The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

The dawning of the nineteenth century found the Jews of Eastern Europe torn between the forces of progress and reaction as they took their first tentative steps toward the modern world. In a war of words and of books, Haskala—the Jewish Enlightenment—did battle with the religious revival movement known as Hasidism. Perl, an ardent advocate of Enlightenment, unleashed the opening salvo with the publication in 1819 of Revealer of Secrets. The novel tried to pass itself off as a hasidic holy book when it was, in fact, a broadside against Hasidism—a parody of its teachings and of the language of its holy books. The outraged hasidim responded by buying up and burning as many copies as they could.Dov Taylor's careful translation and commentary make this classic of Hebrew literature available and accessible to the contemporary English-speaking reader while preserving the integrity and bite of Perl's original. With Hasidism presently enjoying a remarkable rebirth, the issues in Revealer of Secrets are all the more relevant to those seeking to balance reason and faith. As the first Hebrew novel, the work will also be of great interest to students of modern Hebrew literature and modern Jewish history.

Francis Bacon was one of the iconic figures of modern art, a painter who transformed the way we see and experience the human body. Mirroring Bacon's famous triptychs, Jonathan Littell's three essays engage with the artist's contorted figures and portraits, his screaming popes and apes, his flanks of beef and his umbrellas. In 'A Day at the Prado', Littell analyses Bacon's painting in light of Velazquez and Goya - two artists who deeply influenced him. In 'The Grammar of Francis Bacon', the artist's portraits of his lover George Dyer before and after his suicide in 1971 provide a key to the hidden correspondences between the figures he painted. Littell then, in 'The True Image', looks at the history of icon painting and photography before returning to Bacon, questioning the very meaning of truth in art. Erudite and deeply personal, Jonathan Littell's exegesis on the work of a major twentieth-century artist seeks to lay bare the sinews of Francis Bacon's tormented art. Jonathan Littell usually writes in French. Triptych was written in English, and this is its first English-language publication.

This lively ethnography traces a fraught three months in the life of a Jewish congregation stubbornly persisting on the Lower East Side, and affords a candid, lucid and intimate introduction to contemporary synagogue practice. In these pages Jonathan Boyarin invites us to share the intimate life of the Stanton Street Shul, one of the last remaining Jewish congregations on New York's historic Lower East Side. This narrow building, wedged into a lot designed for an old-law tenement, is full of clamorous voices the generations of the dead, who somehow contrive to make their presence known, and the newer generation, keeping the building and its memories alive and making themselves Jews in the process. Through the eyes of Boyarin, at once a member of the congregation and a bemused anthropologist, the book follows this congregation of "year-round Jews" through the course of a summer during which its future must once again be decided. The Lower East Side, famous as the jumping off point for millions of Jewish and other immigrants to America, has recently become the hip playground of twenty-something immigrants to the city from elsewhere in America and from abroad. Few imagine that Jewish life there has stubbornly continued through this history of decline and regeneration. Coming inside with Boyarin, we see the congregation's life as a combination of quiet heroism, ironic humor, disputes for the sake of Heaven and perhaps otherwise, and above all the ongoing search for ways to connect with Jewish ancestors while remaining true to oneself in the present. Mornings at the Stanton Street Shul illustrates in poignant and humorous ways the changes in a historic neighborhood facing the challenges of gentrification. It offers readers with no prior knowledge of Judaism and synagogue life a portrait that is at once intimate and intelligible. Most important, perhaps, it shows the congregation's members to be anything but a monochromatic set of uniform "believers" but rather a gathering of vibrant, imperfect, indisputably down-to-earth individuals coming together to make a community.

The Dublin Lockout of 1913 is the most important industrial struggle in Irish history. It was a concerted attempt to crush militant trade unionism once and for all. With incredible courage the Dublin workers, led by Jim Larkin and the Irish Transport and General Workers Union, held out for nearly six months. A century on we can still learn tremendous lessons in the power of the rank and file, solidarity and the kind of revolutionary leadership we need in the labour movement.

Eighty-six Scottish songs in three categories: traditional ballads, the Jacobite Rebellions, Songs of Robert Burns and Republican Broadsides. The songs in this collection, in some small way, tell the history of the Scottish people. Includes melody line, lyrics, guitar chords and historical content.

A colorful mixture of traditional English folk songs and ballads, as well as the history of many of the songs. Many English folk songs are quite familiar in America. Hundreds of them came along with the earliest settlers in the 17th century; others with the Redocoats in the 18th century; still others with the sailors and fisherman of the 19th century; and finally the doughboys and G.I.'s of two world wars have brought over the 20th century's contribution. The book includes melody line, lyrics, historical information, andguitar chords.

