" ... explores the myths of Holland's "Good War" -- the brave nation that hid Anne Frank from the Nazis -- by using the story of soccer in Holland and the Amsterdam club Ajax to puncture the tales that post-war Holland lives by. Through interviews with Resistance fighters, survivors, wartime soccer players and more, Kuper uncovers a history that has been largely ignored. Ranging far beyond the Netherlands and examining the stories of soccer and war in England, German and France, Kuper writes an alternative history of Europe at its darkest hour. He helps change the way we understand ordinary people's experience of the war in Europe." -- Back cover.

The history of Jews in interwar Germany and Austria is often viewed either as the culmination of tremendous success in the economic and cultural realms and of individual assimilation and acculturation, or as the beginning of the road that led to Auschwitz. By contrast, this volume demonstrates a reemerging sense of community within the German-speaking Jewish population of these two countries in the two decades after World War I. The fresh research presented here shows that although Jews may have experiences a deepening sence of impending crisis and economic decline, a renewal of Jewish communal life was taking place, as new groupings sprang up, including organizations for youth, for rural Jews, and for political groups such as Zionists and Bundists. Several chapters consider the impact of economis and political crises on German Jewish family life. Together, these engrossing essays form a complex mosaic of German Jewry on the eve of its demise.

Winner of the 2013 National Jewish Book Award, Anthologies and Collections The year 1929 represents a major turning point in interwar Jewish society, proving to be a year when Jews, regardless of where they lived, saw themselves affected by developments that took place around the world, as the crises endured by other Jews became part of the transnational Jewish consciousness. In the United States, the stock market crash brought lasting economic, social, and ideological changes to the Jewish community and limited its ability to support humanitarian and nationalist projects in other countries. In Palestine, the anti-Jewish riots in Hebron and other towns underscored the vulnerability of the Zionist enterprise and ignited heated discussions among various Jewish political groups about the wisdom of establishing a Jewish state on its historical site. At the same time, in the Soviet Union, the consolidation of power in the hands of Stalin created a much more dogmatic climate in the international Communist movement, including its Jewish branches. Featuring a sparkling array of scholars of Jewish history, 1929 surveys the Jewish world in one year offering clear examples of the transnational connections which linked Jews to each other—from politics, diplomacy, and philanthropy to literature, culture, and the fate of Yiddish—regardless of where they lived. Taken together, the essays in 1929 argue that, whether American, Soviet, German, Polish, or Palestinian, Jews throughout the world lived in a global context.

This book presents a comprehensive study of the most famous and spectacular instance of inflation in modern industrial society--that in Germany during and following World War I. A broad, probing narrative, this book studies inflation as a strategy of social pacification and economic reconstruction and as a mechanism for escaping domestic and international indebtedness. The Great Disorder is a study of German society under the tension of inflation and hyperinflation, and it explores the ways in which Germany's hyperinflation and stabilization were linked to the Great Depression and the rise of National Socialism. This wide-ranging study sets German inflation within the broader issues of maintaining economic stability, social peace, and democracy and thus contributes to the general history of the twentieth century and has important implications for existing and emerging market economies facing the temptation or reality of inflation.

The triumph of image over reality and reason is the theme of this book. New communication technologies have made possible the transportation of images and words in real time to hundreds of millions of people around the world. We thought we witnessed the Gulf War as we sat, mesmerized by the imagery. But the studies from the many countries assembled for this book suggest that it was not the war in the Persian Gulf that we witnessed but rather imagery orchestrated to convey a sense of triumph and thus to achieve results that reality and reason could never have achieved.The book offers contributions from thirty-four authors in eighteen countries, including short samplings from the media of several regions. The authors explore the social, economic, and political context of media coverage in their countries, the domination of one image in most of them, and the struggle for alternative perspectives. The authors probe the dynamics of image-making and pose some challenges for the future as well as provide us with a unique glimpse of how the world outside of the United States (as well as many Americans) viewed the war in the Persian Gulf and how the dynamics of image-making and information control operate.Triumph of the Image will be useful to scholars and students in communications and mass media, international relations, political science, cultural studies, propaganda, censorship, and contemporary history as well as to the general public.

