This is a wonderfully succinct book which sets forth the history, essence, and methodology of homeopathy. The book is well organized in 5 major sections. There is a very thorough overview of the precepts and tenets of the practice, its historical origins, a detailed and well-covered biography of Samuel Hahnemann and a review of the politics of the allopathy v. homeopathy debate. It is further embellished with copious annotations, an appendix with an actual case history and a very fine reference for homeopathic resources such as organizations, suppliers and other texts covering a variety of related topics. Call it a perfect Homeopathy 101 text if you will, the author makes a very even-handed presentation of the material, including the politics of medicine as they have evolved in the USA over the past century.

Did Aristide leave Haiti voluntarily? Why did the U.S. want him out? What does the regime change mean for the health of Haitians? Did Aristide “overstay his welcome,” in the words of Vice President Dick Cheney, who never had a welcome in his own country to overstay? After 35 coups, what does the double entendre mean to get Haiti “right” this time? From Noam Chomsky, author of the 100,000 copy cloth best seller, Hegemony and Survival, from Paul Farmer, subject of the New York Times biography by Tracy Kidder Mountains Beyond Mountains, from Jean-Bertrand Aristide, president of Haiti and first lady Mildred Aristide, from Democracy Now! host Amy Goodman, come the answers the world has been waiting for.

A celebrated historian recounts Hubert Humphrey’s role as a liberal hero of twentieth-century America Hubert Humphrey was liberalism’s most dedicated defender, and its most public and tragic sacrifice. As a young politician in 1948, he defied segregationists and forced the Democratic Party to commit itself to civil rights. As a senator in 1964, he made good on that commitment by helping pass the Civil Rights Act. But as Lyndon B. Johnson’s vice president, his support for the war in Vietnam made him a target for both Right and Left, and he suffered a shattering loss in the presidential election of 1968. Though Humphrey’s defeat was widely seen as the end of America’s era of liberal optimism, he never gave up. Even after his humiliation on the most public stage, he crafted a new vision of economic justice to counter the yawning political divisions consuming American politics. This biography reveals a deep-dyed idealist willing to compromise and even fight ugly in pursuit of a better society. Elegantly crafted and strikingly relevant to the present, True Believer celebrates Hubert Humphrey’s long struggle for justice for all.

An autobiography in the form of a philosophical diary, Little Did I Know 's underlying motive is to describe the events of a life that produced the kind of writing associated with Stanley Cavell's name. Cavell recounts his journey from early childhood in Atlanta, Georgia, through musical studies at UC Berkeley and Julliard, his subsequent veering off into philosophy at UCLA, his Ph.D. studies at Harvard, and his half century of teaching. Influential people from various fields figure prominently or in passing over the course of this memoir. J.L. Austin, Ernest Bloch, Roger Sessions, Thomas Kuhn, Robert Lowell, Rogers Albritton, Seymour Shifrin, John Rawls, Bernard Williams, W. V. O. Quine, and Jacques Derrida are no longer with us; but Cavell also pays homage to the living: Michael Fried, John Harbison, Rose Mary Harbison, Kurt Fischer, Milton Babbitt, Thompson Clarke, John Hollander, Hilary Putnam, Sandra Laugier, Belle Randall, and Terrence Malick. The drift of his narrative also registers the decisiveness of the relatively unknown and the purely accidental. Cavell's life has produced a trail of some eighteen published books that range from treatments of individual writers like Wittgenstein, Austin, Emerson, Thoreau, Heidegger, Shakespeare, and Beckett to studies in aesthetics, epistemology, moral and political philosophy, cinema, opera, and religion.

