Long recognized as a masterpiece of modern American poetry, William Carlos Williams' Paterson is one man's testament and vision, "a humanist manifesto enacted in five books, a grammar to help us to live" (Denis Donoghue). Paterson is both a place - the New Jersey city near which Williams lived - and a man: the symbolic figure in whom the person (the poet's own life) and the public (the history of the region) are combined. Originally four books (published individually between 1946 and 1951), the structure of Paterson (in Dr. Williams' words) "follows the course of the Passaic River, whose life seemed more and more to resemble my own: the river above the Falls, the catastrophe of the Falls itself, the river below the Falls and the entrance at the end into the great sea." Book Five, published in 1958, when the poet was seventy-five, affirms the triumphant life of the imagination, in spite of age and death. This edition has been completely re-edited by noted Williams scholar Christopher MacGowan of the College of William and Mary and, in addition to presenting the most authoritative text possible, contains invaluable notes identifying Williams' sources and references.

Samuel Noah Kramer (1897-1990) was an American Assyriologist and one of the foremost scholars in the field of Sumerian studies. He made significant contributions to the decipherment and understanding of ancient Mesopotamian texts and culture. In "Sumerian Mythology," Kramer provides a detailed exploration of the mythology and religious beliefs of the Sumerians. He examines the pantheon of Sumerian gods and goddesses, their attributes, roles, and relationships. The book also covers the creation myths, epic tales, and other mythological narratives from Sumerian literature. Kramer's work draws from a wide range of ancient Sumerian texts, including hymns, prayers, incantations, and mythological narratives. He provides translations and analysis of these texts, shedding light on the religious cosmology, rituals, and beliefs of the Sumerians. "Sumerian Mythology" has become a classic in the field of ancient Mesopotamian studies, offering valuable insights into the mythological worldview of one of the earliest civilizations in human history. It remains an essential reference for scholars and enthusiasts interested in Sumerian religion and mythology.

From the internationally bestselling author of The Last Kabbalist of Lisbon comes a novel of incomparable scope and beauty that takes the reader on an epic journey from war-ravaged nineteenth-century Europe to antebellum America. A bereft child, a freed African slave, and the rich history of Portugal's secret Jews collide memorably in Richard Zimler's mesmerizing novel--a dazzling work of historical fiction played out against a backdrop of war and chaos that unforgettably mines the mysteries of devotion, betrayal, guilt, and forgiveness. Hunting Midnight At the dawn of the nineteenth century in Portugal, John Zarco Stewart is an impish child of hotheaded emotions and playful inquisitiveness, the unwitting inheritor of a faith shrouded in three hundred years of secrecy--for the Jews of the Iberian Peninsula have been in hiding since the Inquisition. But a season of loss and bitter discovery brings his innocence to an abrupt end. It is only the ministrations of a magical stranger, brought to Porto by his seafaring father, that restore his safety: Midnight, an African healer and freed slave, the man who will become John's greatest friend and determine the course of his destiny. When Napoleon's armies invade Portugal, violence again intrudes on John's fragile peace, and seals his passage into adulthood with another devastating loss. But from the wreckage comes revelation as he uncovers truths and lies hidden by the people he loved and trusted most, and discovers the act of unspeakable betrayal that destroyed his family--and his faith. And so his shattering quest begins as he travels to America, to hunt for hope in a land shackled by unforgivable sin. With stunning insight and an eye for rich historical detail--from the colorful marketplaces of Porto to the drowsy plantations of the American South, from the Judaism John discovers as a young man to the mystical Africa that Midnight conjures from his memories--in Hunting Midnight Richard Zimler has crafted a masterpiece. "From the Hardcover edition."

