In this collection of criticisms, Edith Wharton's unique gifts as a story-teller and her superb talents as a craftsman are carefully evaluated. Her indebtedness to Henry James is re-examined. Her more notable novels, such as The Age of Innocence, which won a Pulitzer prize, The House of Mirth, her masterful social portrait, and Ethan Frome, her tale of New England poverty and frustration, are among the works reappraised. Society in Edith Wharton's old New York, at once sophisticated and provincial, dreaded scandal more than disease. Its refinement was a veneer, its conversation mere gossip, its standards double. Society performed conventional rites; intellectual winds seldom stirred the sands of this wasteland. Edith Wharton, placed in this milieu by birth and marriage, turned it into a subject for subtle satire. Though she was no rebel, Edith Wharton was fascinated by rebellion. She regarded pessimistically those who challenged social mores, pointing always to the exorbitant price exacted for the assertion of individual thought. She distrusted human nature and saw the human condition as a struggle between the generous and the mean. She believed that self-sacrifice is almost invariably useless. In this study of the woman and the artist, Irving Howe has included articles by Diana Trilling, E.K. Brown, Alfred Kazin, and Percy Lubbock. Here is Edith Wharton, the literary pioneer who pointed the road to realism, the social historian with enormous powers of recreation, the fine observer of emotions. This anthology should serve to enlarge Edith Wharton's appreciative audience and to reassert her influential place in American writing. Among the essays are: Justice to Edith Wharton (Edmund Wilson) Henry James's Heiress: The Importance of Edith Wharton (Q.D. Leavis) The Morality of Inertia (Lionel Trilling) Our Literary Aristocrat (Vernon L. Parrington) Edith Wharton and Her New Yorks (Louis Auchincloss)

"Gaspard Winckler, master forger, is trapped in a basement studio on the outskirts of Paris, with his paymaster's blood on his hands. The motive for this murder? A perversion of artistic ambition. After a lifetime lived in the shadows, he has strayed too close to the sun. Fittingly for such an enigmatic writer, Portrait of a Man is both Perec's first novel and his last. Frustrated in his efforts to find a publisher, he put it aside, telling a friend: 'I’ll go back to it in ten years when it'll turn into a masterpiece, or else I’ll wait in my grave until one of my faithful exegetes comes across it in an old trunk.' An apt coda to one of the brightest literary careers of the twentieth century, it is – in the words of David Bellos, the 'faithful exegete' who brought it to light – 'connected by a hundred threads to every part of the literary universe that Perec went on to create – but it’s not like anything else that he wrote.'"--

"A writer's notebook becomes the key that unlocks memories of a love formed and lost in 1960s Paris. In the aftermath of Algeria's war of independence, Paris was a city rife with suspicion and barely suppressed violence. Amid this tension, Jean, a young writer adrift, met and fell for Dannie, an enigmatic woman fleeing a troubled past. A half century later, with his old black notebook as a guide, he retraces this fateful period in his life, recounting how, through Dannie, he became mixed up with a group of unsavory characters connected by a shadowy crime. Soon Jean, too, was a person of interest to the detective pursuing their case--a detective who would prove instrumental in revealing Dannie's darkest secret. The Black Notebook bears all the hallmarks of this Nobel Prize-winning literary master's unsettling and intensely atmospheric style, rendered in English by acclaimed translator Mark Polizzotti. Once again, Modiano invites us into his unique world, a Paris infused with melancholy, uncertain danger, and the fading echoes of lost love"--

"Darkly funny stories by the man David Sedaris calls "the most outlandish and energetic writer I can think of." Paddling down a remote, meandering river, Georgie's friend Otto decides to do something both spectacular and stupid: He scales a sandy cliff that rises from the water and runs down its steep face, preparing for a triumphant running dive. As his friends look on, they watch something awful unfold: Otto lands with an odd smack and knocks himself unconscious, blood spilling from his nose and mouth. Georgie arrives on the scene first and sees a small turtle, its shell cracked, floating just below the water's surface. Otto and the turtle survive the collision, though both need help, and Georgie finds his compassions torn. This title story sets the tone for the rest of Arthur Bradford's Turtleface and Beyond, a strangely funny collection featuring prosthetically limbed lovers, a snakebitten hitchhiker turned wedding crasher, a lawyer at the end of his rope, a ménage à trois at Thailand's Resort Tik Tok, and a whole host of near disasters, narrow escapes, and complicated victories, all narrated by Georgie, who struggles with his poor decisions but finds redemption in the telling of each of his tales. Big-hearted and hilariously high-fueled, Turtleface and Beyond marks the return of a beloved and unforgettable voice in fiction"--

