Kinky Friedman, the original Texas Jewboy, takes us on a rollicking, rock-and-rolling tour of his favourite city- Austin. Maybe you want to know where to find President Bush's favourite Austin burger joint. Or maybe you want a glimpse of Willie Nelson's home. Or maybe you're itching to learn the history of a city that birthed Janis Joplin, Stevie Ray Vaughan and countless other music legends. It's all here in The Great Psychedelic Armadillo Picnic , the slightly insane, amazingly practical, and totally kick-ass guide to the coolest city in Texas by none other than Kinky Friedman. This ain't no ordinary travel guide, neither. As might be expected from this politically incorrect country-singer-turned-bestselling-mystery-author, the Kinkster's tour includes a bunch of stuff you won't find in any other guide, from descriptions of Austin's notable trees and directions to skinny-dipping sites to lists of haunted places and quizzes and puzzles. So put on your cowboy hat and your brontosaurus-foreskin boots and head down south with the only book you need to get to the big heart of this great city.

Hip-Hop is the largest youth culture in the history of the planet rock. This is the first poetry anthology by and for the Hip-Hop generation. It has produced generations of artists who have revolutionized their genre(s) by applying the aesthetic innovations of the culture. The BreakBeat Poets features 78 poets, born somewhere between 1961-1999, All-City and Coast-to-Coast, who are creating the next and now movement(s) in American letters. The BreakBeat Poets is for people who love Hip-Hop, for fans of the culture, for people who've never read a poem, for people who thought poems were only something done by dead white dudes who got lost in a forest, and for poetry heads. This anthology is meant to expand the idea of who a poet is and what a poem is for. The BreakBeat Poets are the scribes recording and remixing a fuller spectrum of experience of what it means to be alive in this moment. The BreakBeat Poets are a break with the past and an honoring of the tradition(s), an undeniable body expanding the canon for the fresher.

"For centuries before its "rebirth" as a spoken language, Hebrew writing was like a magical ship in a bottle that gradually changed design but never voyaged out into the world. Isolated, the ancient Hebrew ship was torpid because the language of the Bible was inadequate to represent modern life in Europe. Early modern speakers of Yiddish and German gave Hebrew the breath of life when they translated dialogues, descriptions, and thought processes from their vernaculars into Hebrew. By narrating tales of pilgrimage and adventure, Jews pulled the ship out of the bottle and sent modern Hebrew into the world. In Travels in Translation, Frieden analyzes this emergence of modern Hebrew literature after 1780, a time when Jews were moving beyond their conventional Torah- and Zion-centered worldview. Enlightened authors diverged from pilgrimage narrative traditions and appropriated travel narratives to America, the Pacific, and the Arctic. The effort to translate sea travel stories from European languages--with their nautical terms, wide horizons, and exotic occurrences--made particular demands on Hebrew writers. They had to overcome their tendency to introduce biblical phrases at every turn in order to develop a new, vivid, descriptive language. As Frieden explains through deft linguistic analysis, by 1818, a radically new travel literature in Hebrew had arisen. Authors such as Moses Mendelsohn-Frankfurt and Mendel Lefin published books that charted a new literary path through the world and in European history. Taking a fresh look at the origins of modern Jewish literature, Frieden launches a new approach to literary studies, one that lies at the intersection of translation studies and travel writing"--OCLC

When it hit the airwaves in 1996, “The Newsroom” – created, written, directed by, and starring Ken Finkleman – was hailed by the Montreal Gazette as “the funniest comedy series in the history of Canadian television.” And by the time its all-too-short run had concluded, it had secured a huge and devoted following across the country. “The Newsroom” won this legion of fans with its uniquely clever and provocative satire. Set inside Toronto’s CBC Broadcast Centre, the series blended fiction and reality in a brutally sardonic behind-the-scenes look at a fictitious TV news show and the selfish machinations of its ratings-obsessed director, George Findlay. Each episode left viewers gasping at the hilarious audacity of Ken Finkleman’s writing; in one front-page newspaper story, the series was described as “a Canadian comedy that is so irreverent it’s hard to imagine how it ever got on the air.” The Toronto Star called it “funny, nasty, unsettling…and the best thing Canadian series TV has offered. Ever.” And TV Guide pronounced it “wickedly funny satire…the hippest sitcom ever produced by the CBC.” The Newsroom: The Complete Scripts is for all those viewers who mourn the passing of this brilliantly written, subversive, and funny series. All thirteen episodes are here in their entirety.