"It is [a] belief in diversity and pluralism and the uniqueness of each person that underlies all my writings . . . " -from the Preface. Regarded as the most influential and widely read thinker on modern organizations and their management, Peter Drucker has also established himself as an unorthodox and independent analyst of politics, the economy, and society. A man of impressive scope and expertise, he has paved significant inroads in a number of key areas, sharing his knowledge and keen insight on everything from the plight of the employee and the effects of technology to the vicissitudes of the markets and the future of the new world order. Adventures of a Bystander is Drucker's rich collection of autobiographical stories and vignettes, in which this legendary figure paints a portrait of his remarkable life, and of the larger historical realities of his time. In a style that is both unique and engaging, Drucker conveys his life story -from his early teen years in Vienna through the interwar years in Europe, the New Deal era, World War II, and the postwar period in America-through intimate profiles of a host of fascinating people he's known through the years. Their personal histories are, as Drucker tells us, the beads for which his own life serves as the string. A colorful group, these diverse, often unpredictable, always multidimensional individuals were chosen "because each of them, in his or her own highly personal way, reflects and refracts the thirty crucial years from the end of World War I to the first post-World War II decade-the thirty years that largely formed the world in which we now live." An amazing pageant of characters, both famous and otherwise, springs from these pages, illuminating and defining one of the most tumultuous periods in world history. Along with bankers and courtesans, artists, aristocrats, prophets, and empire-builders, we meet members of Drucker's own family and close circle of friends, among them such prominent figures as Sigmund Freud, Henry Luce, Alfred Sloan, John Lewis, and Buckminster Fuller. Playing to perfection their roles as those who "reflect and refract" the customs, beliefs, and attitudes of the times, these singular personalities lend Adventures of a Bystander a striking "you-are-there" feel. A brief encounter with Freud becomes the catalyst for an absorbing, multidimensional description of the economics, politics, and social psychology of pre-World War II Europe. Drucker introduces us to Fritz Kraemer, a brilliant, monocle-wearing eccentric who became an influential mentor to the young Henry Kissinger. His personal memoir of Henry Luce documents the development of modern journalism, while in "The Indian Summer of Innocence," he rescues and preserves the very heart of the American experience during the last New Deal years before World War II. Shedding light on a turbulent and important era, Adventures of a Bystander also reflects Peter Drucker himself as a man of imaginative sympathy and enormous interest in people, ideas, and history. These enthralling stories complement and complete the groundbreaking analytical writing for which he is so revered. Luminous autobiographical stories by one of the greatest thinkers of our time "The cast of characters among whom Drucker moves is superbly rich, and the informed glimpse he provides of a vanished social and political universe is an education in itself. Adventures of a Bystander is better than a novel, more lively than an essay, and as thoughtful as both at their best." -The Harvard Business Review. "Adventures of a Bystander is a virtuoso performance in which Drucker displays a dazzling diversity of personal interests and knowledge, an awesome power of recall, and a crisp, highly readable writing style." -BusinessWeek. "Adventures of a Bystander appears in a stroke to have restored the art of the memoir and of the essay. It will doubtless be a while before its like comes round again." -The Washington Post.

The Little Book that helps investors avoid big losses in an economic downturn In the wake of falling stock and real estate prices, the American economy is poised for a decade-long bear market, so says Peter Schiff. After he accurately predicted the current market turmoil, savvy investors should pay attention--and start protecting their assets now, before the markets take their toll. The Little Book of Bull Moves in Bear Markets shows investors how to stay safe and stay liquid during economic downturns. Using economic history as a guide, Schiff looks at the bear markets that followed the bull markets of the 1920s and 1960s to predict what the American economy will look like after it corrects for the tech and real estate bubbles of the 1990s and early 2000s. Combining financial, economic, and political perspectives, Schiff looks at what worked in those earlier bear markets and predicts what strategies are most likely to work over the next ten years. In the end, Schiff argues that the next decade will most closely resemble the 1970s, complete with inflation, rising interest rates, and soaring commodity prices. This reversal of trends will make past investment strategies obsolete and pose a challenge for investors trying to build and protect their wealth. Smart investing will always pay off; the key lies in using the best strategies for the market at hand. For investors who see the writing on the wall but don't know what to do about it, The Little Book of Bull Moves in Bear Markets offers a timely, critical answer. Peter D. Schiff (Darien, CT) is President of Euro Pacific Capital, Inc., and one of the few non-biased investment advisors to have predicted the current bear market and positioned his clients accordingly. He appears twice a week on the FOX Business News network and has been quoted in such publications as the Wall Street Journal, Barron's, the Financial Times, and the New York Times.

With the same uncompromising style that characterized his breakthrough, Vietnam-era writings, Toward a New Cold War extends Chomsky's critique of U.S. foreign policy through the early 1970s to Ronald Reagan's first term. Expanding on themes such as the cozy relationship of intellectuals to the state and American adventurism after World War II, Chomsky goes on to examine the way that U.S. policymakers set about the task of rewriting the horrible history of involvement in Indochina and turned their attention more squarely on the Middle East and Central America. Chomsky also assesses U.S. oil strategy and the Israeli-Palestinian conflict, dissects the first volume of Kissinger's memoirs, issues an urgent call to stem the bloodshed in then-unknown East Timor and, in the title essay, marks the increased posture of confrontation and rearmament under presidents Carter and Reagan that signaled the end of d�tente with the Soviet Union. Featuring a new foreword by internationally acclaimed journalist John Pilger, this is the fifth in a series of Chomsky's classic political works reissued by The New Press. The others are American Power and the New Mandarins , For Reasons of State , Problems of Knowledge and Freedom , and Objectivity and Liberal Scholarship .