"Ben Arkin, patriarch of the family, is an artist who has never sold a piece. His children, Sondra, Doris, and Oliver run a record label that has never produced a hit, and that Ben and his wife have bankrolled. When Doris strikes out to form her own label, Sondra sues the entire Arkin family, setting about a series of events that ultimately lead to their demise. The story is told primarily from the perspective of Oliver's daughter, Rebecca, an attorney who might be the only redeeming member of the Arkin family. Rebecca attempts to keep the family from collapsing, while trying desperately to extricate herself from their grasp"--

A contemporary Frankenstein that defies expectations, this is a thrilling novel, couched in luminous, captivitating prose, about a journalist, Cédric Allyn-Weberson, who suffers a horrific accident, paralyzing him from the neck down. An ideal candidate for a body transplant, Cédric survives the surgery but has both physical and existential trouble with his recovery and adaptation: encountering his lover with a new body, discovering the life history of his donor, and attempting to understand the mind-body relationship as he lives it.

"When Adam Freedman--a skinny, immature, and lackluster high school student from Piedmont, California--is sent by his parents to join his older sister Casey in New York City, he is hopeful that his life is about to change. And it sure does. It is the Summer of 2006--the year of gay marriage demonstrations and the rise of transgender rights--and Casey has thrust herself into New York's fringe lesbian, sexual, and political scene. Accustomed to being a social misfit, Adam now finds himself part of a wild subculture complete with underground clubs, drinking, and friendly women who take a surprisingly intense interest in him. It takes some time for him to realize many in this new crowd assume he is transgendered--a boy who was born a girl--or else why would he always be around? But then he meets Gillian, the girl of his dreams. If only she weren't a lesbian! And if only she didn't believe he was really (sort of) a girl. Ariel Schrag's scathingly funny and poignant debut novel puts a fresh spin on questions of love, attraction, self-definition, and what it takes to be at home in your own skin"--

"Katz lives up to her first novel's potential in this moving, funny, wholly original picaresque about a nice Jewish girl. . . . The pasts and common destiny of two remarkable women--related with perfect timing in Sofia's convincing Yiddish-tinged English--come together beautifully in this nicely crafted, emotionally satisfying, and well-researched historical fiction."-- Publishers Weekly " The Escape Artist , a brilliant work of historical fiction . . . fast-paced and gorgeously written novel" -- Liberty Press Set in the brothels and gangster dens of Jewish Buenos Aires at the beginning of the twentieth century, The Escape Artist catapults us into the lives of Sofia Teitelbaum and Hankus Lubarsky. Sofia, a nice Jewish girl from Poland, is lured away from home by Tutsik Goldenberg, a wealthy traveling businessman who claims to be a lonely Argentine diamond merchant in search of a wife. Upon arriving in Buenos Aires, Tutsik dumps Sofia at his sister's brothel. Hankus, also a nice Jewish girl from Poland, is passing as a man. Having escaped the pogroms of Poland that killed her family, she lives her life as a handsome and mysterious magician and escape artist. When Tutsik spots the talented juggler and acrobat Hankus he envisions success as his manager, seeing Hankus as the means to get out from under his sister's thumb. Sofia and Hankus fall in love and their attempts to walk the tightrope of love, freedom, and independence are quickly put to the test. Sex, deception, magic, and love are the main ingredients of this tour de force novel by Lambda Literary Award winner Judith Katz. In The Escape Artist , Katz reveals that all human interactions consist of love and hate, deception and candor, altruism and self-interest. This is as true in our lives today as it was in an immigrant community at the turn of the last century. Judith Katz is the author of two published novels, The Escape Artist and Running Fiercely Toward a High Thin Sound , which won a Lambda Literary Award for Best Lesbian Fiction. She has received Bush Foundation, McKnight Foundation, and National Endowment fellowships for fiction.

"Part One examines New York from aristocracy (e.g. Henry James and Edith Wharton), immigrants (e.g. Mario Puzo), African Americans (e.g. Ralph Ellison), Jews (e.g. Daniel Fuchs). Part Two studies variations and themes in works of Stephen Crane, Tom Wolfe, F. Scott Fitzgerald, and Theodore Dreiser. Part Three covers New York theatre from Eugene O'Neill and Arthur Miller"--Provided by publisher.

An issue of the American literary magazine which brings its readers not only fiction and poetry, but also scientific essays on the state of the planet, dialogues, oral histories and excerpts of musical scores. Each issue features the work of contemporary artists and sculptors.

