Practice makes not-quite-perfect Claudia Clarkson just cut the cord from her high school love-you-forever boyfriend. Sure, she misses Drew. But with so many eligibles on her new college campus, why study ancient history? Problem is, Claudia's lived in la-la-loveland for so long that she's completely forgotten how to meet boys -- and how to flirt. Then her roommate proposes a solution: Meet one new guy every day for thirty days. Consider it "target practice" for when Mr. Perfect comes along. Claudia's game, but she definetely hasn't got game. In fact, Flirting 101 could be her toughest course to pass...

Conceptual Issues in Psychological Medicine is a collection of papers written by the celebrated psychiatrist, Michael Shepherd, who was one of the originators of psychiatric epidemiology in the UK and a leading social psychiatrist of his generation. He designed and implemented some of the first systematic studies into what are now widely recognised clinical syndromes. His extensive research experience and his advocacy of a scientific approach to social psychiatry form the basis of the essays contained in this book. Covering such issues as the development of research strategy and the difficulties involved in completing psychiatric studies, Shepherd's papers address many of the issues currently facing professionals in this field. He writes authoritatively and engagingly on clinical syndromes, the history of ideas and the use of the epidemiological approach in psychiatry. Conceptual Issues in Psychological Medicine stimulates and informs the reader in equal measure; it will be a welcome addition to the bookshelf of any practitioner of medicine.

The common view held by the community of historians is that there are no, and cannot be, lessons of history; however, up to this day, serious writers continue to seek lessons of the Holocaust. Examines historical and philosophical literature on the Holocaust, and shows that throughout the post-1945 period a broad spectrum of lessons that can be derived from the Holocaust has been proposed by historians, philosophers, writers, journalists, etc. For example, while for Hannah Arendt the lesson is condemnation of bureaucracy and conformism, for Emil Fackenheim it is the imperative to keep fidelity to the Jewish nationhood. There have been Jewish and even Israeli lessons of the Holocaust - e.g. that the Jewish diaspora is doomed and that the Jews need to be strong and to have a state of their own; and there have been universalist lessons - the condemnation of totalitarianism and of "modernity", the imperative of tolerance, of historical memory, etc. Maintains that there are no objective lessons of the Holocaust. The knowledge of past atrocities cannot prevent atrocities in the future.

(Transcontinental Music Folios). 50 worship, holiday, life-cycle, educational and Israel solo songs from one of the most respected Jewish composers today. Includes translations, annotations and a history of Isaacson's wonderful career.

The great vogue of Eurocommunism came to an end with the return of the French and Italian Communist Parties to positions of opposition to authority in the late 1970's, and the electoral confirmation that Spain's Communist Party would remain small. As the vogue of communism with a human face passed. The question of American policy toward Communists became far less pressing; yet the question will almost certainly require attention in the future. This is particularly true with respect to the Italian Communist Party, which remains powerful in numbers and flexible in policy. Michael Ledeen examines Communist Party participation in Western European governments since World War II, and the ambivalent American foreign policy toward it. He concentrates on the Italian Communist Party: its history and its relations with the Soviet Union. Togliatti, Secchia, Gramsci, Nenni are identified as the major players in Italian communist and socialist politics. The author explores in depth why the United States has been reluctant to become involved in internal Italian affairs, and how this policy posture has strongly influenced in the development of communism in Western Europe. Ledeen shows that the strategies of contemporary West European Communist Parties are now roughly similar to those of the immediate post-war period. He argues that American intellectuals are as uncritical of Eurocommunism as they were after the first flush of Allied victory in World War II, that the Carter administration's foreign policy was incoherent, and that the United States needs a consistent, ideological approach to communism--one that includes the capacity for action as well as reaction. Michael Ledeen is a senior associate of the Center for Strategic and International Studies at Georgetown University, and formerly taught history at Washington University. He was the founding editor of The Washington Quarterly , and is the author of, among other works, Grave New World; The First Duce: D'Annunzio at Fiume; and editor of U.S. Defense and Foreign Policy.

