The Objectivist Press published George Oppen's first book Discrete Series, a collection of thirty-one short poems with a preface by Ezra Pound, in 1934. Four years earlier, the twenty-one-year-old poet had sent an unbound sheaf of typewritten poems with the title 21 Poems hand-written in pencil on the first page to the poet Louis Zukofsky, who forwarded them on to Pound in Paris. These poems, suffused with Oppen's love for his young bride Mary, as well as his love of sailing, are strikingly different from what they'd eventually become in Discrete Series. The scholar David B. Hobbs recently found 21 Poems buried in Ezra Pound's papers at Yale's Beinecke Library, and they appear here as a collection of their own for the first time.

"Cultural Slag is a collection of light verse, prose pieces and black-humor drawings by the creators of Scrap Irony, a collaboration hailed by the New York Times as an "uncommonplace book of bright verse and lively prose." Laughing over the absurdities of our times, Miss Lamport takes us from New York statues to foreign ruins, from Broadway abysses to transportation traps, from musical soup to political nuts. Flagrant indulgence in exotic words (did you know that larks flew not in common flocks but in exhaltations?) is balanced by solid satire of our art forms, our critics and any cultural clinkers that have rolled her way. Mr. Gorey's style has been variously described as macabre, Edwardian, ghoulish, appropriately antic, superb, charming. To embellish this volume he has again created the perfectly right drawings that are treasures in themselves. Felicia Lamport is the author of Mink on Weekdays as well as Scrap Irony. Her work has been published in Harper's, The Saturday Evening Post, the New York Herald Tribune, Show, Life, The New Yorker and other magazines. She lives in Cambridge, Massachusetts. Edward Gorey is well known for his slender and elegant series of illustrated fables, of which The Hapless Child, The Vinegar Works, The Remembered Visit are only a few."

Nacido en 1871 en Coro, a la entrada de la Península de Paraguaná, en la parte septentrional de Venezuela, Elías David Curiel pertenecía a una de las varias familias judías de origen curazoleño que se habían establecido en la capital del Estado Falcón en 1824, formando una comunidad que llegará a transformar esta antigua y pintoresca urbe colonial en uno de los principales polos económicos y culturales del continente en el novecientos, hasta el punto de que Coro llegó a ser calificada en aquel tiempo como «la Atenas de Venezuela». Educador, periodista y poeta, Curiel no abandonó nunca -salvo por un corto viaje a Los Teques y Caracas- su ciudad natal, a la que se sentía ligado por una especie de vínculo cósmico, y donde se entregó a los paraísos artificiales del éter y el cloral. Se suicidó en 1924, dejando una obra dispersa en periódicos y revistas que nunca llegó a recoger en libro. Fueron editores póstumos los que la dieron a conocer en ediciones locales patrocinadas por las instituciones gubernamentales de la región, y no siempre elaboradas con el necesario rigor. La presente es, de hecho, la primera que se hace fuera de Venezuela por iniciativa privada, y contiene los tres poemarios en que se organizó la obra de este auténtico poeta maldito, especialmente el titulado Música astral, obra rarísima donde la oscuridad de su pensamiento poético se combina con la extraña belleza formal y retórica que el modernismo hispanoamericano trajo a la lírica española.

After the Fall refers to the twin towers, and is Field's ode to the events that transpired thereafter--the war in Iraq and the attack on civil rights in America--as well as his own personal struggles over the indignities of aging. --Publisher's description.

In this stunning new collection-his first in five years-acclaimed poet Daniel Mark Epstein, whom Donald Hall praised for "a vision as tortured and powerful as early Robert Lowell," returns at the top of his form with new and challenging visions. Epstein's finely meshed net gathers it all in: Ronald Reagan ("On the Official Biography of Ronald Reagan"), Houdini ("Magic for Houdini"), a son's first smile ("The Code"), and the execution of Timothy McVeigh ("The Times: June 7, 2001"). Once again this master of language and vivid imagery explores the nature of time's passing and the triumphant power of the natural world-bringing into the fray the poets and history-makers of the past and present centuries. Epstein is that rare poet blessed with the capacity to register and record-as he does in "The Solar Eclipse in the Luxembourg Gardens," — ". . . the simultaneity/Of city, sun, moon and the human eye."

1st edn. 8vo. Original gilt lettered turquoise cloth (top edge lightly spotted - otherwise VG), dustwrapper (VG in protective wrapper, not price clipped). Pp. xiii + 65 (no inscriptions).