James Thomas Flexner has been a professional writer for most of his adult life. After several years spent at the City desk at the New York Herald Tribune after graduating from Harvard University, Flexner went on to become one of America's foremost historians. He has written with great distinction in a unique style accessible to and enjoyed by the scholar and general reader, twenty-six books in the fields of American history and art. Although he is principally known for his kistorical books, notably his four-volume biography of George Washington, Flexner has written in many forms and for many outlets. He has written for print and television; he has been a lecturer, columnist, reviewer, andeven a fiction writer. Collected here are samplings of Flexner's literary accomplishments throughout his long career (spanning over 60 years). In Random Harvest you will find pieces that appeared in Esquire Magaine, Time, The New York Times, Travel and Leisure, and even TV Guide. Included is an essay on George Washington and Watergate, on the art of biography, and many more. For the fan of Flexner, American history, and the art of a writer, in Random Harvest there is something to be enjoyed for everyone.

This extraordinary collection is the first to present the unprecedented range of American Jewish fiction today, from the acclaimed immigrant and post-immigrant masters such as Singer, Bellow, Roth, Ozick, Malamud, and Paley to the new voices of post-acculturation like those of Mark Helprin, Lynne Sharon Schwartz, Daphne Merkin, Allegra Goodman, and Adam Schwartz. Writing Our Way Home limns the dramatic transformation of Jewish life in the past three decades. Its stories arise from such developments as the emergence of feminism, the impact of Israel, the broken silence about the Holocaust, the return to - as well as flight from - tradition, and the birth of an egalitarian religious creativity alongside the further advance of assimilation. It also exhibits the writers' growing knowledge of modern and biblical Hebrew, the wellspring of a new Jewish literature. In bringing our consciousness of American Jewish fiction up to date, the editors emphasize the "open literary community" that has come into being. As Ted Solotaroff characterizes it, "the religious and the secular, the experimental and the traditional, the realistic and the surreal cohabit, and even sometimes nuzzle, more or less peaceably." At the same time, the editors find some developments particularly promising, such as the rekindled literary strategies of Judaism employed by writers "culturally confident" enough, as Nessa Rapoport points out, to turn nostalgic stereotypes into archetypes. Rich and provocative in themselves, these twenty-four stories announce that the Jewish imagination in late-twentieth-century America is flourishing in unforeseen and dazzling ways as its authors continue to extend a remarkably adaptive literary tradition across an array of contemporary contexts.

"This rediscovered gem of Czech literature, a crime novel by renowned Holocaust memoirist Heda Margolius Kovaly, depicts a chilling moment in history, redolent with the stifling atmosphere of political and personal oppression of the early days of Socialist Czechoslovakia. In 1985, Czech Holocaust memoirist, literary translator, and political exile Heda Margolius Kovaly turned her pen to fiction. Inspired by the stories of Raymond Chandler, Kovaly knit her own terrifying experiences in early 1950s Socialist Prague -- her husband's imprisonment and wrongful execution, her own persecution at his disgrace -- into a gorgeous psychological thriller-cum-detective novel. Set in and around a cinema where a murder was recently committed, Innocence follows the unfolding of the investigation while telling the stories of the women who work there as ushers, each of whom is forced to support herself in difficult circumstances. As the novel brings this group alive, it tells their various life stories that have brought them to this job, the secrets they share with one another, and the secrets they keep. When the detective trying to solve the first murder is found slain by the cinema, all of their secrets come into the light. A smart, evocative, and deeply stirring literary crime novel with international appeal"--

"Why do we spend time reading and discussing books which tell of events which never in fact occurred?" The question is elementary - and yet, as David Daiches suggests in this provocative study, it is the elementary questions that are never answered. Although literary criticism today is more concerned with technique than with the basic question of value, the question of value underlies all the others. Professor Daiches therefore directs this book to the search for the basic function and purpose of imaginative prose and poetry. A Study of Literature is not, however, an obscure book of literary theory; it contains abundant and pungent examples and critical analyses - of prose fiction, of modern writing, and of the nature of poetry. "It's main purpose," as Professor Daiches says, "is to help the reader of works of imaginative literature to see what he is reading, to understand just what it is that he gets from different kinds of reading, and to discriminate between those different kinds."

"We all know what Rainbow is," began Lamondois. "Rainbow is a planet colonized by science and designed for physical experiments." "The Far Rainbow was written at one breath, it is full of dynamics and genuine dramatism." - Literary Gazette "Science-fiction stories by the Strugatsky brothers are philosophical pieces. They are full of action but each action is clearly imbued with speculation." - Neva Magazine "Take the Far Rainbow, for instance. 'Authentic' is the word, and this is rather unusual where science fiction is concerned." - The Young Guard Magazine The brothers Boris and Arkady Strugatsky have chosen different careers. Arkady is a linguist and Boris an astronomer. Perhaps it is this divergence of interest which has helped them to describe the world of the far future so vividly. The brothers Strugatsky are among the most prominent Soviet science-fiction writers. They have written a number of works in the genre.