In the tradition of Carl Wilson's Let's Talk About Love , an unforgettable account of fame, fandom, and the problem of making art in the twenty-first century In his multi-hyphenate ambitions, the musician who calls himself Juiceboxxx couldn't be more modern--you might call him a punk rock-rapper-DJ-record executive-energy drink-magnate. Journalist Leon Neyfakh has been something more than a fan of Juiceboxxx's since he was a teenager, when he booked a show for the artist in a church basement in his hometown of Oak Park, Illinois. Juiceboxxx went on to the tireless, lonely, possibly hopeless pursuit of success on his own terms--no club was too dank, no futon too grubby, if it helped him get to the next, next level. And, for years, Neyfakh remained haunted from afar: was art really worth all the sacrifices? If it was, how did you know you'd made it? And what was the difference, anyway, between a person like Juiceboxxx--who devoted his life to being an artist--and a person like Neyfakh, who elected instead to pursue a stable career and a comfortable, middle-class existence? Much more than a brilliant portrait of a charismatic musician always on the verge of something big, The Next Next Level is a wholly contemporary story of art, obsession, fame, ambition, and friendship--as well as viral videos, rap-rock, and the particulars of life on the margins of culture.

"Phoning Home is a collection of entertaining and thought-provoking essays featuring the author's quirky family, his Jewish heritage, and his New York City upbringing. Jacob M. Appel's recollections and insights, informed and filtered by his advanced degrees in medicine, law, and ethics, not only inspire nostalgic feelings but also offer insight into contemporary medical and ethical issues. At times sardonic and at others self-deprecating, Appel lays bare the most private aspects of his emotional life. "We'd just visited my grandaunt in Miami Beach, the last time we would ever see her. I had my two travel companions, Fat and Thin, securely buckled into the backseat of my mother's foul-tempered Dodge Dart," writes Appel of his family vacation with his two favorite rubber cat toys. Shortly thereafter Fat and Thin were lost forever--beginning, when Appel was just six years old, what he calls his "private apocalypse." Both erudite and full-hearted, Appel recounts storylines ranging from a bout of unrequited love gone awry to the poignant romance of his grandparents. We learn of the crank phone calls he made to his own family, the conspicuous absence of Jell-O at his grandaunt's house, and family secrets long believed buried. The stories capture the author's distinctive voice--a blend of a physician's compassion and an ethicist's constant questioning. "--

Marlon Brando was the brightest, boldest, and most iconoclastic acting talent of our time. But while his courage and imagination as an artist brought applause and attention from around the world, Brando shunned nearly everything that goes with celebrity status. He was one of the most reclusive personalities in modern times and a legend beyond compare. He was also an equal opportunity provocateur -- a dazzling baffler -- be it on stage, on screen, or in his private life. Always true to his nature, he never failed to surprise. He did things his way -- The Way It's Never Been Done Before. No one shared as much of Brando's private fields as his lifelong friend and business confidant, George Englund. For more than five decades, Brando and Englund were each other's most trusted ally and closest compadre. Even at their first meeting, at a Hollywood party in 1956 -- the kind of occasion where Brando was most on guard against any who would attempt to get close to him -- he and Englund forged close ties. From that initial meeting right up to the eve of the superstar's death in the summer of 2004, Brando and Englund were in nearly constant contact. They traveled together, worked together, and played together. They consoled and cajoled each other through their marriages and divorces, the births and tragic deaths of their children, good and bad business deals, and the onset of aging, concluding with Brando's death at the age of eighty. "I remembered what Mark Twain wrote," Englund says, "'that everybody is a moon with a dark side he doesn't show anyone else.' I felt this was an appropriate hour for a book that looked at the other side of Marlon, that told of the man and friend and father he was. There has not been such a book in Marlon's lifetime, even including his autobiography, and I felt that after our long years of friendship, perhaps I should attempt to write it. I knew the difficulty I would encounter; to write about Marlon is to work with delicate glass, for he was, without question, the most complicated personality I ever met or knew about. "I once thought what a grand time he and I would have writing the book about our friendship together. That possibility has passed away, for Marlon is gone now -- I must make the attempt to write of us alone. I summon to the task the sacredness, which, when we were at our best, Marlon and I laid upon our friendship."

A biography of Mort Meskin, a respected comic artist who was active from the 1940s to the 1960s, showcases his diverse work in comics as well as the pieces he produced for ad agencies and the fine art he created at home.

The biography of Lipman Pike, a power hitting pre-1900 baseball player who once outran a racehorse, told in picture book format.

