"In an unprecedented literary accomplishment, Herman Wouk, one of America's most beloved and enduring authors, reflects on his life and times from the remarkable vantage point of 100 years old. Many years ago, the great British philosopher Sir Isaiah Berlin urged Herman Wouk to write his autobiography. Wouk responded, "Why me? I'm nobody." Berlin answered, "No, no. You've traveled. You've known many people. You have interesting ideas. It would do a lot of good." Now, in the same year he has celebrated his hundredth birthday, Herman Wouk finally reflects on the life experiences that inspired his most beloved novels. Among those experiences are his days writing for comedian Fred Allen's radio show, one of the most popular shows in the history of the medium; enlisting in the US Navy during World War II; falling in love with Betty Sarah Brown, the woman who would become his wife (and literary agent) for sixty-six years; writing his Pulitzer Prize-winning novel, The Caine Mutiny; as well as a big hit Broadway play The Caine Mutiny Court Martial; and the surprising inspirations and people behind such masterpieces as The Winds of War, War and Remembrance, Marjorie Morningstar, and Youngblood Hawke. Written with the wisdom of a man who has lived through two centuries and the wit of someone who began his career as professional comedy writer, the first part of Wouk's memoir ("Sailor") refers to his Navy experience and writing career, the second ("Fiddler") to what he's learned from living a life of faith. Ultimately, Sailor and Fiddler is an unprecedented reflection from a vantage point few people have lived to experience"-- Provided by publisher.

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

William Johnson was among the most powerful and romantic figures in early American history. Beginning as an impoverished eighteenth century Irish immigrant, he became the wealthiest and most influential Indian leader on the North American continent. Married to Molly Brant, sister of the celebrated Mohawk Joseph Brant, Johnson served as a mediator in the evolving clash of the European and Native American cultures. This new edition brings back into print a classic work that will be welcomed reading for all those interested in early American history and American-Indian relations.

For most first ladies, their years in the White House are their sole claim to fame. For one—Hillary Rodham Clinton—that tenure was just another step in a remarkable political career. Neither a “hit job” nor a facile tribute, Gil Troy’s lively and refreshingly nonsensational new book provides a revealing look at arguably the most polarizing First Lady in history and undoubtedly the most prominent American woman of our time. Troy, named by History News Network one of America’s Top 15 Young Historians, measures Clinton’s historical footprint, tracing her activities during the turbulent decade that brought her to national prominence and examining her influence as a key player in her husband’s administration. Covering her attempts to overhaul health care and redefine the first lady as co-president while she tried to cope with her husband’s scandals and impeachment, he recounts how Hillary’s rocky road had a mixed impact on the office, even as her ambitions illuminated the role’s potential. As the first feminist first lady, Hillary Clinton faced dilemmas typical of modern American women as she tried to be both a family-oriented, devoted wife and a career-focused, independent woman. Troy shows how she did her best to navigate this divide and breaks new ground in taking her seriously as a thinker. Delving into Hillary’s speeches and writings, he uncovers a surprisingly more moderate, even conservative worldview. In fact, he finds some of her positions—such as her outspoken views on abortion—to be authentic expressions of a genuine Puritan/Methodist centrism rather than a mere political ploy. Offering a mix of praise and censure that elevates to a more sophisticated level debates about her controversial career and presidential aspirations, Troy’s book will enlighten and intrigue Hillary’s passionate critics and staunch defenders alike. It will renew discussions of where she stands in the continuum of modern first ladies—and of where history will ultimately take her. Many of the book’s key themes are effectively underscored by an entertainingly narrated photo essay, with provocative images drawn from the Clinton Presidential Library.

Shortly after World War II, when the Allies interrogated Field Marshal Gerd von Rundstedt, the senior commander who opposed the Allied invasion of France, they asked him to rate the skills of his opponents. He is reputed to have said, "Patton, he was your best." Praise for his performance was precisely what George Smith Patton, Jr., had sought all his life. As a cadet at the Virginia Military Institute and West Point, he was already searching for what he called "the undefinable difference" that distinguished a great general from the good ones. He led a mechanized attack in Mexico and a tank battalion during World War I. In World War II he turned American fortunes around in North Africa, chased the Germans out of Sicily, and sparked the breakout and liberation of France. When the Germans attacked the American First Army in the Battle of the Bulge, Patton turned his army north and smashed the German salient. He then drove into the heart of Germany and reached Czechoslovakia by war's end. Brilliant yet flawed, Patton's leadership style drove himself and his men to acts of bravery and victory. Half uncouth, provincial cowboy and half cultured sophisticate, the man behind the warrior mask was a complex and paradoxical person. He became an icon of the American military leader and the uncompromising individual.