Anzia Yezierska's "Children of Loneliness" explores the complex experiences of Jewish immigrants in New York City. This literary work delves into the challenges of social alienation and the struggles inherent in cultural assimilation. Through compelling prose, Yezierska examines the conflicts that arise between generations as they navigate new identities in a rapidly changing world. A poignant portrayal of the immigrant experience, "Children of Loneliness" offers a powerful glimpse into the lives of those seeking a new home while grappling with the loss of their traditions. The novel masterfully portrays the universal themes of identity, belonging, and the search for connection in an unfamiliar land, ensuring its enduring relevance. This carefully prepared print republication makes this important historical fiction accessible to all. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

E. Phillips Oppenheim (1866 1946) was one of the most popular and successful writers of spy fiction in the early twentieth century, and was known in his time as the Prince of Storytellers. He was the author of more than 100 novels. Edward Phillips Oppenheim (22 October 1866 - 3 February 1946) was an English novelist, in his lifetime a major and successful writer of genre fiction including thrillers.Edward Phillips Oppenheim was born 22 October 1866 in Leicester, the son of Henrietta Susannah Temperley Budd and Edward John Oppenheim, a leather merchant. He worked in his father's business for almost twenty years. He went to Wyggeston Grammar School.Oppenheim's literary success enabled him to buy a villa in France and a yacht, then a house in Guernsey, though he lost access to this during the Second World War. Afterwards he regained the house, le Vanquiédor in St. Peter Port, and he died there on 3 February 1946

The University of Iowa is a leading light in the writing world. In addition to the Iowa Writers’ Workshop for poets and fiction writers, it houses the prestigious Nonfiction Writing Program (NWP), which was the first full-time masters-granting program in this genre in the United States. Over the past three decades the NWP has produced some of the most influential nonfiction writers in the country. I’ll Tell You Mine is an extraordinary anthology, a book rooted in Iowa’s successful program that goes beyond mere celebration to present some of the best nonfiction writing of the past thirty years. Eighteen pieces produced by Iowa graduates exemplify the development of both the program and the field of nonfiction writing. Each is accompanied by commentary from the author on a challenging issue presented by the story and the writing process, including drafting, workshopping, revising, and listening to (or sometimes ignoring) advice. The essays are put into broader context by a prologue from Robert Atwan, founding editor of the Best American Essays series, who details the rise of nonfiction as a literary genre since the New Journalism of the 1960s. Creative nonfiction is the fastest-growing writing concentration in the country, with more than one hundred and fifty programs in the United States. I’ll Tell You Mine shows why Iowa’s leads the way. Its insider’s view of the Iowa program experience and its wealth of groundbreaking nonfiction writing will entertain readers and inspire writers of all kinds.

Kadya Molodowsky (1894-1975) was among the most accomplished and prolific of modern Yiddish poets. Between 1927 and 1974, she published six major books of poetry, as well as fiction, plays, essays, and children's tales. Molodowsky participated in nearly every aspect of Yiddish literary culture that existed in her lifetime, first in Poland, where she lived until 1935, when she emigrated, and then in America. Before her emigration, Molodowsky taught young children in the Yiddish schools of Warsaw. In New York, she supported herself by writing for the Yiddish press and founded a literary journal, Svive (Surroundings), which she edited for nearly thirty years. Briefly during the early 1950s, Molodowsky wrote and edited Yiddish publications in the new state of Israel. She returned there in 1971 to receive the Itzik Manger Prize, the most prestigious award in Yiddish letters.

Before Guy Gavriel Kay became known for his groundbreaking works of speculative fiction, establishing himself as one of the world's most respected writers in that genre, he was an accomplished poet, his work appearing in major literary journals such as The Antigonish Review and Prism . Through the years, while writing his dramatic international bestsellers, Kay has continued to quietly explore the paths and boundaries of poetry as well. Now for the first time, Guy Gavriel Kay's poetry has been gathered and selected for publication. For those familiar with his fiction, the poems in Beyond This Dark House will resonate for their linguistic and emotional nuances and their mythological allusions, echoing and illuminating themes of his fiction. But readers of contemporary poetry will also be captivated by the exquisite craft and power of these poems. Some are ironic and austere, slyly tracing the interplay of writer and world, present and past; others are sensual, even erotic, charting the mercurial but abiding nature of passion-in love, in language, in history.