Novelist Anne Bernays and biographer Justin Kaplan -- both native New Yorkers -- came of age in the 1950s, when the pent-up energies of the Depression years and World War II were at flood tide. Written in two separate voices, Back Then is thecandid, anecdotal account of these two children of privilege -- one from New York's East Side, the other from the West Side -- pursuing careers in publishing and eventually leaving to write their own books. Infused with intelligence and charm, Back Then is an elegant reflection on the transformative years in the lives of two young people and New York City. Marked by their youthful passions, this double memoir marries the authors' distinct literary styles with a riveting narrative that captures the density and texture of private, social, and working life in the 1950s.

Spanning three decades of his literary career, from Catch-22 to comments on the Persian Gulf War, Conversations with Joseph Heller contains a selection of the most significant, informative, and interesting interviews with one of America's foremost novelists. In these interviews Heller reveals his interest in the structure, effects, and themes of his works, his satirical purposes, the influences upon him, his writing methods, his political opinions, and a host of other topics that challenge and engage his lively and reflective mind. Included here are two interviews not previously published, interviews from student newspapers and university magazines, and two highly comic ""anti-interviews"" with close friends Mel Brooks and George Mandel. Here are two largely serious interviews with his friends Robert Alan Aurthur and Barbara Gelb. Also in this collection are Heller's conversations with authors Martin Amis and George Plimpton and a probing exchange with Bill Moyers about democracy, politics, and Heller's Picture This. Among the interviews are his talks with Sam Merrill in Playboy, Paul Krassner of The Realist, and with Chet Flippo of Rolling Stone.

A New York Times “Books for Summer Reading” selection Winner of the 2003 National Jewish Book Award for History By the time he died in 1993 at the age of 73, Irving Howe was one of the twentieth century’s most important public thinkers. Deeply passionate, committed to social reform and secular Jewishness, ardently devoted to fiction and poetry, in love with baseball, music, and ballet, Howe wrote with such eloquence and lived with such conviction that his extraordinary work is now part of the canon of American social thought. In the first comprehensive biography of Howe’s life, historian Gerald Sorin brings us close to this man who rose from Jewish immigrant poverty in the 1930s to become one of the most provocative intellectuals of our time. Known most widely for his award-winning book World of Our Fathers, a rich portrayal of the East European Jewish experience in New York, Howe also won acclaim for his prodigious output of illuminating essays on American culture and as an indefatigable promoter of democratic socialism as can be seen in the pages of Dissent, the journal he edited for nearly forty years. Deeply devoted to the ideal of democratic radicalism and true equality, Howe was constantly engaged in a struggle for decency and basic fairness in the face of social injustice. In the century of Auschwitz, the Gulag, and global inter-ethnic mass murder, it was difficult to sustain political certainties and take pride in one's humanity. To have lived a life of conviction and engagement in that era was a notable achievement. Irving Howe lived such a life and Gerald Sorin has done a masterful job of guiding us through it in all its passion and complexity.

Now in a paperback edition, David Amram retraces in this engaging memoir the creative paths he followed through restless days and long, exhilarating nights with his collaborator and friend Jack Kerouac. With candor and humor, Amram illuminates the private side of Kerouac, his extraordinary intellect and his ardent pursuit of music and literature. Among the last of a generation that altered the style and substance of the arts in its time, Amram also celebrates in this wise and affecting book the renaissance of interest in Kerouac’s work three decades after his death. Photographs are included. “[A] compassionate, firsthand portrait.”—Eric P. Nash, The New York Times Book Review “... every bit as radiant as his enduringly popular first memoir, Vibrations.”—Donna Seaman, Booklist “[A]n unpretentious, freewheeling festival of highly diverting tales.”—Kirkus Reviews “[Offbeat] is most valuable for its narrative of the ongoing restoration of Kerouac’s literary reputation.”—Paul A. Bergin, St. Petersburg Times

The essays in Maps to Anywhere plot terrain that is at once familiar yet subtly strange. Writing on subjects ranging from his family to the origin of the barbershop pole, Bernard Cooper digs into the glimmering surface of the southern California landscape, observing the collision of the American Dream with the realities of everyday life. From the fragments, he discovers landmarks by which he attempts to make sense of contemporary America.

The second volume is in Koestler's own words âa typical case history of a member of the educated middle classes of Central Europe in our time. We see him in Germany, Russia, England, France and Spain, working for the cause he believed in until his eventual break with Communism in 1938.

