An education in a portmanteau: George Steiner at The New Yorker collects his best work from his more than 150 pieces for the magazine. Between 1967 and 1997, George Steiner wrote more than 130 pieces on a great range of topics for The New Yorker, making new books, difficult ideas, and unfamiliar subjects seem compelling not only to intellectuals but to “the common reader.” He possesses a famously dazzling mind: paganism, the Dutch Renaissance, children’s games, war-time Britain, Hitler’s bunker, and chivalry attract his interest as much as Levi-Strauss, Cellini, Bernhard, Chardin, Mandelstam, Kafka, Cardinal Newman, Verdi, Gogol, Borges, Brecht, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

Told for the first time, this is a unique and heart-warming tale of World War Two Jewish evacuees sent to Mousehole, Cornwall from London's East End. In a time of conflict and atrocities, this story of mutual acceptance and integration is an inspiration to modern society. From East End to Land's End is the heart-warming and inspiring story of the World War Two evacuation of Jews' Free School (JFS) in the East End of London to Mousehole, a remote fishing village on the tip of Cornwall. In June 1940, around 100 JFS children and 5 of their teachers, together with thousands of other London evacuees, embarked on the lengthy and exhausting train journey from Paddington to Penzance. The JFS group was bussed to Mousehole, where the children were billeted with the villagers, and Jews' Free School, Mousehole, was established in the premises of Mousehole School. Arrangements were made for synagogue services to be held in the church hall of a nearby village, while many of the evacuees also attended chapel with their foster families, most of whom were strong Methodists. Remarkably, most of the evacuees quickly integrated into village life, and were accepted by the villagers as their own

Notes from the Other Side of Night is a diary-memoir written upon Juliana Geran Pilon's return to her native Romania in 1975, which she had left along with her family when she was just fourteen. Poetically weaving together modern insight and realities with childhood perceptions, Pilon tells the haunting stories of her parents, grandparents, neighbors, and friends. Although the scenery of her native home had remained essentially unchanged since her childhood, Pilon recalls streets that are no more, homes and churches that have been demolished. Yet, the hills and forests, the flowers and mountains, the heat of old Bucharest, remained the same. The scenes and characters described in this book are simply unforgettable. Despite the many tragedies it describes--anti-semitism, political imprisonment, and judicial execution were ruthless realities under communism--Notes from the Other Side of Night is not a depressing book. Pilon writes with a detached melancholy about events and characters that illustrate Hannah Arendt's terrifying "banality of evil." But she remembers, as well, those few who managed to remain human beings until the end. Ultimately, hope triumphs in this memoir. This edition includes a new foreword, which discusses the initial writing and publication of this and previous editions.

. . . Mr. Itzkoff places most of the blame for America's alleged intellectual decline on what he sees as an economically and intellectually elite cast of misguided liberals. They have isolated themselves from American society, he says, by their paternalistic treatment of the underclass, by discounting the importance of traditional family values and by failing to raise enough bright children to sustain national competence. The New York Times Book Review Few doubt that the United States has slipped from its longstanding eminence as the world's wealthiest and most productive nation. The problem for the past 30 years has been the diagnosis of both the decline and then the cure. Literally trillions of dollars have been expended in futile programs to stanch the hemorrhaging of our economic wealth, jobs, educational achievement, and cultural elan. Itzkoff argues that we will never stop the fall until we understand our real national dilemma. This is the decline in our national intelligence profile: fewer citizens of high intelligence, educational potential, and economic productivity. These ideas are taboo. Itzkoff, however, insists that these are the facts, and they must be examined. In this book, he lays out the available evidence for our social disintegration and suggests a rational program of policy initiatives that would begin to restore us to what we were as recently as 1955--the great hope of the world.

The unspoken poetry of our nation revealed by an American master. The first collection of the extensive and superlative work realized by Mary Ellen Mark in the United States, Mary Ellen Mark is composed of many previously unpublished images, as well as photographs from several of her best-known projects. From "Streetwise" to "The Damm Family," Mary Ellen Mark includes the most iconic images from these groundbreaking stories, as well as powerful, never-before-seen photographs Mark accomplished in subsequent years. She makes a deeply felt commitment to her subjects, and her empathy and humanity come through in every image. Mark is unsurpassed at shaping not only the odd but the everyday into genuinely surprising visual icons. With an eye for symbolism and a gift for meticulous composition, she is drawn to a variety of spectacles and situations, and demonstrates a particular affinity for children. Her elegantly revealing imagery creates a fascinating portrait of our complex, amusing, and occasionally unsettling country.

