Set amidst the political upheaval of the McCarthy trials, the Vietnam War, and the rise of the women's movement, Intimate Politics is a courageous and uncompromising account of one woman's personal and political transformation, and a fascinating portrayal of a key chapter in our nation's history. At eight years old, Bettina Aptheker watched her family's politics play out in countless living rooms across the country when her father, historian and U.S. Communist Party leader Herbert Aptheker, testified on television in front of the House on Un-American Activities Committee in 1953. Born into one of the most influential U.S. Communist families whose friends included W. E. B. Du Bois, Paul Robeson, and Elizabeth Gurley Flynn, Bettina lived her parents' politics witnessing first-hand one of the most dramatic upheavals in American history. She also lived with a terrible secret: incest at the hands of her famous father and a frightening and lonely life lived inside a home wrought with family tensions. A gripping and beautifully rendered memoir, Intimate Politics is at its core the story of one woman's struggle to still the demons of her personal world while becoming a controversial public figure herself. This is the story of childhood sexual abuse, abortion, sexual violence, activism, and the triumph over one's past. It's about FBI harassment and persecution, Jewish heritage, and lesbian identity. It is, finally, about the courage to speak one's truth despite the consequences and to break the sacred silence of family secrets.

A wry and beautifully observed memoir about coming of age in the era of conceptual art. Growing up in the suburbs—confused about his sexuality, about his consumer-oriented world, about the death of his older brother—Bernard Cooper falls in love with Pop art and sets off for the California Institute of the Arts, the center of the burgeoning field of conceptual art, in this beguiling memoir. The most famous, and infamous, artists of the time drift through the place, including Allan Kaprow and John Baldessari, not to mention the student who phones the Identi-Kit division of the Los Angeles Police Department and has them make a composite drawing of the Mona Lisa . My Avant-Garde Education is at once an artist's coming-of-age story and a personal chronicle of the era of conceptual art, from a writer "of uncommon subtlety and nuance" (David Ulin, Los Angeles Times ). It is a record of the wonders and follies of a certain era in art history, always aware that awakening to art is, for a young person, inseparable from awakening to the ever-shifting nature of the self.

Rabbi Berel Wein, in this book, has woven an informative tapestry out of the events of the Jewish Middle Ages. Its historic figures come alive and we appreciate their greatness. The Sephardic world and the Ashkenazic society, the longing for Zion and redemption, the intrigues and truths of history are here faithfully explained. The story of the Jewish people in the Medieval Era is told with wit, knowledge, accuracy and emotion. As in Triumph of Survival, Rabbi Wein has not settled merely for a history of the Jews. Herald of Destiny will make our modern Jewish milieu and its problems more understandable by illuminating for us the great medieval Jewish world that preceded us.

Sheet music, lyrics, stories and images for 56 original Ben Sidran compositions. Ben Sidran is widely recognized as the host of National Public Radio's landmark jazz series "Jazz Alive", which received a Peabody Award, and as the host of VH-1 television's "New Visions" series, which received the Ace Award for best music series. A pianist, producer, singer and composer, he has recorded more than thirty solo albums, including the Grammy nominated Concert for Garcia Lorca, and produced recordings for such noted artists as Van Morrison, Diana Ross, Michael Franks, Rickie Lee Jones, Mose Allison and Steve Miller (with whom he co-wrote the hit song "Space Cowboy"). He is the composer of the soundtrack for the acclaimed film Hoop Dreams, and scored the documentary Vietnam: Long Time Coming, which won both the Aspen Film Festival audience award and an Emmy. Sidran has authored two books on the subject of jazz, Black Talk, a cultural history of the music, and Talking Jazz, a series of conversations with inspirational musicians. He holds a PhD. in American Studies from Sussex University, Brighton, England, but has studiously avoided the academic life, preferring instead to spend his time performing, producing and writing. His latest works include the memoir, A Life in the Music, the groundbreaking text There Was a Fire: Jews, Music and the American Dream, and The Ballad of Tommy LiPuma, along with the recordings Picture Him Happy and Swing State.