Meyer Schapiro (1904-96), renowned for his critical essays on nineteenth- and twentieth-century painting, also played a decisive role as a young scholar in defining the style of art and architecture known as Romanesque. And, appropriately, when he was invited to deliver the prestigious Charles Eliot Norton Lectures at Harvard, he chose Romanesque architectural sculpture as his topic. These lectures, acclaimed for the verve and freshness with which Schapiro delivered them, languished unpublished for decades. But Linda Seidel, who knew Schapiro well and attended the 1967 lectures, has now expertly transcribed and edited them, presenting them for the first time to an audience beyond the halls of Harvard. In editing the lectures, Seidel closely followed the recordings of the originals. Sentences are rendered as Schapiro spoke them, affording readers a unique opportunity to experience the legendary teacher as he rarely appears in print: forming his thoughts spontaneously, interrupting himself to develop related ideas, and responding to the audience’s interests by introducing humorous asides. Nonetheless, these lectures are carefully constructed, demonstrating Schapiro’s commitment to the originality and value of artistic production and affirming his lifelong belief in artists’ engagement with their cultures. Amply illustrated with many key works and augmented with Seidel’s indispensable introduction, this long-awaited volume will delight students and scholars of art history, as well as anyone interested in seeing a new side of a profoundly influential mind.

Benjamin Schwartz taught at Harvard from 1950 until his retirement in 1987. Through his teaching and writing, he became a major force in the field of Chinese studies, setting standards--above all in the area of intellectual history--that have been a source of inspiration to students and scholars worldwide. His influence extends well beyond the China field, cutting across conventional disciplinary boundaries, touching political science, religion, philosophy, and literature as well as history. The essays in this book are by scholars who have studied with Benjamin Schwartz. Given the range of his own interests, it is fitting that they embrace an expanse of time from the Zhou dynasty to the present and a range of subjects equally inclusive--ancient and medieval Chinese thought, the fate of democracy in early Republican China, the development of aesthetic modernism in the 1920s and 1930s and its reemergence in the post-Mao era, the emphasis on spiritual regeneration and cultural transformation in Chinese and Japanese Marxism, popular values in twentieth-century China (as reflected in village theatrical performances), the larger issue of what part our own values should take in the study and assessment of other societies and cultures, and the equally broad issue of how we are to address the relationship between Chinese modernization and China's traditional culture. Despite this heterogeneity and the fact that the contributors include two political scientists, five historians with strong philosophical interests, and three scholars whose writing bridges the disciplines of history and literature, there is a surprising coherence to the volume. Almost all the authors consciously address either aspects of Schwartz's general approach or specific themes dealt with in his work. Each contribution is about ideas and takes ideas and their societal roles seriously. Although presented in the specific context of China, the issues raised in these essays are important to the world beyond China. Exploring them in both their Chinese and non-Chinese settings reflects the power of Schwartz's own work in illuminating a broader canvas of human thought.

How to live a life of wisdom and fulfillment in a far-from-perfect world? Philosopher Menachem Fisch and artist Debra Band together probe Qohelet''s inquiry into the value of life "under the sun" in this brilliant work--the first illuminated manuscript of the entire biblical text, the first philosophical analysis tracing the coherent path of this biblical thinker''s full argument. Whereas modern readers influenced by the famous declaration "vanity, vanity, all is vanity" from the 1611 King James Bible have commonly understood that Qohelet found only futility and hopelessness in human life, Fisch restores the literal meaning, "vapor," to Qohelet''s key word, hevel , with implications that reveal Qohelet''s path to wisdom and even serenity. Through linguistic precision and careful unfolding of the book''s philosophical argument, Fisch uncovers Qohelet''s twin concerns: life is short, and situated as we are, far below the heavens, we can never be assured of comprehending our world, or understanding divine will and intent. He reveals Qohelet''s understanding that since we can never fully predict or understand our fortunes or the heritage we leave behind us, the best we can do is to live our lives fully, relating to others attentively, always aware of the limits of human life. In her glowing, immersive, and discursive illuminated paintings of the entire text, Band imagines Qohelet''s teachings, employing the grandest of palaces, the Alhambra, as the central metaphor for the beauty and impermanence of human life and accomplishments. She fills its halls and gardens with often surprising imagery, symbolism, and related poetry, creating a visual midrash that reveals the relationship of Qohelet''s thought to other biblical texts and Jewish lore and its reverberations across the centuries and cultures of Western civilization, from ancient Israel to today''s America. Each illuminated page is complemented by lucid commentary explaining its full meaning. Renowned scholars Ellen F. Davis and Moshe Halbertal crown the work with a penetrating foreword and preface. "Illuminated manuscripts have a rich tradition to which this gem adds creatively. Not only does Debra Band''s exquisite micrography, calligraphy, and artwork invite us to marinate in and meditate on Qohelet''s suggestive composition, Menachem Fisch adds a unique and penetrating philosophical analysis. This work takes us from the ancient world of the Bible through medieval traditions of illumination and into a reading of Qohelet as a harbinger of post-modern thinking."--Peter A. Pettit, Teaching Pastor, St. Paul Lutheran Church, Davenport, Iowa "''Vanity of vanities, all is vanity,'' wrote the mysterious author of the biblical Qohelet--Ecclesiastes, in English, from the Greek. ''There is nothing new under the sun.'' For generations, the meaning of this haunting outlier text seemed clear and even merciless: in its endless cycling, nothing in the cosmos lasts, so nothing matters. Even if God is real, human life is in the end unreal and can have no real purpose. Resignation is the only valid response: at best, ''living for the moment;'' at worst, existential despair. But what if there were something new under the sun? In this fresh approach to Qohelet, philosopher Menachem Fisch and scholar-artist Debra Band radically re-vision a text whose interpretation was ''settled.'' Through exciting exposition that ranges from the history of rabbinical thought to analytical philosophy to the pain of personal loss, and illumined by Band''s glowing paintings, the authors return us to the original Hebrew word on which Qohelet pivots: hevel . When hevel is not read ''figuratively'' but is restored to its literal meaning as ''vapor'' or ''mist,'' an unexpected theology is revealed. What if the text were never a meditation on absurdity after all, but instead ''a vivid portrayal of the limits of human knowledge?'' These limits can inspire us to return to our deepest human challenge: how should we live? Fisch and Band show how we can take up the question again in fascination--and even more, in hope. An unforgettable book."--Kimberley C. Patton, Professor of the Comparative and Historical Study of Religion, Harvard Divinity School