Now in paperback! Taking Hold of Torah Jewish Commitment and Community in America Arnold M. Eisen A personal meditation on the meaning of Judaism today and a vision for revitalizing Jewish community and tradition in America. "Arnold M. Eisen offers a personal plea for—and a vision of—the revitalizing of American Judaism through a renewed relationship to Jewish tradition and the strengthening of Jewish communities." —Jewish Book News "...required reading for Jewish communal professionals, [Taking Hold of Torah] spells out the discontents and dreams of the baby boomers and their children who are reinventing Jewish communal life for the modern world." —Jewish Exponent "Melding autobiography with biblical exegesis, philosophical speculation and a program for Jewish educational reform, the book is an unbuttoned riff on what's ailing modern Jews." —Forward "...a personal story of a modern Jew trying to make sense of Judaism in a time when Jews can choose whether and how to be Jewish...." —The Jewish Advocate Jews, like other Americans, have both benefitted and suffered from the fraying of traditional loyalties that has come to characterize modern American culture. In each of the five chapters, Arnold M. Eisen examines a major issue or theme related to his vision for the renewal of Jewish communities—in terms of one of the five books of the Torah. What is the meaning and purpose of Jewish tradition? What is the significance of faith and covenant? What are the contemporary uses of ritual? What should a new agenda for politics in American Jewish life include? What legacy is to be left to future generations? This encouraging work is essential reading for anyone concerned with questions of Jewish faith and the future of Judaism in America. Arnold M. Eisen is Professor and Chair of Religious Studies at Stanford University, a frequent speaker on issues related to contemporary Jewish life before lay and scholarly audiences throughout North America, and an active participant in communal discussions concerning the future of American Judaism. His publications include The Chosen People in America (Indiana University Press) and Rethinking Modern Judaism: Ritual, Commandment, Community, winner of a Koret Jewish Book Award. The Helen and Martin Schwartz Lectures in Jewish Studies Contents: Introduction 1. Genesis: Taking on Tradition 2. Exodus: History, Faith, and Covenant 3. Leviticus: Ritual and Community 4. Numbers: Politics in the Wilderness 5. Deuteronomy: Legacies

"In 1917, a band of communist revolutionaries stormed the Winter Palace of Tsar Nicholas II, a dramatic and explosive act marking that Vladimir Lenin's communist revolution was now underway. But Lenin would not be satisfied with overthrowing the Tsar. His goal was a global revolt that would topple all Western capitalist regimes starting with the British Empire. This book tells the story of the British spies in revolutionary Russia and their mission to stop Lenin's red tide from washing across the free world. They were an eccentric cast of characters, led by Mansfield Cumming, a one-legged, monocle-wearing former sea captain, and included novelist W. Somerset Maugham, beloved children's author Arthur Ransome, and the dashing, ice-cool Sidney Reilly, the legendary Ace of Spies and a model for Ian Fleming's James Bond. Cumming's network would pioneer the field of covert action and would one day become Britain's Military Intelligence 6 (MI -6) -- book jacket.

A writer's lifelong battle with mental illness. Demonic to Divine: The Double Life of Shulamis Yelin is a weaving of the Montreal writer's stories and selected diary excerpts and family photographs revealing a far-reaching creative personality who is haunted from the age of ten by the "moods taking over." This book poignantly illuminates the dramatic duality of a public and private literary and emotional life through published and unpublished stories of an idyllic Montreal Jewish childhood contrasted with deeply troubled and often shocking diary entries that document the author's lifelong battle with mental illness. Yelin's insightful yet light and humorous stories have been cherished by generations of children and adults for their universal appeal. The journal entries that she maintained for most of her 90 years document the abuse, paranoia, self-loathing, doubt, and devastating depression of Yelin's true emotional state. These concurrent lenses reveal the profound struggles and suffering of a fascinating and highly gifted woman who transcended her ongoing deep-seated emotional agony to create a significant literary legacy. The many threads of this multilayered book have been woven together though the collaboration of Yelin's daughter, Gilah Yelin Hirsch and Yelin's first stories' editor, Nancy Marrelli.

From Sadness and Happiness: Poems by Robert Pinsky : CEREMONY FOR ANY BEGINNING Robert Pinsky ? Against weather, and the random Harpies--mood, circumstance, the laws Of biography, chance, physics-- The unseasonable soul holds forth, Eager for form as a renowned Pedant, the emperor's man of worth, Hereditary arbiter of manners. Soul, one's life is one's enemy. As the small children learn, what happens Takes over, and what you were goes away. They learn it in sardonic soft Comments of the weather, when it sharpens The hard surfaces of daylight: light Winds, vague in direction, like blades Lavishing their brilliant strokes All over a wrecked house, The nude wallpaper and the brute Intelligence of the torn pipes. Therefore when you marry or build Pray to be untrue to the plain Dominance of your own weather, how it keeps Going even in the woods when not A soul is there, and how it implies Always that separate, cold Splendidness, uncouth and unkind-- On chilly, unclouded mornings, Torrential sunlight and moist air, Leafage and solid bark breathing the mist.

A unique novel of parents and children - and the spaces between them Dr. Niels Berners - a Swiss plastic surgeon living in New York - is struggling to recover from his dysfunctional son's abandonment of him. He joins a group of four other parents, all with absent children either in jail or in jeopardy, to discuss their feelings and seek a sense of community, comfort, and closure. Hortense Calisher artfully strings together tales of healing, brilliantly tracing the shadow of the generational gap. With compassion and precision, she paints the bruised egos of concerned parents confronting very empty nests.

