8vo size hardcover

Richard Marsh, also known as Richard Bernard Heldmann, was a prolific British author in the Edwardian period. Marsh's best known work is The Beetle , a supernatural thriller novel.

A husband falls into a psychological spiral in a novel by the author of Laura, "an expert at suspense and suspicion" (The New York Times). When Fletcher marries Elaine, his second wife, nineteen years his junior, he can't imagine a more passionate union. Then an illness destroys his confidence, and all he can picture is her next affair. He keeps a secret diary of his fantasized suspicions, making his impending suicide look like murder... With what Graham Greene once called her "devilish cunning," Vera Caspary reveals, with sure psychological insight, the strange desires that hide in the hearts of seemingly respectable people. Out of a web of love, jealousy, guilt, and hate, she has woven one of her most suspenseful thrillers. "Caspary writes emotive entertainments, part romance, part suspense, about women destined to kill or doomed to die." --Kirkus Reviews "A beautiful job." --The Boston Herald The Man Who Loved His Wife is part of the Femmes Fatales series, featuring the best of women's writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era with such titles as Now, Voyager; Stella Dallas; Bunny Lake is Missing; The Girls in 3-B; and more.

Based on an intriguing alternative history hypothesis, this novel imagines a world where the Moors never left Southern Spain after their 800-year reign but instead expanded their empire across Europe. This fascinating premise is explored through the chaotic lens of a bumbling film crew in the Sahara desert. The director, lost in a haze of Moroccan kif, has embraced the local culture a little too enthusiastically. With the scriptwriters gone and the leading actor in a perpetual sulk inside his Airstream, the production is at a standstill. Enter Tinctorio Indigolin, a bitcoin billionaire on the run from a Shakespeare-quoting Irish assassin. In a bid to leverage a tax loss, Indigolin acquires the film rights, injecting a new lease of life into the project. Mysteriously, a captivating screenplay begins to appear on set, page by page, night after night. Penned by an enigmatic writer, the script proposes a world where the Moors didn't just resist expulsion in 1492 but went on to dominate Spain, France, and Italy, creating an Islamic State of Europe. As the screenplay unfolds, it transforms the lives of everyone involved in the film. The narrative weaves through a labyrinth of twists, assassinations, and narrow escapes, employing the most unexpected methods, only to culminate in the most uplifting conclusion you'll encounter this year.

MURDER ME FOR NICKELS Walter Lippit makes music all over town. He owns the juke boxes that play the tunes that keeps the bars and the diners hopping. Jack St. Louis works for Lippit, smoothing the customers and keeping the nickels coming. But then along comes Benotti and the Chicago syndicate to louse up the operation. It's everything Jack can do to stay one step ahead. One step ahead of Benotti's gang, Lippet--and Lippit's willing wife Patty, who wants to be a singer and is convinced that Jack can make that happen too. And maybe he can. It's all in a week's work. BENNY MUSCLES IN Benny Tapkow has worked as crime boss Pendleton's chauffeur for seven years, but he's itching to get ahead. He feels like he deserves a piece of the action, but Pendleton won't budge. So Benny strikes a deal with Big Al Alverato to kidnap Pendleton's daughter Pat to get him in with the rival gang. But the snatch doesn't come off as planned, and now Benny is stuck with Pat, a hellion with a temper and plenty of mood swings. Pendleton's men are after him and he has to dope her just to keep her in line. The last thing he figured on was falling in love.

Ray Tompkins is the kind of person you never get to know. He's the security guard, the factory worker, the man working the midnight shift. Nobody really understands Ray - not his coworkers, not his family, and certainly not the women in his life. There is a rage building inside Ray Tompkins and Los Angeles is the fuel - the sick obsession with celebrity mixed with the vacuousness of everyday life. Against this backdrop, Ray Tompkins finds a way to vent his anger. He, too, will be known.

"An eerie novel . . . an unbeatable combination of suspense, sex and the supernatural . . . highly recommended." - Baton Rouge Advocate "The worthy successor to Rosemary's Baby " - San Francisco Examiner "A horror masterpiece " - Camden Courier Post It starts out innocently enough, when reporters Tony Dumont and Robin Shepherd are sent to interview teenager Mark Elias, a scientific genius, about a scholarship he has won. But it is quickly clear that there is something very strange about the Elias family. Mark and his sister Shirley spend long hours behind closed doors conducting weird and inscrutable experiments involving electricity and a tape recorder. And then there is old Mrs. Elias, the children's grandmother, who died recently and whom the family seems terrified to discuss. The two journalists believe there may be a more serious news story than the one they were sent to cover, but they have no idea how serious - until people begin to die . . . Arch Oboler (1907-1987) was a major figure in the Golden Age of Radio whose weekly horror show Lights Out terrified listeners in the 1930s and '40s. In House on Fire (1969), his only novel, Oboler delivers a page-turning chiller that is effective both as an eerie tale of supernatural horror and as an examination of the nature of evil. This edition features a new introduction by Christopher Conlon

“SOPHISTICATED AND SUSPENSEFUL . . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.” –The New York Times Book Review “At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . [Wilentz’s] prose tugs at the reader. . . . The characters are magnetic. . . . [This] is a very human tale of regrets, revenge, and the elusive nature of absolution.” –Entertainment Weekly “SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.” –Los Angeles Times “MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of The New Yorker ’s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, Martyrs’ Crossing allows us unprecedented access to a little-understood and often misrepresented part of the world.” –Chicago Tribune “A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . Martyr’s Crossing matches Damascus Gate in the quality of research and the mass of intriguing characters–and yet it remains a lean thriller.” –The New York Observer