Judah P. Benjamin (1811-1884) was a brilliant and successful lawyer in New Orleans, and one of the first Jewish members of the U.S. Senate. He then served in the Confederacy as secretary of war and secretary of state, becoming the confidant and alter ego of Jefferson Davis. In this new biography, author James Traub grapples with the difficult truth that Benjamin, who was considered one of the greatest legal minds in the United States, was a slave owner who deployed his oratorical skills in defense of slavery. How could a man as gifted as Benjamin, knowing that virtually all serious thinkers outside the American South regarded slavery as the most abhorrent of practices, not see that he was complicit with evil? This biography makes a serious moral argument both about Jews who assimilated to Southern society by embracing slave culture and about Benjamin himself, a man of great resourcefulness and resilience who would not, or could not, question the practice on which his own success, and that of the South, was founded.

Now available in paperback for the first time, with a new introduction, the poignant and insightful memoir from Yossi Klein Halevi, the award-winning journalist and author of the acclaimed Like Dreamers—a coming-of-age story about a traumatic family history, radical politics, and spiritual transformation that speaks to a new generation struggling to understand what it means to be Jewish in America. The child of a Holocaust survivor, Yossi Klein Halevi grew up in 1960s Brooklyn perceiving reality through the lens of his family’s brutal past. Increasingly identifying with their history of suffering, he regarded the non-Jewish world with fear and loathing. Determined to take action—and seek retribution—he became a disciple of the late rabbi Meir Kahane and a member of the radical fringe of the American Jewish community. In this wry and moving account, Halevi explores the deep-rooted anger of his adolescence and early adulthood that fueled his increasingly aggressive activism. He reveals how he started to question his beliefs—and his self-inflicted suffering as a hostage of history—and see the world from his own clear perspective. As a journalist and author, Halevi has dedicated himself to fostering interfaith reconciliation. Memoirs of a Jewish Extremist explains how such a transformation can happen—giving hope that peaceful coexistence between faiths is possible.

Jackie Under My Skin is a richly original and fascinating investigation into how Jacqueline Kennedy Onassis transformed our definitions of personal identity and style. For thirty years we have lived with our internalized images of Jackie, but until now no writer has definitively explored what it feels like to exist in imaginative and heartfelt connection to this ubiquitous icon. In an elegiac gallery of fantasies and tableaux, Wayne Koestenbaum explains the late First Lady's mesmeric hold on America by anatomizing the myths and metaphors that have attached to her. Analyzing her iconography with both passion and precision, he places stories about Jackie - and photos of Jackie - within the context of literature, film, and the idiosyncratic imagination. Following her into America's dreamwork, far from pious family values, Wayne Koestenbaum dares to see her as an embodiment of pleasure, a figure of Circean extravagance, and a unique and necessary emblem of that most exhilarating of pursuits: freedom without responsibility.

By the time most Americans see the presidential candidates on the campaign trail, they are practiced performers surrounded by a platoon of staffers and a brigade of reporters. But on their initial forays into Iowa and New Hampshire in 2002 and early 2003, their entourages were decidedly unpresidential--just an aide or two, perhaps a local reporter, and the candidate himself. Their motorcades were literally one-car caravans; their campaign stops, small gatherings in living rooms. The national media only intermittently follow the candidates as they struggle to define themselves, work out the kinks in their message and refine their personas. But Walter Shapiro did. One-Car Caravan is Shapiro's revealing account of the humble roots of the current presidential campaign, and he provides a telling picture of the 2004 Democratic contenders in their metaphorical boxers and briefs. He shows us John Kerry, Dick Gephardt, Joe Lieberman, John Edwards, Howard Dean, and the others with their hair down, their ties askew, and their foibles bared. It's not pretty to watch a candidate who dreams of flying on Air Force One bump his head on a luggage bin on a small commuter jet, but it can be pretty funny.

