“Cynthia†is a poignant novel by Leonard Merrick, showcasing his talent for crafting compelling narratives and memorable characters. Set against the backdrop of early 20th-century London, the story follows the intertwined lives of individuals navigating love, loss, and societal expectations. Merrick's elegant prose and keen observations create a rich tapestry of human experience, inviting readers to reflect on the complexities of relationships and the enduring power of the human spirit. This edition of “Cynthia†offers readers a chance to rediscover a classic work of British literature, celebrated for its insightful portrayal of human emotions and its timeless themes. Leonard Merrick's ability to capture the nuances of human interaction makes “Cynthia†a rewarding read for those who appreciate finely crafted literary fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Explore the intricate dance of love and deception in Leonard Merrick's "The Man Who Was Good," a compelling psychological drama set in the early 20th century. This meticulously prepared edition, featuring an insightful introduction by J.K. Prothero, delves into the complexities of man-woman relationships, laying bare the subtle nuances of marriage and the devastating consequences of betrayal. Merrick masterfully crafts a story that resonates with timeless themes of trust, identity, and the fragile nature of domestic life. Navigate the psychological landscape of a relationship tested to its limits, as "The Man Who Was Good" explores the hidden depths of human connection and the enduring power of the past. A classic of literary fiction, this novel offers a poignant and thought-provoking exploration of love, loss, and the enduring search for meaning within the bonds of matrimony. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Family is one topic that Lindsey wants to avoid. She loves her family more than anything, but no one else understands their dynamic. So what if her family fights or the next meal is a big question mark? That's all normal in the Holdermann house. When Lindsey begins a friendship with Baylee, things start to change. Her views of herself and her family all come into question. What once was so simple has Lindsey struggling to find her identity and her place in her family. Speaking the Truth of Family is a novel-in-verse that delves into family secrets, explores self-identity, and fosters the bonds of friendship.

Product Description Ivan Klima has been acclaimed by Booklist as "one of the most important literary voices of Eastern Europe, on a par with Havel, Konrad, and Haraszti." His novels Waiting for the Dark, Waiting for the Light and The Ultimate Intimacy have established him as a writer with a uniquely wry perspective on human affection. In Lovers for a Day, he delivers a beautiful and masterfully crafted collection of short stories on the theme of love. In "Heaven Hell Paradise," a doctor who has escaped to London comes back to communist Czechoslovakia to be with his lover and realizes too late that he barely knows her. And in "A Baffling Choice," a young woman begins an affair with an older man who lives in her apartment building, right under the nose of his wife. The dreams and frustrations of the student cafeteria and the turmoil of political exile in the early 1960s evolve into portraits of people struggling with responsibility, fidelity, and absence, haunted by a terrible guilt when their desires begin to become reality. Klima's unique wisdom creates a personal political history of Prague that is an acute and moving examination of our attempts to find freedom in love. Amazon.com Review Ranging over nearly three decades, the stories collected in Ivan Klíma's Lovers for a Day offer a fine cross section of the Czech writer's career. Yet the book also traces the misunderstandings and frustrations, the hopes and disenchantments of an entire nation--where, ironically enough, Klíma's creations were banned until the mid-1990s. How does this fictional barometer work? The earlier tales, which tend toward dissections of private life, seldom mention the Communist regime--yet their protagonists are so thoroughly warped by political circumstance that even love becomes an avatar of control and constraint. In the later, post-perestroika stories, Klíma's characters explore their newfound freedom. Yet that, too, turns out to be something of a mixed bag, in both the public and private sector. No wonder the judge in "It's Raining Out" finds his new beat--divorce court--nearly as dispiriting as the old regime's political trials: He would divorce couples on grounds of infidelity or mutual incompatibility. Some of them were husbands and wives who had stopped living together long ago, but in spite of that, he could never rid himself of the conviction that most of the divorces were unnecessary, that people were attempting to escape the inescapable: their own emptiness, their own incapacity to share their lives with another person. For Klíma's countryman desire represents a zone of freedom: an assertion of the unique self in the face of a collective state. For Klíma, alas, eros is yet another venue for repression. Suggesting that national politics might inscribe itself onto the deepest contours of the individual, he's able to write about both at once. It's a grim equation, perhaps. But Klíma's mastery of the medium, and his rare emotional intelligence, make for a superb exposition of love among the ruins. --Burhan Tufail From Publishers Weekly Sophisticated readers may expect to admire anything new from the justly revered Czech novelist (Waiting for the Light, Waiting for the Dark). Many of them will be disappointed with these 12 short stories. Klima's tales are sorted into three unequal sections: "Lovers for One Night" collects five stories from the 1960s, while "Intimate Conversations" and "About Love and Death" hold seven from the '80s and '90s. All these dejected fictions concern the success or failure of hopeful myths of intimacyAbut they are not equally successful. The fiction from the '60s tends to drown in involuted rhetoric; sometimes it's trite, other times it's supercharged with languid enervations and prominent symbolism through which the characters barely appear. It's hard to know whether the translator or Klima is responsible for such clunky prose as "She knew everything. She knew precisely why it was w

