A humorous, motivational memoir in the vein of Tyler Oakley's Binge and Marcus Butler's Hello Life, from high-energy comedic social media phenomenon Jake Paul. How do you become Vine famous? What is life like when you have millions of followers on Facebook, Twitter, Snapchat, and Instagram. In this extremely positive, motivational, and often laugh-out-loud memoir, unstoppable Jake Paul pauses long enough from his super-charged life as a nineteen-year-old social media superstar and smiling heartthrob on the Disney Channel series Bizaardvark to share his takes on life, love, fame, and shooting for your dreams. From growing up a regular kid with his brother (and fellow social media star) Logan to his goals and aspirations as he became Vine famous to the bullying and jealousy he experienced to the crazy, creative, behind-the-scenes details of his life in Hollywood as a teen powerhouse, Jake shares the most hysterical and intimate details of his life--all with his signature humor and honesty and you-gotta-want-it attitude that has won him millions of devoted followers.

A guide to understanding the Shatnerverse and the world at large—the perfect gift for Star Trek fans and William Shatner lovers. You love William Shatner. You admire his many and varied talents. You appreciate his creativity and willingness to take risks. You want to learn his master negotiation techniques. You wish you could hang out with him. Admit it. You want to BE William Shatner. And now...you can (almost). To be Shatner, you must follow the rules included in this lively, entertaining, and thought-provoking volume. This collection of rules and fun factners, illustrated with stories from Bill’s illustrious life and career, will show you how Bill became WILLIAM SHATNER, larger than life and bigger than any role he ever played. Shatner Rules is your guide to becoming William Shatner. Or more accurately, beautifully Shatneresque. Because let's face it...Shatner does rule, doesn't he?

THE REALITY BEHIND REALITY TV—HOLLYWOOD’S FAVORITE MOM-STAR TELLS IT LIKE IT IS Tori Spelling is the first to admit that the “reality” behind her popular television show, Tori & Dean, isn’t always real. Not even Star Magazine could invent the true chaos that happens behind the scenes. Luckily, Tori is famously honest and self-deprecatingly funny when it comes to her personal life. She’s always Spelling It Like It Is… Life is never boring at Tori’s house, but since her New York Times bestselling memoirs sTORI Telling, Mommywood, and Uncharted terriTORI, things have been especially unpredictable: Finding out she was pregnant with her third baby after nearly vomiting live on the Home Shopping Network; trying to hide her fourth pregnancy so soon after giving birth (as her stylist said, “who would be that crazy?”); being rescued from a paparazzo by a mom lynch mob; stalking her celebrity neighbor; and allowing cameras to film every personal detail of her life—from the most challenging time in her marriage to the only time in six years when she really felt as though those cameras invaded her privacy. Tori shares these stories and many more with the usual humor, candor, and down-to-earth charm that her fans love. She also writes openly about her biggest challenges: the terrifying health problems surrounding her high-risk pregnancy with youngest son Finn, her guilt over missing baby Hattie’s early months because she was in the hospital on bed rest, her struggles (and failures) to live within her means after growing up in opulence, discovering how much she has in common with her late mega-producer father, Aaron Spelling, and falling in love with Dean all over again (hint: it didn’t happen at their vow renewal ceremony). After years of intimately revealing her everyday antics onscreen, Tori’s life is still full of surprises. Slowing down long enough to enjoy them? Now that’s another sTORI.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). "Rembrandt's Eyes," about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt'spaintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. "Rembrandt's Eyes" shows us "why" Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever beenwritten, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the "New York Times Book Review, Time," the "New York Times, The Independent on Sunday," and "Nature," respectively. "From the Hardcover edition."

At the age of 44—at the height of his success—Richard Lewis found himself on a gurney in an emergency room, suffering from a lethal mix of alcohol and drugs. The same dysfunctions that had been the basis for his successful stage persona and had generated so much wonderful material for comedy had turned on him. In this blistering memoir, Lewis tells how he got to that point, how he got on the road to recovery, and how he copes with being Richard Lewis, sober, on a daily basis, in this very funny, profoundly honest, inspiring but unsentimental book. He shares candid and revealing anecdotes about love, sex, fame, family, drinking therapy, eating disorders, and the serious business of comedy.