A riveting inquiry into black history and American racism published here for the first time, Race and Revolution is a work of radiant insight and bold logic. Astonishingly advanced for its time, the document was originally drafted in 1933 as Communism and the Negro and was by far the most comprehensive statement on race produced by the Left Opposition, the dissenting Communist tendency led by Leon Trotsky. Race and Revolution places the black struggle for freedom and equality at the heart of American history. Racial oppression, Shachtman argues, can be comprehended only within the totality of social and class relations. The document culminates in a devastating polemic against the Communist Party’s call for a Black Belt state in the American South. A clarifying introduction by Christopher Phelps explains the document’s historical genesis, compares it to the views of Trotsky and C. L. R. James, and evaluates it in light of subsequent theoretical and historical developments.

In the visual history of the western world, some images and authors have become real icons for entire generations of painters, photographers, and common people. How could they remain so vivid in our memory, defeating oblivion? What was their secret? In this essay, Max Kozloff talks about one of the most emblematic and fascinating artists of our visual tradition, Johannes Vermeer; about his XVII century Dutch interiors, plunged into a palpable and magic light; and about his ability to create refined images and atmospheres that are still able to move and seduce contemporary society. In this book, the author attempts to decipher the symbols hiding in Vermeer’s paintings and to find out the secret thanks to which his works have managed to remain so popular and appreciated even today.

Biblical historian Max Dimont, author of the classic Jews, God, and History, explores the mystery surrounding the predictions Jesus made about his fate. Examining the gospel, Dimont recreates the drama in three acts using his knowledge of the events recorded in the Bible. Thoughtful and fascinating, Appointment in Jerusalem, examines the questions that have surrounded religion for centuries. Who was Jesus, the Christian messiah or a member of a Jewish Sect? Dimont's insight is intelligent and surprising.

Movies are a passion shared by people of all ages and backgrounds. Maurice Rapf, the first director of the Film Studies Program at Dartmouth College, recognizes that most people who profess a love of the movies have not spent much time learning about them. He has written this text as an attempt to fill in some of the information that movie-lovers should have but usually don't. The information contained in the book has been gleaned from courses that he has taught at Dartmouth over the past thirty years. From 30 years of experience, Rapf assembles the essential information every movie lover should know. It begins with a brief history, followed by a description of the movie-making process, broken down into five components-literary, administrative, shooting, editing and post-production, and marketing. Drawing from his own experience as a magazine film critic, Rapf then outlines how critics work and how studios woo their favor. He also touches on some of the forms movies have taken-as animation, documentary, avant-garde, and as promotion and education. Not to be read as an all-inclusive guide, this work can be seen instead as a launching-point for a deeper appreciation of the movies.

