The works collected in this text include the best of Pablo Eisenberg's published and unpublished pieces on American and global philanthropy and on his views of what lies ahead as the greatest inter-generational transfer of wealth in US history looms.

This collection of essays offers different ways of seeing twentieth-century art via the medium of aesthetics. In Mercure (1924), Picasso collapses the tradition of classical ballet into the visual arts; Paul Klee, in his work from the Thirties, searches for a purity of language reminiscent of German Romanticism; with his concept of the Void, Yves Klein emphasizes that, within the context of art, ritualized performance can lead to a radical loss of ego; Ed Ruscha's gunpowder drawings from the Sixties offer visual paradoxes and question the boundaries between art and language; and in Twombly's Bacchus paintings, movement becomes a metaphor for the Dionysian forces that shape history.

What is Sociology? presents in concise and provocative form the major ideas of a seminal thinker whose work--spanning more than four decades--is only now gaining the recognition here it has long had in Germany and France. Unlike other post-war sociologists, Norbert Elias has always held the concept of historical development among his central concerns; his dynamic theories of the evolution of modern man have remedied the historical and epistemological shortcomings of structualism and ethno-methodology. What is Sociology? refines the arguments that were first found in Elias' massive work on the civilizing process, in which he formulated his major assertions about the interdependence of the making of modern man and modern society. It is Elias' contention that changes in personality structure--embodied in phenomena ranging from table manners and hygiene habits to rites of punishment and courtly love--inevitably reflect and mould patterns of control generated by new political and social instututions. Elias' rejection of a dichotomy between individual and society, and his use of psychoanalysis, political theory, and social history, help restore a fullness of resource to sociology.

Documents the tension between the ultra-Orthodox and the secular Jews, discussing both the history, politics, and culture that continues to fuel the animosity between these two groups.

These lectures contain a masterful summing up of Nicholas Kaldor's critique of the foundations of mainstream economic theory. They provide a very clear account of his theoretical structures on regional differences, primary producers and manufacturers, and on differing market structures and the likely course of prices and quantities in different markets over time. The first four lectures are concerned with theory, history and explanation; the fifth consists of a detailed set of integrated policy proposals.

Told across five decades, in the voices of all four main characters, this paints on canvases large and small, from the struggle against apartheid to the secrets and brutalities that tear apart a family. Equal parts geopolitical thriller and one man's search for truth, it explores the damage inflicted by history, and the havoc wrought by lies.

Murray Gell-Mann is one of the leading physicists of the world. He was awarded the Nobel Prize in Physics in 1969 for his work on the classification and symmetries of elementary particles, including the approximate SU(3) symmetry of hadrons. His list of publications is impressive; a number of his papers have become landmarks in physics. In 1953, Gell-Mann introduced the strangeness quantum number, conserved by the strong and electromagnetic interactions but not by the weak interaction. In 1954 he and F E Low proposed what was later called the renormalization group. In 1958 he and R P Feynman wrote an important article on the V-A theory of the weak interaction. In 1961 and 1962 he described his ideas about the SU(3) symmetry of hadrons and its violation, leading to the prediction of the ê- particle. In 1964 he proposed the quark picture of hadrons. In 1971 he and H Fritzsch proposed the exactly conserved ?color? quantum number and in 1972 they discussed what they later called quantum chromodynamics (QCD), the gauge theory of color. These major publications and many others are collected in this volume, providing physicists with easy access to much of Gell-Mann's work. Some of the articles are concerned with his recollections of the history of elementary particle physics in the third quarter of the twentieth century.

Discusses the origin and development of Rosh HaShanah and Yom Kippur, their major symbols, and ways of observing them in the world today and in different times in history.

European Religious Cultures is a set of stimulating essays first written as offerings for Christopher Brooke on his eightieth birthday. They are now gathered for the enjoyment of all those interested in the history of religious cultures. They address a variety of practices in religious life -- among them pilgrimage and the urban cult of saints, the monastic performance of liturgy, the choice to enter the priesthood -- and situate them within the life-cycles and social relations of medieval Europeans. The authors have been inspired by Christopher Brooke's own interests over a long and fruitful career. First published in 2008, European Religious Cultures is now reissued as an Open Access edition with a new introduction by Professor Miri Rubin.

