The second Hob Draconian novel finds the smart but lazy detective in a race for his life. The laziest PI in the world takes a job that should be like shooting fish in a barrel--except he ends up being the fish! "Mr. Sheckley . . . has an engagingly madcap manner all his own".--"The Wall Street Journal".

"For many serious readers," Robert Alter writes in his preface, "the novel still matters, and I have tried here to suggest some reasons why that should be so." In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers. Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter's essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue. Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

By the author of the critically acclaimed international hits The Last Kabbalist of Lisbon and The Warsaw Anagrams , this novel proves Richard Zimler's mastery of the "riveting literary murder mystery" ( Independent on Sunday ). It's Berlin, 1932. Sophie is a smart and sexually precocious fourteen-year-old coming of age during Hitler's rise to power. Forced to lead a double life when her father and boyfriend become Nazi collaborators, she reserves her dreams of becoming an actress for her beloved elderly neighbor, Isaac Zarco, and his friends, most of whom are Jews working against the government in a secret group called the Ring. When a member is sent to Dachau, she realizes there must be a Nazi traitor in the group. But who? Through successive mysteries, reversals, and surprises --and a race against time --The Seventh Gate builds to a shattering end. In its chilling but sensuous evocation of the time and place, Richard Zimler's novel is a love story and a tale of ferocious heroism

"In this electrifying novel, Richard Price, the author of Clockers and a writer on The Wire, shines a light in every corner of New York City"--

Winner of the PEN/Faulkner Award for Fiction "A hilarious, richly imagined bear's eye view of love, music, alienation, manhood and humanity…that recalls Pynchon at his most controlled." —Publishers Weekly (starred review) The hero of this sensational debut novel is an alto-sax virtuoso trying to evolve a personal style out of Coltrane and Rollins. He also happens to be a walking, talking, Blake- and Shakespeare-quoting bear whose musical, spiritual, and romantic adventures add up to perhaps the best novel, ursine or human, ever written about jazz.

Four complete works by Philip Roth in one volume. The complete comic saga of Nathan Zuckerman, his ordeals of conscience, from Manhattan, to Miami Beach, to Czechoslovakia! "Roth has transcended himself . . . . A comic genius . . . Certainly Philip Roth's finest achievement to date, eclipsing even his best single fictions . . . ZUCKERMAN BOUND binds together THE GHOST WRITER, ZUCKERMAN UNBOUND, and THE ANATOMY LESSON, adding to them as epilogue a wild short novel, THE PRAGUE ORGY, which is at once the bleakest and the funniest writing Roth has done." -- The New York Times Book Review "ZUCKERMAN BOUND proves that no one now writing can be funnier and, at the same time, more passionately serious than Philip Roth." -- Time "ZUCKERMAN BOUND shows the author's always ebullient invention and artful prose at their most polished and concentrated." -- The New Yorker

A New York Times Book Review Editors' Choice and a Paris Review Staff Pick A January Pick by Salon , Town and Country, Southern Living, and LA Magazine New Orleans, 1918. The birth of jazz, the Spanish flu, an ax murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge—and the Crescent City gets the rich, dark, sweeping novel it so deserves. From one of the most inventive writers of his generation, King Zeno is a historical crime novel and a searching inquiry into man’s dreams of immortality. New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an ax-wielding maniac with a peculiar taste in music. The ax murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness. In New Orleans, a city built on swamp, nothing stays buried long.

Library of America offers the most complete collection ever published of Nathanael West's writings. Along with the four novels for which he is famous, this authoritative collection gathers stories, poetry, essays and plays, film scripts and treatments, and letters. In the Dada-inspired The Dream Life of Balso Snell (1931), he freely mixes high-flown literary and religious allusions with erotic and scatological humor. Miss Lonelyhearts (1933) presents, in a series of grotesque, starkly etched episodes, the spiritual breakdown of a newspaper columnist overwhelmed by his readers’ suffering. By contrast, A Cool Million (1934) reduces the eternal optimism of Horatio Alger’s novels to a brutal, cartoonish farce. In his last work, The Day of the Locust (1939), West renders with hallucinatory precision the reverse side of the Hollywood dream, as he choreographs a cast of failures, has-beens, and deluded glamour-seekers in what becomes an apocalyptic dance of death. Also included is a generous sampling of West’s other surviving work, ranging from freewheeling improvisations and grotesque comic tales to more mainstream work written with Hollywood or Broadway in mind, and including his anti-war satire Good Hunting and his adaptation of Francis Ile’s famous crime novel Before the Fact. The uncollected West shows him as a writer who embodied the contradictions and crazy-quilt exuberance of American culture—and raises the question of how he might have developed had his career not been cut short. Selected correspondence with William Carlos Williams, F. Scott Fitzgerald, Malcolm Cowley, Bennett Cerf, and others rounds out the volume and sets West’s literary life in fuller context. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

