in her Little Ottleys trilogy, a series of novels exploring the romantic lives of a hilariously diverse group of friends. Edith and Bruce Ottley seem to have it all--a charming flat, a healthy child, and a group of entertaining friends. Although they are far from perfect--Bruce can be jealous and quite the hypochondriac at times--their marriage remains strong and their home remains a place of refuge to their frequently lovelorn comrades. Among a dizzying array of faces and names, Hyacinth Verney, Mrs. Eugenia Raymond, Cecil Reeve, and Lord Selsey stand out. Although Hyacinth loves Cecil, a match favored by his uncle Lord Selsey, the young man seems inexplicably smitten with the widow Eugenia, who has no interest in marrying again. Edith and Bruce do their best to make themselves hospitable while defending their home against the hostilities of love, but the hearts and minds of their eclectic guests prove difficult to assuage. Love's Shadow is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's Love's Shadow is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Living in a rat-infested hotel in Franco’s post-war Spain, André Bennett, a Canadian painter, loves Toni, his girl friend, who wants him to return home. Roger Kraus, a Nazi on the run, shadows the young artist day and night. They meet on a bridge during the last night of the fiesta, and as the sky is shredded by exploding fireworks, the story draws to its violent climax. Originally published in 1954, The Acrobats marks Mordecai Richler’s stunning debut as a novelist.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Based on an intensive study of the original German text of Freud's writings, letters and journals, S. S. Prawer's new book is the first to make a full and systematic map of Freud's use of English literature. The great psychoanalyst has long been acclaimed as a polymath, as a practical doctor who was also a theoretician, as a writer of non-fiction which was also a counterpoint to the great novels of the early twentieth century, and as an essayist who, like Montaigne, absorbed all of the cultural world around him. Freud was fascinated by writings from many nations and languages, and his use of English shows the great range of his reading: from Shakespeare to Bernard Shaw, Henry Fielding to George Eliot, Mark Twain to Thornton Wilder; from scientific works by Maxwell and Darwin to the economics of Adam Smith, Malthus and Keynes, and from psychology and anthropology to the origins of religion. Though Freud's genius was unique, his sense of being a citizen of a world far wider than Vienna was not, and it can tell us much about the exchange of ideas across national and linguistic frontiers. Though he was a reader par excellence, he was also a case study in how world literature can be used by men and women who are not professional literary scholars or critics -- and of how much it can come to mean to them, and for their sense of who they are.

When a beautiful stranger comes to hear him preach, Pastor Daniel Vedra soon finds himself falling in love with another man's wife. With the brilliance and humanity that have made him a major figure in world literature, Ivan Klima explores the universal themes of love, adultery and God.

Originally published in 1927, this text contains a translation of Adolf Erman's work into English. Erman's original intention was to bring the songs, stories and poems that have survived from ancient Egypt to the masses of the modern world. The literature of the Egyptian world provides a real insight into the day-to-day life of one of the oldest societies known to man and this translation ensures that these insights are afforded to an English audience. This title will be of interest to students of History, Classics and Literature.

World Without War is a book written by J. D. Bernal, which explores the idea of creating a world without war. The book is a philosophical and political treatise that examines the root causes of war and proposes solutions to prevent it. Bernal argues that war is not a natural or inevitable part of human existence, but rather a product of specific historical and social conditions. He believes that these conditions can be changed, and that it is possible to create a world without war. The book is divided into three parts. The first part explores the causes of war, including economic factors, nationalism, and the arms race. The second part proposes solutions to prevent war, including disarmament, international cooperation, and the creation of a world government. The third part examines the implications of a world without war, including the possibility of a more peaceful and prosperous world, and the challenges of building a new global order. Throughout the book, Bernal draws on a wide range of sources, including history, philosophy, and science. He argues that war is not only destructive but also irrational, and that it is in the interest of all people to work towards a world without war. World Without War is a thought-provoking and inspiring book that challenges readers to think critically about the root causes of war and to imagine a better future for humanity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