This book explores the major paradoxes of Russian literature as a manifestation of both tragic and ironic contradictions of human nature and national character. Russian literature, from Pushkin and Gogol to Chekhov, Nabokov and to postmodernist writers, is studied as a holistic text that plays on the reversal of such opposites as being and nothingness, reality and simulation, and rationality and absurdity. The glorification of Mother Russia exposes her character as a witch; a little man is transformed into a Christ figure; consistent rationality betrays its inherent madness, and extreme verbosity produces the effect of silence. The greatest Russian writers were masters of spiritual self-denial and artistic self-destruction, which explains many paradoxes and unpredictable twists of Russian history up to our time.

"One would be hard-pressed to name a more admirable contemporary American example of the intellectual engage than Martin Duberman. Historian, playwright, memoirist, biographer, social commentator, teacher, activist and assured podium performer, Duberman is an unapologetic, uncategorizable and nonsectarian radical whose constant questioning of conventional wisdoms - even on the left - has made him one of this country's pre-eminent participants in the political and cultural wars that have riven public life."â__In These Times"A marvelous collection of a lifetime of courageous writing by a deeply moral and reflective man who has engaged the greatest struggles of our times with an unflinching nerve, a wise heart and a brilliant intellect informed at all times by compassion."â__Jonathan KozolThe lives of â__outsidersâ__ have been the focus of Martin Duberman's work as a public intellectual for the past four decades. Best known for his biography of Paul Robeson, Duberman highlights the "banding together" of the excluded in Left Out. These identity-based movementsâ__black power, gay liberation, feminismâ__have created a vital and controversial change in American consciousness in recent decades. Duberman's collected essays trace this evolution of thought to the history of dissent from abolitionism through the New Left to today's organizing.Presenting summations of Duberman's views on such matters as race, foreign policy, gender and sexuality, Left Out offers incisive analyses of the split between class-based and identity-based politics on the Left. The "godfather" of the gay studies movement, Duberman has taken many brave and prescient stands. His writing shows why he is considered a deeply moral and wise man. For the first time available in paperback, this edition, updated through 2002, includes three new essays: "The State of Gay Studies," "Queer Economic Justice," and "Jewish Radicals, Effeminacy, and the Rise of Gay Chauvinism".

Wendy Doniger and Martha Nussbaum bring together leading scholars from a wide array of disciplines to address a crucial question: How does the world's most populous democracy survive repeated assaults on its pluralistic values? India's stunning linguistic, cultural, and religious diversity has been supported since Independence by a political structure that emphasizes equal rights for all, and protects liberties of religion and speech. But a decent Constitution does not implement itself, and challenges to these core values repeatedly arise-most recently in the form of the Hindu Right movements of the twenty-first century that threatened to destabilize the nation and upend its core values, in the wake of a notorious pogrom in the state of Gujarat in which approximately 2000 Muslim civilians were killed. Focusing on this time of tension and threat, the essays in this volume consider how a pluralistic democracy managed to survive. They examine the role of political parties and movements, including the women's movement, as well as the role of the arts, the press, the media, and a historical legacy of pluralistic thought and critical argument. Featuring essays from eminent scholars in history, religious studies, political science, economics, women's studies, and media studies, Pluralism and Democracy in India offers an urgently needed case study in democratic survival. As Nehru said of India on the eve of Independence: ''These dreams are for India, but they are also for the world.'' The analysis this volume offers illuminates not only the past and future of one nation, but the prospects of democracy for all.

At the heart of this brilliant and colourful Mexican novel lies the search for a family history. Using ancestral recollections, flashbacks through history, and personal memory, the author traces her family roots from pre-Revolutionary Russia to contemporary Mexico. Margo Glantz's Mexico is a mysterious world - a cultural carnival where Flash Gordon crosses paths with Columbus: a Mexico of Diego Rivera, Leon Trotsky and Frida Kahlo, hijacked by Dracula and King Kong, filled with the aromas of a kosher bakery and the echoes of jokes, some corny, some not.