This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes. A decade after the publication of ‘Faithfull’, one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening. A wry observer of her slightly off-kilter world, Marianne muses nostalgically about afternoons languishing on Moroccan cushions at George and Pattie's, getting high and listening to new songs. She fondly recalls the outlandish antics of her Beat friends Allen Ginsberg and William Burroughs; is frequently baffled at her image in the press (opening the paper to read of her own demise: 'Sixties Star in Death Plunge'); terrified by the curse sent by Kenneth Anger; mortified by her history of reckless behaviour; not to mention her near-death experience in Singapore while looking for an opium den. Marianne peoples her anecdotal memoir with legendary characters one can imagine only Marianne assembling around her, both the eccentric and the beautiful, from Henrietta Moraes and Donatella Versace to Sofia Coppola, Juliette Greco, and Yves St. Laurent's dog. Here is Marianne on the dark side of the sixties and the bright side of the nineties, which saw her collaborating with the likes of Blur and Jarvis Cocker; compelling recollections of an unconventional childhood in her father's orgiastic literary commune to a hilariously decadent few days at Lady Caroline Blackwood's deathbed. Here she is her blossoming movie career, on her records as subliminal autobiography. This is as intimate a portrait as we've ever had of Marianne, as she meditates on sex and drugs, confronts her alter-ego, the Fabulous Beast, and faces her own mortality in her battle with breast cancer. Since her last book Marianne has, in her own words, 'made quite a few records, gone on many tours, tried to play it straight, and... Well, the rest is the subject of this book.'

In an unforgettable addition to the literature of memoir, one of America’s preeminent literary scholars tells his story of coming of age in France during the buildup to the Second World War. As a Jewish youth in France during the 1930s, Victor Brombert’s heady explorations of sex and love were cut short by the rise of Nazi power and the Vichy Regime. His family narrowly escaped to New York, where Brombert joined the U.S. Army, only to return to Europe to fight on the beaches of Normandy and in the Battle of the Bulge. As he shuttles between the stations of his life, Brombert’s narrative recaptures the textures of childhood, the horrors of war, and his own discovery of a sustaining passion for literature. By turns melancholy and erotic, his memoir is also a meditation on memory itself, and a Proustian re-creation of a lost time and place.

Book by Aleichem, Sholem

Mel Shavelson is one of Hollywood's triple-threat Writer-Director-Producers, and a two-time Academy Award Nominee for his original screenplays, which he also directed. He served three terms as President of the Writers Guild of America, West, and is the recipient of its highest honor, the Laurel Award for Screen Writing. He has written, alone or in collaboration, over thirty-five feature motion pictures, directed twelve of them, and created for television two Emmy Award-winning series.

"Joseph Epstein may well be the only first-rate American literary critic who can be said to have--and deserve--fans. His essays have captivated readers with their wit, learning, and unabashed love of reading. . . .He has high standards for craftsmanship and a low tolerance for cant." --Washington Times

The interviews in this collection will convince the reader that Jerzy Kosinski's public persona was one of the greatest creations. Few authors were ever more adept at press interviews. For Kosinski, the author of nine novels, including The Painted Bird, Steps, Being There , and The Hermit of 69th Street , the interview was part performance, part public relations, part blind date. Kosinski in person was different from the existential adventurer in his novels. He was not so much engaged as engaging. though his fiction was brutal, he was charming. The contrast between Kosinski and the intensity of his fiction created the backdrop for his interviews. Like his readers, Kosinski's interviews were obsessed with the facts of his life. As a young boy he survived the Holocaust. He escaped Communist Poland. His life became the stuff of novels. He came to the United States with little money and no command of the English, but within a year he was a Ford Fellow at Columbia University and not long afterward was married to an American heiress and was living on Park Avenue. Yet Kosinski felt that his unique experiences, when transmuted to fiction, became a didactic lesson for others. A human being is loaded with the greatest power, he says in one interview, his imagination and the power to transcend his own conditions. The interviews here are published chronologically without abridgement. The same questions recur and Kosinski's answers are filled with discrepancies and contradictions. A good interview, he once wrote, is like truth itself, the temporary resolution of various contradictions. These compelling conversations recapture part of Jerzy Kposinski, who took his own life on May 3, 1991.

An acclaimed journalist and novelist explores the legacy and future of American liberalism through the history of his family's politically active history George Packer's maternal grandfather, George Huddleston, was a populist congressman from Alabama in the early part of the century—an agrarian liberal in the Jacksonian mold who opposed the New Deal. Packer's father was a Kennedy-era liberal, a law professor and dean at Stanford whose convictions were sorely—and ultimately fatally—tested in the campus upheavals of the 1960s. The inheritor of two sometimes conflicting strains of the great American liberal tradition, Packer discusses the testing of ideals in the lives of his father and grandfather and his own struggle to understand the place of the progressive tradition in our currently polarized political climate. Searching, engrossing, and persuasive, Blood of the Liberals is an original, intimate examination of the meaning of politics in American lives.

"Biespiel’s supple memoir of becoming a poet will surely inspire other writers to embrace the bodily character of writing and feel the power and, sometimes, the emptiness of the act of writing poetry." — Publishers Weekly (starred review) The Education of a Young Poet is David Biespiel’s moving account of his awakening to writing and the language that can shape a life. Exploring the original source of his creative impulse—a great–grandfather who traveled alone from Ukraine to America in 1910, eventually settling as a rag peddler in the tiny town of Elma, Iowa—through the generations that followed, Biespiel tracks his childhood in Texas and his university days in the northeast, led along by the ""pattern and random bursts that make up a life." His book offers an intimate recollection of how one person forges a life as a writer during extraordinary times. From the Jewish quarter of Houston in the 1970s to bohemian Boston in the 1980s, from Russia’s Pale of Settlement to a farming village in Vermont, Biespiel remains alert to the magic of possibilities—ancestral journeys, hash parties, political rallies, family connections, uncertain loves, the thrill of sex, and lasting friendships. Woven throughout are reflections on the writer’s craft coupled with a classic coming–of–age tale that does for Boston in the 1980s what Hemingway’s A Moveable Feast did for Paris in the 1920s and Broyard’s Kafka Was the Rage did for Greenwich Village in the 1950s. Restless with curiosity and enthusiasm, The Education of a Young Poet is a singular and universal bildungsroman that movingly demonstrates, "in telling the story of one’s coming into consciousness, all languages are more or less the same."

