Death By Deadline is a mystery thriller that takes you deep into the heart of local TV News, with heroes, villains, and a look at how the battle to be first with a story can climax in unbelievable catastrophe. Can local news kill people? That's the essential question as the author takes you through a mosaic of politics. the underworld, government, and the life of a big city as seen through the prism of courageous journalists and their corrupt and devious counterparts. Death by Deadline is a story of murder, mayhem, and hope. accompanied by unforgettable characters, and some of the most unusual newsroom humor that you will ever read. This is not for the fainthearted, but is IS for people who want to walk the fine line between solid reporting and the tragedy of journalistic deceit. The people are not real. Can it happen? Maybe, on some dark day in the future, unless it is too late. "Too late" is a real possibility. But in the meantime, the thread of corruption, sexual tension, heroes and villains fighting an internal struggle, produces a newsroom full of tightrope walkers in a novel with so many surprises, that the reader must be prepared to face the unthinkable.

What does it mean to meet the spirit in our mundane world? How do we communicate with the other side? Can we really forge a proof that the dead live on among us? A young American writer, having long admired the work of Argentine writer Julio Cortázar, travels to France in 1974 to meet him, hoping to commune with a literary soul mate and to create a political alliance in the face of the brutal coup that has overtaken Chile. But circumstances compromise their brief encounter, and for years afterwards, though she and Cortázar correspond through books and letters, she feels unfulfilled by what she knows could have been a far more meaningful collaboration between them. The writer feels this loss all the more keenly when Julio Cortázar dies . . . until inexplicable signs and portents lead her to understand that their relationship has not ended; the deceased writer may have more to say to her. She becomes obsessed with reaching Cortázar. She tries to summon him into her life with all the force of her mind, heart, and will. She imagines writing a book with a dead man, but without resorting to trickery or fantasy, and her attempts to conjure forth Cortázar s spirit create a bizarre triangle between Julio, the writer and her bemused husband. Ultimately the writer s search for the door that will open between two worlds leads her to question the very nature of reality . . . and to the strange, joyous climax of her seemingly impossible quest. In Doors: A Fiction For Jazz Horn, Deena Metzger has achieved something wholly unique a book about writing a book that has all the suspense of a great thriller, and the depth of a profound metaphysical mystery.

The Rise of Iskander is a novel written by Benjamin Disraeli, a British politician and novelist. The book is set in the fictional country of Vraibleusia, which is a thinly veiled representation of Greece. The story follows the rise of Iskander, a young and ambitious Greek man who seeks to restore his country to its former glory.Iskander is a charismatic and brilliant leader who quickly gains a following among the people of Vraibleusia. He is aided in his quest by a group of loyal followers, including the beautiful and cunning Princess Ida, who becomes his lover and confidante.As Iskander's power grows, he faces opposition from the ruling class, who fear his radical ideas and populist appeal. He also must navigate the treacherous waters of international politics, as other countries seek to exploit Vraibleusia's resources and influence.The novel is a political thriller that explores themes of power, ambition, and the struggle for freedom and independence. Disraeli was known for his interest in Eastern cultures and his sympathy for the struggles of oppressed peoples, and these themes are evident throughout the book.Overall, The Rise of Iskander is a gripping and thought-provoking novel that offers a fascinating glimpse into the world of 19th-century politics and society. It is a must-read for anyone interested in history, politics, or literature.At length he was on the centre of the centre arch, an eminent position, which allowed him for a moment to keep them at bay, and gave him breathing time. Suddenly he made a desperate charge, clove the head of the leader of the band in two, and beat them back several yards; then swiftly returning to his former position, be summoned all his supernatural strength, and stamping on the mighty, but mouldering keystone, he forced it from its form, and broke the masonry of a thousand years. Amid a loud and awful shriek, horses and horsemen, and the dissolving fragments of the scene for a moment mingled as it were in airy chaos, and then plunged with a horrible plash into the fatal depths below.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

What do you do when you are staring straight down at the abyss that your life has become? This is the question Anthony Albergo asked himself the night the New York Yankees lost game seven of the 2001 World Series and he had to come up with the $50,000 that he owed local mob boss Frankie Feliciani. A New York Hold'em is the story of a young man who lets his gambling addiction ruin his life. He has lost everything-including his parents, who were brutally murdered-to this vicious habit and now he needs to decide if he wants to walk away from this nightmare or seek revenge against Frankie and his nephew Bull for his losses. There's only one catch; he has just five days to either come up with the money or a plan to settle the score. For all you people out there that think playing Texas Hold'em and gambling for a living is a great life, think again. It is much easier on television and in the movies because in the real world, the house always wins and they want their money-no matter what.

