First person accounts from thirty-nine of the American fighter aces who blasted their way across the skies of the Pacific and East Asia from December 7, 1941, until the final air battle over Japan itself in August 1945.

Compares the development of different regions of the world, discusses the importance of literacy for cultural change, and examines the cultural effects of parental authority and the status of women

"The controversial thesis at the center of this study is that, despite the importance of slavery in Athenian society, the most distinctive characteristic of Athenian democracy was the unprecedented prominence it gave to free labor. Wood argues that the emergence of the peasant as citizen, juridically and politically independent, accounts for much that is remarkable in Athenian political institutions and culture. From a survey of historical writings of the eighteenth and nineteenth centuries, the focus of which distorted later debates, Wood goes on to take issue with influential arguments, such as those of G.E.M. de Ste Croix, about the importance of slavery in agricultural production. The social, political and cultural influence of the peasant-citizen is explored in a way which questions some of the most cherished conventions of Marxist and non-Marxist historiography" --Page 4 of cover

The political thought of Socrates, Plato and Aristotle defended and justified the values and way of life of the declining and decaying landed aristocracy in opposition to Athenian democracy and the craftsmen, traders and labourers upon which it increasingly rested. Although the Socratics recognized and condemned aristocratic regeneration, they hoped that the outlook and conduct of the nobility could be revitalized so as once more to become the foundation of civic life in order to stem the levelling tide of democracy, the tyranny of the mob, and the vulgarity that they felt were endangering Greece and especially Athens. To be understood and appreciated fully, the classics of political theory must be viewed as basically ideological and much more closely and rigorously related to their social contexts than has usually been the case. The point of departure for this critique of the Socratics is a particular conception of the Greek polis and its significance for Western social organization, an interpretation differing from most standard treatments. Besides casting new light upon the political thought of the Socratics, this study should help to illuminate the aristocratic myth about the character of the demos which, immortalized by the Socratics, has been a cornerstone of anti-democratic ideology and social theory in the West ever since the ancient philosophers first recorded their fears of the 'mob'.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Very few Americans regretted seeing Thomas Jefferson leave the White House in the winter of 1809. The man who led the Republican party from opposition to power and who overwhelmingly defeated Charles C. Pinckney in 1804 had had a disastrous second term. The military stalemate in Europe with Napoleon controlling the continent and the Royal Navy ruling the seas ushered the Franco-British war into a new phase of blockades and counter-blockades with both sides raiding neutral American shipping. The administration responded by prohibiting all American exports to the belligerents. The Embargo brought the booming American economy to a screeching halt, and as economic distress grew resentment over the measure spread from merchants to farmers and mechanics.The Origins of Jeffersonian Commercial Policy and Diplomacy examines the evolution of Jefferson's commercial ideas and policies from his days as a young revolutionary to his presidency. It analyzes the way in which Jefferson worked out his conflicting approaches to commerce not only as a thinker but also as a policy maker. It examines the tensions between rejecting commerce altogether as a threat to republican virtue, and promoting commerce as a necessary vehicle for the maintenance of American prosperity. It traces Jefferson's life-long commitment to the policy of commercial coercion and places American policy in the context of the global competition between England and France. Without deviating from the narrative format, Professor Ben-Atar reflects on a variety of contested issues in early American historiography, from the debate over eighteenth-century republicanism to the birth of American foreign policy.

"Such audacity she has, Soraya, a woman who dares to break free of the diamond-studded leash of her culture. A woman who refuses to accept the devastating betrayal her husband has perpetrated. A woman who refuses to forgive her best friend. Soraya turns her back on Iran, fleeing to America to plot her intricate revenge. The Shah has fallen, her country is in turmoil, her marriage has crumbled, and she is unraveling. The cruel and intimate blow her husband has dealt her awakens an obsessive streak that explodes in the heated world of Los Angeles. Yet the secret Soraya discovers proves far more devastating than anything she had imagined, unleashing a whirlwind of unexpected events that will leave the reader breathless"--from publisher's web site.

"Why the story of the exile is the heart of the modern condition"--

In this thought-provoking text, scholar David Margoliouth defends the historical accuracy and reliability of the Bible against its critics. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a study of the pratical application of a religious idea: the belief in the continuing validity of the Old Testament, especially the Ten Commandments, which ordained the observance of the Sabbath on the seventh day, Saturday. The author traces the growth and development of the most radical of English Sabbath observers, those who revered the Jewish Sabbath in a Christian context. But this is not only a pre-history of the Seventh-Day Adventists. It is also the story of the remarkable persistence of a revolutionary religious belief powerful and convincing enough to survive the Restoration and continue into modern times. The Saturday-Sabbath gradually became institutionalized in a nonconformist sect in which the ideological foundation was sufficient to unite men who on political grounds should have been the most bitter of enemies, including Fifth Monarchists, millenarians, neutrals, and Royalists alike. That those men and their followers could amicably join forces after the Restoration is testimony to the power of religious ideas which might overshadow the political affiliations of the civil war.

Text: English, Hebrew (translation)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Verslag van de zoektocht van de auteur naar sporen van zijn mysterieuze grootvader Heshel Melamed, rabbijn in een Litouws dorp.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).