The first book in Bromley House Editions, reprinting important Nottinghamshire writers from the past. A gritty historical novel set in the lace industry. Mr Penny, who works on the factory floor, hates the mill masters, so much so that he learns the trade and sets up on his own outside of Nottingham, outside of the reach of trade unions. He undercuts the old fashioned bosses, becoming a rich man and marrying his old boss's daughter.Hilda Lewis is well known from her OUP children's classic, The Ship that Flew. Several of her other historical fiction books are now available from The History Press/NPI

Poetry. Jewish Studies. RENDING THE GARMENT is a narrative tapestry encompassing persona poems, prose poems, flash fiction, imagined meetings with historical figures, ancestral appearances, and ephemera. This series of linked poems explores the life and times of one Jewish family. "RENDING THE GARMENT tells a familiar tale, the Jewish immigrant family romance, but with an important difference: using shifting points of views and narrative interruptions (biographical essays, scolding notes from school Principals, diary entries), not to mention a cast of characters as lively as a borscht belt revue, Willa Schneberg tells her story from the inside, where grief and love live side by side in bed, 'neither old, nor young' bodies outside of time. A fresh, original and moving addition to our literature." Philip Schultz "RENDING THE GARMENT draws us intimately into one family and through them into the world of immigrant Jews born almost a century ago and their lives in America. Willa Schneberg has a fine ear and her poems capture their voices, their cadences, the way they think, mixing Yiddish with English, the old and the new. The people of her poems come alive on the page: irreverant, beautiful, flawed, funny, sad, loving, opinionated, stubborn, real. They embody a wealth of contradictions, perfectly exemplified in these lines that her mother who smoked so glamorously and lost her voice to cancer writes in a notebook near the end of her life, 'I'm Jewish. / There is no God.' I recognize these people and I come to care for them deeply." Ellen Bass "In RENDING THE GARMENT, Willa Schneberg juxtaposes humor and heartbreak, Jewish Brooklyn's cultural/ linguistic referents and post-modernity. Readers hear the iconic, self-mocking conversation of familial bickering and the deep devotion of a daughter charged with helping her parents die 'good' deaths. 'Soon it will be as if language never knew him, ' says one speaker of her father. With precise, unsparing detail, Schneberg's language rewards our journey into the difficult, mortal territory we all share." Robin Becker "In one memorable episode in Willa Schneberg's RENDING THE GARMENT, the author's dying mother sits by the hospital bed of the Israeli poet Abba Kovner. 'Stars don't go out when we die, ' he writes on her notepad. 'Now you're talking, ' she writes in reply. This funny, poignant imagined moment is representative of the moments Schneberg has gathered to create her richly woven memoir in poetry of a loving, contentious Jewish family and the world they lived in of junk men, corset shops, and immigrant ambitions." Lee Sharkey"

"The Frontier Garrison" is the first English translation of "Az elõretolt helyõrség" by the Hungarian novelist Jenõ Rejtõ (1905-1943), originally published in 1939 under the pen name of "P. Howard." The translator, Balint Kacsoh (a university professor) also annotated the edition. The preface provides biographical data of Jenõ Rejtõ in historical and literary context. The genre is fiction; elements of action, adventure, mystery, and comedy are mixed in the story. It is suitable for young readers and adults. Synopsis: Action and adventure are mixed with a healthy dose of offbeat humor in this P. Howard classic, set in the second half of the 1930s. Harrincourt is dishonorably discharged from the French Naval Academy for a prank. He realizes that his carefree behavior put the livelihood of his widowed mother and teenage sister in jeopardy. To secure their financial future, he pays the premium on his life insurance policy and joins the French Foreign Legion destined to Africa, where his death "in the course of professional duty" would be all but guaranteed. While in basic training in Oran, he unwittingly becomes mixed up in murder and espionage and encounters the ghost of a murdered woman who has a penchant for singing. In short order, his unit is dispatched to a frontier garrison established to support French colonial expansion into equatorial Africa. Rival foreign powers, however, attempt to thwart the French plans and Harrincourt finds himself in the crossfire of international intrigue and falls in love with the beautiful woman whose haunting ghost follows the legionnaires as they march through the deadly Sahara. It is up to Harrincourt to save the day and uncover the secret of a mysterious watch, even if it might mean foregoing the death benefit his insurance policy would pay to his family.