An intimate memoir by the controversial, Oscar-winning director and screenwriter Oliver Stone Before moving to Los Angeles and the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while working odd jobs in Manhattan. Stone, now 73, recounts those formative years with in-the-moment details of the highs and lows: meetings with Al Pacino over Stone's early scripts; the harrowing demon of cocaine addiction; the failure of his first feature; his risky on-the-ground research of Miami drug cartels for Scarface; and much more. Chasing the Light is a true insider's guide to Hollywood's razor-edged years of upheaval in the 1970s and '80s with untold stories of decade-defining films from the man behind the camera.

A "lively" memoir by the Hollywood legend about the making of Spartacus , with a foreword by George Clooney ( Los Angeles Times ). One of the world's most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus , Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood's moguls refused to hire anyone accused of Communist sympathies. In a risky move, Douglas chose Dalton Trumbo, a blacklisted screenwriter, to write Spartacus . Trumbo was one of the "Unfriendly Ten," men who had gone to prison rather than testify before the House Un-American Activities Committee about their political affiliations. Douglas's source material was already a hot property, as the novel Spartacus was written by Howard Fast while he was in jail for defying HUAC. With the financial future of his young family at stake, Douglas plunged into a tumultuous production both on- and off-screen. As both producer and star of the film, he faced explosive moments with young director Stanley Kubrick, struggles with a leading lady, and negotiations with giant personalities, including Sir Laurence Olivier, Charles Laughton, Peter Ustinov, and Lew Wasserman. Writing from his heart and from his own meticulously researched archives, Kirk Douglas, at ninety-five, looks back at his audacious decisions. He made the most expensive film of its era--but more importantly, his moral courage in giving public credit to Trumbo effectively ended the notorious Hollywood blacklist. A master storyteller, Douglas paints a vivid and often humorous portrait in I Am Spartacus! The book is enhanced by newly discovered period photography of the stars and filmmakers both on and off the set.

Why Did I Come into This Room? is a funny What to Expect When You're Expecting for the aging woman. “I’m too old for Snapchat, but too young for Life Alert.” In her most candid and revealing book yet, acclaimed broadcast journalist and Baby Boomer Joan Lunden delves into the various phases of aging that leave many feeling uncomfortable, confused, and on edge. In her hilarious book, Lunden takes the dull and depressing out of aging, replacing it with wit and humor. After all, laughing is better than crying—unless it makes you pee! Whether you’re in your 40s, 50s, 60s, or more, this book is full of helpful information to embrace—or at least prepare for—the inevitable. Funny, captivating, and raw, no topic is off limits. Lunden goes where others fear to tread, openly talking about wrinkles and age spots (which Lunden insists are sunspots), expanding waistlines (no, you didn’t shrink your jeans), diminished energy (my get-up-and-go got up and went), weak pelvic floors (yes, we’re talking about leaking), hot flashes (they suck), disrupted sleep (the morning host is an expert on lack of sleep), changes in sex drive (oh yeah, she goes there), ageism (it exists and it pisses us off), and yes, the real reasons we suddenly find ourselves always searching for those car keys! Through her poignant and often laugh out loud funny personal experiences, Lunden candidly shares her anxieties and breakthroughs and how she’s coping with the realities of aging. She’s talking about the good, the bad and the ugly, elevating the conversation on topics often considered “taboo.” Why Did I Come into This Room? also explores the science of aging, including how it impacts the body and brain, while dispelling myths and revealing useful options to stave off the aging process as long as possible. Even more importantly, Lunden goes beyond the physical aspects of aging by closely examining the mental and emotional minefields that come with our advancing years. As she explores the value of asking ourselves important questions including, “Am I still relevant?”, “Do I have meaningful friendships?”, and “Am I leaving an impactful legacy?” Lunden also examines the freedom in “letting go,” the importance of managing stress, and how joy and a sense of purpose all play an impactful role in slowing the aging process. In a society where youth is revered and aging feared, Why Did I Come into This Room? is the long-awaited tell-it-like-it-is guide for women of all ages. As Lunden says, “Aging ain’t for sissies…you better be prepared.”