When Harvard Medical graduate Dr. Seth Levin's fiancee Amber dies under mysterious circumstances, Seth's passion to reclaim her becomes an obsession. Intent on cloning his fiancee and armed with a sample of Amber's DNA, Seth travels to the secluded South American estate of a rogue geneticist, unaware that the surrogate he has chosen to carry Amber's embryonic clone has a dangerous secret of her own.

An old doll's house, a new doll's house, miniature gardens in plastic and lead; when Nancy Barbellion returned to her old family house in Bath after a lifetime of exotic excitement she could never have anticipated the new adventure that awaited her... The latest story from the pen of the author of 'The Last Resort Library', 'The Princess Who Wouldn't Come Home', and 'Swizzle De Brax and the Blungaphone'. Illustrated by Jenny Kallin.

"A list. What could be more basic than a list? And a list by Lish is sure to intrigue. In this, Lish's latest work, he delivers a characteristic exhibition of his peculiar deformities of candor, obsession, and wit, via two extended "notes" to the reader, including a pages-long list of essential but perplexing words. Amidst this stream of apparent incongruities, the alert reader will discover an accruing narrative involving the narrator's late, beloved Aunt Adele-a medal-bedecked spy for the National Reconnaissance Office-and cryptography, love, poetry, and of course: the nature of language"--Amazon.com.

THE MEN FROM THE BOYS Marty Bond had been a famous cop in New York. But that was before he was "retired" from the force. Now he's a house dick at a crummy hotel, pimping, rousting, drinking too much. His stomach is killing him, and it comes as no surprise when the doctor says it might be a tumor. Knowing he must have cancer, Marty starts to plan a quicker exit. That's when his stepson comes to him. An auxiliary cop working the streets, Lawrence thinks there was something fishy in a meat seller who cries robbery one minute, then changes his mind the next. Marty tells him to forget about it. But the kid investigates anyway, and is almost beaten to death. Now Marty figures it's time to take Lawrence's suspicions seriously. But what can an ex-cop on the skids do when all he has left are a few old skills, a cynical heart, and the little time remaining?

When Claire, the author of a novel about love among young CIA trainees, receives an e-mail from an Iranian admirer who wants to obtain a copy of her work, she agrees to meet him, but soon learns that someone is intercepting their communications.

Dive into the chilling world of Richard Marsh's "The Magnetic Girl," a gothic mystery exploring the unsettling power of interpersonal attraction. This supernatural horror story centers on a magnetic girl whose allure holds a dark secret. Is her irresistible charm a gift or a curse? Marsh masterfully weaves a tale of suspense and dread, drawing the reader into a web of intrigue and unease. Explore the depths of human connection and the terrifying potential hidden within. This meticulously prepared print edition offers a renewed opportunity to experience the enduring appeal of this classic work of gothic fiction, perfect for readers fascinated by mystery, horror, and the inexplicable forces that bind us together. Discover the chilling secrets within "The Magnetic Girl." This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE CUT OF THE WHIP Daniel Port is driving through Texas when the other car appears out of nowhere. When Port eventually wakes up, he finds a ministering angel named Jane and her father, Carl Heering, the richest man in town. Heering admits that it was his son, Robert, that ran into Port and that the kid has run off with important business papers. He offers Port an easy grand to bring his son and the papers back. But when Port tracks the kid down, all is not as it seems. The business papers are love letters, the Heering heir is kidnapped, and Port finds he must solve the mystery and rescue Robert before he himself is implicated in the plot and put in prison for kidnapping. BRING ME ANOTHER CORPSE He could go it alone, or he could do it with the knowledge and help of a big organization. He didn't like either alternative because it would be too much like going back, like starting all over in the kind of a life about which he no longer had any illusions ... All those surface satisfactions that used to make life spin around with a speed that made you think, Sure now--you're going someplace. "I'll try it your way," he said to Lubinski, "and I hope it's the fast way out." Lubinski smiled at Port. The smile lasted a second, and then Lubinski opened his briefcase and drew out the usual folder. "It can be fast," he said. "A lot of it is already set up." "Where do I fit?" "You go to Cleveland," said Lubinski, "and you hire out as your own killer..." TIME ENOUGH TO DIE Port thinks he's escaped his problems. Time moves slowly in the Mexican coastal village of Guanadera, and that's just the way he likes it--the sun on his face, a beer in his hand and nothing but Maria on his mind. So when Maria asks him to help her find her missing neighbor, an elderly gent named Kiamoto, he doesn't give the project much thought. How could he know that d'Ortega and his henchman Capo were also looking for Kiamoto? They figure that an American gangster--and why else would Port be living in Guanadera?--must be in on the caper. Because Kiamoto is much more than he seems. And pretty soon there are American agents in on the game. Just when Port thought he was out of the rackets for good, he gets pulled into a crime that might cost him his life.