Title: Estelle. By the author of "Four Messengers," etc. [Emily Marion Harris.] Publisher: British Library, Historical Print Editions The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Marion Harris, Emily; 1878. 2 vol. ; 8º. 12641.e.1.

Title: The Double Coronet. A novel. By the author of "My First Season," [i.e. Elizabeth S. Sheppard], etc. Publisher: British Library, Historical Print Editions The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Sheppard, Elizabeth Sara; 1856. 2 vol. ; 8º. 12631.f.8.

A New Collection of Long Out-of-Print Stories From One of the Greatest Fantasists of the Twentieth Century Avram Davidson, who died in 1993, was widely regarded as one of the most outstanding authors of short fantasy fiction in our time. This collection comprises his distinctive historical fantasies-tales of strange Mitteleuropas, of magic in Victorian England and on the American frontier. Here are "The Lineaments of Gratified Desire," "Traveller from an Antique Land," and "What Strange Stars and Skies"; here are dragons, cameras, and "The Singular Incident of the Dog on the Beach." Witty, whimsical, dark, and strange, these tales of times and places that almost were will leave even the most jaded readers amazed. No one has ever written like Avram Davidson, before or since.

Product description In this book, Dvir Abramovich brings together a batch of timeless classical Hebrew novels, short stories, and poems, and furnishes readers with commentaries and critical readings of each landmark work. The selection of seminal texts include masterpieces from Yehuda Amichai, Haim Gouri, Amos Oz, Dvorah Baron, Shaul Tchernichovsky, Chaim Nachman Bialik, Hanoch Bartov, Shulamit Hareven, and Aharon Megged. Each interpretative essay includes a bio-graphical overview of the author whose opus is explored. This collection will prove exceptionally useful for teachers who wish to introduce their students to the treasures of contemporary Israeli fiction and are searching for reflective analyses and searching insights. Guaranteed to ignite discussion and debate, this informative and entertaining volume, written in an accessible and lively style, will appeal to a general and academic audience and will tempt readers to read or re-read these great works. Review In Hebrew Classics: A Journey Through Israel's Timeless Fiction and Poetry Dvir Abramovich offers us an intimate and delightful tour through the pastures of Hebrew literature. A refreshing meeting awaits us with writers of various generations who had grown up in separate landscapes and some in the midst of diverse languages...One of the unique characteristics of the book is the choice of literary works that it deals with, free of the bonds of genre definitions. We are offered 'delectable meals' that include interpretive studies of poems and stories of various kinds. The common denominator for this selection is the presentation of texts as junctions of flavour and passion within the rich and fascinating history of modern Hebrew literature. This provides the reader with the ability to experience a bird's eye view of these creative works. This book is a tribute to Hebrew literature, written with love and with the wish to share this love. This is obvious both from the detailed and sensitive studies, and from the commendable descriptive, festive and elegant language. (Yigal Schwartz, Professor of Hebrew Literature and Head of Heksherim: The Research Center for Jewish and Israel Culture, Ben-Gurion University of the Negev) Abramovich has done a scrupulous job in scrutinizing these key texts of contemporary Hebrew fiction. The care with which he sets them in their historical and cultural contexts should be instructive for all readers interested in Israel and its predicaments. (Robert Alter, Class of 1937 Professor of Hebrew and Comparative Literature) The next best thing to reading modern Hebrew literature in the original is getting to know it through the eyes of a lover who is willing to share his passion. In Hebrew Classics: A Journey Through Israel's Timeless Fiction and Poetry Dvir Abramovich invites us to get to know its major figures and his introductions to their work make us eager to know them better. A true scholar can do no better. (Ruth Wisse, Martin Peretz Professor of Yiddish Literature and Professor of Comparative Literature) About the Author Dvir Abramovich (PhD University of Melbourne) is director of the University of Melbourne's Centre for Jewish History and Culture and a senior lecturer in Hebrew and Jewish Studies. He was editor of the Australian Journal of Jewish Studies for eight years and president of the Australian Association of Jewish Studies from 2006 to 2010. He has published widely in the area of Israeli and Jewish literature and is co-editor of the book Testifying to the Holocaust (2008) and author of Back to the Future: Israeli Literature of the 1980s and 1990 (2010).