The classic novelization of one of Broadway’s most enduring and beloved musicals, updated with a beautiful new cover. Maria is young and innocent and has never known love—until Tony. And Tony, searching for life beyond the savagery of the streets, has discovered love for the first time with her, too. But Maria’s brother is the leader of the Sharks and Tony had once led the rival Jets. Now, both gangs are claiming the same turf and with tensions rising to the point of explosion, it seems there is no way to stop a rumble. Tony promised Maria that he would stay out of it. But will he be able to keep his word or will their newfound love be destroyed by violence or even death? Evocative and unforgettable, this novelization brings out all of the depth, drama, and beauty of one of the most enduring stories in the history of American theater.

“I am Sonya Vronsky, professor of mathematics at Tel Aviv University, and this is the story of a day in late August. On this remarkable day I kissed a student, pursued a lover, found my father, and left my brother.” So begins A Wall of Light , a novel which chronicles a single day in the life of Sonya, a thirty-two-year-old deaf woman about to break out of her predictable routine. Sonya lives in Tel Aviv with her protective half-brother, Kostya; their household has dwindled from five to two. Anna, their mother, is now in a nursing home and Noah, Kostya’s son, is living in Berlin. Kostya, wracked with guilt for the tragedies that have befallen Sonya, also grapples with the memory of his wife, Iris, a lawyer murdered in the course of a dangerous investigation seventeen years earlier. As we move through Sonya’s day, Noah and Anna narrate their stories as well. Noah’s journal entries cover the years 1980-1993, and Anna’s letters to Andrei, her married lover in Russia, are written in 1957, after Anna has emigrated to Israel to build a new life for herself and her son, Kostya. While Sonya’s story moves rapidly through the events of a single day, Noah and Anna’s voices take the reader back in time, filling in the circumstances that have led Sonya to this pivotal moment. We learn that Sonya has already endured two catastrophes. At age twelve, a medical mishap leaves her deaf, and at eighteen, while studying at university in Beersheba, Sonya is assaulted by two hoodlums. Throughout the novel, Sonya’s experiences, instigated by both human error and human evil, are echoed by the larger, political violence that haunts modern Israel. While Noah’s and Anna’s voices shed light on Sonya’s journey, they also provide insights into the political and cultural fabric of Israel from the mid 1950s to the present. Noah’s journal entries, starting with his tenth birthday and ending shortly after his army service, map his coming of age. We see him wrestling with his sexual identity and first sexual encounters, the fallout from his mother’s leftist politics, and his own conscription to the army. Anna’s secret letters to Andrei offer an outsider’s perspective on the new Israeli state. The remarkable events of Sonya’s day are set in motion when her brother gives her an antihistamine. Overcome with sleepiness, she dismisses her morning class early, asking only one student, Matar, to stay behind. She wants to understand what lies behind his unusual expression. He answers that he has been involved in war crimes, and surprises Sonya by kissing her. Sonya feels that she has been roused from a long slumber and as the novel progresses we see the ways in which her awakened desire shapes her choices. She decides to take a taxi home from the university and impulsively invites the taxi driver inside and seduces him. He complies, but when she tells him she’s deaf, he flees in confusion. Sonya is convinced that she has fallen in love with him, and decides to pursue him. She solicits her brother’s help and sets out to find her lover. Sonya’s search gains in intensity and purpose as she travels to East Jerusalem. There she encounters the walls that prevent Palestinians from moving freely through the West Bank. After an Alice in Wonderland -like journey past numerous obstacles, Sonya finally makes it to her lover’s house. This second encounter leads Sonya to a central revelation: the identity of her father. As this day of awakened desire and dispelled secrets closes, Sonya is able to step out from under the protective wing of her brother into a life that reflects both the ambiguity and uncertainty of contemporary Israel and her own personal possibilities.