Boria Sax, steeped in animal studies in myth and literature, is not only a teacher and scholar, but also one of our finest lyric poets. This collection of poems and tales, centered around the mysterious world of crows and ravens that exists around us almost unnoticed, demonstrates the universality of the narratives in which animal wisdom plays, as he retells Eastern European and Native American crow/raven tales. The book is also interspersed with Sax's sensitive lyrics on other topics. Includes two "crow wheel" illustrations by Tom Fitzpatrick.

In the world of Chilean poet Ariel Dorfman, men and women can be forced to choose between leaving their country or dying for it. The living risk losing everything, but what they hold onto—love, faith, hope, truth—might change the world. It is this subversive possibility that speaks through these poems. A succession of voices—exiles, activists, separated lovers, the families of those victimized by political violence—gives an account of ruptured safety. They bear witness to the resilience of the human spirit in the face of personal and social damage in the aftermath of terror. The first bilingual edition of Dorfman’s work, In Case of Fire in a Foreign Land includes ten new poems and a new preface, and brings back into print the classic poems of the celebrated Last Waltz in Santiago. Always an eloquent voice against the ravages of inhumanity, Dorfman’s poems, like his acclaimed novels, continue to be a searing testimony of hope in the midst of despair.

Divided into two parts, this new book contains a collaboration with the artist Leonard Baskin called "Presumptions of Death, " reproducing 22 masterly wood engravings and all of Hecht's other poems written since his last book, The Transparent Man.

In Codrescu's own words: "I wrote my first book of poems, License to Carry a Gun (Big Table, 1970), when I first lived in New York City, 1967-1970. Those were troubled times and I was 21 years-old. Decades later the city has changed and the times are still troubled. These poems, 2016-2018, try to find out just how changed my dear city and how troubled my days."

Every Day in the Morning (slow) is a work that looks and reads like no other. Sam, a composer, reflects on his floundering career, life with his lover and tensions with his father. Some thoughts, like facial hair and breakfast, are mundane; others, like love, money and war, are often overwhelming. At turns laughable and vain, at others, tender and considered, Sam's feelings and ideas turn continuously. The result is an oddly lyrical streamof– consciousness that's as conversational as its appearance is unconventional. Spare text and the generous white space invite a distinct interaction with the story, one where every detail, every placement and every repetition influences meaning. The lack of punctuation allows the reader the freedom to internalize this exquisitely crafted work and understand the protagonist's state of mind. The exceptional style of Every Day in the Morning (slow) amounts to a kind of thinging , somewhere between singing and thinking, thing and thought, utter brilliance and complete crap. A novella with long poem features, slow breaks the rules of both genres, while at the same time offering an addictive and compulsive flow that may make it the fastest book you will ever (want to) read.

"The love and peace poems by international poet Ada Aharoni, are among the best in modern literature." (Saul Bellow, Nobel Laureate in Literature) "Rare Flower" by Ada Aharoni is a collection of moving, powerful and well-crafted poems, which has been compared to Jubran Khalil's "The Prophet." In brilliant poem after poem, Ada unfolds before our eyes new depths of human relations, the complexities and intricacies of love, and the joys and pains of life. Several of her poems have been put to music in a delightful manner. Influenced by the British Peace Poet, Wilfred Owen, whom she greatly admires, she powerfully denounces the whole concept and practice of War. As a woman and a mother, she condemns the killing of soldier-sons by involving them in war situations, and she clearly demonstrates that in our nuclear age, the continuation of the practice of war can dangerously lead to the end of humanity. Her beautiful, hopeful poems shed light and a deep comprehension of the possibilities of peace between Israelis and Palestinians, and the creation of "A Global Village Beyond War."

Text: English, Yiddish (translation)

Nameless Country gathers poems by the Scottish-Jewish poet Arthur "A.C." Jacobs, whose work, somewhat critically neglected in the past, has gained new resonance for twenty-first-century readers. Writing in the shadow of the Holocaust, Jacobs in his poems confronts his complex cultural identity as a Jew in Scotland, as a Scot in England, and as a diaspora Jew in Israel, Italy, Spain and the UK. A self-made migrant, Jacobs was a wanderer through other lands and lived in search, as he puts it, of the "right language," which "exists somewhere / Like a country." His poems are attuned to linguistic and geographic otherness and to the lingering sense of exile that often persists in a diaspora. In his quiet and philosophical verse we recognise an individual’s struggle for identity in a world shaped by migration, division and dislocation.