Magda Herzberger is a force of nature. To meet Magda is to encounter a bundle of energy whose indefatigable spirit and beauty both inside and out belies her being witness to one of the darkest chapters in human history. From her riveting autobiography "Survival" to the published collections of her captivating poetry, she has guided us into a world that seems almost unimaginable-its highs, its lows, its mysteries, its contradictions. And in the process she provides us with insights that make all us all richer. Now she takes those life experiences and provides us with a compelling blueprint, both spiritual and practical, in how to tackle life's unpredictable and at times tortuous challenges. In the stress of our twentieth century world, we face a drug culture that seeks escapism because the pain of reality is just too great or the high of a dangerous, temporary fix is too irresistible to pass up. Even among the more mainstream population, we have become accustomed to treatments and medications that promise to help us tackle physical and mental challenges and often a sense of hopelessness and being overwhelmed by the challenges of life. In America alone it is estimated that we spend close to half a trillion dollars each year to find ways to treat our psychological frailties. In "Surviving Hard Times," Magda shares with us the lessons of an extraordinary life that combines her story of hard grit and her relentless sense of purpose. The hard times she experienced are raw and unvarnished, and now she wants to pass on her insights to all of us.

"China and Japan have cultural and political connections that stretch back fifteen hundred years, but today their relationship is strained. China's military buildup deeply worries Japan, while Japan's brutal occupation of China in World War II remains an open wound. In recent years both countries have insisted that the other side must openly address the flashpoints of the past before relations can improve. Boldly tackling the most contentious chapters in this long and tangled relationship, Ezra Vogel uses the tools of a master historian to examine key turning points in Sino-Japanese history. Gracefully pivoting from past to present, he argues that for the sake of a stable world order, these two Asian giants must reset their relationship."--Cover

"The decline of the West, which at first sight may appear, like the corresponding decline of the Classical Culture, a phenomenon limited in time and space, we now perceive to be a philosophical problem that, when comprehended in all its gravity, includes within itself every great question of Being. "If therefore we are to discover in what form the destiny of the Western Culture will be accomplished, we must first be clear as to what culture is, what its relations are to visible history, to life, to soul, to nature, to intellect, what the forms of its manifestation are and how far these forms — peoples, tongues and epochs, battles and ideas, states and gods, arts and craftworks, sciences, laws, economic types and world ideas, great men and great events — may be accepted and pointed to as symbols."

One Discipline, Four Ways offers the first book-length introduction to the history of each of the four major traditions in anthropology—British, German, French, and American. The result of lectures given by distinguished anthropologists Fredrik Barth, Andre Gingrich, Robert Parkin, and Sydel Silverman to mark the foundation of the Max Planck Institute for Social Anthropology, this volume not only traces the development of each tradition but considers their impact on one another and assesses their future potentials. Moving from E. B. Taylor all the way through the development of modern fieldwork, Barth reveals the repressive tendencies that prevented Britain from developing a variety of anthropological practices until the late 1960s. Gingrich, meanwhile, articulates the development of German anthropology, paying particular attention to the Nazi period, of which surprisingly little analysis has been offered until now. Parkin then assesses the French tradition and, in particular, its separation of theory and ethnographic practice. Finally, Silverman traces the formative influence of Franz Boas, the expansion of the discipline after World War II, and the "fault lines" and promises of contemporary anthropology in the United States.

"A very personal journey through Jewish history (and Cohen's own), and a passionate defense of Israel's legitimacy. Richard Cohen's book is part reportage, part memoir--an intimate journey through the history of Europe's Jews, culminating in the establishment of Israel. A veteran, syndicated columnist for The Washington Post, Cohen began this journey as a skeptic, wondering in a national column whether the creation of a Jewish State was "a mistake." As he recounts, he delved into his own and Jewish history and fell in love with the story of the Jews and Israel, a twice-promised land--in the Bible by God, and by the world to the remnants of Europe's Jews. This promise, he writes, was made in atonement not just for the Holocaust, but for the callous indifference that preceded World War II and followed it--and that still threatens. Cohen's account is full of stories--from the nineteenth century figures who imagined a Zionist country, including Theodore Herzl, who thought it might resemble Vienna with its cafes and music; to what happened in twentieth century Poland to his own relatives; and to stories of his American boyhood. Cohen describes his relationship with Israel as a sort of marriage: one does not always get along but one is faithful"--

This provocative volume re-examines and analyzes a problem that has plagued mankind from the beginning of history through the present atomic age. The author promotes his belief in a minimum program to limit aggression by means of conventional arms and by maintaining a reasonably high level of technological preparedness for retaliatory purposes, without bringing the world to the brink of an all or nothing situation. Originally published by Doubleday in 1957.