"Whatever historical judgments one wishes to make about Mao Tse-tung and the Maoist era," Maurice Meisner writes, "that era will be recorded as one of the great utopian episodes in world history, and the history of Maoism will remain relevant for those who seek to understand the fate of Marxism and the role of utopianism in the modern world, whatever their political persuasions. In an age which suffers from a paucity of utopian imagination, it is perhaps a history worth recalling." In this volume, Meisner makes an important contribution to understanding the Maoist era in the history of Chinese Communism by exploring the utopian strains in the thought of Mao Tse-tung. Believing that an activistic utopianism is essential to the vitality of Marxism in the contemporary world. Meisner argues that it was precisely Mao's utopian departures from orthodox Marxism-Leninism that transformed the inherited body of Marxist theory into a doctrine relevant to the needs of revolution in the modern Chinese historical environment. He argues further that it was Mao's visionary utopianism in the years after 1949 that was responsible, in large measure, for molding much of what has been distinctive about the postrevolutionary history of the People's Republic of China. In examining the nature of Maoist utopianism, Meisner employs cross-cultural and comparative perspectives to analyze the relationship of Maoism to the original writings of Marx and Engels, early nineteenth-century Western European socialist theories, and classical Russian Populist thought. He also discusses the idiosyncratic character of Mao's utopian vision, the phenomenon of the cult of Mao, and the fate of Maoist utopianism in post-Maoist Chinese Marxist ideology.

"In this provocative new study one of the world's most distinguished anthropologists proposes that an understanding of cognitive science enriches, rather than threatens, the work of social scientists. Maurice Bloch argues for a naturalist approach to social and cultural anthropology, introducing developments in cognitive sciences such as psychology and neurology and exploring the relevance of these developments for central anthropological concerns: the person or the self, cosmology, kinship, memory and globalisation. Opening with an exploration of the history of anthropology, Bloch shows why and how naturalist approaches were abandoned and argues that these once valid reasons are no longer relevant. Bloch then shows how such subjects as the self, memory and the conceptualisation of time benefit from being simultaneously approached with the tools of social and cognitive science. Anthropology and the Cognitive Challenge will stimulate fresh debate among scholars and students across a wide range of disciplines"--

The 142nd edition of the world's most famous sports book emerges in sprightly mood, and, with full reports of England's eventful tour of South Africa, it is more up-to-date than any previous Wisden . Wisden 2005 explains how the mighty confusion of Indian TV bankrolls the game. One great Australian, Richie Benaud, pays homage to another, Keith Miller. And there is a full history of chucking controversies, reports on South Africans' lingering love affair with Hansie Cronje and, from Sri Lanka, how cricket rose to the challenge of the terrible tsunami. And there are full reports of an amazing cricketing year: the world records for Brian Lara, Murali and Shane Warne, and coverage of every match of England's astonishing winning sequence that took them from Jamaica to Johannesburg - and a dozen Test victories - in just ten months. Elsewhere Wisden brings news of the ground where it hasn't rained in 15 years, the brothel that caters solely for professional cricketers and how an electric buggy, a TV camera and 15 hot air balloons stopped play. And there's an interview with cricket's most famous Slovak goalkeeper. All this - and much more - makes Wisden Cricketers' Almanack the essential companion for every follower of cricket.

Many consider conscience to be one of the most important--if not the fundamental--quality that makes us human, distinguishing us from animals, on one hand, and machines on the other. But what is conscience, exactly? Is it a product of our biological roots, as Darwin thought, or is it a purely social invention? If the latter, how did it come into the world? In this biography of that most elusive human element, Martin van Creveld explores conscience throughout history, ranging across numerous subjects, from human rights to health to the environment. Along the way he considers the evolution of conscience in its myriad, occasionally strange, and ever-surprising permutations. He examines the Old Testament, which--erroneously, it turns out--is normally seen as the fountainhead from which the Western idea of conscience has sprung. Next, he takes us to meet Antigone, the first person on record to explicitly speak of conscience. We then visit with the philosophers Zeno, Cicero and Seneca; with Christian thinkers such as Paul, Augustine, Aquinas, and, above all, Martin Luther; as well as modern intellectual giants such as Machiavelli, Rousseau, Kant, Hegel, Nietzsche, and Freud. Individual chapters are devoted to Japan, China, and even the Nazis, as well as the most recent discoveries in robotics and neuroscience and how they have contributed to the ways we think about our own morality. Ultimately, van Creveld shows that conscience remains as elusive as ever, a continuously mysterious voice that guides how we think about right and wrong.