"From the author of Blame, a new novel about the unexpected damage inflicted by romantic entanglements. It's the early 1980s: Reagan is in the White House and his trickle-down theory is gaining traction in the national psyche. Cressida Hartley, twenty-eight, a PhD candidate in economics, has moved to her parents' shabby A-frame in the Sierras, hoping to finish her dissertation about art in the marketplace. Though she came seeking solitude, she finds herself increasingly drawn into the life of the small mountain community, and she's seduced by a local lodge owner, Jakey Yates, a big, burly, immensely attractive man in his late forties. Rick Garsh, the local contractor, gives Cress a part time job. Through Rick she meets the Morrow brothers, two talented fine-finish carpenters. They are handsome, amusing, intriguing, and married. As Cress tells her best friend back home in Pasadena, being a single woman on the mountain amounts to a form of public service. Increasingly uninspired by her dissertation, Cress allows love, adultery, and obsession to commandeer her life, and soon she becomes the victim of her own perilous reasoning. Michelle Huneven is one of our most searching, elegant novelists--Richard Russo has called her "a writer of extraordinary and thrilling talent." In Off Course, she tells the cautionary tale of an intelligent young woman seeking her place in life only to discover that love is the great distraction, and impossible love the greatest distraction of all"--

This is the author's first novel, which relates the experiences of a young bohemian intellectual. The six episodes create a fascinating portrait of a New York social circle of the 1930s. McCarthy's bold insight and virtuoso style won her immediate recognition as one of the most accomplished, versatile, and penetrating writers in americanca.

In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, her novel follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, and Gellhorn's most powerful work of fiction

Their friend Marcel Proust had killed himself after the fall in diamond shares, a collapse that annihilated a part of his fortune. This is the first-ever translation into English of this startling tour-de-force by one of the twentieth century’s greatest writers. The Lemoine Affair was inspired by the real-life French scandal involving Henri Lemoine, who claimed he could manufacture diamonds from coal and convinced numerous people—including officers of the De Beers diamond mine company and Proust himself—to invest in the scheme. In a series of pastiches—imitations written in the style of other writers—Proust tells the story of the embarrassment rippling across high society Paris in the wake of the scandal, poking fun at himself (in one story, a character declares that Marcel Proust is so embarrassed he’s suicidal) while lampooning some of France’s greatest writers, including Flaubert, Balzac, and Saint-Simon. Full of sophisticated wit and dazzling wordplay, and rife with allusions to his friend and fictional characters, many Proust scholars see the dead-on mimicry of The Lemoine Affair —written soon after Proust’s rejection of society life—as the work by which he honed his own unique, masterly voice. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