The twenty-five years after the Second World War were a lively and fertile period for the American novel and an era of momentous transformation in American society. Taking his title from the Kafka parable about the leopards who kept racing into the courtyard of the temple, disrupting the sacrifice, until they were made part of the ritual, Morris Dickstein shows how a daring band of outsiders reshaped the American novel and went on to dominate American fiction for the rest of the century. In fluid prose, offering a social as well as a literary history, Dickstein provides a wide-ranging and frank reassessment of more than twenty key figures-including Jewish writers like Norman Mailer, Saul Bellow, and Philip Roth; African-Americans such as Ralph Ellison and James Baldwin; colorful emigrés like Vladimir Nabokov; and avatars of a new youth culture, including J. D. Salinger and Jack Kerouac. Disputing the received wisdom about the culture of the Cold War, Dickstein shows why artists turned inward after the war and demonstrates how the writing of the 1960s emerged from the cultural ferment of the preceding decades, including road novels, avant-garde painting, bebop, film, psychoanalysis, and social changes that continue to affect us today.

Why did Napoleon succeed in 1805 by fail in 1812? Were the railways vital to Prussia's victory over France in 1870? Was the famous Schlieffen Plan militarily sound? Could the European half of World War II have been ended in 1944? These are only a few of the questions that form the subject matter of this meticulously researched, lively book. Drawing on a very wide range of unpublished and previously unexploited sources, Martin van Creveld examines the 'nuts and bolts' of war: namely, those formidable problems of movement and supply, transportation and administration, so often mentioned - but rarely explored - by the vast majority of books on military history. In doing so, he casts his net far and wide, from Gustavus Adolphus to Rommel, from Marlborough to Patton, subjecting the operations of each to a thorough analysis from a fresh and unusual point a view. The result is a fascinating book that has something new to say about virtually every one of the most important campaign waged in Europe during the past two centuries. Moreover, by concentrating on logistics rather than on the more traditional tactics and strategy, Dr van Creveld is able to offer a reinterpretation of the whole field of military history.

NOW AN ACCLAIMED DOCUMENTARY, Winter Journey Set amid the growing tyranny of Germany's Third Reich, here is the riveting and emotional tale of Günther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances--and found themselves falling in love in a country bent on destroying them. In the spring of 1933, as the full weight of Germany's National Socialism was brought to bear against Germany's Jews, more than 8,000 Jewish musicians, actors, and other artists found themselves expelled from their positions with German orchestras, opera companies, and theater groups, and Jews were forbidden even to attend "Aryan" theaters. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created under the auspices of Joseph Goebbels's Ministry of Public Enlightenment and Propaganda. Providing for Jewish artists to perform for Jewish audiences, the Kulturbund, which included an orchestra, an opera company, and an acting troupe, became an unlikely haven for Jewish artists and offered much-needed spiritual enrichment for a besieged people--while at the same time providing the Nazis with a powerful propaganda tool for showing the rest of the world how well Jews were ostensibly being treated under the Third Reich. It was during this period that twenty-two-year-old flutist Günther Goldschmidt was expelled from music school because of his Jewish roots. While preparing to flee the ever-tightening grip of Nazi Germany for Sweden, Günther was invited to fill in for an ailing flutist with the Frankfurt Kulturbund Orchestra. It was there, during rehearsals, that he met the dazzling nineteen-year-old violist Rosemarie Gumpert--a woman who would change the course of his life. Despite their strong attraction, Günther eventually embarked for the safety of Sweden as planned, only to risk his life six months later returning to the woman he could not forget--and to the perilous country where hatred and brutality had begun to flourish. Here is Günther and Rosemarie's story, a deeply moving tale of love and the remarkable resilience of the human spirit in the face of terror and persecution. Beautifully and simply told by their son, National Public Radio commentator Martin Goldsmith, The Inextinguishable Symphony takes us from the cafés of Frankfurt, where Rosemarie and Günther fell in love, to the concert halls that offered solace and hope for the beleaguered Jews, to the United States, where the two made a new life for themselves that would nevertheless remain shadowed by the fate of their families. Along with the fate of Günther and Rosemarie's families, this rare memoir also illuminates the Kulturbund and the lives of other fascinating figures associated with it, including Kubu director Kurt Singer--a man so committed to the organization that he objected to his artists' plans for flight, fearing that his productions would suffer. The Kubu, which included some of the most prominent artists of the day and young performers who would gain international fame after the war, became the sole source of culture and entertainment for Germany's Jews. A poignant testament to the enduring vitality of music and love even in the harshest times, The Inextinguishable Symphony gives us a compelling look at an important piece of Holocaust history that has heretofore gone largely untold.