Using pagan prose fiction produced in Greek and Latin during the early Christian era, Bowersock investigates the complex relationship among perceived and presented 'historical' and 'fictional' truths. Bowersock's superb lecturing style is successfully transferred into writing with force and eloquence, as he weaves accounts from a wide range of sources into his text, illuminating social attitudes of the period and persuasively arguing that fiction of the period was influenced by the emerging Christian Gospel narratives. In the second half of the first century emerges a new kind of fiction including outlandish tales of travel, romance and comic novels. Bowersock concentrates on secular literature, illuminating not only its literary motifs, but also reconstructing the societal context as one engrossed in fabrications and all kinds of revisions or rewriting. Using these less familiar materials as his points of reference, he reads into familiar Christian material, making linkages and casting new light on familiar subjects, as well as providing some provocative interpretations of familiar Christian texts. Bowersock uses close historical and literary analyses of specific passages of works, and pays attention to larger and more general issues and questions around the relationship between fiction and history and how we read them. This book will be of basic intellectual concern to all raised in the environment of Christian belief.

Using pagan prose fiction produced in Greek and Latin during the early Christian era, Bowersock investigates the complex relationship among perceived and presented 'historical' and 'fictional' truths. Bowersock's superb lecturing style is successfully transferred into writing with force and eloquence, as he weaves accounts from a wide range of sources into his text, illuminating social attitudes of the period and persuasively arguing that fiction of the period was influenced by the emerging Christian Gospel narratives. In the second half of the first century emerges a new kind of fiction including outlandish tales of travel, romance and comic novels. Bowersock concentrates on secular literature, illuminating not only its literary motifs, but also reconstructing the societal context as one engrossed in fabrications and all kinds of revisions or rewriting. Using these less familiar materials as his points of reference, he reads into familiar Christian material, making linkages and casting new light on familiar subjects, as well as providing some provocative interpretations of familiar Christian texts. Bowersock uses close historical and literary analyses of specific passages of works, and pays attention to larger and more general issues and questions around the relationship between fiction and history and how we read them. This book will be of basic intellectual concern to all raised in the environment of Christian belief.

Spanish American fiction became a world phenomenon in the twentieth century through multilanguage translations of such novels as Gabriel Garcia Marquez's One Hundred Years of Solitude, Manuel Puig's Kiss of the Spider Woman, Octavio Paz's Labyrinth of Solitude, and Isabel Allende's House of the Spirits. Yet these "blockbusters" are only a tiny fraction of the total, rich outpouring of Spanish-language literature from Latin America. In this book, Naomi Lindstrom offers English-language readers a comprehensive survey of the century's literary production in Latin America (excluding Brazil). Discussing movements and trends, she places the famous masterworks in historical perspective and highlights authors and works that deserve a wider readership. Her study begins with Rodó's famous essay Ariel and ends with Rigoberta Menchú's 1992 achievement of the Nobel Prize. Her selection of works is designed to draw attention, whenever possible, to works that are available in good English translations. A special feature of the book is its treatment of the "postboom" period. In this important concluding section, Lindstrom discusses documentary narratives, the new interrelations between popular culture and literary writing, and underrepresented groups such as youth cultures, slum dwellers, gays and lesbians, and ethnic enclaves. Written in accessible, nonspecialized language, Twentieth-Century Spanish American Fiction will be equally useful for general readers as a broad overview of this vibrant literature and for scholars as a reliable reference work.