This is the first book that fully explores the rich history of craft art in the region of Western New York. In the early 1900's, Western New York became the hub of the American Arts and Crafts movement with the founding of the Roycroft community in East Aurora; Gustav Stickley's furniture workshops in Syracuse;and Steuben Glass in Corning. In 1950 the NY School of Clay-Working and Ceramics at Alfred University, developed by Charles Fergus quickly became a leader in its field. In 1950, Aileen Osborn Webb, a major patron of the craft movement, founded the School for American Crafts (SAC) at the University of Rochester. The region still boasts of professional artists and programs, making the area a vital community for the arts. This book features four master Wendell Castle (wood), Albert Paley (metal), Michael Taylor (glass), and Wayne Higby (clay). It concludes with a selection of contemporary work by other notable artists. This 157 page, 9" x 11" book is beautifully illustrated, and contains original interviews with the four artists mentioned.

The Star Rare Coin Encyclopedia was published by B. Max Mehl in 1933. This book provides detailed information on rare coins of the world, including their history, rarity, and value. It is an invaluable resource for coin collectors and enthusiasts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Born in 1955, Avraham Burg witnessed firsthand many of the most dramatic and critical junctions in Israeli history. Here he chronicles the highs and lows of his country during the last five decades, beginning with the 1967 war, when, as a young boy, his mother brought him back Uzi cartridges from the Kotel, which he incorporated into the Chanukah menorah he made for his home economics class. Burg narrates the misplaced hopes of religious Zionism (informed by his conservative upbringing), Israel's obsession with military might (informed by his own experiences as a paratrooper), the country's democratic aspirations (informed by his tenure in the Knesset) and more. What he delivers, ultimately, is an analysis of the ambitions and failures of Israel and Judaism, from the unique standpoint of his generation--the children of the mythical "founders" who established the state. In Days to Come is Burg's philosophical inquiry into what Jewish-Israeli identity means today if you are personally, ethically, and politically opposed to what your country stands for. With bravery and candor, he urges his countrymen to dare to ask the difficult questions and accept the truth of difficult answers, have the courage to move on from trauma to trust, understand that Jews do not have monopoly over suffering but a responsibility to prevent crimes against humanity, have the will to solve the conflict between Israel and Palestine by adopting new paradigms, be ready to relinquish the privileges given to the Jews and create a shared space with equal rights for every human being, lay the groundwork for a constitutional reality in which every individual--under Israeli sovereignty or responsibility--has equal rights, and build a wall of separation between synagogue and state"--

When Zionists first advocated a national home for the Jewish people, they also propounded a revolution in the values that Jews should live by, a whole new way of thinking about Jewish life and Jewish history. Has this revolution in fact occurred? And what the consequences been for Jews and their neighbors? Especially given the extraordinary circumstances that link the United States and Israel, Americans may find the answers to such questions vexing - but the remarkable work of Avishai Margalit goes far to clarify the issues and enlighten the debate. Over the past two decades, Margalit has written major essays for American readers about the political leaders, cultural crises, and historical background of the contemporary Israeli scene. In Views in Review these essays are brought together with new commentary and observations, and their publication in one volume clearly shows that the whole is much more that the sum of its parts. From Ben Gurion to Netanyahu, from "Israeli kitsch" to the meaning of the Holocaust for "the seventh million," Margalit's work traverses the terrain of Israeli life and history and brings a tragically conflicted country into sharp and memorable focus.

More than just a guide to centers of Jewish populations throughout the world, this comprehensive work provides facts about the demography and history of these important communities, as well as a listing and description of community organizations, religious life, local Jewish culture, and educational facilities. Introductory sections include information on the founding of Israel, population statistics, and thoughts on topics ranging from the Diaspora to the founding of the Jewish state.

An internationally prominent activist for human rights examines the war crimes of recent world history and demonstrates the need for the creation of a permanent tribunal at the United Nations to judge and sentence war criminals. 15,000 first printing.