Award-winning American novelist Nicole Krauss first captivated readers with her groundbreaking debut novel Man Walks into a Room a novel in which Krauss explores what it is to lose one's identity and what it is to discover what makes us human. Samson Greene has been missing for eight days when he is discovered wandering through the Nevada desert 'ragged as a crow' and with no idea who he is. He is rushed to hospital where doctors save his life but all his memories after the age of twelve have been permanently lost. Now as he looks around the beautiful apartment he apparently shares with his wife and which is filed with all the souvenirs of a life well lived Samson feels nothing more than a vague admiration. In her first novel Nicole Krauss tells the story of a man suddenly liberated from the life he has made disconnected from the people who have defined him. Withdrawing from a wife he has no memory of loving Samson plunges weightless into the future. But when he agrees to participate in a revolutionary experiment what he experiences a revelation of what it means to be human. 'Krauss celebrates the anything-but-simple art of human connection' San Francisco Chronicle 'You'll savour the last page - and be hungry for future work from this talented author' The Washington Post Book World Nicole Krauss is an American bestselling author who has received international critical acclaim for her first three novels: Great House (shortlisted for the Orange Prize for Fiction 2011) The History of Love (Shortlisted for the Orange Prize for Fiction 2006 and winner of the 2006 Prix du Meilleur Livre tranger) and Man Walks into a Room all of which are available in Penguin paperback.

"A passion for bialys, those chewy, crusty rolls with the toasted onion center, drew Mimi Sheraton to the Polish town of Bialystok to explore the history of this Jewish staple. Carefully wrapping, drying, and packing a dozen American bialys to ward off translation problems, she set out from New York in search of the people who invented this marvelous bread. Instead, she found a place of utter desolation, where turn-of-the-century massacres, followed by the Holocaust, had reduced the number of Jewish residents from fifty thousand to five. Sheraton became a woman with a mission, traveling to Israel, Paris, Austin, Chicago, Buenos Aires, and New York's Lower East Side to rescue the stories of the scattered Bialystokers. In a bittersweet mix of humor and pathos, she tells of their once-vibrant culture and iconic bread, reviving the exiled memories of those who escaped to the corners of the earth with only their recollections and one very important recipe to cherish"--Publisher description.

Michael Lind has been described by Rolling Stone magazine as “that rarest of figures: an intellectual with name recognition.” Now the Whitehead Senior Fellow at the New America Foundation in Washington, DC, Lind has been an editor or staff writer for The New Yorker, Harper’s Magazine, and The New Republic and writes frequently for The New York Times and Financial Times. He is the author of more than a dozen books of history, political journalism, and fiction, including a poetry chapbook, When You Are Someone Else (2002); Bluebonnet Girl (2004), a children’s book in verse that won an Oppenheimer Toy Prize for children’s literature; and a narrative poem, The Alamo (1997), which the Los Angeles Times named as one of the best books of the year. Parallel Lives is his first collection of verse. Lind’s themes range from geopolitical issues, interpersonal relationships, art, nature and the American landscape, to the nature of poetry itself. Thomas Disch says of Lind, “To read his spare and elegant poems is to be privy to the councils of the unacknowledged legislators of our own day and age.”

In this "stunning" new history, New York Times bestselling author Max Wallace draws on groundbreaking research to reframe Helen Keller's journey after the miracle at the water pump, vividly bringing to light her rarely discussed, lifelong fight for social justice across gender, class, race, and ability (Rosemary Sullivan, New York Times bestselling author). Kirkus Best Nonfiction Book of 2023 Raised in Alabama, she sent shockwaves through the South when she launched a public broadside against Jim Crow and donated to the NAACP. She used her fame to oppose American intervention in WWI. She spoke out against Hitler the month he took power in 1933 and embraced the anti-fascist cause during the Spanish Civil War. She was one of the first public figures to alert the world to the evils of Apartheid, raising money to defend Nelson Mandela when he faced the death penalty for High Treason, and she lambasted Joseph McCarthy at the height of the Cold War, even as her contemporaries shied away from his notorious witch hunt. But who was this revolutionary figure? She was Helen Keller. From books to movies to Barbie dolls, most mainstream portrayals of Keller focus heavily on her struggles as a deafblind child--portraying her Teacher, Annie Sullivan, as a miracle worker. This narrative--which has often made Keller a secondary character in her own story--has resulted in few people knowing that her greatest accomplishment was not learning to speak, but what she did with her voice when she found it. After the Miracle is a much-needed corrective to this antiquated narrative. In this first major biography of Keller in decades, Max Wallace reveals that the lionization of Sullivan at the expense of her famous pupil was no accident, and calls attention to Keller's efforts as a card-carrying socialist, fierce anti-racist, and progressive disability advocate. Despite being raised in an era when eugenics and discrimination were commonplace, Keller consistently challenged the media for its ableist coverage and was one of the first activists to highlight the links between disability and capitalism, even as she struggled against the expectations and prejudices of those closest to her. Peeling back the curtain that obscured Keller's political crusades in favor of her "inspirational" childhood, After the Miracle chronicles the complete legacy of one of the 20th century's most extraordinary figures.