The captivating, candid and hilarious new memoir from actress, author, columnist, producer, entrepreneur and global celebrity Dame Joan Collins.[Bokinfo]

This is the true story of the moviemaking maverick who co-founded an independent studio almost Forty years ago in a humble broom closet... who used raw hamburger, Karo syrup blood, and Bromo-Seltzer vomit to create films of questionable artistic and moral value... who battled the MPAA rating board to bring his outrageous vision to the screen... who rejected Madonna after an audition... who defied the Hollywood system and slapped the face of the industry... and who built a B-movie empire filled with Hard-Bodied Lesbians, Surf Nazis, Kabuki Cops, Nymphoid Barbarians, and a lone hero known as The Toxic Avenger. This is the story of Troma Studios. A story of guerilla filmmaking at its cheapest, of the American Dream torn limb from limb, and of topless starlets menaced by obscene rubber puppets.

A towering figure of television news recounts his adventures in broadcast journalism, from TV's earliest days through the controversies and challenges that face the news business today.

Why is this book more engrossing than Goldman's biographies about Elvis & John Lennon? Mainly because both of them had been done thoroughly during their lifetimes. When the books came out, most who cared to read them already knew most of the contents. Not so with this book on comic Lenny Bruce. He died in 1966, his personal life unknown to most, mainly because his act was considered unfit for decent audiences & was ignored by the media.Goldman gets much of his material from reporter Lawrence Schiller (the cover says, "by Albert Goldman from the journalism of Lawrence Schiller"). The book explores Bruce's youth as Leonard Alfred Schneider, his showbiz-oriented mother, quietly serious father & strange relationship with his stripper wife Honey. Goldman & Schiller analyze Bruce's comedy & whence it came, believing this the key to understanding Bruce himself. The book progresses thru Bruce's difficult 1st years in Manhattan nightclubs, then moves to LA &, finally, San Francisco, where Bruce became a star. It also deals with the comic's insatiable appetite for IV drugs, his fall from a San Francisco hotel room & the legal battles which haunted him till his death.

Alan Arkin knew he was going to be an actor from the age of five: "Every film I saw, every play, every piece of music fed an unquenchable need to turn myself into something other than what I was." "An Improvised Life" is the Oscar winner's wise and unpretentious recollection of the process--artistic and personal--of becoming an actor, and a revealing look into the creative mind of one of the best practitioners on stage or screen. In a manner that is direct, down-to-earth, accessible, and articulate, Arkin reveals insights not only about himself (and his audience and students), but also truths for the rest of us about work, relationships, and sense of self.

The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday ) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times — Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible—and then some. Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.

Why Me? is the self-portrait of one of the extraordinary men of our time, who became a figure of controversy because he dared to live his life not as a Negro but as a man. "I've got to be a star like another man has to breathe," write Sammy Davis. "I've got to get so big, so powerful, so famous that the day will come when they'll look at me and see a man, and then somewhere along the way they'll notice he's a Negro."

If you ran into Stephen Tobolowsky on the street, you would not be mistaken: Yes, you've seen him before. A childhood dentist? A former geometry teacher? Your local florist? Tobolowsky is a character actor, one of the most prolific screen and stage presences of our time, having appeared in productions that range from Deadwood to Glee , from Mississippi Burning to Groundhog Day . But Stephen Tobolowsky, it turns out, is also a dazzlingly talented storyteller and writer. The Dangerous Animals Club is a beguiling series of stories combining biography and essay, with a tone both hilarious and introspective. The stories have heroics and embarrassments, riotous humor and pathos, characters ranging from Bubbles the Pigmy Hippo to Stephen's unforgettable mother, and scenes that include coke-fueled parties, Hollywood sets, and hospital rooms. Told in a voice that is "wry, discursive, and full of generous spirit and curiosity" ( Kirkus Reviews ), Tobolowsky renders the majestic out of the mundane, profundity from the patently absurd, and grace from tragedy. The Dangerous Animals Club marks the debut of a massively talented storyteller.

In the spring of 2000, stand-up comedian Robert Schimmel was diagnosed with stage III non-Hodgkin's lymphoma, and soon the fire of his white-hot career started to fizzle. But Schimmel never lost his sense of humor, his searing honesty, and most of all, his passion to make people laugh. Indeed, it was his basic need to entertain—even if the only people around him were suffering from cancer and the room he was playing was the Mayo Clinic infusion center—that carried him through his ordeal. Alternately laugh-out-loud funny and deeply moving, Cancer on 5 a Day is a stirring account of how one man's face-off with a deadly disease helped him better understand himself, and ultimately changed his life.

A poignant, informal portrait remembers the film legend through anecdotes about her personal life, her secret fantasies, and her ever-fluctuating moods, speculations on her romances and untimely demise, and candid photographs.