Do young people today find meaning in the Holocaust? That's the question that prompted a writing project across North America, Italy, and Australia asking young people to share their ideas about this time in history. Some students wrote short stories. Some discussed the impact of books they had read and wrote about the messages that they understood from these books. Several interviewed survivors and recorded their impressions. Many talked about how they have tried to make sense of this history in the world in which they now live. Others created works of art. Children wrote from their hearts with sensitivity, thoughtfulness, and great insight. Their teachers saw this opportunity as a gift, and it proves to all that young people can make a meaningful connection to the Holocaust. Their contributions give hope for a more peaceful and tolerant future.

My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to ÒMexican American,Ó since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mindÕs eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal‡. Loosely linked by an exploration of the many meanings of Òfamily,Ó these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is Òa form of illiteracy,Ó we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal‡ is a writer but also why we appreciate her so much. She helps us to find ourselves.

Take chocolate candy, add a family business at war with itself, and stir with an outsider's perspective. This is the recipe for True Confections , the irresistible new novel by Katharine Weber, a writer whose work has won accolades from Iris Murdoch, Madeleine L'Engle, Wally Lamb, and Kate Atkinson, to name a few. Alice Tatnall Ziplinsky's marriage into the Ziplinsky family has not been unanimously celebrated. Her greatest ambition is to belong, to feel truly entitled to the heritage she has tried so hard to earn. Which is why Zip's Candies is much more to her than just a candy factory, where she has worked for most of her life. In True Confections , Alice has her reasons for telling the multigenerational saga of the family-owned-and-operated candy company, now in crisis. Nobody is more devoted than Alice to delving into the truth of Zip's history, starting with the rags-to-riches story of how Hungarian immigrant Eli Czaplinsky developed his famous candy lines, and how each of his candies, from Little Sammies to Mumbo Jumbos, was inspired by an element in a stolen library copy of Little Black Sambo, from which he taught himself English. Within Alice's vivid and persuasive account (is her unreliability a tactic or a condition?) are the stories of a runaway slave from the cacao plantations of C�te d'Ivoire and the Third Reich's failed plan to establish a colony on Madagascar for European Jews. Richly informed, deeply moving, and spiked with Weber's trademark wit, True Confections is, at its heart, a timeless and universal story of love, betrayal, and chocolate. From the Hardcover edition.

Buller's Campaign is a powerful and invaluable reassessment of the life of General Buller and of the part he played in British military history. Beginning with his struggle for the position of Commander-in-Chief of the Army in 1895, it goes on to portray his role in the Boer War, and on its path, reveals many of the Victorian Imperialist attitudes of the day. A man of numerous failures, General Buller has been treated unkindly by history but Symons here seeks to paint a more rounded picture. Whilst never attempting to excuse the General's mistakes, he portrays Buller as a complex and often misunderstood character and reveals the deep ironies that surrounded so much of what he achieved. This is an exceptional book and an outstanding contribution to military history.

Originally published in 1976, this book was written specifically to guide students of political theory who want to understand Hegel's political ideas as they appear in The Phenomenology of Mind. Professor Shklar's commentary uses plain language and English translations of references wherever possible. The core of Hegel's argument is that freedom is the identity of the personal goals of individual citizens and the public ends of the polity as a whole. This is a dynamic process, in which all laws are created by each and all, and in turn expressed and realised in the minds and actions of every member of society. The text emphasises Hegel's criticism of every type of subjectivity. The failure to recognise the cultural character of all experience is the core of Hegel's critical review of all past philosophy, and led him to develop his own theory of history and of knowledge as retrospective thinking.

In her award-winning book Harmful to Minors , Judith Levine radically upended our fixed ideas about childhood. Now, she tackles the other end of life in this poignant memoir of a daughter coming to terms with a difficult father who is sinking into dementia, presenting an insightful exploration of the ways we think about disability, aging, and the self as it resides in the body and the world. In prose that is unsentimental yet moving, serious yet darkly funny, complex in emotion and ideas yet spare in diction, Levine reassembles her father's personal and professional history even as he is losing track of it. She unpeels the layers of his complicated personality and uncovers information that surprises even her mother, to whom her father has been married for more than sixty years. As her father deteriorates, the family consensus about who he was and is and how best to care for him constantly threatens to collapse. Levine recounts the painful discussions, mad outbursts, and gingerly negotiations, and dissects the shifting alliances among family, friends, and a changing guard of hired caretakers. Spending more and more time with her father, she confronts a relationship that has long felt bereft of love. By caring for his needs, she learns to care about and, slowly, to love him. While Levine chronicles these developments, she looks outside her family for the sources of their perceptions and expectations, deftly weaving politics, science, history, and philosophy into their personal story. A memoir opens up to become a critique of our culture's attitudes toward the elderley. A claustrophobic account of Alzheimer's is transformed into a complex lesson about love, duty, and community. What creates a self and keeps it whole? Levine insists that only the collaboration of others can safeguard her father's self against the riddling of his brain. Embracing interdependence and vulnerability, not autonomy and productivity, as the seminal elements of our humanity, Levine challenges herself and her readers to find new meaning, even hope, in one man's mortality and our own.