In Myself When Young, Arthur Krock returns to a way of life only briefly explored in his Memoirs, to a time and a place long past, yet here richly and fully recaptured. From 1887 to 1910, Krock grew up in the fields and streets of rural and urban Kentucky, learning about the world around him, and eventually, about the particular world of newspaper journalism. With a keen eye and a clear prose, Krock brings back those days — the lazy summer afternoons and sense of community of rural Glasgow, the bustling excitement and activity of Louisville. He recreates the big brick house he lived in, surrounded by uncles and aunts and ruled by the strict but gentle hand of his grandfather; the rituals of country courting and of melon-patch raiding in August; the pleasures of a very infor- mal type of fox-hunting, in which the hounds and handlers went chasing while the "hunters" sat on a hill and drank bourbon. He recalls fiery camp meetings, led by Negro preachers and filled with spirituals; tumultuous Saturday nights, when normally peaceable citizens displayed a "special inclination to violence under the influence of alcohol"; breezy stagecoach rides to near-by villages; and the exciting process of learning the "three useful things" — how to ride, shoot, and draw a bow. And then he moves to Louisville and the picture changes to the rough-and-tumble world of newspaper reporting with its legendary figures like editor Henry Watterson, with his one blazing blue eye, and cartoonist Fontaine Fox, creator of the Toonerville Trolley. He creates a penetrating portrait of the fierce newspaper competition in 1907 and of Louisville in general: its atmosphere, social life, and entertainments, its prominent personalities and characters, like Mother Savage, the proprietress of Louisville's famed theatrical boarding house. And Krock talks about his initiation into politics, his stories resounding with the likes of William Jennings Bryan, William Taft, William Randolph Hearst, and local figures like the "mountain of a man," Senator Ollie James. The book ends with Krock's triumphant arrival in Washington, D.C., in 1910, the beginning for him of a "new and awesome phase of national journalism that was to post me twice in Washington: for the Haldeman papers (1910-1915) and for the New York Times (1932-1966)." This is a warmly nostalgic memoir of another age, a book both entertaining and informative about the details of Arthur Krock's personal life — and about the whole way of life of the simpler American society that preceded World War I. "There have been localities in a span of history in which the conditions of living seem to have overbalanced the human bent for destruction and the day-to-day problems were minimal in comparison with the pleasure of existence. This was true of the region where one individual, myself, grew to young manhood."

Judaism, like all the great religions, has a strand within it that sees inward devotion, the opening of the human heart to God’s presence, to be the purpose of its entire edifice of praxis, liturgy, and way of life. This voice is not always easy to hear in a tradition where so much attention is devoted to the how rather than the why of religious living. The devotional claim, certainly a key part of Judaism’s biblical heritage, has reasserted itself in the teachings of individual mystics and in the emergence of religious movements over the long course of Jewish history. This volume represents Arthur Green’s own quest for such a Judaism—as a rabbi, as a scholar, and as a contemporary seeker. This collection of essays brings together Green’s scholarly writings, centered on the history of early Hasidism, and his highly personal approach to a rebirth of Jewish spirituality in our own day. In choosing to present them in this way he asserts a claim that they are all of a piece. They represent one man’s attempt to wade through history and text, language and symbol, and an array of voices both past and present while always focusing on the essential questions: “What does it mean to be a religious human being, and what does Judaism teach us about how to be one?” This, the author considers to be the heart of the matter.

"A rapturous, witty, and passionate memoir ... Violin Dreams is not only the story of a man becoming an artist, it’s a history of twentieth-century music.” -- John Guare, Tony Award-winning playwright Arnold Steinhardt, for more than forty years an international soloist and the first violinist of the Guarneri String Quartet, brings warmth, wit, and fascinating insider details to the story of his lifelong obsession with the violin, that most seductive and stunningly beautiful instrument. His story is rich with vivid scenes: the terror inflicted by his early violin teachers, the sensual pleasure involved in the pursuit of the perfect violin, the charged atmosphere of high-level competitions. Steinhardt describes Bach’s Chaconne as the holy grail for the solo violin, and he illuminates, from the perspective of an ardent owner of a great Storioni violin, the history and mysteries of the renowned Italian violinmakers. Violin Dreams includes a remarkable CD recording of Steinhardt performing Bach’s Partita in D Minor as a young violinist forty years ago and playing the same piece especially for this book. A conversation between the author and Alan Alda on the differences between the two performances is included in the liner notes.

"The updated edition of the bestselling title, Trust is the first serious response to the era of post-financial and political meltdown, Dr. Anthony Seldon lays out a blueprint for regaining trust within the national life. In part a wide-ranging meditation on notions of trust and responsibility in civic society, Trust is a powerful and important analysis of ten essential areas where trust in national life has broken down. Using examples from throughout the world and from history, it offers ten solutions for a better, more positive future."--Publisher description.