What happened to "race," race thinking, and racial distinctions in Germany, and Europe more broadly, after the demise of the Nazi racial state? This book investigates the afterlife of "race" since 1945 and challenges the long-dominant assumption among historians that it disappeared from public discourse and policy-making with the defeat of the Third Reich and its genocidal European empire. Drawing on case studies of Afro-Germans, Jews, and Turks—arguably the three most important minority communities in postwar Germany—the authors detail continuities and change across the 1945 divide and offer the beginnings of a history of race and racialization after Hitler. A final chapter moves beyond the German context to consider the postwar engagement with "race" in France, Britain, Sweden, and the Netherlands, where waves of postwar, postcolonial, and labor migration troubled nativist notions of national and European identity. After the Nazi Racial State poses interpretative questions for the historical understanding of postwar societies and democratic transformation, both in Germany and throughout Europe. It elucidates key analytical categories, historicizes current discourse, and demonstrates how contemporary debates about immigration and integration—and about just how much "difference" a democracy can accommodate—are implicated in a longer history of "race." This book explores why the concept of "race" became taboo as a tool for understanding German society after 1945. Most crucially, it suggests the social and epistemic consequences of this determined retreat from "race" for Germany and Europe as a whole. --

Brighton, 1956: When Mirabelle's on-off boyfriend, Superintendent Alan McGregor, is taken off a gruesome murder case, she steps in to unravel the tangle of poisoned gin, prostitutes and high-stakes gambling that surrounds the death. It isn't long before McGregor's integrity is called into question, and Mirabelle finds herself doubting him. So when a wartime hero's body turns up on the Sussex Downs, she is glad that he is caught up in a mystery of his own as Brighton's establishment close ranks. Mirabelle is in a dangerous situation, though, and she doesn't have McGregor watching her back on this one. And when the dead man on the Downs turns out to have been a member of a deadly thrill-seekers club, related to the earlier murder, Mirabelle is determined to uncover the truth...

1955. When Mirabelle Bevan is rescued from a fire at her home on the Brighton seafront she's lucky to escape unharmed - but the blaze takes the life of her neighbour, Dougie Beaumont, a dashing and successful racing driver living in the flat above. It soon becomes clear that this was arson, raising questions about the young man's death that Mirabelle can't resist investigating further. With her curiosity piqued and on the trail of a potential killer she finds herself taking on the mysterious world of Fleet Street with its long lunches and dodgy deals as well as the glamorous motor racing world at Goodwood. It gradually becomes clear to Mirabelle that Dougie Beaumont's life was not as above-board as it first seemed and that this talented man had many secrets, hidden when he was alive by his international lifestyle where he was constantly on the move. Then, when a second shocking murder takes place, Mirabelle's pursuit is frustrated first by Dougie's well-connected and suspicious family and then by the official investigation - led by her would-be lover Superintendent McGregor. With the help of her colleague at McGuigan & McGuigan Debt Recovery, Vesta, and some of her ex-intelligence service connections, Mirabelle discovers the dark secrets of the glamorous racing driver have ramifications far beyond the English coastline.

Scottish Highlands, 1958 Britain is awash in Cold War anxiety as Mirabelle Bevan heads for the Highlands on a holiday to visit Superintendent Alan McGregor's family. More glamorous than she expected, the Robertsons welcome her with open arms and an array of cocktails, but she has scarcely arrived when the body of an American fashion buyer turns up brutally murdered, plunging the local village into disarray and sending shockwaves around the close, Highland community. Mirabelle can't resist investigating, but what she finds lays the limitations of her feelings for McGregor bare and calls into question the loyalties of all those around her from the Robertson's housekeeper Mrs Gillies to the family of the dead woman. What started as a relaxing break in scenic surroundings soon spirals into a week fraught with danger. As the press descend on the Robertson's Highland estate, it rapidly becomes clear that things are not as black and white as they first appeared and Mirabelle can't count on anyone . . .

"About to get married, Mirabelle and her fiance retired Superintendent Alan McGregor are torn about where they will settle but when a once-in-a-lifetime opportunity comes up to buy a secluded house on the banks of the Firth of Forth, they submit to getting permission from the local landlord. But that permission comes at a price and when a nun dies in mysterious circumstances at the Little Sisters of Gethsemane Convent nearby they are drafted to uncover what happened."--Provided by publisher.

An informative memoir of kibbutz life that reveal a piece of Israel's early story that should not be forgotten.

A wonderful mix of the more liberated American women's fashions and 'dashing' British military and civilian uniforms. Often called "The Forgotten Era", the "Teens" bridge the gap between the Edwardians and the Flappers. American women's fashions are amazingly soft and informal while the British cling to a more formal look. We have combined The American Garment Cutter for Women's Garments with British patterns and articles from the West End Gazette to cover all types of clothing for men and women, plus British military uniforms and civilian uniforms such as Red Cross, policemen, chauffeurs, etc. There are many fashion illustrations and a department store catalog of 1915.