Written by many working conductors, this book considers all facets of musical conducting. It includes practical advice on how to conduct different groups (choral, opera, symphony, early music) and a history of conducting presented as a study of national traditions. Designed for the lay reader who wants an inside look at the world of conducting as well as for potential students, it is a revealing study about a secretive industry. Managers, artistic directors, soloists, players and conductors openly discuss their different perspectives in this comprehensive work.

A Moravian by birth, a musician by avocation, a writer by choice, and a bon vivant by instinct, Wechsberg was set squarely among a generation of mid-century writers that included A. J. Liebling, M. F. K. Fisher, Waverly Root, and Ludwig Bemelmans. Many of them found a home at the New Yorker and were routinely provided carte blanche to tackle any subject they found interesting. For Wechsberg, this meant the cultural life of the civilized world, which included music, food (especially classic French food, as prepared by such great chefs as Henri Soul and Fernand Point), travel, and the history of banking and finance. Always central to these essays were people of acknowledged accomplishments, whose lives he tried to understand both in the contexts of their own personality and of the cultures that shaped them.

Excerpt from The American Jewish Year Book, 5676: September 9, 1915 to September 27, 1916 This year of course all thoughts are directed to the Euro pean War, which is affecting so disastrously the fate of Israel in Old Poland divided among three of the combating nations, and in Palestine, which has been dragged willy-nilly into the fray. It would therefore have been appropriate to have an account of the European War so far as it affected Jewish interests for the chief subject of the year book for 5676. But it was felt that any account of the Jewish part in this titanic struggle would have been so incomplete and inaccurate that it was finally decided to defer this bum ing topic for a subsequent issue, when, it may be hoped, the war shall have passed into history. One result of the war will undoubtedly be to settle the fate of Palestine for a long time to come, and it seems therefore appropriate to devote the chief article of the present issue of the american jewish year book to an account of the recent progress in Palestine as it has affected the Jewish inhabitants of the Holy Land. It has been written by Miss Henrietta Szold, and gives for the first time in English, at such length, an account of the upbuilding of the Jewish population of Palestine within recent years. Quite apart from its bearing upon future problems, the position of the Jews in the land of their fathers has an intrinsic interest of its own to every Jew, which Miss Szold's article cannot fail to satisfy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Available for the first time in paperback after being widely reviewed and discussed upon its hardcover publication, Historians in Trouble is investigative journalist and historian Jon Wiener's "incisive and entertaining" ( New Statesman ) account of several of the most notorious history scandals of the last few years. Focusing on a dozen key controversies ranging across the political spectrum and representing a wide array of charges, Wiener seeks to understand why some cases make the headlines and end careers, while others do not. He looks at the well publicized cases of Michael Bellesiles, the historian of gun culture accused of research fraud; accused plagiarists and "celebrity historians" Stephen Ambrose and Doris Kearns Goodwin; Pulitzer Prize winner Joseph J. Ellis, who lied in his classroom at Mount Holyoke about having fought in Vietnam; and the allegations of misconduct by Harvard's Stephan Thernstrom and Emory's Elizabeth Fox-Genovese, who nevertheless were appointed by George W. Bush to the National Council on the Humanities. As the Bancroft Prize-winning historian Linda Gordon wrote in Dissent, Wiener's "very readable book . . . reveal[s] not only scholarly misdeeds but also recent increases in threats to free debate and intellectual integrity."

At the End of an Age is a deeply informed and rewarding reflection on the nature of historical and scientific knowledge. Of extraordinary philosophical, religious, and historical scope, it is the product of a great historian's lifetime of thought on the subject of his discipline and the human condition. While running counter to most of the accepted ideas and doctrines of our time, it offers a compelling framework for understanding history, science, and man's capacity for self-knowledge. In this work, John Lukacs describes how we in the Western world have now been living through the ending of an entire historical age that began in Western Europe about five hundred years ago. Unlike people during the ending of the Middle Ages or the Roman empire, we can know where we are. But how and what is it that we know? In John Lukacs's view, there is no science apart from scientists, and all of "Science," including our view of the universe, is a human creation, imagined and defined by fallible human beings in a historical continuum. This radical and reactionary assertion--in its way a summa of the author's thinking, expressed here and there in many of his previous twenty-odd books--leads to his fundamental assertion that, contrary to all existing cosmological doctrines and theories, it is this earth which is the very center of the universe--the only universe we know and can know.