That rarest of things, a children's book for "children" of all ages.... In this picaresque and highly entertaining novel, Leutenlieb, a.k.a. Baron Munchausen (great-great-great grandson of his celebrated ancestor), takes us on a roller-coaster ride through the history of the Twentieth Century, introducing us along the way to a galaxy of iconic figures - from Hitler to Hemingway, from Al Capone to Greta Garbo - while describing how, with breath-taking imagination, brilliant ingenuity and technological expertise of staggering proportions (not to mention legendary modesty!) he succeeds in solving all the problems with which he is faced. The darker side is there too - two world wars, Nazi extermination camps and Soviet labour camps - but through it all our protagonist maintains his optimism, his integrity, his belief in the power of the indomitable human spirit, and his sense of humour. The full tragi-comedy of life is there. Shlomo Kalo, a nominee for the Nobel Prize in Literature and a story teller of international renown brings us a book of refreshing insights and ingenious humor that younger readers can enjoy too. Scroll up and grab your copy today!

As Library Journal notes: This massive anthology celebrates the 3000-year anniversary of the founding of the city of Jerusalem. It describes, from a Jewish perspective, the history and sociology of the city. Lavishly illustrated, the volume contains biblical quotations, rabbinic literature, travel writings, poems, songs, and fiction excerpts, the majority dating from the last 100 years. The living city amid a world of war is a theme present throughout. In the excerpts by S.Y. Agnon and Amos Oz, we are brought close to the modern dilemma and the eternal. This anthology shows and tells us how Jerusalem has lived in the hearts of the Jewish people.

Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler{u2019}s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories{u2014}an 2Austro-Modernism3 that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus{u2019}s drama The Last Days of Mankind and Elias Canetti{u2019}s memoir The Tongue Set Free to Ludwig Wittgenstein{u2019}s notebooks and Paul Celan{u2019}s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers

The site of a thriving literary tradition, Washington, DC, has been the home to many of our nation's most acclaimed writers. From the city's founding to the beginnings of modernism, literary luminaries including Walt Whitman, Paul Laurence Dunbar, Alice Dunbar-Nelson, Henry Adams, Langston Hughes, and Zora Neale Hurston have lived and worked at their craft in our nation's capital. In A Literary Guide to Washington, DC, Kim Roberts offers a guide to the city's rich literary history. Part walking tour, part anthology, A Literary Guide to Washington, DC is organized into five sections, each corresponding to a particularly vibrant period in Washington's literary community. Starting with the city's earliest years, Roberts examines writers such as Hasty-Pudding poet Joel Barlow and "Star-Spangled Banner" lyricist Francis Scott Key before moving on to the Civil War and Reconstruction and touching on the lives of authors such as Charlotte Forten Grimké and James Weldon Johnson. She wraps up her tour with World War I and the Jazz Age, which brought to the city some writers at the forefront of modernism, including the first American to win the Nobel Prize for Literature, Sinclair Lewis. The book's stimulating tours cover downtown, the LeDroit Park and Shaw neighborhoods, Lafayette Square, and the historic U Street district, bringing the history of the city to life in surprising ways. Written for tourists, literary enthusiasts, amateur historians, and armchair travelers, A Literary Guide to Washington, DC offers a cultural tour of our nation's capital through a literary lens.

"The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. The 2014 "Revolution of Dignity" heralded a tremendous transformation of Ukrainian politics and society that has continued to ripple and reverberate throughout the world. These unprecedented events also wrought a remarkable cultural revolution in Ukraine itself. In late 2015, a year and a half after the 2014 Revolution swept away the presidency of the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review, focusing on newly emergent trends in film, literature, painting, design, and fashion. The journal became an East European cultural institution, publishing outstanding writers in the region and beyond. From his vantage point as a journalist and editor, Davidzon came to observe events and know many of the leading figures in Ukrainian politics and culture, and to write about them for a Western audience. Davidzon later found himself in the center of world events as he became a United States government witness in the Ukraine scandal that shook the presidency of Donald Trump. This eagerly anticipated debut tells the real story of what happened in Ukraine from the keen and resilient perspective of an observer at its center"-- Provided by publisher.