Chase has worked many years and has achieved remarkable success in the arena of Country music. He is among the Nashville elite. Pain and misery have been his calling card with each song as he pines for lost love. He outwardly smiles at the world while drowning in sorrow inside. Then one day out of nowhere, she appears and shakes up his world as he could never have imagined. Nina has been away from Nashville for fifteen years. She's wanted to come home since the day she left, but circumstances were never just right. Now she's back and hoping to rekindle what she has lost, but first, she must atone for her sins. If he were anything short of a superstar, things would be more comfortable, but his status complicates matters. The news she brings could topple his career, and she isn't sure he will be willing to accept that.

From David Adjmi the virtuosic playwright dubbed one of the "best and most original theatre artists of a generation" by Vogue come a wholly original one-woman show. Elective Affinities takes the audience into the apartment of Alice a witty octogenarian offering a funny and savage portrait of cultured life promising to initiate a vital discourse about what it means to be civilized.

With the war over, it was time to look forward, and the Festival of Britain symbolised a new optimism. Poppy's catering business was proving very successful as rationing and shortages ended. For Chloe life was bitter; a marriage in ruins and a baby rejected, the baby a new burden and a new joy for Poppy.

Sister Barbara is bitterly disappointed to leave London's busy Royal Hospital for health reasons, and feels life will be dull at the little cottage hospital on the South Coast, but it turns out to be engrossing work - and romantically challenging.

Summer can give an unexpected turn to a romance--or a marriage. "Ann Birstein knows that summer is the middle class' Saturday Night." Jose Yglesias "Everyone, men included, will like Birstein's book... her world is so contemporary, her observations so altogether accurate." Diane Johnson, Book World . . . in her sharp and witty portraits of three deluded women, her touch is as deft and light as it is revealing." Publisher's Weekly Probably you have seen Mia Farrow reading this book in the movie, Hannah and Her Sisters .

An Exaltation of Romance and Revelry

Excerpt from The Puritan's Daughter: Sequel to "Creole and Puritan"; A Character Romance of Two Sections This is entirely true to the theme. It is so natural, so logical, so inevitable as to pass unchallenged by the acutest Southern sensibility. In his allegiance to his art Mr. De Leon sacrifices no part of his loyalty to his blood and birth. The moral of his writing is entirely just and Sound. But the fact remains - and it is this which is noteworthy - that our interest centers in a Northern rather than in a Southern group; and that. As for the author, we lose all trace of his identity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Romance Of Natural History 2 Philip Henry Gosse Nisbet, 1861 Science; Life Sciences; Zoology; General; Natural history; Nature / General; Science / Life Sciences / Zoology / General

Writer and critic Vivian Gornick’s long-unavailable classic exploring how Left politics gave depth and meaning to American life.

Book by Stern, Ray

A deliciously satirical postmodern romance Seven Wives reimagines the search for an enduring passionate love. The too-much-loved narrator, Jack, an extension of the everyman hero of Baumbach's novel Reruns marries seven women, including a childhood sweetheart, an older woman who turns out to be an unacceptably near relation, the loveliest woman in the world, a woman so fat that sex with her becomes impossibly difficult, and a woman who confuses violence and love. Jack's quest for the perfect marriage is, of course, doomed to failure and ultimately leads him to the edge of madness, but it also produces seven bizarrely interesting near-misses along the way. From his home in New York City, Jack tells his story after the fact, as a way of reclaiming himself. He obsesses not only about his search for the right woman but also about his quixotic pursuit of a version (or versions) of the American dream. Jack moves from cabdriver, to actor, to scriptwriter for pornographic movies, to entrepreneur, to Hollywood producer. Seven Wives treats marriage and career as inseparable pursuits on the same road to success. The two abiding issues of all of Baumbach's fiction - the erratic workings of the imagination and the even more erratic workings of the human heart--appear in their purest form in his latest novel.