Fifth Volume in the Series: Proust Complete Bilingual - English / French - Vol. 1 to 7.Each English Volume is annotated and illustrated by P. Segal: PROUST SAID THAT, with different numbers and topics, followed by the original French version.In this volume: Issue N°5 from "Proustsaidthat Americana Collection." (27 pages).Topics: In This Issue; Holiday Madness, The Café Lifestyle, The 1995 Proust Wake, Paris, Our Lady of the Typists, Proust Sightings, Chocolate Madeleines and much more Remembrance of Things Past / À la Recherche du Temps Perdu. Previously also translated as In Search of Lost Time is a novel in seven volumes, written by Marcel Proust (1871-1922). It is considered to be his most prominent work, known both for its length and its theme of involuntary memory, the most famous example being the "episode of the Madeleine" which occurs early in the first volume.The novel had great influence on twentieth-century literature; some writers have sought to emulate it, others to parody it. In the centenary year of the novel's first volume, Edmund White pronounced À la Recherche du Temps Perdu "the most respected novel of the twentieth century." "Within a Budding Grove" was awarded the "Prix Goncourt" in 1919.Charles Kenneth Scott Moncrieff, MC (The Military Cross is the third-level military decoration awarded to officers and (since 1993) other ranks of the British Armed Forces, and used to be awarded to officers of other Commonwealth countries.) was a Scottish writer, most famous for his English translation of most of Proust's À la recherche du temps perdu, which he published under the Shakespearean title Remembrance of Things Past.About the SeriesSeries: Proust Complete Bilingual - English / French- Vol. 1 to 7. Translated from French by C. K. Scott Moncrieff: -Volume I: Swann's Way [1922] / Du Côté de chez Swann (1913), sometimes translated as The Way by Swann's. -Volume II: Within a Budding Grove [1924] / À L'ombre Des Jeunes Filles en Fleurs (1919), also translated as In the Shadow of Young Girls in Flower. Goncourt Prize in 1919.-Volume III: The Guermantes Way [1925] / Le Côté de Guermantes (1920/1921)-Volume IV: Cities of the Plain [1927] / Sodome et Gomorrhe (1921/1922) sometimes translated as Sodom and Gomorrah.-Volume V: The Captive [1929] / La Prisonnière (1923), also translated as The Prisoner. Volume VI: The Sweet Cheat Gone [1930] / Albertine Disparue (1925) La Fugitive) sometimes translated as The Fugitive [last line of Walter de la Mare's poem "The Ghost"] or Albertine Gone. Translated by Stephen Hudson: Volume VII: Time Regained [1931] / Le Temps Retrouvé (1927), also translated as Finding Time Again and The Past Recaptured.Topics in the "Proustsaidthat Americana Collection": Issue N°1: Proust Support Group, nocturnal liestyle, drugs, Pink Floyd, Stephen Hawking, Dreyfus Affair, madeleines Issue N°2: Marcel Purroust, neurosis, Fortuny, Bonny DoonV ineyard, French postcards, nesselrode puddingIssue N°3: Untortured Love, Cacophony Society, Paris and Venice, The Little Phrase, Raymond Chandler, fried sole.Issue N° 4: Proust's Life and Mine, Rejection, Proust Questionnaire, Florence, Coffee, S. Richter, bouillabaisse.Issue N°5: Holiday Madness, The Café Lifestyle, The 1995 Proust Wake, Paris, Our Lady of the Typists, Proust Sightings, Chocolate Madeleines and much more Front Cover: Hélène Standish, born Hélène de Pérusse des Cars.Marcel Proust is inspired by several models for the character Oriane de Guermantes in his novel, In Search of Lost Time.

The grandson of Prince Genji lives outside of space and time and wanders the grounds of an old monastery in Kyoto. The monastery, too, is timeless, with barely a trace of any human presence. The wanderer is searching for a garden that has long captivated him. This novel by International Booker Prize winner Laszlo Krasznahorkai - perhaps his most serene and poetic work - describes a search for the[Bokinfo]

The renowned novelist De Wohl, with his usual crisp language and descriptive narrative, as well as irony and humor, presents the colorful and tumultuous times of the early Christian era in this story of intrigue, romance and power politics revolving around Helena, the devoted and saintly mother of Constantine, the first Christian emperor. This historical novel tells the story of the quest for the True Cross through fifty years of the most exciting events in Roman and Christian history. The narrative begins when the Tribune Constantius, a Roman officer stationed in Britain, meets and wins Helena, only daughter of the mystical and oracular King Coel of Britain. Through the course of their early lives together, and during their ten-year separation when Constantius returns to Britian as a conquering Caesar and Helena has become a rejected wife, devoted mother, and militant Christian, there is a sure and convincing portrayal of character growth and personal conflict. Helena's fierce determination to raise Constantine as a warrior son and her gradual discovery and dramatic acceptance of Christianity prepare her for the final miracle of her life discovery of the True Cross, the Living Wood on Calvary. The Living Wood is a chapter from the turbulent half-forgotten pages of early Christian history and legend in which the religious conflicts and problems are handled with moving simplicity. It is also an action-packed novel of those times--with a lesson for us today--that captures with equal skill and tumult and the shouting of the battlefield and the devious plots and counter-plots of the court.