A son's funny, frank, and "endlessly fascinating" memoir of his father, Wizard of Oz star Bert Lahr ( Harper's Magazine ). Bert Lahr, best known for his role as the Cowardly Lion in The Wizard of Oz , made audiences laugh from burlesque stages to vaudeville to Broadway--and impressed them as Estragon in the American theater debut of Waiting for Godot . But reality wasn't always funny for the legendary actor and comedian, or his family. Drawing on personal recollections and the memories of his father's colleagues, a veteran writer for the New Yorker and renowned theater critic brilliantly explores both the long and glorious professional career of a Hollywood icon and the experience of growing up with him. Here, in rich detail, is Bert Lahr evolving from a low-comic star to a Ziegfeld Follies sophisticate, hamming it up with the Scarecrow and Tin Man on the set of The Wizard of Oz , and garnering rich praise as he performed in Samuel Beckett's masterpiece. But while Lahr could be equally raucous and polished in public, in private he was painfully insecure and self-absorbed, keeping his family at arm's length as he quietly battled his inner demons. "A work of literature, a work of history, a subtle psychological study," Notes on a Cowardly Lion is more than one man's quest to understand his father. It is an extraordinary examination of a life on the stage and screen ( Harper's Magazine ). From a writer with an intimate knowledge of the theater and show business world, this is both a "frank and objective" ( The New York Times Book Review ) family memoir that will appeal to readers of Carrie Fisher's Wishful Drinking or Alan Cumming's Not My Father's Son , and a "book-length love letter. To open it is to enter a life, to participate in a sensibility and, perhaps most important, to laugh. Uproariously" ( Life) .

Before the advent of cable and its hundreds of channels, before iPods and the Internet, three television networks ruled America's evenings. And for twenty-three years, Ed Sullivan, the Broadway gossip columnist turned awkward emcee, ruled Sunday nights. It was Sullivan's genius to take a worn-out stage genre-vaudeville-and transform it into the TV variety show, a format that was to dominate for decades. Right Here on Our Stage Tonight! tells the complete saga of The Ed Sullivan Show and, through the voices of some 60 stars interviewed for the book, brings to life the most beloved, diverse, multi-cultural, and influential variety hour ever to air. Gerald Nachman takes us through those years, from the earliest dog acts and jugglers to Elvis Presley, the Beatles, and beyond. Sullivan was the first TV impresario to feature black performers on a regular basis-including Nat King Cole, Pearl Bailey, James Brown, and Richard Pryor-challenging his conservative audience and his own traditional tastes, and changing the face of American popular culture along the way. No other TV show ever cut such a broad swath through our national life or cast such a long shadow, nor has there ever been another show like it. Nachman's compulsively readable history, illustrated with classic photographs and chocked with colorful anecdotes, reanimates The Ed Sullivan Show for a new generation.

Alfred Stieglitz (1864-46) is one of the most revered artists in the history of the photographic medium. Via his influential journal "Camera Work", which he edited and published from 1903 to 1917, and his galleries 291, The Intimate Gallery and An American Place, he championed, published and exhibited much of the best art, European and American, of the period. He also created his own outstanding body of photographic work and it is this which has firmly established his reputation as one of the great 20th-century artists.

"From the longtime New York Times reporter, best-selling author, and Pulitzer Prize winner-- an expansive, timely assessment of the state of free speech in America. David Shipler's recent best seller, The Working Poor, cemented his place among our most trenchant social commentators. Now, he turns his keen, illuminating focus to another endangered American ideal: freedom of speech. Through selected accounts of First Amendment invocation and infringement, Shipler maps a rapidly shifting topography of political and cultural norms: parents in Michigan rallying to teachers vilified for their reading lists; conservative ministers risking their churches' tax-exempt status to preach politics from the pulpit; national security reporters using techniques more common in dictatorships to avoid leak prosecution; history teachers in Texas quietly navigating around a conservative curriculum to give students access to unapproved perspectives. Anchored in personal stories--sometimes shocking, sometimes absurd, sometimes dishearteningly familiar--but encompassing a theme as sweeping and essential as democracy itself, Freedom of Speech brilliantly reveals the triumphs and challenges of defining and protecting the boundaries of free expression in modern America"--