Teenotchy Simms is a young black man, a servant in the household of the Klebers, an upright Quaker family living in Philadelphia. Trapped by his family's history, Teenotchy thinks more of the past than the future. Then in 1913 a young white man, Alexander, enters his life.

Search-Cover"I was four years old when my father came back to kidnap me," begins this gripping memoir about Matousek's search for James Matousek, the drifter father he never knew. Described by the New York Times as " part reminiscence, part detective story, part spiritual musing," this memoir is more than the story of one man's search for his father; it is also a look at the meaning of life and how fathers contribute to that meaning. Growing up in a family of troubled women (Matousek's sister committed suicide when the author was 29), he describes the turmoil of growing up "fatherless in America" - an experience shared by millions of children in what sociologists have called the Age of the Absent Father - and the difficult, ultimately successful, struggle to figure out what being a man really means in an age of shifting definitions, evolving sexuality, and "breaking out the man box" of stereotyping and patriarchy. With the tension of a mystery story, the climax occurs when Matousek meets a man he believes to be his father. But is he? And does Matousek, who has reconciled with his mother as she lay dying, really care? These are just two questions leading to this memoir's surprising conclusion. Praise for The Boy He Left Behind "Mark Matousek's memoir The Boy He Left Behind begins with the gripping sentence, 'I was four years old when my father came back to kidnap.' Part reminiscence, part detective story, part spiritual musing, the book is more than the story of one man's search for his father, it is also a look at the meaning of life and how fathers contribute to that meaning." -The New York Times Book Review "This thoughtful and lovingly rendered portrait of an American childhood is a refreshing addition to the genre. Matousek not only tells his own story but brilliantly evokes the troubled lives of his mother and sisters with humor, honesty, and above all, compassion." -Kathleen Norris, author of The Cloister Walk and Amazing Grace "A riveting story in the hands of a master storyteller. Mark Matousek has written a family memoir that is tight and revealing. This is one fine book." -James McBride, author of The Color of Water "[A] searing memoir....The writing is exhilarating...deeply soulful, compassionate, and self-scrutinizing. It is an explosive memoir filled with prose that sings, one that provokes readers to question where we come from and what our places are in this world. Matousek...writes from the heart. Read this book" -Los Angeles Magazine "Matousek's account of his search for the father he hadn't seen since he was four [is] sharp and funny, thanks to the punchy dialogue and dead-on character sketches." -Elle "Interweaving the frustrating suspenseful search for his long-lost father with unsparing recollections of a fatherless boyhood and his confrontation with a life-threatening disease, Mark Matousek expertly guides you through the particulars of his life into a harrowing meditation on the difficulties of becoming a man in a country without fathers. The Boy He Left Behind is beautifully crafted, artful and inspiring. It merits a place alongside the late Paul Monette's masterwork, Becoming a Man; Half a Life Story. Like Monette, Matousek's triumph is twofold - In the book he has written, and in the man he has become. Matousek's probing memoir of lost childhood and found history celebrates the power of manhood." -The Utne Reader "Mark Matousek has produced [a] riveting account of his search-at age 38, with the help of a private detective-for the father who abandoned him at age four. A searing meditation on the psychic harm suffered by men and women without fathers, this wise odyssey wrestles with questions of life and death and the search for the meaning of one's existence." -Publishers Weekly (starred review)

Outlines the history of fishing for and consuming codfish from the time of the Vikings through the present. Includes discussions of the cod's life cycle, over fishing, and recipes using the fish.

The Vienna Paradox is Marjorie Perloff's memoir of growing up in pre-World War II Vienna, her escape to America in 1938 with her upper-middle-class, highly cultured, and largely assimilated Jewish family, and her self-transformation from the German-speaking Gabriele Mintz to the English-speaking Marjorie--who also happened to be the granddaughter of Richard Schüller, the Austrian foreign minister under Chancellor Dollfuss and a special delegate to the League of Nations. Compelling as the story is, this is hardly a conventional memoir. Rather, it interweaves biographical anecdote and family history with speculations on the historical development of early 20th-century Vienna as it was experienced by her parents' generation, and how the loss of their "high" culture affected the lives of these cultivated refugees in a democratic United States that was, and remains, deeply suspicious of perceived "elitism." This is, in other words, an intellectual memoir, both elegant and heartfelt, by one of America's leading critics, a narrative in which literary and philosophical reference is as central as the personal.