The rich correspondence that preceded the publication of Monopoly Capital Paul A. Baran and Paul M. Sweezy were two of the leading Marxist economists of the twentieth century. Their seminal work, Monopoly Capital: An Essay on the American Economic and Social Order, published in 1966, two years after Baran's death, was in many respects the culmination of fifteen years of correspondence between the two, from 1949 to 1964. During those years, Baran, a professor of economics at Stanford, and Sweezy, a former professor of economics at Harvard, then co-editing Monthly Review in New York City, were separated by three thousand miles. Their intellectual collaboration required that they write letters to one another frequently and, in the years closer to 1964, almost daily. Their surviving correspondence consists of some one thousand letters. The letters selected for this volume illuminate not only the development of the political economy that was to form the basis of Monopoly Capital, but also the historical context—the McCarthy Era, the Cold War, the Cuban Missile Crisis—in which these thinkers were forced to struggle. Not since Marx and Engels carried on their epistolary correspondence has there has been a collection of letters offering such a detailed look at the making of a prescient critique of political economy—and at the historical conditions from which that critique was formed.

The Philosophy of Art of Karl Marx by Mikhail Lifshitz is a comprehensive study of the Marxist theory of art. The book explores the relationship between art and society, and how art reflects the political and economic structures of society. Lifshitz examines the Marxist perspective on the role of art in the revolution and the struggle for social change. He also delves into the Marxist critique of bourgeois art and the concept of alienation in art. The book includes a detailed analysis of the writings of Karl Marx and Friedrich Engels on art, as well as the works of other Marxist theorists such as Georg Lukacs and Antonio Gramsci. The Philosophy of Art of Karl Marx is a thought-provoking and insightful exploration of the Marxist perspective on art, and its relevance in the contemporary world.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

An expanded edition of revered theorist Michael Löwy's Morning Star: Marxism and Surrealism (previously published in French, Portuguese, Spanish, Italian, and Greek), this masterwork collects the author's essays on the ways in which surrealism intersected with a variety of revolutionary political approaches, ranging from utopian ideals to Marxism and situationism. Taking its title from André Breton's essay "Arcane 17," which casts the star as the searing firebrand of rebellion, Löwy's provocative work spans many perspectives. These include surrealist artists who were deeply interested in Marxism and anarchism (Breton among them), as well as Marxists who were deeply interested in surrealism (Walter Benjamin in particular). Probing the dialectics of innovation, diversity, continuity, and unity throughout surrealism's international presence, Morning Star also incorporates analyses of Claude Cahun, Guy Debord, Pierre Naville, José Carlos Mariátegui and others, accompanied by numerous reproductions of surrealist art. An extraordinarily rich collection, Morning Star promises to ignite new dialogues regarding the very nature of dissent.

Over the past decade, the political ground beneath the Middle East has shifted. Arab nationalism, the political orthodoxy for most of this century, has lost its grip on the imagination and allegiance of a new generation. At the same time, Islam as an ideology has spread across the region, and "Islamists" bid to capture the center of politics. Most Western scholars and experts once hailed the redemptive power of Arabism. Now they welcome the advent of "Islamism" as a new stage of self-awareness and liberation. Arab Awakening and Islamic Revival is a critical assessment of the contradictions of Arab nationalism and Islamic fundamentalism, and the misrepresentation of both in the West. The first part of the book argues that Arab nationalism - the so-called Arab awakening - bore within it the seeds of its own failure. Arabism as an idea drew upon foreign sources and resources. Even as Arabism claimed to liberate the Arabs from imperialism, it deepened intellectual dependence upon the West's own romanticism and radicalism. Ultimately, Arab nationalism became a force of oppression rather than liberation, and a mirror image of the imperialism it defied. Initially published separately, Kramer's essays together form the only chronological telling and the first fully documented postmortem of Arabism. The second part of the book examines the similar failings of Islamism, whose ideas are Islamic reworkings of Western ideological radicalism. Its effect has been to give new life to old rationales for oppression, authoritarianism, and sectarian division.

"Sisters is a revealing, intensely readable book by one of Ireland's finest feminist writers. It contains a major assessment of the women's movement in Ireland, but first and foremost it tells the story of one woman's search for personal fulfilment." "After growing up in Dublin, June Levine went through marriage, breakdown and divorce in Canada, returning to Ireland as an unmarried woman in the swinging sixties. She writes with special insight of the era of the mohair-suited Irish male and his liberated 'girl' friends." "By the end of the decade, some women decided that this kind of liberation was no longer enough. The Irish women's movement was born, and June Levine was there from the start. This book captures all the excitement and controversy of the time, and is laced with perceptive pen-portraits of some well-known feminist leaders." "During the seventies June Levine worked as a journalist, and as a researcher on Gay Byrne's Late Late Show. Her evaluation of the past ten years in terms of her own experience, and in terms of Irish feminism, makes fascinating and absorbing reading."--Jacket

Israel Kirzner is the foremost proponent of the modern Austrian theory of the market process. This book offers substantive insights in support of this theory and a new historical interpretation of how the ideas of modern Austrians emerged.