Since the June 1967 war, over 60,000 Jewish-Americans have settled in the occupied territories. Comprising 15 percent of the Israeli settler enterprise today, they have established major settlements, revolutionized the public relations of the movement and its engagement with the international community, and committed shocking acts of settler terrorism. City on a Hilltop unsettles stereotypes about Jewish-American settlers. It shatters the myth that they were messianic zealots, finding instead a group of young, highly-educated American Jews who were politically active in 1960s social movements and the Democratic Party prior to their immigration to Israel. Their generation didn't abandon their heritage when they settled over the Green Line-- rather they saw a historical opportunity to apply their liberal values to a new kind of "city on a hilltop." The story of Jewish-American settlers personifies the clash between liberal values and political realities at the heart of the crisis of liberal Zionism today.--

"This is a dazzling performance. It supplies conceptual links between phenomena where historians have often sensed a connection without being able to describe it adequately. . . [Bercovitch] has written intellectual history at the highest level."—Edmund S. Morgan, New York Review of Books

How a little-known industrial neighborhood in New York unintentionally became a nexus of creative activity for a brief burst of time. During the 1960s and 1970s in New York City, young artists exploited an industrial wasteland to create spacious studios where they lived and worked, redefining the Manhattan area just south of Houston Street. Its use fueled not by city planning schemes but by word-of-mouth recommendations, the area soon grew to become a world-class center for artistic creation indeed, the largest urban artists' colony ever in America--let alone the world. Richard Kostelanetz's Artists' SoHo not only examines why the artists came and how they accomplished what they did but also delves into the lives and works of some of the most creative personalities who lived there during that period, including Nam June Paik, Robert Wilson, Meredith Monk, Richard Foreman, Hannah Wilke, George Macuinas, and Alan Suicide. Gallerists followed the artists in fashioning themselves, their homes, their buildings, and even their streets into transiently prominent exhibition and performance spaces. SoHo pioneer Richard Kostelanetz's extensively researched intimate history is framed within a personal memoir that unearths myriad perspectives: social and cultural history, the changing rules for residency and ownership, the ethos of the community, the physical layouts of the lofts, the types of art produced, venues that opened and closed, the daily rhythm, and the gradual invasion of "new people." Artists' SoHo also explores how and why this fertile bohemia couldn't last forever. As wealthier people paid higher prices, galleries left, younger artists settled elsewhere, and the neighborhood became a "SoHo Mall" of trendy stores and restaurants. Compelling and often humorous, Artists' SoHo provides an analysis of a remarkable neighborhood that transformed the art and culture of New York City over the past five decades.

"Glidden, a progressive American Jew who is sharply critical of Israeli policies vis-á-vis the Occupied Territories, went on an all-expense-paid 'birthright' trip to Israel in an attempt to discover some grand truths at the heart of the Arab-Israeli conflict. This graphic memoir tells the touching and often funny story of her utter failure to do so."--Amazon.com

Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.

As an active WWII bombardier returning from the end of the war in Europe and preparing for combat in Japan, Howard Zinn read the headline "Atomic Bomb Dropped on Japan" and was glad—the war would be over. "Like other Americans," writes Zinn, "I had no idea what was going on at the higher levels, and had no idea what that 'atomic bomb' had done to men, women, children in Hiroshima, any more than I ever really understood what the bombs I dropped on European cities were doing to human flesh and blood." During the war, Zinn had taken part in the aerial bombing of Royan, France, and in 1966, he went to Hiroshima, where he was invited to a "house of rest" where survivors of the bombing gathered. In this short and powerful book, the backstory of the making and use of the bomb, Zinn offers his deep personal reflections and political analysis of these events, and the profound influence they had in transforming him from an order-taking combat soldier to one of our greatest anti-authoritarian, anti-war historians. Simultaneous publication this August in the U.S. and Japan commemorates the 65th anniversary of the USA's two atomic bombings of Japan by calling for the abolition of all nuclear weapons and an end to war as an acceptable solution to human conflict. "It's my favorite. . . . He wrote the book to remind himself and to remind us that anybody can throw the wrench in the machinery, and we often should." -- Bill Moyers "Part history, part memoir, part sermon, The Bomb is meant to wake up citizens, to rouse them to reject 'the abstractions of duty and obedience' and to refuse to heed the call of war." —Jonah Raskin, The Rag Blog