Hailed by Thomas Pynchon as “daringly imagined and darkly romantic—a moral thriller,” Destiny Express captures both the glamour and the terror of an era, dramatizing the perilous moment when art, politics, and destiny converged on the tracks out of Berlin. Berlin, the last day of February, 1933. The Reichstag lies in smoldering ruins, a new world about to spring from its ashes. And now for German filmmakers the choices are stark: stay and collaborate with a government that believes in cinema’s power to shape reality, or leave everything behind. Destiny Express is the story of Fritz Lang and Thea von Harbou, husband and wife, director and screenwriter—together, they made some of the greatest films of all time: M, Metropolis, Doctor Mabuse. As each day is torn from the calendar they watch as one by one Bertolt Brecht, Max Ophuls, Billy Wilder, take the next train out. Destiny Express follows Lang, von Harbou, and a host of real and fictional others––novelist-turned-minister-of-culture Joseph Goebbels, American café Surrealist Sam Harrison, Mercedes racing champ Otto Merz, film star Rudolf Klein-Rogge, a pair of not-so-secret police—as their paths converge, intertwine, and separate across the grid of Berlin, from the artificial daylight of the UFA soundstage to the artificial night of Berlin's most exclusive and decadent nightclubs. Harsh lights, long shadows: the perfect setting for a deeply researched, deftly imagined tale, as one character puts it, of "crime, gambling, cocaine, jazz, stock exchange maneuvers, smuggling, hypnosis, counterfeiting, violence, Expressionism." Destiny Express is the story of a marriage at the end of its passion, at the edge of history—all at the end of an era when film was to mean more than it ever would again.

Aus dem Buch: "Sie hatten ohnehin ein wenig Aufsehen erregt. Man ist zwar in Paris an sehr vieles, das andernorts Zusammenrottungen verursachen würde, schlechtweg gewöhnt; ein höchst nachlässig gekleidetes Paar aber fällt in einem erstklassigen Mode-Restaurant auch in Paris auf. Ihre Gesichter, die in diesem Milieu sofort sozusagen dominierten, und das sichere Auftreten Fecs hatten den Maître d'Hôtel jedoch schnell entwaffnet; die Lebhaftigkeit ihrer Unterhaltung, welche durchaus gegen die Lokalusancen verstieß, besonders das überaus kräftige Mienenspiel Bichettes hatten dann aber neuerdings unliebsame Aufmerksamkeit hervorgerufen." Walter Serner (1889-1942) war ein Essayist, Schriftsteller und Dadaist.

A washed up TV reporter stumbles onto a corruption scandal in Western China. Pursued through the desert by a psychotic spin-doctor and a world-weary cop, he discovers the real China: illegal metal mines, a fashion-crazed gang of girl bikers, a whole commune of Tiananmen Square survivors and the up-market sleaze-joints of Beijing.

When young Tony Florentino agrees to fly out of Miami to do a favour for his father's partner Herb, he's thinking chiefly about a weekend of the good life. For Herb's niece Bella has disappeared, and Tony is meant to find her... No problem. However, just a couple of days in Miami and Tony is no longer so optimistic. Between the city's sleazier joints and its exclusive jetset clubs, he learns that the sweet-natured Bella has made some surprisingly ruthless enemies...Tony blunders on -- determined to solve the mystery, but blissfully unaware of the real powers behind it all. And when his life is put into danger, it is too late to discover that even friends cannot be trusted.

ONE WAS A KILLER: A TOUGH KID--with a record of violence. The headlines screamed for a fast conviction. THE LEADER of a vicious gang. What had he wanted from Ann Avery the night of her death? A DOPE ADDICT--She looked too frail to kill anyone. A HIGH LIVER--on a teacher's salary. Where did he get the big money? A JEALOUS HUSBAND--Did he really love his wife? A LUSH--Blackmail was her only chance for more whiskey. A RELUCTANT WITNESS--Why did he hide a piece of explosive evidence which might clear another suspect? These were the people psychoanalyst Gray set out to question about the murder of Ann Avery, knowing as he searched that one or more among them would also be killed

The elderly detective Drury Lane is aided by Patience Thumm in the investigation of the mysterious death of a corrupt state senator

Hardcover book.

Fourteen-year-old Ella Wallis is a typical unhappy teenager. Bullied at school, misunderstood by her family, she just wants to be left alone. But Ella has one thing most teenagers don't: telekinetic powers. Ella doesn't know how she moves things without touching them, or even that she's doing it, but she's soon going to discover that this is only the beginning of her extraordinary gifts - gifts that can be used for good or evil... Combining a natural storytelling talent with his own unique psychic experiences, Uri Geller's debut thriller is an extraordinary exploration of the hidden powers of the mind and the terrifying consequences of unleashing them.

In September 1957 the South is mesmerized by events in Little Rock, Arkansas, whose governor has called out the National Guard as part of his attempt to halt the integration of Central High School. And in Memphis, two white men and a white woman are planning to capitalize on the confrontation between the races by kidnapping the grandson of a wealthy black entrepreneur and pinning the crime on white supremacists. The problem is that Podjo, Rufus, and Reeny have only an amateur's understanding of what a kidnapping entails -- and a total, terrifying incomprehension of their victims. In September September a magisterial historian of the Civil War charts its distant repercussions in the streets of the contemporary South. By turns wryly comic, ribald, and chilling, Shelby Foote's novel is at once a convincing thriller and a powerful tragicomedy of race. September September has been adapted by Larry McMurtry for the Turner Network Television film Memphis, starring Cybill Shepherd.

A stunning, erotic thriller by the bestselling author of Whiteness of Bones. Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City--as if to test the limits of her own safety--propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact--and about her own.