Dr. Peikoff identifies the cause of Nazism--and the ominous parallels between the intellectual history of Germany and of the United States. He demonstrates that there is a science which has been all but obliterated in the modern world. "Yet this science determines the destiny of nations and the course of history ...," he writes. "It is a science which has to be destroyed, if the catastrophes of our time were to become possible. The science is philosophy."

A leading authority's panoramic history compares the experiences of immigrant-ethnic groups, African-Americans, and Native Americans to each other and in relation to the national political culture. Winner of the John Hope Franklin Prize (1991) Winner of the Theodore Saloutos Award from the Immigration History Society (1993) Do recent changes in American law and politics mean that our national motto — e pluribus unum — is at last becoming a reality? Lawrence H. Fuchs searches for answers to this question by examining the historical patterns of American ethnicity and the ways in which a national political culture has evolved to accommodate ethnic diversity. Fuchs looks first at white European immigrants, showing how most of them and especially their children became part of a unifying political culture. He also describes the ways in which systems of coercive pluralism kept persons of color from fully participating in the civic culture. He documents the dismantling of those systems and the emergence of a more inclusive and stronger civic culture in which voluntary pluralism flourishes. In comparing past patterns of ethnicity in America with those of today, Fuchs finds reasons for optimism. Diversity itself has become a unifying principle, and Americans now celebrate ethnicity. One encouraging result is the acculturation of recent immigrants from Third World countries. But Fuchs also examines the tough issues of racial and ethnic conflict and the problems of the ethno-underclass, the new outsiders. The American Kaleidoscope ends with a searching analysis of public policies that protect individual rights and enable ethnic diversity to prosper. Because of his lifelong involvement with issues of race relations and ethnicity, Lawrence H. Fuchs is singularly qualified to write on a grand scale about the interdependence in the United States of the unum and the pluribus. His book helps to clarify some difficult issues that policymakers will surely face in the future, such as those dealing with immigration, language, and affirmative action.

"Despite its millennia-long history and frightening contemporary resurgence, unlike other forms of exclusion and discrimination, anti-Semitism (the author makes a case for the hyphenated spelling and the term's relation to Judeophobia, which explicitly references intersectional categories such as Islamophobia, xenophobia, homophobia, Negrophobia [Fanon], and others) remains undertheorized. This book is a corrective. The first systematic, comparative, and integrative analysis of the major theories and theorists, Anti-Semitism undertakes three urgently needed tasks. First, it explores key methodological and conceptual issues. Second, it identifies and considers seven major paradigms for understanding the underlying causes. Third, it applies the insights of these theories and theorists to contemporary debates about Judeophobia, offering rigor and clarity to existing disputes. Anti-Semitism as a theoretical construct dates back to the period of the Dreyfus affair (1894-1906) when historians sought to dismantle enduring myths about Jews and challenged the idea that Jews were a distinct race. Following World War I, studies focused on the links between nationalism and anti-Semitism and considered the dynamics of group formation against outsiders and minorities. The aftermath of World War II and the Holocaust saw important contributions from existentialists, critical theorists, and sociologists, leading to the formation of Holocaust studies as a discipline, but with the advent of the civil rights movement and anticolonialism in the 1950s social theorists interested in the problem of racism began to focus primarily on anti-Black prejudice, and theoretical debates on anti-Semitism receded to the background, where they remain unresolved. Jonathan Judaken evaluates anti-Semitism's internal theoretical concerns and engages in a comparative analysis with other critical race theories. In our moment of widespread racial reckoning, it is critical to reexamine the major approaches to anti-Semitism, their concepts, narratives, and assumptions, and how they are linked to other racisms in order to gain new insights in confronting its global upsurge"--

Could our sense of who we are really turn on a sliver of DNA? In our multiethnic world, questions of individual identity are becoming increasingly unclear. Now in ABRAHAM'S CHILDREN bestselling author Jon Entine vividly brings to life the profound human implications of the Age of Genetics while illuminating one of today's most controversial topics: the connection between genetics and who we are, and specifically the question "Who is a Jew?" Entine weaves a fascinating narrative, using breakthroughs in genetic genealogy to reconstruct the Jewish biblical tradition of the chosen people and the hereditary Israelite priestly caste of Cohanim. Synagogues in the mountains of India and China and Catholic churches with a Jewish identity in New Mexico and Colorado provide different patterns of connection within the tangled history of the Jewish diaspora. Legendary accounts of the Hebrew lineage of Ethiopian tribesmen, the building of Africa's Great Zimbabwe fortress, and even the so-called Lost Tribes are reexamined in light of advanced DNA technology. Entine also reveals the shared ancestry of Israelites and Christians. As people from across the world discover their Israelite roots, their riveting stories unveil exciting new approaches to defining one's identity. Not least, Entine addresses possible connections between DNA and Jewish intelligence and the controversial notion that Jews are a "race apart." ABRAHAM'S CHILDREN is a compelling reinterpretation of biblical history and a challenging and exciting illustration of the promise and power of genetic research.