In a red brick mansion block off the Marylebone Road, Vivien, a sensitive, bookish girl grows up sealed off from both past and present by her timid refugee parents. Then one morning a glamorous uncle appears, dressed in a mohair suit, with a diamond watch on his wrist and a girl in a leopard-skin hat on his arm. Why is Uncle Sandor so violently unwelcome in her parents' home? This is a novel about survival - both banal and heroic - and a young woman who discovers the complications, even betrayals, that inevitably accompany the fierce desire to live. Set against the backdrop of a London from the 1950s to the present day, The Clothes on Their Backs is a wise and tender novel about the clothes we choose to wear, the personalities we dress ourselves in, and about how they define us all.

The second novel from GG finalist and international award winner Kenneth Bonert, who brought Jewish Johannesburg to explosive life in his 2013 debut, The Lion Seeker . As the 1980s draw to a close, apartheid is in its death throes and South Africa is a maelstrom of political violence. Young Martin Helger has problems of his own. Out of place at an elite private school, he is the son of a rough-handed scrap dealer and lives in the shadow of his enigmatic brother, a neighbourhood legend. When an irresistible young American boards at the Helger home, a transfixed Martin soon finds himself wrenched out of the isolated bubble of his white privilege and thrust into the raw heart of South Africa's racial struggle. At the same time, secrets from the past begin to emerge and old sins long-buried return in terrifying new ways, tearing at the Helgers, a second-generation Jewish family, even as the larger forces of history and politics tear apart the country. Migration, terrorism, revolution, identity and memory--these are just some of the bold themes brilliantly and honestly explored in this powerful novel. At once a riveting literary thriller, a moving coming-of-age tale, and an unforgettable journey through a fascinating world , The Mandela Plot entertains and terrifies in equal measure, and resonates profoundly in light of current affairs.

"Captivating. Krantz's latest tome... is her most erotic yet. "Dazzle" sizzles." -- "Daily News, Los Angeles," Now, Judith Krantz, best-selling author of "Scruples," "Mistral's Daughter," and "Till We Meet Again," invites you into the luscious, monied world of Jazz Kilkullen, her most daring, provocative, impetuous heroine yet. "Deliciously sexy." --"Cosmopolitan," Inside the fun-filled photographers' studio in California known as Dazzle, Jazz Kilkullen reigns supreme. At twenty-nine, this playful, gifted, and thoroughly sexy woman has become one of the most successful celebrity portrait photo in the world. "Enjoyable... Jazz is one of the most likable free souls to emerge from the novel industry." -- "The Pittsburgh Press," But her charmed career and her dashing private life, which includes three fascinating-and fascinated-men, are rocked when an unexpected tragedy leaves jazz to battle her father's vengeful ex-wife and the machinations of her half-sisters. At stake is the Kilkullen family ranch, a three-billion-dollar paradise of unspoiled California land that developers all over the world would do anything to possess... and Jazz will do anything to protect. Absolutely anything. "Judith Krantz's best novel since "Scruples,"" -- "Associated Press," "Steamy." --"Los Angeles Times," "Hot... bubbling with sex, intrigue, and-most of all-money. Krantz is at the height of her form here." -- "Booklist" "From the Paperback edition."

From the author of the 2022 Pulitzer winner The Netanyahus , one of the great comic epics of our time: the Last Jewish Novel about the Last Jew in the World. On Christmas Eve 1999, all the Jews in the world die in a strange, millennial plague, with the exception of the firstborn males, who are soon adopted by a cabal of powerful people in the American government. By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt... Meanwhile, in the not-too-distant future of our own, "real" world, another last Jew--the last living Holocaust survivor--sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.

Imagine an author who has become a legend in his own lifetime - all because of the novel he wrote in the first flush of youth. Novelist Eugene Pota is a cultural icon of the twentieth century, struggling to write what will be the last novel of his career. But what to write about when, like so many noted authors before him, all of Pota's output since that first, landmark novel has been scrutinized and dissected - and found wanting? PORTRAIT OF THE ARTIST, AS AN OLD MAN follows Pota's efforts to settle on a subject for his final work. In his search, Heller - through Pota - pays homage to his favourite authors and discusses the problems that have plagued so many writers whose later works failed to live up to the successes of their first: F. Scott Fitzgerald, Henry James, Jack London, Joseph Conrad, to name but a few. It is a rare and enthralling look into the artist's search for creativity, a search that comes at a point in life when impotence - both sexual and spiritual - has become a frustrating fact. Joseph Heller must have known that this would be his final novel; it stands as a fitting testament to the life and works of a leading light in modern literature.