As drama critic for The New Yorker, John Lahr has always striven to tell the story behind the story; to use biography and history as well as his skill as a critic to illuminate the theater and all of its players. "Light Fantastic is a wide-ranging, comprehensive collection of his best critical pieces exploring the heart and soul of the theater. From his penetrating examination of Oscar Wilde's path to self-destruction, to his tragic portrait of Joe Orton's corrosive relationship with Kenneth Halliwell; from his chronicle of the rise and fall and reprisal of the American musical to his insightful commentary on such playwrights as Tennessee Williams, Tony Kushner, Lillian Hellman, Arthur Miller and Tom Stoppard, John Lahr brilliantly illuminates the dazzling world of contemporary theater.

EARLY DOCUMENTS OF LANGUAGE & LINGUISTICS. Imagine holding history in your hands. Now you can. Digitally preserved and previously accessible only through libraries as Early English Books Online, this rare material is now available in single print editions. Thousands of books written between 1475 and 1700 can be delivered to your doorstep in individual volumes of high quality historical reproductions. The evolution of English and foreign languages is documented in these original texts studying and recording early philology from the study of a variety of languages including Greek, Latin and Chinese, as well as multilingual volumes, to current slang and obscure words. Translations from Latin, Hebrew and Aramaic, grammar treatises and even dictionaries and guides to translation make this collection rich in cultures from around the world. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Florio his firste fruites which yeelde familiar speech, merie prouerbes, wittie sentences, and golden sayings. Also a perfect induction to the Italian, and English tongues, as in the table appeareth.Florio, John, 1553?-1625.Dedication and end of text dated 10 August 1578.Part 1 has Italian and English in parallel columns.The last leaf is blank.[12], 163, [1] leaves[London] : Imprinted at the three Cranes in the Vintree, by Thomas Dawson, for Thomas Woodcocke, [1578]STC (2nd ed.) / 11096EnglishReproduction of the original in the Henry E. Huntington Library and Art Gallery ++++ This book represents an authentic reproduction of the text as printed by the original publisher. While we have attempted to accurately maintain the integrity of the original work, there are sometimes problems with the original work or the micro-film from which the books were digitized. This can result in errors in reproduction. Possible imperfections include missing and blurred pages, poor pictures, markings and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as part of our commitment to protecting, preserving and promoting the world's literature.

This book traces the psychology, history and theory of the compulsion to collect, focusing not just on the normative collections of the Western canon, but also on collections that reflect a fascination with the "Other" and the marginal – the ephemeral, exotic, or just plain curious. There are essays on the Neoclassical architect Sir John Soane, Sigmund Freud and Kurt Schwitters, one of the masters of collage. Others examine imperialist encounters with remote cultures – the consquitadors in America in the sixteenth century, and the British in the Pacific in the eighteenth – and the more recent collectors of popular culture, be they of Swatch watches, Elvis Presley memorabilia or of packaging and advertising. With essays by Jean Baudrillard, Thomas DaCosta Kaufmann, Nicholas Thomas, Mieke Bal, John Forrester, John Windsor, Naomi Schor, Susan Stewart, Anthony Alan Shelton, John Elsner, Roger Cardinal and an interview with Robert Opie.

"Seven elements have stood out as having most powerfully changed the course of human history . [and] have shaped the vast complexities of our social, economic and cultural existence. These seven elements hold a grip on our emotions--and our history--like no others"--Preface.

"The newest addition to John Brockman's Edge.org series explores life itself, bringing together the world's leading biologists, geneticists, and evolutionary theorists -- including Richard Dawkins, Edward O. Wilson, J. Craig Venter, and Freeman Dyson. Scientists' understanding of life is progressing more rapidly than at any point in human history, from the extraordinary decoding of DNA to the controversial emergence of biotechnology. Featuring pioneering biologists, geneticists, physicists, and science writers, Life explains just how far we've come -- and takes a brilliantly educated guess at where we're heading. Richard Dawkins and J. Craig Venter compare genes to digital information, and sketch the frontiers of genomic research. Edward O. Wilson reveals what ants can teach us about building a superorganism -- and, in turn, about how cells build an organism. Elsewhere, David Haig reports new findings on how mothers and fathers individually influence the human genome, while Kary Mullis covers cutting edge treatments for dangerous viruses. And there's much more in this fascinating volume. We may never have all the answers. But the thinkers collected in Life are asking questions that will keep us dreaming for generations."--provided by Amazon.com.