While 'A Traveler Disguised: A Study in the Rise of Modern Yiddish Fiction in the Nineteenth Century' focused on the rhetoric of the speaking voice or the persona in these classics, the nine essays gathered here concentrate on the artistic reconstruction of the "world" conveyed by that persona. As much as the earlier volume put to rest the conventional understanding of "Mendele the Book-Peddler" as a mere representative of the author, Sh. Y. Abramovitsh, this book invalidates the common views of the literary shtetl as a mere mimetic reflection of the historical Jewish shtetl of Eastern Europe and examines its structure as an autonomous aesthetic construct. These essays dwell particularly on the fictional modalities displayed in some of Sholem Aleichem's major works. They also offer innovative insights into the works of both earlier and later masters such as A. M. Dik, Y. Aksenfeld, Y .Y. Linetski and Sh. Y. Abramovitsh, Y. L. Peretz, I. M. Vaysenberg, Sh. Asch, D. Bergelson, and I. B. Singer.

From the beginning, myths have told of women who lived apart from men -- the Sirens who sang on the Aegean rocks, the Amazons of the Brazilian jungle, the self-reproducing women on islands in Polynesia, to mention only a few. As this theme emerged in her own fiction, Batya Weinbaum became intrigued by its persistence across time and cultures and began tracing it in literature and mythology, as well as in actual locales that are or were said to be islands of women. In this fascinating, interdisciplinary book, she explores how the myth of Amazons has served varying psychological needs in different cultures over time. Weinbaum first analyzes various historical interpretations and uses of the Amazon archetype, some designed to empower women, others created by men to disempower them. She next turns to the original Greek context, in Homer's epics and other aspects of Greek culture, and then traces how Amazons eventually evolved into negative representations of paganism. Moving from Rodriguez de Montalvo's fifteenth-century Sergas de Esplandian, which imagined an island of women in the New World, Weinbaum concludes with revealing fieldwork she conducted on Isla Mujeres (Island of Women) off the Yucatan Peninsula, which included giving birth with the participation of a native Maya midwife. Batya Weinbaum is Assistant Professor of English at Cleveland State University. She founded and edits the journal Femspec.

Towards the end of 1937, having just completed his South American Amazonas trilogy (The Land without Death), Doblin embarked on a new project much closer to home. As a military doctor in Alsace he had experienced firsthand the chaotic scenes in Haguenau and Strasbourg that followed the Kaiser's abdication and the Armistice. His skill at depicting historical events in vivid epic prose would now be applied to seminal events still within living memory, and still highly controversial. He and his family (now with three small children) left Alsace on 14 November 1918 with the hospital staff and patients, reaching Berlin several days later. In March 1919 he witnessed the savage repression of the uprising in Lichtenberg, the eastern Berlin district where he had settled; his sister Meta was killed by grenade shrapnel as she fetched milk for her children. His essay On Cannibalism reveals his anger at both the ineptitude of the insurgents and the callousness of the Social Democrat Minister of War, Noske. Citizens and Soldiers, the self-contained first volume of November 1918: A German Revolution, presents a vivid panorama of fictional and real individuals, scenes and events over a chaotic two weeks. It was published in Amsterdam and Stockholm in October 1939, shortly after Britain and France declared war on Germany. Unsurprisingly it had little chance to circulate. During his exile years in California (1940-45), Doblin completed the remaining parts of what became the longest of his nine epic novels. When in 1947 the question arose of publishing the entire work in Germany, the French Occupation Authority (in which Doblin was serving as Public Education Officer) vetoed Citizens & Soldiers because of sensitivities about the status of Alsace-Lorraine, main location of the novel's action. (This border region had been French territory since the 17th century; was annexed by Germany in 1871 after the Franco-Prussian War, and reverted to France at the end of the First World War. Apart from the war years 1940-45 it has since remained French.) November 1918 A German Revolution therefore appeared as three volumes successively in autumn 1948, spring 1949 and spring 1950. This truncated edition was the basis for an incomplete English translation in the 1980s. In Germany, a complete edition appeared only in 1978, two decades after Doblin's death, enabling for the first time a proper evaluation of what is now seen as one of Doblin's most impressive achievements. It is high time that English readers too should have access to the missing first volume: Citizens & Soldiers.

