'This is an excellent, quick and powerful read, accessible to everyone' Publishers WeeklyOn October 16th, 1998, the world awoke to amazing news: General Augusto Pinochet, Chile's former dictator, had been arrested by Scotland Yard in England & was awaiting extradition to Spain on charges of torture & genocide. What ensued became one of the most important human rights trials of the last fifty years: for the first time in the twentieth century, a former Head of State was being judged by a foreign court.Renowned author Ariel Dorfman, obsessed for twenty-five years with the malignant shadow General Pinochet cast upon Chile & the world, followed every twist & turn of the four year trial in Great Britain, Spain & Chile as well as in the U.S., the country that had created Pinochet. Told as a suspense thriller, filled with court-room drama & sudden reversals of fortune, the book at the same time addresses some of today's most burning issues, made all the more urgent after the terrorist attacks of September 11th 2001. What are the limits of national sovereignty in a globalizing world? How does an ever more interconnected world judge crimes committed against humanity? What role do memory & pain & the rights of the survivors play in this struggle for a new system of justice? But above all, the author, by listening carefully to the voices of Pinochet's many victims, explores how can we purge ourselves of terror & fear once we have been traumatized, and asks if we can build peace & reconciliation without facing a turbulent & perverse past.From Dorfman's emotional reconstitution of the many phases of Pinochet's trial, both in London & in Santiago, there slowly emerges a picture of a victory, both for the people of Chile & for people the world over, serving as a prelude to the prosecution of other Heads of State - such as Milosevic in The Hague - but as a warning to many powerful men around the world - like Henry Kissinger - who felt they would never be held accountable for sufferings inflicted on faraway civilians.

Of the many different kinds of anti-Semite, Eliot was the rarest: one who was able to place his anti-Semitism at the service of his art. This study looks both at the detail of Eliot's deployment of anti-Semite discourse and at the role it played in his greater literary works.

In 1939 Sweden, two Jewish sisters wait for their parents to join them in fleeing the Nazis in Austria, but while eight-year-old Nellie settles in quickly, twelve-year-old Stephie feels stranded at the end of the world, with a foster mother who is as cold and unforgiving as the island on which they live.

"Meet Louis Warlock. Man about town, denizen of Soho's nightclubs and cabaret bars - and the most skilled magician of his time . . . As a boy, Ludvik Weinschenk fled Nazi Germany to England with a pack of playing cards and three tricks to his name. Twelve years later, in 1950s London, having risen through the ranks of concert parties, night clubs and variety theatres, Ludvik - or Louis Warlock as he is now known - is the most famous magician in Britain. But after his talent for deception attracts the attention of the British secret service, Louis is thrown into the perilous world of espionage and finds himself sent across Europe with a dangerous mission to fulfil. When he comes face to face with a nemesis whose cunning rivals his own, Louis will need to use every trick in the book - or risk the most terrible consequences, both for the country and for himself."--Publisher

"This book is a frank, confronting yet surprisingly funny memoir based on the life experiences and recollections of a Jewish childhood over a time span from 1928 to the mid-forties. In some telling, names of people, places and dates have been changed. Mercifully, those named who are or were of a repellent nature have long since gone to God. The stories present incidents from the life of one person, the first-person narrator. The memoir is purposely unsentimental. The writer has worked hard to circumvent cheap emotion. Some readers might find it confronting. The linked stories encompass a childs unsparingly honest observations as he is buffeted by events which range from indifference and naked cruelty to sparkling life-affirming exuberance."--Provided by publisher.

An unabridged compilation of the bestselling and award winning trilogy The Boys from Bondi, Going Home and Joshua. A rare look at the adolescent Jewish-Australian experience filled with daring and wit. The unforgettable portrayal of the conflict between Arab and Jew is told with passion, humour and unlikely optimism. The book is a tragi-comic adventure touched with romance and growing up.

After Barack Obama's solid win in the 2012 election, it's easy to forget that there was a time, not long ago, when the Democrats were shut out of power for over a decade. But Al From remembers. In 1984, he led a small band of governors, US senators, and members of Congress to organize the Democratic Leadership Council (DLC). Their mission: to rescue the party from the political wilderness, redefine its message, and, most importantly, win presidential elections. In April 1989, From traveled to Little Rock, Arkansas, to recruit the state's young governor, Bill Clinton, to be chairman of the DLC. Here, Al From explores the founding philosophy of the New Democrats, which not only achieved stunning validation during Clinton's two terms, but also became the model for resurgent center-left parties in Europe and throughout the democratic world. Here, he outlines for the first time the principles at the heart of the movement, including economic centrism, national security, and entitlement reform, and why they are vital to the success of the Democratic Party in the years ahead.