With Freedom's Lawmakers, Eric Foner has assembled the first comprehensive directory of the over 1,500 African Americans who held political office in the South during the Reconstruction era. He has compiled an impressive amount of information about the antebellum status, occupations, property ownership, and military service of these officials -- who range from U.S. congressmen to local justices of the peace and constables. This revised paperback edition also contains new material on forty-five officials who were not included in the first edition.In his Introduction, Foner ably analyzes and interprets the roles of the black American officeholders. Concise biographies, in alphabetical order, trace the life histories of individuals -- many previously unknown -- who played important parts in the politics of the period. This useful and informative volume also includes an index by state, by occupation, by office during Reconstruction, by birth status, and by topic.

Presents the major ideas that have formed the modern Latin American political mind and profiles influential revolutionaries, thinkers, poets, and novelists, from Che Guevara to Octavio Paz and Gabriel García Márquez

In this book, Alfred Kazin, who for more than 30 years has been one of the central figures of America's intellectual life, takes us into his own life and times. His autobiography encompasses a personal story openly told; an inside look at New York's innermost intellectual circles; strong and intimate revelations of many of the most important writers of the century; and brilliantly astute observations of the literary accomplishments, atmosphere, and fads of the 1940s, 50s, and 60s in the context of America's shifting political gales.

The early American Congregational minister and author Cotton Mather (1663-1728), remembered mainly for his participation in the Salem witch trials, is perhaps the greatest and most misunderstood figure in pre-revolutionary American history. Mather believed his main purpose in life was to do good and he devoted his life to praying, preaching, and writing, eventually publishing more than 400 works.

Dean Reed was an American and the biggest rock star in the history of the Soviet Union. He was so famous his icons were sold alongside those of Josef Stalin. Reggie Nadelson first saw him in 1986 on a TV chat show. Few people in the West had ever heard of him. Six weeks later Reed was found dead in a lake in East Berlin.

An inside look at America’s largest newspaper— The Wall Street Journal ”Phillips offers fascinating insights about American business, politics, and journalism. He traveled in the circles of CEOs, U.S. presidents, prime ministers, and royalty; always at his core he was a reporter. That is the beauty of Newspaperman .” —Vernon E. Jordan Jr., civil rights leader; senior managing director, Lazard Freres & Company; adviser to President Bill Clinton “[Phillips] captures the fabulous stories of a scrawny, precocious boy from reporter to publisher and then CEO, participating in and then presiding over the Journal ’s years of greatest growth.” —Joan Konner, Dean Emerita, Columbia University Graduate School of Journalism “Phillips fell in love with newspapers when he was a boy. He’s still infatuated but he doesn’t skip over his tough times or mistakes. That’s what makes Newspaperman such a telling guide to the newsroom and to the top office in the executive suite.” —Lou Boccardi, former president and chief executive, Associated Press; former chairman, Pulitzer Prize Board “This lovely book recounts the life of a wise, thoughtful, and admired newspaper editor and publisher. The tiny Wall Street Journal Warren Phillips joined grew up to be a giant. Newspaperman tells that story.” —Donald E. Graham, chairman and chief executive, The Washington Post Company “[Phillips provides] perceptive commentaries on Germany, Greece, Turkey, England, Spain, China, Russia, and the Middle East. All is told with modest good humor, but repeatedly emphasizes the need for integrity and high standards.” —George B. Munroe, retired chairman and chief executive, Phelps Dodge Corporation “The story of a boy born in Brooklyn, a reporter, an editor, a publisher, a corporate executive, and now the author of a fascinating book.” —James Q. Riordan, former vice chairman, Mobil Corporation “In spite of a few hiccups, honestly related here, Dow Jones was rated by Fortune magazine as the second most-admired company in the United States, and so proved that an outstanding newspaperman can also achieve enormous success as a business builder and leader.” —Hamish Maxwell, former chairman and CEO, Philip Morris Companies Inc. “A memoir from a man who helped transform The Wall Street Journal from a local newspaper to a global operation.. . . Throughout the book, Phillips looks at his part in shaping the Journal ’s news and editorial coverage, and these sections provide insight into his highly successful methods. The author includes many anecdotes culled from his diaries, some very funny, which illustrate the variegated aspects of his life and the people who shared in it.. . . A well-rounded autobiography about the journalism industry and the people who shaped the news over the past 50 years.” —Kirkus Reviews “The sections about the rise of the Wall Street Journal 's quality and influence are fascinating - for journalists and non-journalists alike.” — Philadelphia Inquirer ”Phillips provides an arresting retrospective on modern world history that general readers will find informative and delightful.” — Star-Telegram About the Book When Warren Phillips was eleven years old, his father took him on a guided tour of the New York Daily News , where he got his first look at the frenzied yet surprisingly ordered and controlled world of newspaper publishing. He saw everything from the industrial printing presses churning out newspapers at astonishing speeds to reporters hunched over their typewriters, writing the very stories those presses would be producing within hours—or even minutes. Phillips was hooked. He knew exactly what he wanted to do with his life. Newspaperman tells the story of how an immigrant’s shy son from Queens, New York, rose to the top of his industry powered by little more than passion, brains, and hard work. Phillips began his career working as a copyboy for the New York Herald Tribune for sixteen dollars a week—and ended it as publisher of The Wall Street Journal and CEO of its parent corporation, Dow Jones & Company. The life story of Warren Phillips is the story of the American newspaper business. Here, the details of his vast experience come together to create a broad picture of the newspaper business— revealing how news is discovered, reported, edited, published, and disseminated. Sharing vivid tales of working as a reporter around the world and describing the many colorful characters he meets along the way, Phillips provides a level of insight that only a leading figure in the industry could offer. Newspaperman gives you an up-close look at one of the most influential people in the history of The Wall Street Journal —and an unprecedented view of the business, from its rapid modernization during the post–WWII , cold war era to the early years of digital publishing and the rise of the Internet, which may mark the decline of the printed page forever. Phillips’s entertaining, penetrating, and impressively detailed account is a must-read for both devotees of America’s most iconic business publication and anyone with an interest in how news is reported.