A vibrant, deeply human portrait of a woman dedicated to fierce protest against the tyranny of institutions over individuals, by the celebrated author Emma Goldman is the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. Her politics, from beginning to end, was based on resistance to that which thwarted the free development of the inner self. The right to stay alive in one's senses, to enjoy freedom of thought and speech, to reject the arbitrary use of power--these were key demands in the many public protest movements she helped mount. Anarchist par excellence, Goldman is one of the memorable political figures of our time, not because of her gift for theory or analysis or even strategy, but because some extraordinary force of life in her burned, without rest or respite, on behalf of human integrity--and she was able to make the thousands of people who, for decades on end, flocked to her lectures, feel intimately connected to the pain inherent in the abuse of that integrity. To hear Emma describe, in language as magnetic as it was illuminating, what the boot felt like on the neck, was to experience the mythic quality of organized oppression. As the women and men in her audience listened to her, the homeliness of their own small lives became invested with a sense of drama that acted as a catalyst for the wild, vagrant hope that things need not always be as they were. All you had to do, she promised, was resist. In time, she herself would become a world-famous symbol for the spirit of resistance to the power of institutional authority over the lone individual. In Emma Goldman, Vivian Gornick draws a surpassingly intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.

The Los Angeles Times once called investigative lawyer Terry Lenzner “one of the most powerful and dreaded private investigators in the world.” In his fifty-year career, Lenzner has worked with politicians, celebrities, governments, and corporations worldwide; with a steadfast commitment to the truth, he has uncovered facts that have shaped policy and influenced major legal battles. In this captivating memoir, Lenzner speaks about his varied career and high-profile cases for the first time. At the Justice Department in 1964, he investigated the murder of three civil rights workers—an infamous event that inspired the film Mississippi Burning . He led the national Legal Services Program for the poor, prosecuted organized crime in New York, defended peace activist Philip Berrigan, and represented CIA operative Sid Gottlieb. As a counsel to the Senate Watergate Committee, Lenzner investigated Nixon’s dirty tricks and followed the money trail that led to the Watergate burglary and cover-up. He was the first person to deliver a congressional subpoena to a sitting U.S. president. He uncovered cost overruns of the Alaska oil pipeline, helped identify the Unabomber, investigated the circumstances of Princess Diana’s death, and cleared Hugo Chavez of false corruption charges. Lenzner also worked with President Clinton’s defense team during the impeachment hearings. The Investigator is a riveting personal account: Lenzner astounds with anecdotes of scandal and intrigue, offers lessons in investigative methods, and provides an eye-opening look behind some of the most talked-about media stories and world events of our time.

"The funny and insightful first-person story of the trailblazing movie director of the 80s and 90s whose fearless punk drama, "Smithereens" became the first American indie film to compete at Cannes, and smash hit "Desperately Seeking Susan" led to a four-decade career in film. Starting out in the mid-70s, a time when few women were directing movies, Susan was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC. Seidelman continued to shape American pop culture well into the nineties, directing the pilot of the iconic TV series "Sex And The City," focusing her sharp lens on the changing place of women in American society and helping to fundamentally reshape our self-image in ways that are still felt today. Raised in the safe cocoon of 1960s suburbia, Susan Seidelman wasn't a misfit, an oddball, or an outlier. She was a "good-girl" with a little bit of "bad" hidden inside. A restless teenager, she dreamed of escape and reinvention, a theme that would play out in her films as well as in her own life. Because she loved stories, a high school guidance counselor suggested she become a librarian, but she had her sights set further afield. In 1973, she left the Philly suburbs, enrolled at NYU's burgeoning graduate film school and moved to NYC's Lower East Side. There, she found herself in the right place at the right time. New York City was falling apart, but out of that chaos came a burst of creative energy whose effects are still felt in American pop culture today. Downtown became a vibrant playground where film, music, performance and graffiti art cross-pollinated and where Seidelman chronicled the lives of the colorful misfits, oddballs, dreamers and schemers she met there. It's all in DESPERATELY SEEKING SOMETHING. Seidelman not only has a keen perspective on the times she's lived through -- from her Twiggy-obsessed girlhood, through the Women's Lib movement of the early 70s, the punk scene of the late 70s, Madonna-mania of the 80s, to the dot-com "greed is good" 90s, and beyond--she tells great stories"--

The child actress best known for her performances as television character Punky Brewster traces her journey from child star to entrepreneur and mother of two, describing how her unconventional upbringing in Los Angeles enabled her approaches to parenting.