This book is the first to evaluate the development of feminist scholarship in various fields within Jewish studies. Eminent scholars in biblical studies, rabbinics, theology, history, literature, sociology, anthropology, philosophy, and film studies assess the state of knowledge about women in each field, analyze how this knowledge has affected the mainstream of the discipline, and propose new questions and concepts to pursue. The authors - Joyce Antler, Lynn Davidman, Tikva Frymer-Kensky, Judith Hauptman, Paula E. Hyman, Sonya Michel, Judith Plaskow, Susan Starr Sered, Naomi Sokoloff, Shelly Tenenbaum, and Hava Tirosh-Rothschild - consider a range of fascinating issues.Among them are: whether Jewish culture is as patriarchal as is typically assumed; how gender arrangements in Jewish life are shaped by the structures and culture of the larger societies in which Jews live; the different ways in which changes in Jewish families over time and place are experienced by women and by men; whether women or men have been more reluctant to assimilate; and how segregation of the sexes has affected women's autonomy in different periods and locations in Jewish history. Together, the articles present a strong argument for the inclusion of gender as a category of analysis in all fields of Jewish studies.

A compilation of Goldmann's essays on method in the sociology of literature, such Subject and Object in the Human Science2. The Epistemology of Sociology3. The Concept of Significant Structure in the History of Culture4. The Social Structure and the CollectiveC onsciousneess of Structure5. The Subject of The Cultural Creation6. Theses on the Use of the Concept 'World View' in the history of Philosophy7. Sociological and Cultural Denunciation8. Genetic Structuralism and Stylistic Analysis

From colonial times, through the Revolution and for over the one hundred and fifty years that followed, the lyric voice of New England has been dominant in our national poetry. The hardy strain which has continued through our entire history has retained its character while reflecting sharply changing fashions and new interests. In the three centuries sine Anne Bradstreet wrote with Puritan severity and yet with elaborate fantasy, a long and distinguished line of poets from the New England States has maintained, while constantly altering, a rich national tradition. Their roster includes a wide diversity of lyricists, moralists, revolutionists, mystics, skeptics, transcendentalists, impressionists, imagists and pastoral poets. They represent as no other regional writers the conscience and the eloquence of America. This volume is a rich harvest of verse that grew from the soil of New England. Thirty-three writers offer more than 300 poems, and each poet is generously represented. As Mr. Untermeyer says in his Foreward, “The prime objective of this work is to balance the familiar with the little known, to add to the pleasure of recognition the delight of discovery."

The daughter of Oliver Golden, an African American expatriate and agrarian activist of the early 1900's, and Bertha Bialek, youngest daughter of Polish American emigres of Jewish descent, Lily Golden has a special place in history. In this account of her experience, Golden provides a connection between the contemporary and historical relationships of America to Russia. Golden offers a distinctly different and refreshing point of view of the lives and experiences of Russia in her often alluring and romantic, sometimes bitterly painful, yet always vivid and intimate details of her life as a dark-skinned Russian surviving in and struggling against turbulent changes. She brings her tale of a sometimes charmed sometimes challenged existence full circle in her descriptions of her ultimate contact with distant relatives in the United States. Lily Golden allows the reader access into her lifelong revelation that family and community ties are boundless by time and geography.--page 4 of cover.

The Kaddish is considered by millions to be a special prayer one recites for the dead. It isn't. This mystical ritual was created during the Crusades as a homage to God. Those who have lost a loved one and recite the prayer faithfully on 52 Friday nights may have wondered why there is no place in the prayer for the name of the lost loved one. This book contains much new information as it traces the evolution of the Kaddish. It will have a ready market with Jews, religious and secular, as well as people who are interested in the history of religion.

CAN'T FIND A RATIONAL EXPLANATION TO A MYSTERY? CALL IN THE QUIET COUNCIL. The mysterious and glamorous Lady De Winter is one of their most valuable agents. A despicable murder inside a locked and bolted room on the Rue Morgue in Paris is just the start. This whirlwind adventure will take Milady to the highest and lowest parts of that great city - and cause her to question the very nature of reality itself. File Under : Steampunk [ Alternate History | Reptilian Royalty | Murder Most Foul | The World’s Fair ]

One of the most complex periods in American history is illuminated by the love stories of three couples and their fights for freedom from slavery.