Allen Ginsberg, Lionel and Diana Trilling, Lillian Hellman, Hannah Arendt, and Norman Mailer -- all are ex-friends of Norman Podhoretz, the renowned editor and critic and leading member of the group of New York intellectuals who came to be known as "the Family." As only a family member could, Podhoretz tells the story of these friendships, once central to his life, and shows how the political and cultural struggles of the past fifty years made them impossible to sustain. With wit, piercing insight, and startling honesty, we are introduced as never before to a type of person for whom ideas were often matters of life and death, and whose passing from the scene has left so large a gap in American culture. Podhoretz was the trailblazer of the now-famous journey of a number of his fellow intellectuals from radicalism to conservatism -- a journey through which they came to exercise both cultural and political influence far beyond their number. With this fascinating account of his once happy and finally troubled relations with these cultural icons, Podhoretz helps us understand why that journey was undertaken and just how consequential it became. In the process we get a brilliantly illuminating picture of the writers and intellectuals who have done so much to shape our world. Combining a personal memoir with literary, social, and political history, this unique gallery of stern and affectionate portraits is as entertaining as a novel and at the same time more instructive about postwar American culture than a formal scholarly study. Interwoven with these tales of some of the most quixotic and scintillating of contemporary American thinkers are themes that are introduced, developed, and redeveloped in a variety of contexts, with each appearance enriching the others, like a fugue in music. It is all here: the perversity of brilliance; the misuse of the mind; the benightedness of people usually considered especially enlightened; their human foibles and olympian detachment; the rigors to be endured and the prizes to be won and the prices to be paid for the reflective life. Most people live their lives in a very different way, and at one point, in a defiantly provocative defense of the indifference shown to the things by which intellectuals are obsessed, Norman Podhoretz says that Socrates' assertion that the unexamined life was not worth living was one of the biggest lies ever propagated by a philosopher. And yet, one comes away from Ex-Friends feeling wistful for a day when ideas really mattered and when there were people around who cared more deeply about them than about anything else. Reading of a time when the finest minds of a generation regularly gathered in New York living rooms to debate one another with an articulateness, a passion, and a level of erudition almost extinct, we come to realize how enviable it can be to live a life as poignantly and purposefully examined as Norman Podhoretz's is in Ex-Friends.

"An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother's maternal line. Using family heirlooms to unlock the mystery of Moses's ancestors, Once We Were Slaves overturns the reclusive heiress's assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings' extraordinary journey throughout the Atlantic World, Leibman examines artefacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and-at times-white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race-as well as on the role of religion in racial shift-in the first half of the nineteenth century"--

The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals. Composer John Kander and lyricist Fred Ebb are the longest-running composer-lyricist team in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago , Cabaret , and Kiss of the Spider Woman , Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction). Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, The Red Menace (starring a then-unknown Liza) to The Visit , due to open on Broadway in 2004. The pages and musicals in between reveal what has made theirs such a long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret , reflecting on the superstar mentality of such artist as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their views on the blockbuster 2002 film), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century. The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals. Composer John Kander and lyricist Fred Ebb are the longest-running composer-lyricist team in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago , Cabaret , and Kiss of the Spider Woman , Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction). Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, The Red Menace (starring a then-unknown Liza) to The Visit , due to open on Broadway in 2004. The pages and musicals in between reveal what has made theirs such a long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret , reflecting on the superstar mentality of such artist as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their views on the blockbuster 2002 film), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century.