Benjamin Thompson, Count Rumford, was--as Nicholas Delbanco writes--"world famous in his lifetime," yet now he has been "almost wholly forgotten." Like Delbanco himself, Sally Ormsby Thompson Robinson--the narrator of this novel and the Count's fictional, last-surviving relative--is "haunted" by one of history's most fascinating and remarkable figures. On par with Thomas Jefferson and Benjamin Franklin, Count Rumford was, among many other things, a politician, a spy, a philanthropist, and above all, a scientist. Based on countless historical documents, including letters and essays by Thompson himself, The Count of Concord brings to life the remarkable career of Benjamin Thompson, Count Rumford.

Israel's Mission to Oliver Cromwell is a historical account of the Jewish emissary Menasseh ben Israel's efforts to secure the readmission of Jews to England in the 17th century. The book recounts Menasseh's journey from Amsterdam to London in 1655, where he met with Cromwell and other prominent figures to argue for the rights of Jews to live and worship in England. The book provides insight into the political and religious climate of the time, as well as the challenges faced by Jewish communities throughout Europe. It also explores Menasseh's personal journey as a prominent Jewish leader and scholar, and his efforts to promote Jewish learning and culture. This book is a valuable resource for anyone interested in Jewish history, the history of England, or the intersection of religion and politics in the 17th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Explore the rich tapestry of early 20th-century literature with “Works of Israel Zangwill, Volume 8.†This collection showcases the insightful and often poignant writings of Israel Zangwill, a prominent voice in Jewish literature and a keen observer of European society. Zangwillâ€(TM)s works delve into themes of identity, assimilation, and the immigrant experience, offering a compelling glimpse into a rapidly changing world. This volume promises to be a valuable addition to any literary collection, providing both historical context and timeless narratives that resonate with contemporary readers. Discover the enduring appeal of Zangwillâ€(TM)s storytelling and his contribution to the literary landscape. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Brash, sexy, investigative journalist Margo Ross runs her hip news program with wit and intelligence. Tipped off that Albert Einstein might have been murdered by a group of right-wing militarists, Margo pursues the scoop of her life, tangling with a network of clues and an outlandish cast of suspects.

Aus dem Buch: "Als meine Urgroßeltern den Namen Ahrweiler annahmen, da wohnten sie bereits im benachbarten Koblenz; dort betrieben sie um 1800 eine Metzgerei, welche nachweislich durch drei Generationen in der selben Familie blieb. Das Handwerk des Schlächters, des rituellen Schlächters, konnte in den alten Gemeinden nur von strenggläubigen Männern ausgeübt werden. Daher ist wohl anzunehmen, daß diese Vorfahren fromme Leute gewesen sind, obwohl schon mein Großvater, welcher reich geworden als Bankherr in Düsseldorf lebte, nicht mehr der jüdischen Gemeinde angehörte." Theodor Lessing (1872-1933) war ein deutscher Philosoph und politischer Publizist.

In this erotic, metaphysical, and theological novel, the spirits of medieval Templar monks gather on the anniversary of their Grand Master's torment and execution. Together they commit the sexual perfidies and blasphemous acts of which they had been forced to accuse one another before a tribunal.