Australian Readers Remember is a novel cultural history, based on an investigation into the reading habits of sixty elderly Australians, who were asked to recall and to analyse what they were reading in the late nineteenth century and during the first three decades of the twentieth century, It is the first work of Australian literary history to focus on readers' experience and attitudes. Part One discusses the project, the place of oral history, and the problems involved in analysing the finding. Part Two offers an account of readers' memories of novels, verse, children's books, newspapers etc. Part Three examines the diffusion of literature and how the subjects obtained access to books. Part Four, the most original in the book, analyses the status of reading, attitudes towards books, as well as myths and prejudices surrounding the act of reading.

Stories deal with childhood friends, settlers in Africa, home movies, infidelity, children, alcoholism, town life, and depression

Gotz and Meyer, two noncommissioned SS officers, are entrusted with an assignment, "not a big one," but one that "requires efficiency." Their task is to transport five thousand women, children and elderly, one hundred at a time, from a concentration camp near Belgrade in a hermetically sealed truck, in which they are gassed. As Albahari's anonymous narrator, a teacher, obsessively pursues the truth of this systematic annihilation, he shares his findings with his students. Their school bus becomes that truck, and as the memory of Belgrade's lost Jewish souls is evoked, the students are bewildered. Their teacher, worn down as much by the task of making history come alive as by the toll his research has taken on him, is overwhelmed by the horror of his own imaginings. A harrowing, masterfully written story, full of compassion, irony, and lyricism.

From Library Journal Bloch gives us lines worth storing in the heart against nameless pain. Themes include giving birth, raising children, relationships that fail ("Whatever you gave me, I used it right away/ for breathing"), marriage that lasts ("Rosin of sunlight slides up and down/ a string of spiderweb,/bowing a high note"), and childhood ("If we were so happy/ why weren't we happy?"). Adding to the ongoing work of late 20th-century women telling their lives in honest detail, her voice is at its best when her own body is at risk ("There's a future loose in my body and I/ am its servant:/carrying wood, fetching water"). Surprisingly, the Russian Jewish inheritance articulate in the matrioshka doll poem points us more toward Bloch's human identity than toward any specific ethnic experience. The poems' elegant simplicity of diction make them very readable. Recommended for most contemporary poetry and women's studies collections.- Judy Hogan, Durham, N.C.Copyright 1992 Reed Business Information, Inc. From the Publisher 6 x 9 trim. LC 92-9628

"[Marshall] understands that the neighborhoods and cities that no longer exist can be conjured by memory and reanimated by art."-- San Francisco Chronicle "Born in Brooklyn of Arabic/Jewish heritage, Marshall may represent the keynote, most critical multicultural mixture of our time."--Naomi Shihab Nye, Hungry Mind Review Inspired by the posthumous discovery of letters written by his father but never mailed, Jack Marshall's memoir is both a moving story of a writer's artistic coming-of-age and a lush, lyrical recollection of a childhood spent in Brooklyn's Arabic-speaking Jewish community. Born in 1936 to an Iraqi father and Syrian mother who had immigrated to the United States, Marshall grew up in the hardworking Sephardic community--enveloped in an extended family that spoke little English, no Yiddish, and whose way of life owed more to their Middle Eastern homelands than to European Jewish traditions. As the sights, sounds, and tastes of midcentury New York leap off the page, Marshall beautifully evokes the magic of youth and discovery. From playing "running bases" in the Brooklyn streets to making egg creams at Coney Island, from his mother's rich kibbeh and baklava to the vast world revealed in the books of the New York Public Library, from the pleasures of music to the mysteries contained under a microscope, Marshall's story is as enduring as it is original. And before he sets sail for Africa as a seaman on a Norwegian freighter, Marshall has, through his negotiation of language, culture, family strife, and issues of education, faith, and politics, shined a light upon the possibilities of our collective future. A critically acclaimed poet, Jack Marshall has received a PEN Center USA West Award, two Bay Area Book Reviewers awards, and was a finalist for the National Book Critics Circle Award. He lives in the San Francisco Bay Area.

Ethel Hofman grew up in the only Jewish family on Shetland. This is the story of her family and childhood, and of the meeting of two diverse cultures in a unique landscape. Fleeing Russia a century ago, Ethel's father, Harry Greenwald, found a safe haven in Lerwick, Shetland. Liking the place, he brought over Jean after an arranged marriage and they set up a shop, Greenvald's, soon popular with the locals as a gathering place. Despite the hardships of living on a remote island, good food and good company were always available, and the recipes for the Jewish and island dishes prepared by Jean are woven throughout the touching, affectionate narrative. As a unique blend of memoir and cookbook, Mackerel at Midnight shows how food can strengthen family and cultural bonds, and celebrates the tolerance and warmth of one Jewish family and the community that embraced them.

A collection of sixteen poems, by twelve contemporary authors, celebrating Jewish holidays such as Yom Kippur and Purim.