It was a lucky twist of fate when in the early1980s David Levy, a writer and amateur astronomer, joined up with the famous scientist Eugene Shoemaker and his wife, Carolyn, to search for comets from an observation post on Palomar Mountain in Southern California. Their collaboration would lead to the 1993 discovery of the most remarkable comet ever recorded, Shoemaker-Levy 9, with its several nuclei, five tails, and two sheets of debris spread out in its orbit plane. A year later, Levy would be by the Shoemakers' side again when their comet ended its four-billion-year-long journey through the solar system and collided with Jupiter in the most stunning astronomical display of the century. Not only did this collision revolutionize our understanding of the history of the solar system, but it also offered a spectacular confirmation of one scientist's life work. As a close friend and colleague of Shoemaker (who died in 1997 at the age of 69), Levy offers a uniquely insightful account of his life and the way it has shaped our thinking about the universe. Early in his training as a geologist, Shoemaker suspected that it wasn't volcanic activity but rather collisions with comets and asteroids that created most of the craters on the moon and most other bodies in the solar system. Convincing the scientific community of the plausibility of impact theory, and revealing its power for penetrating mysteries such as the extinction of the dinosaurs and the timing of the Earth's eventual demise, became Shoemaker's mission. Through conversations with Shoemaker and his family, Levy reconstructs the journey that began with a young geologist's serious desire to go to the moon in the late1940s. Sent by the government to find a way to harvest plutonium, Shoemaker instead found evidence in desert craters for what became his impact theory. While he never became an astronaut, he did become the first geologist hired by NASA and subsequently set the research agenda for the first manned lunar landing. After a series of victories and setbacks for Shoemaker, the collision of Shoemaker-Levy 9 with Jupiter provided the most convincing proof to date of the role of impacts in our solar system. Levy's explanation of the scientific reasoning that guided Shoemaker in his career up to this dramatic point--as well as his personal portrait of a man who found white-water rafting to be an easy way to relax--sets these fascinating events in a human scale. This biography shows what Shoemaker's legacy will be for our understanding of the story of the Earth well into the twenty-first century. -- "Scientific American"

"The definitive memoir of one of Israel's most influential soldier-statesmen and one-time Prime Minister, Ehud Barak, with insights into forging peace in the Middle East. In the summer of 2000, the most decorated soldier in Israel's history--Ehud Barak--set himself a challenge as daunting as any he had faced on the battlefield: to secure a final peace with the Palestinians. He would propose two states for two peoples, with a shared capital in Jerusalem. He knew the risks of failure. But he also knew the risks of not trying: letting slip perhaps the last chance for a generation to secure genuine peace. It was a moment of truth. It was one of many in a life intertwined, from the start, with that of Israel. Born on a kibbutz, Barak became commander of Israel's elite special forces, then army Chief of Staff, and ultimately, Prime Minister. My Country, My Life tells the unvarnished story of his--and his country's--first seven decades; of its major successes, but also its setbacks and misjudgments. He offers candid assessments of his fellow Israeli politicians, of the American administrations with which he worked, and of himself. Drawing on his experiences as a military and political leader, he sounds a powerful warning: Israel is at a crossroads, threatened by events beyond its borders and by divisions within. The two-state solution is more urgent than ever, not just for the Palestinians, but for the existential interests of Israel itself. Only by rediscovering the twin pillars on which it was built--military strength and moral purpose--can Israel thrive"--

Kindred spirits despite their profound differences in position, Abraham Lincoln and Walt Whitman shared a vision of the democratic character. They had read or listened to each other’s words at crucial turning points in their lives, and both were utterly transformed by the tragedy of the Civil War. In this radiant book, poet and biographer Daniel Mark Epstein tracks the parallel lives of these two titans from the day that Lincoln first read Leaves of Grass to the elegy Whitman composed after Lincoln’s assassination in 1865. Drawing on a rich trove of personal and newspaper accounts and diary records, Epstein shows how the influence and reverence flowed between these two men–and brings to life the many friends and contacts they shared. Epstein has written a masterful portrait of two great American figures and the era they shaped through words and deeds.