For more than fifty years, Geoffrey Hartman has been a pivotal figure in the humanities. In his first book, in 1954, he helped establish the study of Romanticism as key to the problems of modernity. Later, his writings were crucial to the explosive developments in literary theory in the late seventies, and he was a pioneer in Jewish studies, trauma studies, and studies of the Holocaust. At Yale, he was a founder of its Judaic Studies program, as well as of the first major video archive for Holocaust testimonies. Generations of students have benefited from Hartman's generosity, his penetrating and incisive questioning, the wizardry of his close reading, and his sense that the work of a literary scholar, no less than that of an artist, is a creative act. All these qualities shine forth in this intellectual memoir, which will stand as his autobiography. Hartman describes his early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. He looks back at how his career was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kindertransport. He spent the next six years at school in England, where he developed his love of English literature and the English countryside, before leaving to join his mother in America. Hartman treats us to a "biobibliography" of his engagements with the major trends in literary criticism. He covers the exciting period at Yale handled so controversially by the media and gives us vivid portraits, in particular, of Harold Bloom, Paul de Man, and Jacques Derrida. All this is set in the context of his gradual self-awareness of what scholarship implies and how his personal displacements strengthened his calling to mediate between European and American literary cultures. Anyone looking for a rich, intelligible account of the last half-century of combative literary studies will want to read Geoffrey Hartman's unapologetic scholar's tale.

A chronologically arranged anthology and history of poetry is supplemented with biographies of the poets

Eleanor Farjeon first met Edward Thomas in the late autumn of 1912, when her brother invited him to tea. It was the beginning of a deep friendship between the painfully shy 31-year-old woman and the reserved writer known for his prose works and literary criticism. Though he died at the Battle of Arras in April 1917, it was a friendship which for Eleanor did not end with his death, but lived beyond it in his letters, and his poems, many of which Edward had sent to her from the trenches of the First World War for her comments. This double memoir uses Edward's letters and Eleanor's diaries and linking commentary to provide an extraordinarily candid account of their developing friendship, and of the enthusiasms they shared - both loved walking, and it was during this period that Edward first found his way into poetry. Edward was often deeply depressed, a man who found in nature something fundamental and ideal, a soldier-poet who wrote about the war in a new way, but Eleanor also shows us another side to his character, capturing moments of joy and humour. She also offers a unique account of Thomas's development as a poet, including the momentous meeting in 1913 with the American poet Robert Frost, whose encouragement led to Thomas's first poems. Thomas describes for her his family, his friendships with other writers, D H Lawrence among them, and also provides an exceptionally detailed account of his experiences in the First World War with the Artists' Rifles. Edward Thomas: The Last Four Years, was widely acclaimed on its first publication in 1958 - this second edition, published on the 80th anniversary of Thomas's death, has an introduction by Anne Harvey, a selection of Eleanor's sonnets 'To E.T.', and 'Walking Tom', a hitherto little-known poem about Edward written by Clifford Bax and Herbert Farjeon. Also included are eight pages of black and white photographs.

Winner of the 2007 B.C. Award for Canadian Non-fiction A Globe and Mail Best 100 Book (2006) National Post Best Books (2006) A bold cultural portrait of contemporary Canada through the work of its most celebrated novelists, short story writers, and storytellers. Stories are the surest way to know a place, and at a time when the fabric of the country seems daily more uncertain, Noah Richler looks to our authors for evidence of the true nature of Canada. He argues why fiction matters and seeks to discover — in the extra-ordinary diversity of communities these writers represent — what stories, if any, bind us as a nation. Over two years, Richler has criss-crossed the country and interviewed close to one hundred authors — a who’s who of Canadian literature, including Wayne Johnston, Michael Crummey, Alistair MacLeod, Gil Courtemanche, Jane Urquhart, Joseph Boyden, Miriam Toews, Yann Martel, Fred Stenson, Douglas Coupland, and Rohinton Mistry — about the places and ideas that are most meaningful to their work. The result is a journey through the reality of Canada and its imagination at a critical point in the country’s evolution. Within thematic chapters he exposes our “Myths of Disappointment” and considers the stories of our native peoples, the rise of the city, and how our history as a colony shapes our society and politics even today. This Is My Country, What's Yours? is an impassioned literary travelogue and a vivid portrayal of our society, the work of Canadian authors, and the idea of writing itself. This Is My Country, What's Yours? is based on Noah Richler’s ten-part documentary of the same name originally broadcast on CBC Radio’s flagship Ideas program in spring 2005.