This is the story of a Russian prince, a princess, and the revolution that is taking place around them. They attempt to flee, which appears to be successful,—at least at first. Loosely based on the Romanovs’ reign in Russia.

It reads like a thriller page after page. . . . The loveliest of Hilda Bernsteins works about the ugliest of times.Albie Sachs, The Independent Were it not for ordinary heroes like the Bernsteins, South Africa would not be free today.Guardian It was 1963 in South Africa during Apartheid when Lionel Rusty Bernstein was arrested, along with Nelson Mandela and fifteen other leaders of the African National Congress. They were charged with 221 acts of sabotage designed to ferment violent revolution. Rusty was one of two individuals acquitted, and the rest received life sentences. In The World that was Ours, his wife, Hilda Bernstein, offers an astonishing personal account of the events leading up to the Rivonia Trial and describes how, as a white family with four children, they managed to fight a hostile and unjust regime. There was a long night ahead. We are unable to read. We listen all the time, listen for the sound of a car in anticipation that the police will come. If he is in the hands of the police, surely they will bring him to the house to search; they always raid after an arrest. Hilda Bernstein (19152006) lived in London, but in 1933 moved to South Africa where she married Lionel Bernstein. She was elected as a Communist to the Johannesburg City Council; helped found the multiracial Federation of South African Women; and worked closely with the African National Congress Womens League in opposition to apartheid.

When a gang steals a million dollar ransom, they pick the wrong place to hide from the police and the greedy people who also want the money.

Edward Phillips Oppenheim (1866-1946), was an English novelist, in his lifetime a major and successful writer of genre fiction including thrillers. He composed some one hundred and fifty novels, mainly of the suspense and international intrigue nature, but including romances, comedies, and parables of everyday life.

Two confirmed bachelors, Mr. Pugh and Mr. Tress, are rival collectors between whom pass a series of bizarre and discomfiting objects—including poisoned rings, pipes which seem to come to life, a phonograph record on which a murdered woman seems to speak from the dead, and the severed hand of a 13th-century aristocrat. This volume collects all 7 classic tales in the series, with mystery, humor, and even horror alternately at the forefront!

A conference of European nations is being held in the Hague. England has not been invited to attend. Some think war is about to break out. Mr. John P. Dunster, an American, is traveling to the Hague with an important document that may prevent the outbreak of war when he mysteriously disappears after a train wreck in England. Richard Hamel is asked by the British government to attempt to solve the mystery of Dunster's disappearance and prevent the outbreak of war in Europe. - Summary by Richard Kilmer

Edward Phillips Oppenheim (1866 - 1946) was an English novelist, in his lifetime a major and successful writer of genre fiction including thrillers. Oppenheim featured on the cover of Time magazine on September 12, 1927. He was the self-styled "prince of storytellers." He composed some one hundred and fifty novels, mainly of the suspense and international intrigue nature, but including romances, comedies, and parables of everyday life. He was the earliest writer of spy fiction as understood today, and invented the "Rogue Male" school of adventure thrillers that was later exploited by John Buchan and Geoffrey Household. Undoubtedly his most renowned work was The Great Impersonation: it was filmed thrice, the last time as a strong piece of wartime propaganda. Perhaps Oppenheim's most enduring creation is the character of General Besserley, . Much of Oppenheim's work possesses a unique escapist charm, featuring protagonists who delight in Epicurean meals, surroundings of intense luxury, and the relaxed pursuit of criminal practice, on either side of the law