In the tumultuous and vivid history of New Kingdom Egypt, Ramesses III's reign was prosperous and culturally rich. He fended off attacks by the "Sea Peoples" and others who threatened the state, he built the great temple of Medinet Habu, and he left wonderfully complete documents describing contemporary social structure and the economy. Amazingly, we even have an account from a contemporary judicial document that describes events leading to Ramesses III's assassination. This edited collection presents a detailed and informative look at the life, career, and world of one of Egypt's most important pharaohs, providing insight both on his reign and its aftermath and on the study of the political and cultural history of ancient Egypt.

Geometry defines the world around us, helping us make sense of everything from architecture to military science to fashion. Euclid's Elements is arguably the most influential book in the history of mathematics. Berlinski provides a concise homage to this elusive mathematician and his staggering achievements, and shows that, for centuries, scientists and thinkers have relied on Euclid's axiomatic system, a method of proof still taught in classrooms around the world.

There was racism in the ancient world, after all. This groundbreaking book refutes the common belief that the ancient Greeks and Romans harbored "ethnic and cultural," but not racial, prejudice. It does so by comprehensively tracing the intellectual origins of racism back to classical antiquity. Benjamin Isaac's systematic analysis of ancient social prejudices and stereotypes reveals that some of those represent prototypes of racism--or proto-racism--which in turn inspired the early modern authors who developed the more familiar racist ideas. He considers the literature from classical Greece to late antiquity in a quest for the various forms of the discriminatory stereotypes and social hatred that have played such an important role in recent history and continue to do so in modern society. Magisterial in scope and scholarship, and engagingly written, The Invention of Racism in Classical Antiquity further suggests that an understanding of ancient attitudes toward other peoples sheds light not only on Greco-Roman imperialism and the ideology of enslavement (and the concomitant integration or non-integration) of foreigners in those societies, but also on the disintegration of the Roman Empire and on more recent imperialism as well. The first part considers general themes in the history of discrimination; the second provides a detailed analysis of proto-racism and prejudices toward particular groups of foreigners in the Greco-Roman world. The last chapter concerns Jews in the ancient world, thus placing anti-Semitism in a broader context.

Contents: Women and Genocide: Notes on an Unwritten History; The Price of Heroism: Veterans of the Dutch Resistance to the Nazi Occupation and the Holocaust in World War II; The Herut Movement and the Kasztner Trial; Syndrome and Shoah: Waslker Percy's Parable of the Holocaust; Armin T. Wegner's Letter to German Chancellor Adolf Hitler, Berlin, Easter Monday, April 11, 1933; Comments on Robert Melson's "Revolution and Genocide".

"A moving and unsettling exploration of a young man's formative years in a country still struggling with its past As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the "Volk" makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future"--

Hidden behind a screen of euphemisms and evasions, of political expediency and psychological denial, the most terrible crime in human history was committed. Despite the shock and outrage that swept the world when the Nazi death camps were first liberated in 1945, the truth about the extermination of European Jewry had been an open secret since at least 1941. Using sources and documents only recently made available, Walter Lacquer examines when and how information about the genocide became known to millions of Germans, international Jewish organizations, leaders of Jewish communities throughout Europe, and top government officials in neutral and Allied countries. Laying bare the lethal combination of disbelief and indifference that met this news, "The Terrible Secret" offers a brilliant and chilling demonstration of paralysis in the face of ultimate evil.

"For fans of Donna Tartt's The Secret History, a propulsive literary novel about sexual obsession in which a meek Harvard freshman becomes dangerously infatuated with a classmate. David Federman has never felt appreciated. One of the most painfully forgettable members of his New Jersey high school class--yet the only one accepted to Harvard--shy, witty David arrives in Cambridge fully expecting to embrace, and be welcomed by, a new tribe of like-minded peers. But at first, beyond the friendly advances of a plain-looking girl named Sara, his social status seems devastatingly unlikely to change. Then he meets Veronica Morgan Wells. Instantly infatuated, struck by both her beauty and her brains, David falls feverishly in love with the woman he sees as a charismatic goddess. Determined to stop at nothing to win her attention and a coveted invite into her glamorous Upper East Side world, David begins compromising his own moral standards, tossing everything aside for this one, great chance at happiness. But neither Veronica nor David, it turns out, are exactly as they seem... A darkly comic and riveting portrayal of psychosexual obsession from one of the most acclaimed writers of his generation, Loner also turns the traditional campus novel on its head as it explores contemporary gender politics and class--and discovers just what we're capable of when our greatest enemies turn out to be ourselves"--