"A sweeping riveting history that manages to capture the essence of the conflict, as well as the contributions of particular schools and individuals." — HMC Insight Magazine In this pioneering and original book, Anthony Seldon and David Walsh study the impact that the public schools had on the conduct of the Great War, and vice versa. Drawing on fresh evidence from 200 leading public schools and other archives, they challenge the conventional wisdom that it was the public school ethos that caused needless suffering on the Western Front and elsewhere. The Authors argue that, in general, the young officers' public school education imbued them with idealism, stoicism and a sense of service. While this helped them care selflessly for the men under their command in conditions of extreme danger, it resulted in their death rate being nearly twice the national average. This poignant and thought-provoking work covers not just those who made the final sacrifice, but also those who returned, and whose lives were shattered as a result of their physical and psychological wounds. It contains a wealth of unpublished detail about public school life before and during the War, and how these establishments and the country at large coped with the devastating loss of so many of the brightest and best. Seldon and Walsh conclude that, 100 years on, public school values and character training, far from being concepts to be mocked, remain relevant and that the present generation would benefit from studying them and the example of their predecessors.

Journey by Moonlight by Antal Szerb (1937-1945) and translated from the Hungarian by Peter Hargitai recounts the misadventures of a closeted intellectual forced to fit into a life of conventional morality and its notions of manhood. Thirty-six-year-old Mihály takes his new bride to Italy for their honeymoon, where chance separates them, and he finds himself on the run from his marriage. Wandering aimlessly from Perugia to Rome, he begins a break-through journey of fatally erotic longing that culminates on the edge of an abyss too dark to contemplate. Set in Europe during the rise of Fascism, his visionary states are eerily prophetic about one of the darkest periods in human history and of the author's own doom.

"In our brave new world, techno-evolution is often decried as the death knell of the written word. Award-winning author Andrei Codrescu demolishes this doomsday provocation in Bibliodeath: My Archives (With Life in Footnotes). Our moment of bibliodeath marks a tectonic shift under the ocean of human consciousness and the written word. As words migrate from the book into other means of transport, we are "privy to ... the passage of the soul from one body into another, a reincarnation that is not a meta-physics." A suspenseful meditation planted in a bed of alluring stories-cum-footnotes, Codrescu wades into the bibliodeath waters to examine his own evolution as a writer. From the poetic lines of an unlined notebook in 1960s Romania to the founding of Exquisite Corpse in 1983 to his ongoing commentary on NPR's All Things Considered, his journey is an archive of reinvention. Codrescu's literal Archives and his unsentimental and savage faith in reinvention take in the history of the literate world, the transformation of the printed word, and language itself. This picaresque adventure of a mind at work spans the fin-de-siécle to the 21st century, as the bibliodeath of one medium meets the birth of the next. The evolution of technology must deal with the indomitable bond between language and the human being. In the story of Codrescu, "leaving the traces of one's passage is worth the labor of a lifetime."--Back cover.

A world-renowned anthropologist, Anatoly M. Khazanov offers a witty, insightful, and cautionary analysis of ethnic nationalism and its pivotal role in the collapse of the Soviet empire. “Khazanov’s encyclopedic knowledge of the history and culture of post-Soviet societies, combined with field research there since the 1960s, informs the case studies with a singular authoritative voice. This volume is destined to be an absolutely necessary reference for the understanding of ethnic relations and the politics of minorities in the ex-USSR into the next century.”—Leonard Plotnicov, editor of Ethnology First Paperback Edition

These twenty-four lectures offer an introduction to the history, literature, and religion of ancient Israel and early Judaism as it is presented in the collection of texts called the Old Testament, the Hebrew Bible, and the Tanakh. Attention is given not only to the content of the biblical books but also to the debates over their meaning and the critical methods through which they have been interpreted.

Amy Goldin's critical writing inspired many artists of the 1960s and '70s. Her unconventional acceptance of the new art forms emerging during the time and her challenge to the traditional teaching of art history in the classroom paved the way for broader parameters within the definition of art. Thirty of Goldin's extensive writings have been selected and coupled with insightful first-person accounts from fellow art critics and art historians in this presentation. Goldin's thought-provoking articles on Islamic art, conceptual art, folk art, Abstract Expressionism, and African American art are featured along with in-depth analysis of such artists as Henri Matisse, George Sugarman, Manny Farber and Morris Louis. SELLING POINTS: *This collection of essays includes contributions by Irving Sandler, Betsy Baker, Holland Cotter, Joan Simon, Oleg Grabar, Max Kozloff and others *Selected essays by noted art critic Amy Goldin, taken from prominent art publications and her personal journals, have been gathered by artist Robert Kushner ILLUSTRATIONS: 15 colour