Learn About the Magic of Light from a Master Step into the captivating world of Jean Rosenthal, a trailblazing figure in the realm of lighting design for modern theater. The Magic of Light, a professional memoir crafted with the assistance of friend and novelist Lael Wertenbaker, unveils the artistry behind Rosenthal's technical mastery. Renowned for transforming stage illumination from a mere necessity to a mesmerizing art form, Rosenthal shares her insights, experiences, and the evolution of her craft. Part one of the memoir delves into Rosenthal's profound thoughts on light, exploring its role in theatrical history, dissecting its impact on plays, musicals, operas, and dance. Part two, "Tools of the Trade," serves as a comprehensive guide, detailing the mechanics of lighting instruments, with diagrams, charts, and photographs illustrating Rosenthal's creative process. Included are light plots, cue sheets, and scene designer's elevations for the famous Broadway productions of Hello, Dolly and Plaza Suite. In a heartfelt preface, Wertenbaker offers a glimpse into the life of Rosenthal, a woman of immense talent, professionalism, and profound humanity. From her early collaborations with Martha Graham to her work with Broadway stage greats, Rosenthal's journey unfolds with anecdotes, humor, and the unwavering dedication that endeared her to colleagues and theater crews alike. The Magic of Light is not only a technical guide; it's a celebration of Rosenthal's legacy and her impact on the theatrical world. With contributions from luminaries like Martha Graham, John Houseman, Oliver Smith, Mary Martin, and Garson Kanin, this memoir is a tribute to a pioneering artist whose work continues to shape the essence of stage illumination. This book is also available from Echo Point Books as a hardcover (ISBN 1648374298).

A major new novel about sex and the citizen by the award-winning author of Being Dead The timid life of actor Felix Dern is uncorrupted by Hollywood, where his success has not yet been shackled with any intrusive fame. But in the theaters and the restaurants of his own city, "Lix" is celebrated and admired for his looks, for his voice, and for his unblemished private life. He has succeeded in courting popularity everywhere, this handsome hero of the left, this charming darling of the right, this ever-twisting weather vane. A perfect life? No, he is blighted. He has been blighted since his teens, for every woman he sleeps with bears his child. So now it is Mouetta's turn. Their baby's due in May. Lix wants to say he feels besieged. Another child? To be so fertile is a curse... In" Genesis, Jim Crace, winner of the National Book Critics' Circle Award and the Whitbread Novel of the Year, charts the sexual history of a loving, baffled man, the sexual emancipation of a city, and the sexual ambiguities of humankind.

Discusses Christianity's rise to power in the 4th century, with concomitant Jewish powerlessness, as decisive factors in forming Torah Judaism, which was the Jewish way of life until the impact of secularism. Ch. 6 (pp. 225-253), "Zionism: Reversion to an Invented Past, " stresses Jewish self-emancipation as a response to the failure of Europe's promise to emancipate the Jews. Zionism called for a Jewish state, where all Jews could live and be free of antisemitism. Claims that history proved that Zionism was right regarding the danger that led to the Holocaust; thus, Zionism increasingly gained adherents, especially after World War II. Ch. 7 (pp. 254-284), "The American Judaism of Holocaust and Redemption, " focuses on the centrality of the "myth" that connects the Holocaust and the State of Israel. Against the background of American antisemitism in the 1930s-40s and the lethal Nazi antisemitism, stresses how third-generation Jewish Americans construct their identity and way of life. American Jews accept their Jewishness, since antisemitism has proved there is no escape from being a Jew. After the Holocaust, American Jews view themselves as being among the "saved" but do not believe they need to make aliyah, as the Zionist response to antisemitism requires. Instead, they busy themselves with sacred activities related to surviving as Jews, especially preserving Israel as a refuge from antisemitism.

Remarkable prose collection from a notable Australian poet. If life is a cosmic stage where illusions are the only reality, says Jacob G. Rosenberg, it is through these illusions that we can sometimes better recognize our world, our fellows, and ourselves. Such is the author's hope in this book. The stories in the first part, Lives, explore dimensions of the human landscape. The shorter pieces that make up Embers, inspired by the midrashic tradition of biblical interpretation, investigate the eternal human drama through the prisms of scripture, history, and folklore.

In recent years, the high rate of intermarriage and other demographic factors have created a challenge for American Jewry: How can rabbis, policy planners, educators, and parents transmit most effectively Jewish religion, culture, and values to their children? Prior research shows that Jewish education is the one area in which communal leaders and lay people can act to make a positive difference in the future cultural transmission of Judaism. Family Matters offers groundbreaking essays on Jewish education by scholars drawn from anthropology, education, history, and sociology. Essays by Steven M. Cohen, Sylvia Barack Fishman, Shaul Kelner, Jeffrey S. Kress, Alex Pomson, Riv-Ellen Prell, and Jack Wertheimer range from interviews about educational decisions with families, teenagers, and Jewish educators to sweeping new statistical data about the actual state of Jewish education in American cities. Making new links among parents, community, and Jewish schools, Family Matters is a vital study in the sociology of the contemporaryAmerican Jewish community.