City Codes is a study of the representation of the city in the modern novel that takes difference as its point of departure, so that cities are read according to the cultural and social position of the urbanite. City Codes argues that the modern urban novel, in contrast to earlier novels, is characterized by an intersection of public and private space, but that this intersection is mapped differently according to the position of the city dweller in terms of history, politics, nationality, gender, class, and race.

The author draws comparisons and parallels between culture today and past historical events of the 20th century.

The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.

The untold life story of All-of-a-Kind Family author Sydney Taylor, highlighting her dramatic influence on American children's literature.

Libro usado en buenas condiciones, por su antiguedad podria contener señales normales de uso

Beginning with his first book, Return Again, Traveler , and through Succeeding volumes, Norman Rosten has given us a unique sense of personal history. Here, for the first time, is a rich selection from his six previous books and a group representing his later work.

"Part memoir, part history, part political commentary - and all Richler - This Year in Jerusalem is a personal, passionate, and quirkily comic examination of the idea of Israel-as-homeland: for Jews, for Palestinians, and, not least, for the author himself. Richler re-creates the Montreal of his adolescence - the local Zionist youth organization functioning as an escape from the zealous Hasidism of his grandfathers; the idea of emigration to Israel growing into a shimmering dream for himself and his friends. And, going to Israel to look up his old pals from St. Urbain Street, he shows us what happened to those who actually did "make aliyah"--Who settled in the cities and on the kibbutzim, survived the turmoils of war, and are faced today with the opportunities and dangers of peace with the Palestinians. He shows us, as well, the course of his own migration - away from Zionism and through the maze of his own sense of Judaism until he rediscovers his true homeland: "I owe as much to the thin gruel of my Canadian experience as I do to my Jewish provenance." Woven through his story are his fond (and not so fond) recollections of his family, his encounters in today's Israel with the kids he grew up with in Montreal a million years ago, and his most mordant observations on the state of the state of Israel and the Israeli-Palestinian conflict. Witty, intelligent, well reasoned, and across-the-board provocative, here is Mordecai Richler at his inimitable - and controversial - best." -- dust jacket

Dual language - German original with English translations on facing pages. For much of her lifetime, and for decades after her death, Mascha Kaleko was a forgotten poet. With his publications, Andreas Nolte has played a role in changing this. To him, she personifies an all-too-typical example of a German-Jewish artist who was marginalized, intimidated, expelled into exile, and then forgotten. What adds to her obscurity is that her life's intriguing story is not well known, unless one speaks German and can read her poems, or what little has been written about her. This book provides a significant number of translated poems and biographical information from every stage of Kaleko's remarkable life in Berlin, New York, and Jerusalem to an English-speaking audience. Her story and her powerful poetry need to be heard: they shine a light on the darkest of times in the last century and remind us of the lessons that history teaches us.

The classic history of the muckraking era (1902–1914) has been extended to trace the muckrakers' influence through World War II and McCarthyism, the civil rights movement and the counterculture, Korea and Vietnam, Naderism and women's liberation, and Watergate. (Former editions stopped with the New Deal.) The book that Allan Nevins called, "By all odds the best account in print of a most interesting movement," now embodies the challenge of the muckrakers to Americans of the seventies. Professor Filler has added a new introduction and a new final chapter, "The Anguish of Change." and has updated facts, interpretations, and references throughout the book. He also has updated his chronology and bibliography and has added four newly discovered cartoons and drawings to the twenty-two illustrations appearing in previous editions. Modern heirs of the muckraking tradition—Jack Anderson, Bernstein and Woodward, Dan Ellsberg, James Forman, Abbie Hoffman, Ralph Nader, I.F. Stone, and various TV talk-show personalities—are treated fairly but astringently. So too are revisionist critics of the original muckrakers. Today's journalistic investigators and social critics, in Professor Filler's view, lack the historical perspective and the emphatic sensitivity of their precursors. His opinion on this score will be controversial, but would be understood by Ida Tarbell, who wrote of the first edition, "His liberal sympathies give warmth to his narrative and his honesty as an investigator gives it trustworthiness."