Pool surveys the legal history of the different modes of communication--print, carrier and broadcasting -- and shows how the constitutional tradition of a free press and free speech was defined over the past 200 years. Discusses how technological factors have shaped different legislative and judicial approaches to print, mail, telegraph, telephone, radio, and television, involving the government more deeply in regulation and resulting in censorship, prior restraint and licensing banned under the First Amendment. Also covers cable TV, electronic publishing, memory banks and computer networks and their mixed effect on free speech, and shows that technological change need not result in restrictive government regulation. Concludes with measures to ensure the preservation of freedom. ISBN 0-674-87233-9 (pbk.) : $8.95.

Jewish pianist/composer Irving Fields formed one of the first piano-bass-drum trios in jazz, going on to compose song performed by Frank Sinatra, Louis Armstrong, Xavier Cugat, Guy Lombardo, Dinah Shore, Sarah Vaughan and others. In 1959 made history by fusing Latin and jazz music on his album "Bagels And Bongos", followed by a series of albums fusing jazz with world rhythms and his legacy was set. Irving died in 2016 at age 101. In his 90's his wrote this autobiography about his life with the help of Huffington Post columnist and former music store owner Tony Sachs. It was edited by music writer Aaron Joy with an introduction by cocktail pianist Albert Aprigliano.

"The history of the Jews"

In 1964, in a daring night-time escape, the author and her husband fled Johannesburg and slipped across the border under the eyes of the security police. This autobiography documents her transformation from model school girl to saboteur, and her family's history of flight and exile through the generations.

Hermann Joseph Muller (1890-1967) was a member of the early genetics group at Columbia University that developed the chromosome theory of inheritance. T. H. Morgan received the Nobel Prize in Medicine and Physiology for this work in 1934, and Muller, his student, received the Nobel Prize in 1946 for his discovery of radiation-induced mutation. Muller's writings extended beyond contributions to technical journals. He was an active critic of social abuse of science; he advocated eugenic programs based on free choice; and he played a major role in the reform of high school biology. Muller's social views were published in magazines and journals which are accessible to scholars more than to the lay reader or student. They have been collected here to show how extensively he thought our lives are affected by radiation, evolution, modern medicine, and gene theory. He attempted to alert humanity to the dangers of neglect and abuse of their genetic heritage. He also used humanistic values to urge mankind to improve itself, to foster cooperativeness, to increase health and intelligence, and to adopt and evolutionary outlook. A companion collection of essays, The Modern Concept of Nature: Essays on Theoretical Biology by H. J. Muller, also published by State University of New York Press, deals with Muller's scientific contributions to genetics and evolution. It was Muller who developed the relation between genes and mutation; his views on the primacy of the gene in biology are reflected today in the similar primacy of nucleic acids as the basis of life. For students of the history of ideas, a collection of these essays would illustrate how genetic thinking prepared the world view for molecular biologists. The relation of science to values is often neglected because of the inaccessibility of the written contributions of famous scientists. To read Muller's major essays in these two areas is an important way to evaluate a scientist's career, his maturation of ideas, and his developing application of science to society.

A wise, witty, and humane autobiography filled with a passionate curiosity about the people--and meaning--of America. "One Man's America is at once a stirring account of a young immigrant becoming an American, a personal history of the major milestones of the late twentieth century, a fascinating insider's view of the most widely read news magazine in the world, and a warm and loving family saga. Here also is the remarkable success story of a boy driven from his native Vienna by the Nazis and returning years later as an ambassador; of a copy boy who rose to become editor of "Time magazine. During his long and distinguished career in journalism, Grunwald knew, befriended, and feuded with some of the greatest figures on the world stage, from Whitaker Chambers and Marilyn Monroe to John F. Kennedy and Henry Kissinger to Ronald Reagan and Fidel Castro. But the immense power his position allowed him was tempered by a fierce desire to know everything he could about the mores and folkways of the whole United States, Main Street bankers and student radicals alike, through whom he sought to understand the heart of his adopted country. "One Man's America is, above all, a hymn to the ever-turbulent, ever-changing land of America.

"A pacesetter, at the forefront in recognizing the persisting importance of 'ethnicity as a force both in building nations and in tearing them apart, ' it is also a work of literary merit, crafted by a master wordsmith." So comments Lucian Pye in reflecting on this classic work in political science and sociology about group identities bending and shaping themselves under the pressure of political change. These transformations seem to have basic similarities, whether they take place in Little Rock or Kenya, Vietnam or Pakistan, Belgium or Biafra. Isaacs sorts out some fundamentals in forming group identity: the body, names, language, history of origins, religion, and nationality. These are dynamic elements that are melded together but have the possibility of creating new pluralisms.

"How was it possible, by the later twentieth century, to have erased women as artists from art history so comprehensively that the idea of 'the artist' was exclusively masculine? Why was this erasure more radical in the twentieth century than ever before? Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History history yet effected real change? With a new Preface by Griselda Pollock, this new edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism."